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- Title
- The age of William A. Dunning: the realm of myth meets the yellow brick road.
- Creator
- Barsalou, Kathleen P., Dorothy F. Schmidt College of Arts and Letters, Department of History
- Abstract/Description
-
Stripped of the intent of its author, L. Frank Baum, the children's fairy tale The Wonderful Wizard of Oz was left to be understood only within a changing cultural construct. Historian Hayden White, arguing that the similarities between a novel and a work of history were more significant than their differences, insisted that history was preeminently a subsection of literature. According to White, historical narratives were manifestly verbal fictions, and the only acceptable grounds upon which...
Show moreStripped of the intent of its author, L. Frank Baum, the children's fairy tale The Wonderful Wizard of Oz was left to be understood only within a changing cultural construct. Historian Hayden White, arguing that the similarities between a novel and a work of history were more significant than their differences, insisted that history was preeminently a subsection of literature. According to White, historical narratives were manifestly verbal fictions, and the only acceptable grounds upon which the historian should choose his historical perspective were the moral and the aesthetic. White conflated historical consciousness with myth and blurred the boundary that had long divided history from fiction. Just as changing cultural concerns infused the Dorothy of Baum's children's literature with meaning so social, cultural, and moral imperatives came to dictate the content of historical stories particularly in the historiography of the Reconstruction era. The twenty first century conception of Reconstruction is different from the conception influential at the start of the twentieth. In assessing the scholarship of William A. Dunning, contemporary historians have adopted a new paradigm when describing the scholar's Reconstruction accounts. Modern commentators reject Dunning's authorial intention and the contextual framework needed to define it. Thus, Dunning has receded into the "realm of myth." Careful attendance to Dunning's historical context, contemporary audience, and his authorial intent, will reposition the perspective for analysis of Dunning's work. Removing Dunning from abstract analysis will allow historians to arrive at an understanding of his work, and view the importance of the real Dunning, rather than the fabricated image constructed from a partial and even fragmented reading of his work., Taking Dunning on his own terms restores a meaningful past and brings into bas-relief the tremendous advances the U. S. of twenty first century has made in reshaping social and political patterns.Taking theReconstruction era on its own terms impels historians to move beyond Dunning and return in their research to revisit primary records and documents as they work to clear the grisly ground of Reconstruction historiography for further fruitful examination.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/FAU/107801
- Subject Headings
- Criticism and interpretation, Political and social views, Criticism and interpretation, Wizard of Oz (Fictitious character), Oz (Imaginary place), Politics and literature, Criticism and interpretation
- Format
- Document (PDF)
- Title
- Who is Paule Maurice?: her relative anonymity and its consequences.
- Creator
- Moore, Anthony Jon., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
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Paule Maurice (1910-1967) is the little known composer of Tableaux de Provence: Suite for Saxophone and Orchestra, one of the most frequently recorded and studied classical saxophone compositions in history. A more in depth study of Paule Maurice reveals a talented composer and dedicated professor whose career at the Conservatoire National Supérieur de Musique de Paris and l'Ecole Normale de Musique de Paris spanned over twenty-five years until her untimely death at age fifty-seven. Maurice...
Show morePaule Maurice (1910-1967) is the little known composer of Tableaux de Provence: Suite for Saxophone and Orchestra, one of the most frequently recorded and studied classical saxophone compositions in history. A more in depth study of Paule Maurice reveals a talented composer and dedicated professor whose career at the Conservatoire National Supérieur de Musique de Paris and l'Ecole Normale de Musique de Paris spanned over twenty-five years until her untimely death at age fifty-seven. Maurice composed for theatre, ballet, French National Radio, orchestra, voice, piano, flute, clarinet, and saxophone. There is question as to the whereabouts of many of her manuscripts. This thesis attempts to bring to bear the life and accomplishments of a talented French composer not well remembered in music history.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/367763
- Subject Headings
- Criticism and interpretation, Composers, Music, History and criticism, Women in music, Saxophone music
- Format
- Document (PDF)
- Title
- Imaganes de la mujer transgresora en la tradiciâon romancera: el Romance Celestinesco y la adâultera câomo eco de las normas sociales Sefardâies.
