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- Title
- Langston Hughes's Jesse B. Semple commentaries: A Nietzschean reading.
- Creator
- Angelone, Tina., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Friedrich Nietzsche's notion of the Apollonian/Dionysian opposition found in The Birth of Tragedy provides a means to analyze Langston Hughes's Jesse B. Semple commentaries. The language and archetypal characters found in the Semple commentaries demonstrates the shifting balance between the struggles and the triumphs of some American Negroes. This shifting balance is represented by the Dionysian and Apollonian traits of Simple and the narrator, Boyd. By creating these characters, Hughes is...
Show moreFriedrich Nietzsche's notion of the Apollonian/Dionysian opposition found in The Birth of Tragedy provides a means to analyze Langston Hughes's Jesse B. Semple commentaries. The language and archetypal characters found in the Semple commentaries demonstrates the shifting balance between the struggles and the triumphs of some American Negroes. This shifting balance is represented by the Dionysian and Apollonian traits of Simple and the narrator, Boyd. By creating these characters, Hughes is able to display the importance of the low-down culture for some black artists. Through the intoxicated Dionysian insight of Semple and the Apollonian logos of the narrator, Hughes demonstrates the blending of folk tradition or myth to common sense or reality. Ultimately, the struggle between these characters constructs the image of the New Negro, as well as the creative framework of the Harlem Renaissance.
Show less - Date Issued
- 2004
- PURL
- http://purl.flvc.org/fcla/dt/13143
- Subject Headings
- Literature, Modern, History, Black, Literature, American
- Format
- Document (PDF)
- Title
- A great mind is androgynous: A look at the late poetry of Sylvia Plath through Virginia Woolf's theory of the androgynous consciousness.
- Creator
- Blackburn, Shilo R., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
The female subject in the late poetry of Sylvia Plath experiences a physical and intellectual transformation, as Plath attempts to challenge and redefine the social construction of woman through Virginia Woolf's influence. Plath aspires to achieve a poetic voice that embodies characteristics of both genders simultaneously, an androgynous consciousness by Woolf's account, and one that can speak despite Western culture's imposed inferiority of women writers. Since traditionally masculine...
Show moreThe female subject in the late poetry of Sylvia Plath experiences a physical and intellectual transformation, as Plath attempts to challenge and redefine the social construction of woman through Virginia Woolf's influence. Plath aspires to achieve a poetic voice that embodies characteristics of both genders simultaneously, an androgynous consciousness by Woolf's account, and one that can speak despite Western culture's imposed inferiority of women writers. Since traditionally masculine language has defined women's social roles through their physical bodies, Plath's aim is to immerse her female subject in the experiences of her corporeal body as a means to transcend her physical existence and symbolically achieve a supreme consciousness unadulterated by gender designs. Through the transportation of the physical, female body, then, Plath believes that her poetic voice can emerge in the form of an androgynous spirit capable of accessing powers of both genders.
Show less - Date Issued
- 2004
- PURL
- http://purl.flvc.org/fcla/dt/13147
- Subject Headings
- Literature, Modern, Women's Studies, Literature, American
- Format
- Document (PDF)
- Title
- The textual masks of Nathanael West.
- Creator
- Bezet, Jared, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
The novels of Nathanael West are preoccupied with the deconstruction of Western civilization, satirizing and parodying its most respected ideologies and literatures; they are also involved in recreating both cultural and personal identity from the deconstructed fragments of this culture by performances or masks of identity. The textual mask is a trope that performs both these functions in the work of Eliot, Pound, and Joyce, but especially in West. West demonstrated the mask's destructive...
Show moreThe novels of Nathanael West are preoccupied with the deconstruction of Western civilization, satirizing and parodying its most respected ideologies and literatures; they are also involved in recreating both cultural and personal identity from the deconstructed fragments of this culture by performances or masks of identity. The textual mask is a trope that performs both these functions in the work of Eliot, Pound, and Joyce, but especially in West. West demonstrated the mask's destructive force and constructive potential in both his writing and his personal life. The novels---The Dream Life of Balso Snell, Miss Lonelyhearts, A Cool Million, and The Day of the Locust---variously attack artistic or political formulae that privilege escape from culture's degradation, or that offer erroneous promises of subjective or cultural wholeness. West's life and art, then, exhibit the usefulness of the mask in the grim battle for the formation of artistic and political subjectivity.
Show less - Date Issued
- 2005
- PURL
- http://purl.flvc.org/fcla/dt/13201
- Subject Headings
- Literature, Modern, Literature, American
- Format
- Document (PDF)
- Title
- Reading Henry: The author's role in Henry James's criticism and in "The Middle Years".
- Creator
- Alvarez, Camila, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Henry James wrote several works fictionalizing ideas of authorship. No critics have yet looked at "The Middle Years" as an affirmation of the role of the author. Julie Rivkin and Joyce Carol Oates are critics I cite as valuable support to my interpretation of "The Middle Years," a short story that gives us insight into Henry James's critical theory. The story deals with the final days of the author---Dencombe and his creation of a work of art also entitled "The Middle Years." This doubling of...
Show moreHenry James wrote several works fictionalizing ideas of authorship. No critics have yet looked at "The Middle Years" as an affirmation of the role of the author. Julie Rivkin and Joyce Carol Oates are critics I cite as valuable support to my interpretation of "The Middle Years," a short story that gives us insight into Henry James's critical theory. The story deals with the final days of the author---Dencombe and his creation of a work of art also entitled "The Middle Years." This doubling of the title causes authority over the story to become diffused: the real author writes the actual story, while the fictional author owns both the fictional and actual story. Authority is further complicated by the processes of reading and revision. Through these processes, the author and the reader become both creators and spectators. This duality in combination with Dencombe's identification as the ideal author and Dr. Hugh's identification as the ideal reader grants insight into James's stance on the author's role in a work of fiction.
Show less - Date Issued
- 2005
- PURL
- http://purl.flvc.org/fcla/dt/13218
- Subject Headings
- Literature, American, Literature, English
- Format
- Document (PDF)
- Title
- Wilde beauty: A new look at an old crossroad in aesthetic history.
- Creator
- Barletta, Crystal Grace, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
I argue that beauty can be found in both the moral and immoral. The subjects of art, beauty, and morality in Wilde's The Picture of Dorian Gray are justly explained and beauty is revealed and restored to art when Dorian finally pierces his portrait. Art imitates life, and life must be portrayed in all its aspects of beauty and wretchedness. I also argue that the artist cannot be separated from his art, therefore making us judge both the person and the piece which should not be judged based on...
Show moreI argue that beauty can be found in both the moral and immoral. The subjects of art, beauty, and morality in Wilde's The Picture of Dorian Gray are justly explained and beauty is revealed and restored to art when Dorian finally pierces his portrait. Art imitates life, and life must be portrayed in all its aspects of beauty and wretchedness. I also argue that the artist cannot be separated from his art, therefore making us judge both the person and the piece which should not be judged based on morality. I also use Wilde's work as well as critics of Wilde, art, beauty, and morality to prove that art does have a purpose.
Show less - Date Issued
- 2005
- PURL
- http://purl.flvc.org/fcla/dt/13241
- Subject Headings
- Literature, English
- Format
- Document (PDF)
- Title
- Patriarchal cons: Feminine flirtation in "Twelfth Night".
- Creator
- Braun, Theresa A., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
There is a linguistic homoerotic flirtation between the characters of Viola and Olivia in Shakespeare's Twelfth Night. Through Jane Gallop's analysis of Jacques Lacan, readers can view the eroticized exchange between these female characters by observing the manner in which each character utilizes both words containing feminine roots or metaphors that are feminine in nature. While Viola and Olivia express female-female desire, they search for their own identities in the patriarchal system that...
Show moreThere is a linguistic homoerotic flirtation between the characters of Viola and Olivia in Shakespeare's Twelfth Night. Through Jane Gallop's analysis of Jacques Lacan, readers can view the eroticized exchange between these female characters by observing the manner in which each character utilizes both words containing feminine roots or metaphors that are feminine in nature. While Viola and Olivia express female-female desire, they search for their own identities in the patriarchal system that they must exist. They challenge the idea that women need to be both sexually and verbally passive. Viola represents a woman's removal from and re-emergence into the patriarchal system through her disguise. She is able to use the idea of the phallus in her interaction with Olivia, allowing both characters to experience phallic power---both by wielding power and by affirming their feminine characteristics through specific language.