- Creator
- Mazar, Inbal, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
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The Sephardic ballad collection contains ballads of varying themes, many of which have been forgotten in Spain, where they were originally sung by Jews, Christians, and Muslims. A popular theme within this genre is that of women committing adultery and transgressions which in many of the ballads is punishable by death. A brief history of the Sephardic Jews and their literary and oral tradition is included. An emphasis is placed on women's role in ballad tradition and the importance of...
Show moreThe Sephardic ballad collection contains ballads of varying themes, many of which have been forgotten in Spain, where they were originally sung by Jews, Christians, and Muslims. A popular theme within this genre is that of women committing adultery and transgressions which in many of the ballads is punishable by death. A brief history of the Sephardic Jews and their literary and oral tradition is included. An emphasis is placed on women's role in ballad tradition and the importance of transculturation and mimesis within the oral tradition, both significant to the survival of a tradition that has been continued for over five centuries, encompassing various regions around the world. The analysis focuses on two ballads in particular ; the "Celestine Romance", which shares a similar plot to La Celestina, written by Fernando de Rojas, and the ballad of "The Adulteress", a popular ballad within several traditions.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/FAU/165944
- Subject Headings
- Spanish literature, Criticism and interpretation, Ballads, Ladino, Criticism and interpretation, Sephardim, Songs and music, Adultery, Folklore
- Format
- Document (PDF)
- Title
- La fuerza de la tradiciâon: representaciones del estudiante en la novela picaresque.
- Creator
- Fernandez del Paramo, Javier., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
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The genre of the "picaresque" (romances of roguery), which were popular in sixteenth-century Spain, contain the literary type of the "picaro" or rogue, which can appear at times as a "student." The current work presents the historical context of the Spanish university and of the student's life as well as the representation of the "student" in several picaresque novels, namely, Mateo Aleman's El Guzman de Alfarache, Vicente Espinel's Marcos de Obregâon, Jerâonimo de Alcalâa y Yâanez's El...
Show moreThe genre of the "picaresque" (romances of roguery), which were popular in sixteenth-century Spain, contain the literary type of the "picaro" or rogue, which can appear at times as a "student." The current work presents the historical context of the Spanish university and of the student's life as well as the representation of the "student" in several picaresque novels, namely, Mateo Aleman's El Guzman de Alfarache, Vicente Espinel's Marcos de Obregâon, Jerâonimo de Alcalâa y Yâanez's El donoso hablador, and Francisco de Quevedo's El Buscâon, in order to contrast the social reality of the student and its literary representation. The literary character of the "student" does not depart only from its reality. Its characteristics are based on the student stories from the oral medieval tradition, a residual cultural elements, as described by Maxime Chevalier, as well as the emerging picaresque narratives.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/fcla/dt/172672
- Subject Headings
- Picaresque literature, Spanish, History and criticism, Spanish fiction, Criticism and interpretation, Point of view (Literature), Characters and characteristics in literature
- Format
- Document (PDF)
- Title
- Women, film, and oceans a/part: the critical humor of Tracey Moffatt, Monica Pellizzari, and Clara Law.
- Creator
- Senzani, Alessandra., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
- Abstract/Description
-
The politicized use of humor in accented cinema is a tool for negotiating particular formations of identity, such as sexuality, gender, ethnicity, and class. The body of work produced by contemporary women filmmakers working in Australia, specifically Tracey Moffatt, Monica Pellizzari, and Clara Law, illustrates how these directors have employed critical humor as a response to their multiple marginalization as women, Australian, and accented filmmakers. In their works, humor functions as a...