Show less - Date Issued
- 2005
- PURL
- http://purl.flvc.org/fcla/dt/13281
- Subject Headings
- Psychology, Social, Women's Studies, Theater, Literature, English
- Format
- Document (PDF)
- Title
- Cerebral Cabaret: All Voices Present and Accounted For. A collection of short stories.
- Creator
- Angel, Tee, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Cerebral Cabaret: All Voices Present and Accounted For is a collection of short stories that question identity and purpose in life. Each of the stories gravitates to a center of family, the need for love, and the search for a sense of belonging. Is success the sale of the perfect work of art, or is it taking a drive, rolling down the windows, and fighting to hold the breeze in outstretched hands? When love fails, can an unholy communion provide solace? Can a man feel at home in the house of a...
Show moreCerebral Cabaret: All Voices Present and Accounted For is a collection of short stories that question identity and purpose in life. Each of the stories gravitates to a center of family, the need for love, and the search for a sense of belonging. Is success the sale of the perfect work of art, or is it taking a drive, rolling down the windows, and fighting to hold the breeze in outstretched hands? When love fails, can an unholy communion provide solace? Can a man feel at home in the house of a stranger? Do voices from the past seal the fate of our future? Does death alter love? Can life be revised? These are a few of the questions mulled over in this collection. Each character's ostensible success is not at stake, only their continued willingness to navigate the world in which they exist.
Show less - Date Issued
- 2006
- PURL
- http://purl.flvc.org/fcla/dt/13337
- Subject Headings
- Literature, Modern, Literature, American
- Format
- Document (PDF)
- Title
- Religious students in the writing class.
- Creator
- Bosworth, Anne, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Although the typical writing instructor might not be likely to have numerous encounters with fundamentalist students throughout the course of a career, most writing instructors will almost certainly have students who write in and from a range of religious, political, and ideological contexts. Because such students often struggle against writing pedagogies that promote cultural pluralism and social justice through liberal or left-wing political ideologies, ethnographic examination of religious...
Show moreAlthough the typical writing instructor might not be likely to have numerous encounters with fundamentalist students throughout the course of a career, most writing instructors will almost certainly have students who write in and from a range of religious, political, and ideological contexts. Because such students often struggle against writing pedagogies that promote cultural pluralism and social justice through liberal or left-wing political ideologies, ethnographic examination of religious ideology and politics is a valuable critical tool for reflection for composition scholars as they consider how to address religious discourse, faith-based claims, and religious political agendas in their students' writings, class discussions, and responses to course materials and instruction. My acute understanding of this pedagogical conflict is informed by my own academic formation and in-class instructional experiences, and the point at which I began scrutinizing the intersections of Christian fundamentalism and contemporary composition pedagogy is a significant element of this study.
Show less - Date Issued
- 2006
- PURL
- http://purl.flvc.org/fcla/dt/13409
- Subject Headings
- Language, Rhetoric and Composition
- Format
- Document (PDF)
- Title
- TOWARD THE HUMAN EQUATION: THE ROMANTIC IDEALIST IN THE PLAYS OF ROBERT E. SHERWOOD.
- Creator
- AVANT, ROBERT JOSEPH, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Four plays by Robert E. Sherwood--The Road to Rome, The Petrified Forest, Idiot's Delight, and There Shall Be No Night--have protagonists who may be identified by the term "romantic idealist." They are "romantic" in that they are typically dissatisfied v1ith the present, nostalgic for the glory of the past, chivalrous in matters of the heart, irrational in their behavior, and intuitive in their judgments. Like the Byronic hero, they are capable of intense feeling. They are "idealistic" in...