Show moreThe politicized use of humor in accented cinema is a tool for negotiating particular formations of identity, such as sexuality, gender, ethnicity, and class. The body of work produced by contemporary women filmmakers working in Australia, specifically Tracey Moffatt, Monica Pellizzari, and Clara Law, illustrates how these directors have employed critical humor as a response to their multiple marginalization as women, Australian, and accented filmmakers. In their works, humor functions as a critical tool to deconstruct the contradictions in dominant discourses as they relate to (neo)colonial, racist, globalized, patriarchal, and displaced pasts and presents. Produced within Australian national cinema, but emerging from experiences of geographical displacements that defy territorial borders, their films illuminate how critical humor can inflect such accepted categories as the national constitution of a cinema, film genre, and questions of exile and diaspora. Critical humor thus consti tutes a cinematic signifying practice able, following Luigi Pirandello's description of umorismo, to decompose the filmic text, and as a tool for an ideological critique of cinema and its role in (re)producing discourses of the nation predicated on the dominant categories of whiteness and masculinity. The study offers a theoretical framework for decoding humor in a film text, focusing on the manipulation of cinematic language, and it provides a model for a criticism that wishes to heighten the counter-hegemonic potential of cinematic texts, by picking up on the humorous, contradictory openings of the text and widening them through a parallel dissociating process., Finally, critical humor in the accented cinema of women filmmakers like Moffatt, Pellizzari, and Law is shown to constitute a form of translation and negotiation performed between the national, monologic constraints of film production and cinematic language, the heteroglossia of the global imaginaries that have traveled since the beginning with film technology, and the local and diasporic accents informing a filmmaker's unique style and perspective.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/FAU/186293
- Subject Headings
- Women motion picture producers and directors, Feminism and motion pictures, Criticism and interpretation, Local color in motion pictures, Intercultural communication in motion pictures
- Format
- Document (PDF)
- Title
- Smoothing out the rough edges: postcolonial spaces and postcolonial subjectivities in Le petit prince de Belleville and The celestial jukebox.
- Creator
- Anderson, Karyn H., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
Both Calixthe Beyala's Le petit prince de Belleville, published in France in 1992, and Cynthia Shearer's The Celestial Jukebox, published in the United States in 2005, explore similar questions regarding the place of immigrants in increasingly multicultural societies. Gilles Deleuze and Fâelix Guattari's concept of - smoothness and - striation illuminates the settings of these two texts, helping demonstrate that the Parisian neighborhood of Belleville presents a striated space dominated by...
Show moreBoth Calixthe Beyala's Le petit prince de Belleville, published in France in 1992, and Cynthia Shearer's The Celestial Jukebox, published in the United States in 2005, explore similar questions regarding the place of immigrants in increasingly multicultural societies. Gilles Deleuze and Fâelix Guattari's concept of - smoothness and - striation illuminates the settings of these two texts, helping demonstrate that the Parisian neighborhood of Belleville presents a striated space dominated by State constraints, from which the residents yearn to break free, and the fictional town of Madagascar, Mississippi consists of relatively smooth space that allows for local improvisation and engenders insecurity. The stories of Loukoum and Boubacar illustrate how these two characters negotiate their respective spaces, with Loukoum creating a position thoroughly between striated majority French culture and the smoothness of his diasporic sphere and Boubacar functioning as a rhizomatic nomad, embarking on an autonomous journey of discovery.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/186325
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Multiculturalism, Philosophy, Emigration and immigration, Political and social aspects, Place (Philosophy) in literature, Women authors, Black, Criticism and interpretation
- Format
- Document (PDF)
- Title
- Thai nurses' lived experience of caring for persons who had a peaceful death in intensive care units.
- Creator
- Kongsuwan, Waraporn., Christine E. Lynn College of Nursing
- Abstract/Description
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The objective of this study was to describe the lived experience of caring for persons who had a peaceful death in the intensive care units in Thailand. A qualitative research design informed by hermeneutic phenomenology was used to analyze data. Participants were 10 intensive care nurses working at adult intensive care units in south Thailand. A snowball purposive sampling method was used to select the participants. Participant inclusion criteria were at least six months' critical care...
Show moreThe objective of this study was to describe the lived experience of caring for persons who had a peaceful death in the intensive care units in Thailand. A qualitative research design informed by hermeneutic phenomenology was used to analyze data. Participants were 10 intensive care nurses working at adult intensive care units in south Thailand. A snowball purposive sampling method was used to select the participants. Participant inclusion criteria were at least six months' critical care nursing experience, experience in caring for a person who had peaceful death, able to describe peaceful death, and willing to participate in this study. Participants who met the inclusion criteria were interviewed. Face-to-face individual verbal interviews were conducted in the Thai language. These interviews were audiotape recorded. Descriptions were transcribed and translated for data analysis. Van Manen's (1990) hermeneutic phenomenological approach was used to analyze and interpret the data. The findings of this study were presented in each of 4 categories of the lived world of temporality, of spatiality, of corporeality, and of relationality. The description of the lived experience of caring for persons who had a peaceful death in ICU was, "understanding the other through the valuing of experience and enhancing relations with others by recognizing time is short and is a priority." This study may contribute to nursing knowledge of the end-of-life care to enhance a peaceful death in intensive care units congruently with Thai culture and society. In addition, this study directs the translations of its knowledge into implications that will benefit in helping Thai nursing to move forward. The implications of this study in advance will benefit terminally ill persons and family members regarding receiving good quality end-of-life care.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/186331
- Subject Headings
- Criticism and interpretation, Intensive care nursing, Nurse and patient, Terminal care, Psychological aspects, Nursing, Practice
- Format
- Document (PDF)
- Title
- Atrave(s) and fronte(i)ras: la traducciâon del Portuguâes al Espaînol de la novella Brasilîena Adeus, Rio Doce.
- Creator
- Bandeira de Mello, Clarisse., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
The translation of Geny Vilas-Novas' novel Adeus, Rio Doce emphasizes the importance of promoting a literary exchange between Brazil and the Spanish-speaking world. This study analyses contemporary Brazilian literature and situates the author in the post-modern literary movement, stressing two post-colonial fundamental themes: emigration and feminine literature. Millions of undocumented emigrants from Latin America live nowadays in the United States displaced in the American society and leave...
Show moreThe translation of Geny Vilas-Novas' novel Adeus, Rio Doce emphasizes the importance of promoting a literary exchange between Brazil and the Spanish-speaking world. This study analyses contemporary Brazilian literature and situates the author in the post-modern literary movement, stressing two post-colonial fundamental themes: emigration and feminine literature. Millions of undocumented emigrants from Latin America live nowadays in the United States displaced in the American society and leave suffering family members abandoned in their native countries. One of the roles of Latin- American women writers like Vilas-Novas is to reveal and denounce the subaltern conditions of this emigration movement in the globalization process, under the unusual perspective of those left behind. The linguistic and semantic challenges and difficulties faced during translation are a metaphor for the crossing of linguistic, cultural, social, and historical borders by Latin-Americans in search of better life opportunities.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/fcla/dt/186336
- Subject Headings
- Brazilian fiction, Translations into English, Brazilian literature, Criticism and interpretation, Postmodernism (Literature), Feminism and literature, Criticism and interpretation
- Format
- Document (PDF)
- Title
- Radicalism at sea: literary pirates in Emmanuel Appadocca to The Scar.
- Creator
- Kelly, Elizabeth., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
This thesis explores radicalism at work in M. Maxwell Philip's Emmanuel Appadocca (1854) and China Miâeville's The Scar (2002). These novels highlight piracy as a means of rejecting systems of power and social order. Through speculative fiction, each author finds the means to resist the hegemonic power of genre, race, empire, and knowledge that pervade each author's social and historical milieu. This work examines the historical and literary context of piracy as a metaphor for radicalism, the...
Show moreThis thesis explores radicalism at work in M. Maxwell Philip's Emmanuel Appadocca (1854) and China Miâeville's The Scar (2002). These novels highlight piracy as a means of rejecting systems of power and social order. Through speculative fiction, each author finds the means to resist the hegemonic power of genre, race, empire, and knowledge that pervade each author's social and historical milieu. This work examines the historical and literary context of piracy as a metaphor for radicalism, the project of legitimization and resistance to generic categorization of both texts. Emmanuel Appadocca resists racial stereotypes, and both texts exhibit clear resistance to colonial expansion. This resistance is made possible by each author's use of the sea as the site of insurgency and challenging boundaries of knowledge. Thus both novels lend themselves to interpretation as works of postcolonial fiction.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/fcla/dt/186337
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Pirates in literature, Radicalism in literature
- Format
- Document (PDF)
- Title
- Existential consciousness, redemption, and Buddhist allusions in the work of Saul Bellow.