Show moreFour plays by Robert E. Sherwood--The Road to Rome, The Petrified Forest, Idiot's Delight, and There Shall Be No Night--have protagonists who may be identified by the term "romantic idealist." They are "romantic" in that they are typically dissatisfied v1ith the present, nostalgic for the glory of the past, chivalrous in matters of the heart, irrational in their behavior, and intuitive in their judgments. Like the Byronic hero, they are capable of intense feeling. They are "idealistic" in that they hold to noble beliefs of a transcendent nature--honor, truth, freedom. Within Sherwood's plays there is a movement toward ever purer manifestations of idealism, culminating in the idealistically pure (but dramatically simplistic) characterization of Dr. Valkonen in There Shall Be No Night.
Show less - Date Issued
- 1971
- PURL
- http://purl.flvc.org/fcla/dt/13441
- Subject Headings
- Literature, American
- Format
- Document (PDF)
- Title
- REVOLUTIONARY BLACK POETRY, 1960-1970.
- Creator
- BORNSTEIN, RITA, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
This thesis examines the work of young black poets of the sixties--LeRoi Jones, Don L. Lee, Nikki Giovanni, Sonia Sanchez, and others-- who have played a significant role in the cultural revolution which has accompanied the contemporary black struggle for liberation. It establishes the framework of the black cultural revolution, and explores its rationale and the emerging new black aesthetic. It traces the roots and examines the themes and techniques of the poetry itself. Finally, the...
Show moreThis thesis examines the work of young black poets of the sixties--LeRoi Jones, Don L. Lee, Nikki Giovanni, Sonia Sanchez, and others-- who have played a significant role in the cultural revolution which has accompanied the contemporary black struggle for liberation. It establishes the framework of the black cultural revolution, and explores its rationale and the emerging new black aesthetic. It traces the roots and examines the themes and techniques of the poetry itself. Finally, the response of establishment critics to this poetry is examined along with the new black criticism which is developing as an adjunct to the new black aesthetic.
Show less - Date Issued
- 1971
- PURL
- http://purl.flvc.org/fcla/dt/13445
- Subject Headings
- Literature, Modern
- Format
- Document (PDF)
- Title
- THE RELATIONSHIP BETWEEN THE NARRATOR AND THE BLACK KNIGHT IN CHAUCER'S "THE BOOK OF THE DUCHESS.".
- Creator
- BING, LOUISE ADELE, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
An examination of the dream-vision form and the Hiddle English lyric clarifies the role relationship in Chaucer's The Book of the Duchess, a relationship not fully clarified by past scholarship. In the dream vision a conventional pattern establishes the relationship between the narrator and his superior guide and, in the English lyric form, the "chanson d'aventure," the narrator encounters a sorrowing figure who provides enlightenment through the explanation of his sorrow. Chaucer employs the...
Show moreAn examination of the dream-vision form and the Hiddle English lyric clarifies the role relationship in Chaucer's The Book of the Duchess, a relationship not fully clarified by past scholarship. In the dream vision a conventional pattern establishes the relationship between the narrator and his superior guide and, in the English lyric form, the "chanson d'aventure," the narrator encounters a sorrowing figure who provides enlightenment through the explanation of his sorrow. Chaucer employs the dream vision's conventional pattern and, in the dream portion of the poem, he makes use of the "chanson d'aventure" form with the added complexities of his own material. His Narrator has forgotten his nature as man. The sorrowing Knight reminds him of the need to feel this emotion, both over the loss of the Duchess and because of man's own fallen state. The Knight, then, becomes a guide who provides enlightenment for the erring Narrator.
Show less - Date Issued
- 1973
- PURL
- http://purl.flvc.org/fcla/dt/13601
- Subject Headings
- Literature, Medieval, Literature, English
- Format
- Document (PDF)
- Title
- PRINCIPLES AND PRISMS: SYMBOLIC STRUCTURE IN THE POETRY OF WALLACE STEVENS.
- Creator
- PAU-LLOSA, RICARDO MANUEL., Florida Atlantic University, Pearce, Howard D., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
A detailed analysis of Wallace Stevens' rock and statue symbols, as they recur throughout the poet's career, reveals an intricate chronological pattern. Such a pattern is based on Stevens' philosophical commitment to a world of constant change and elusive perceptual assertions. Stevens' symbols operate through a system of meaning which is controlled and variable at the same time. Two concepts of symbolic structure are defined: the prismatic principle, or focal point through which all meanings...
Show moreA detailed analysis of Wallace Stevens' rock and statue symbols, as they recur throughout the poet's career, reveals an intricate chronological pattern. Such a pattern is based on Stevens' philosophical commitment to a world of constant change and elusive perceptual assertions. Stevens' symbols operate through a system of meaning which is controlled and variable at the same time. Two concepts of symbolic structure are defined: the prismatic principle, or focal point through which all meanings are projected, and the spectrum of import, the expansive pattern which shapes and modulates symbolic meaning. Symbols zig-zag from abstract to concrete levels of meaning development. Four major stages are analyzed: The Icon, Stage 1 (1921-1935), The Statue, Stage 2 (1935-1938), The Transitional Levels, Stage 3 (1938-1946), and The Rock, Stage 4 (1946-1950). The paradox of co-existing pattern and flux in Stevens' symbols emerges from his overriding dualistic uncertainties.
Show less - Date Issued
- 1976
- PURL
- http://purl.flvc.org/fcla/dt/13830
- Subject Headings
- Literature, American
- Format
- Document (PDF)
- Title
- A CHANGING OF THE SEASONS: WALLACE STEVENS' POETIC INTERPRETATIONS OF THE CYCLIC CONTINUUM.
- Creator
- BELTZ, MARY RITA, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
A dominating principle in the poetry of Wallace Stevens is that of mutability - the belief that the universe does and should exist in a process of constant change, His use of the seasonal cycles integrates that process in both their physical appearance and as states of imaginative perception for the poet. Stevens draws a deeply thematic analogy between the relationship of imagination and reality and the flowering and unveiling of the physical world. nis poetics alternate from the first hint...
Show moreA dominating principle in the poetry of Wallace Stevens is that of mutability - the belief that the universe does and should exist in a process of constant change, His use of the seasonal cycles integrates that process in both their physical appearance and as states of imaginative perception for the poet. Stevens draws a deeply thematic analogy between the relationship of imagination and reality and the flowering and unveiling of the physical world. nis poetics alternate from the first hint of string with its hope of new fictions to the wintry bareness of perceiving things exactly as they are. In so doing, the poet's constantly altering perceptions affect each season, bringing new responses and transformations to the natural world. In realizing that the poet discovers his own analogies and resemblances in the desired changes of weather and seasons, the reader is rewarded with a deeper and at once more crystallizing knowledge of his work.
Show less - Date Issued
- 1977
- PURL
- http://purl.flvc.org/fcla/dt/13843
- Subject Headings
- Literature, American
- Format
- Document (PDF)
- Title
- SOUTH AFRICAN ANALOGUE TO "ABSALOM, ABSALOM|" (FAULKNER, PATON).
- Creator
- BLANTON, JERRY CAIN, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Literature is influenced by the society in which it is written. Absalom, Absalom! by William Faulkner and Too Late the Phalarope by Alan Paton have many similarities because the societies which produced them have similarities. The Old South and the Afrikaner society of South Africa have many historical occurrences and cultural attitudes in common, among them: former slave societies, wars with aborigenes, an agrarian-industrial conflict in which they were defeated, racial segregation,...
Show moreLiterature is influenced by the society in which it is written. Absalom, Absalom! by William Faulkner and Too Late the Phalarope by Alan Paton have many similarities because the societies which produced them have similarities. The Old South and the Afrikaner society of South Africa have many historical occurrences and cultural attitudes in common, among them: former slave societies, wars with aborigenes, an agrarian-industrial conflict in which they were defeated, racial segregation, Calvinist religion, and an intermingling of the past and the present. Absalom, Absalom! and Too Late the Phalarope have the following in common: tone, titles of despair, character types, function of setting, qualities of Greek tragedy, Biblical allusions and syntax. A sociological literary study may help to understand how a society influences its literature.
Show less - Date Issued
- 1977
- PURL
- http://purl.flvc.org/fcla/dt/13850
- Subject Headings
- Literature, Modern, Literature, African
- Format
- Document (PDF)
- Title
- THE PORTRAYAL OF ADOLESCENCE IN THE NOVELS OF CARSON MCCULLERS.
- Creator
- BINDAS, SUSAN ANNE, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Adolescents play an integral role in Carson McCullers' work, particularly The Heart Is a Lonely Hunter, The Member of the Wedding, and Clock Without Hands. In these novels the characterizations of Mick, Frankie, Jester, and Sherman are drawn with an intuitive awareness of principles of adolescent psychology. McCullers focuses on the expectations, uncertainties, and contradictions of the adolescent years. However, her novels are much more than stories of troubled teens. Largely because of...
Show moreAdolescents play an integral role in Carson McCullers' work, particularly The Heart Is a Lonely Hunter, The Member of the Wedding, and Clock Without Hands. In these novels the characterizations of Mick, Frankie, Jester, and Sherman are drawn with an intuitive awareness of principles of adolescent psychology. McCullers focuses on the expectations, uncertainties, and contradictions of the adolescent years. However, her novels are much more than stories of troubled teens. Largely because of their adolescent characteristics, Nick, Frankie, Jester, and Sherman serve as fitting symbolic vehicles for McCullers' exploration of such ageless themes as the search for self and the search for love.
Show less - Date Issued
- 1977
- PURL
- http://purl.flvc.org/fcla/dt/13862
- Subject Headings
- Literature, Modern, Literature, American
- Format
- Document (PDF)
- Title
- THE THEMATIC RELEVANCE OF JOHN GARDNER'S "UNRELIABLE NARRATOR.".
- Creator
- ATWILL, WILLIAM D., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Gardner's use of unreliable and often intrusive narrative voices is a structural key to the world view presented in his novels. All the narrators, whether they be involved central characters or intrusive third-person voices, journey toward knowledge and affirmation in art. In The Wreckage of Ag'athon, the aged seer is driven by the chaos he cannot untangle to create his own rationale. Grendel embraces a nihilistic world view until the monster is finally lifted to a limited sort of vision as a...
Show moreGardner's use of unreliable and often intrusive narrative voices is a structural key to the world view presented in his novels. All the narrators, whether they be involved central characters or intrusive third-person voices, journey toward knowledge and affirmation in art. In The Wreckage of Ag'athon, the aged seer is driven by the chaos he cannot untangle to create his own rationale. Grendel embraces a nihilistic world view until the monster is finally lifted to a limited sort of vision as a shaper of experience. The voice of The Sunlight Dialogues is limited omniscient, yet the narrator intrudes, reminding the reader that he is dependent upon an involved point of view. In the dream-narrative of Jason and Medeia, perhaps the best utilization of an involved, fallible narrator, the journey toward affirmative vision balongs more to the narrator than the hero.
Show less - Date Issued
- 1978
- PURL
- http://purl.flvc.org/fcla/dt/13911
- Subject Headings
- Literature, Modern, Literature, American
- Format
- Document (PDF)
- Title
- "JULIA" CHARACTERIZATION IN THE PLAYS OF LILLIAN HELLMAN.
- Creator
- BELL, KATHLEEN T., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
The Julia character, as depicted in the essay in Pentimento, provides a character model for Lillian Hellman's plays. Julia's strength of personal responsibility provides Hellman a measure by which her characters succeed or fail, a criterion upon which personal worth is judged. Julia's strength, compassion, and personal responsibility are depicted in varying degrees in the characters created in Watch on the Rhine, The Children's Hour, The Little Foxes, Another Part of the Forest, The Searching...
Show moreThe Julia character, as depicted in the essay in Pentimento, provides a character model for Lillian Hellman's plays. Julia's strength of personal responsibility provides Hellman a measure by which her characters succeed or fail, a criterion upon which personal worth is judged. Julia's strength, compassion, and personal responsibility are depicted in varying degrees in the characters created in Watch on the Rhine, The Children's Hour, The Little Foxes, Another Part of the Forest, The Searching Wind, and The Autumn Garden. As reflected in the plays, Julia is Hellman's model, her ideal; she is the vehicle for Hellman's strong personal and social statements.
Show less - Date Issued
- 1980
- PURL
- http://purl.flvc.org/fcla/dt/14044
- Subject Headings
- Literature, Modern, Theater, Literature, American
- Format
- Document (PDF)
- Title
- WILLIAM FAULKNER AND AVIATION: THE MAN AND THE MYTH.
- Creator
- BOSTWICK, WALTER INGERSOLL, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
In the years following World War I, William Faulkner implied to his family and acquaintances that he had been a pilot in the RAF. Some people even thought that he had flown combat missions in France and had been wounded. He maintained this fictitious persona throughout his life, and it was accepted by most scholars and biographers. Several of Faulkner's early works featured aviators as central characters, and he treated them as romanticized, tragic heroes as he did Confederate cavalry...
Show moreIn the years following World War I, William Faulkner implied to his family and acquaintances that he had been a pilot in the RAF. Some people even thought that he had flown combat missions in France and had been wounded. He maintained this fictitious persona throughout his life, and it was accepted by most scholars and biographers. Several of Faulkner's early works featured aviators as central characters, and he treated them as romanticized, tragic heroes as he did Confederate cavalry officers. Pylon, which was written after he had actually started flying, reflects an awareness of the psychology of flying not seen in his earlier works. Faulkner's "wounded pilot" persona was only one facet of his imaginative and creative personality, but knowledge of this persona is necessary to the understanding of the man and thus his art.
Show less - Date Issued
- 1981
- PURL
- http://purl.flvc.org/fcla/dt/14075
- Subject Headings
- Literature, American
- Format
- Document (PDF)
- Title
- TWO WISE MEN IN QUARTET. ELIOT AND SANTAYANA: THE SEARCH FOR FAITH.
- Creator
- BARNES, JACKIE WARD, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Santayana's thought underlies much of Eliot's poetry. Both Eliot and Santayana were skeptics, and Eliot's skepticism is documented in the quartets, a work that is a personal journal of his search for faith. That search was to be an unsuccessful one, for Eliot realized the impossibility of union with the Absolute. The symbolism of the rosegarden, the bedded axle-tree, the still point, and the clematis, when analyzed, demonstrates Eliot's concept of a clockwork universe, a universe that is...
Show moreSantayana's thought underlies much of Eliot's poetry. Both Eliot and Santayana were skeptics, and Eliot's skepticism is documented in the quartets, a work that is a personal journal of his search for faith. That search was to be an unsuccessful one, for Eliot realized the impossibility of union with the Absolute. The symbolism of the rosegarden, the bedded axle-tree, the still point, and the clematis, when analyzed, demonstrates Eliot's concept of a clockwork universe, a universe that is unknowing and uncaring. Eliot reaches that concept, basically, because of Santayana's influence.
Show less - Date Issued
- 1983
- PURL
- http://purl.flvc.org/fcla/dt/14152
- Subject Headings
- Literature, American, Literature, English
- Format
- Document (PDF)
- Title
- EXISTENTIALISM IN SHIRLEY JACKSON'S LAST NOVELS.
- Creator
- ARGENZIANO, GUY A., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
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The existential philosophy of the post-war period is reflected in Shirley Jackson's last novels. The Sundial mirrors the anguish and intellectual alienation of a family trying to come to terms with the annihilation of their world. The Hunting of Hill House deals with the forlornness and emotional alienation that result from the discovery that man is completely alone because there is no God. We Have Always Lived in a Castle is concerned with the psychological alienation and despair that arise...
Show moreThe existential philosophy of the post-war period is reflected in Shirley Jackson's last novels. The Sundial mirrors the anguish and intellectual alienation of a family trying to come to terms with the annihilation of their world. The Hunting of Hill House deals with the forlornness and emotional alienation that result from the discovery that man is completely alone because there is no God. We Have Always Lived in a Castle is concerned with the psychological alienation and despair that arise from the realization that the potential for happiness is limited by man's self-destructive tendencies. Examined together, these novels present an existential viewpoint that corresponds to the turmoil of the post-war world.
Show less - Date Issued
- 1983
- PURL
- http://purl.flvc.org/fcla/dt/14178
- Subject Headings
- Literature, American
- Format
- Document (PDF)