- Creator
- Durbeej, Jerry K., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Within the past two centuries, massive industrialization, technological and scientific advances, wars, diseases, failures in social systems, and religious, ethnic, and political conflicts have produced an existential angst that has saturated the collective consciousness of modern man. The atrocities of World Wars I and II induced European and American authors and artists to confront this state of disillusionment, anxiety, loneliness, fear, and dread; consequently, much of our modern...
Show moreWithin the past two centuries, massive industrialization, technological and scientific advances, wars, diseases, failures in social systems, and religious, ethnic, and political conflicts have produced an existential angst that has saturated the collective consciousness of modern man. The atrocities of World Wars I and II induced European and American authors and artists to confront this state of disillusionment, anxiety, loneliness, fear, and dread; consequently, much of our modern literature reflects this nihilistic darkness. In this state of grave doubts and uncertainties, the modern man finds himself alienated and disconnected from the very essences that ground him. Scholars of literature, philosophy, and the various arts and social sciences, having examined this contemporary dilemma, find just cause to question our western belief that science, technology, and materialism put the world in order. The further indictment is that these rational and materialistic forces have usurped the place of God and dismantled the ancient mythologies that once grounded our existence. This study examines the selected work of Saul Bellow and argues that his recurring themes of suffering, compassion, humanity, and renewal of the human spirit are antithetical to this collective existential angst. My argument introduces the doctrine of Existentialism and then explores the basic existentialist theory of Jean-Paul Sartre. From this platform, I later establish that Bellow takes a stand against this collective nihilism in favor of community and the celebration of life that are defined by a moral framework. Bellow's most representative novel in this vein of existential dislocation is Dangling Man., From this novel, I argue that there is an inherent flaw in the notion that man's essential existence can only be defined through his agency as an individual, and that man, not God, is ultimately responsible for his actions and destiny. This pursuit of existence based on personal freedom and intellectual synthesis is prone to failure; Bellow's point of view is that the existentialist, having disconnected himself from God and community, plunges into an abyss fraught with angst and turmoil. Bellow's theme of humanity instructs that our redemption lies not in our personal quest, but in our absorption and participation in a community framed by moral precepts and the respect for God. Finally, and from another angle and through Bellow's Herzog, I establish a connection to Buddhism. From these Buddhist allusions, I further affirm that the quest for authentic existence and redemption demands a confrontation with our angst and an acknowledgement of our suffering.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/1870695
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Existentialsim in literature, Symbolism in literature, Buddhism and literature
- Format
- Document (PDF)
- Title
- The amorous doctor: the French seventeenth-century text in modern translation.
- Creator
- Cantor, Elsa., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
The anonymous French seventeenth-century play le Docteur Amoureux (1691) was written for theThéâtre Italien, the Italian troupe acting in Paris. It incorporated the techniques of both Old French farce and the commedia dell'arte into mainstream comic modes, in the manner of Moliáere but with some amusing twists. Le Docteur Amoureux remains a significant part of the French comic canon and the historical corpus of drama, yet it has never been translated into English. With prefatory commentary on...
Show moreThe anonymous French seventeenth-century play le Docteur Amoureux (1691) was written for theThéâtre Italien, the Italian troupe acting in Paris. It incorporated the techniques of both Old French farce and the commedia dell'arte into mainstream comic modes, in the manner of Moliáere but with some amusing twists. Le Docteur Amoureux remains a significant part of the French comic canon and the historical corpus of drama, yet it has never been translated into English. With prefatory commentary on the text and the period, the genres of stage performance, and the challenges involved in translating historical texts, this first translation of le Docteur Amoureux is intended to serve contemporary theater research into this rich and prolific period in the history of the French theater under Louis XIV.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/187207
- Subject Headings
- Translation into English, French literature, Criticism and interpretation, French drama, Translations into English
- Format
- Document (PDF)
- Title
- John Updike: the role of women in his short fiction.
- Creator
- Rosen, Cindy M., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
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There remain two recurring criticisms of John Updike's fiction. The first comes from feminist critics who condemn his negative portrayal of women, accusing his fiction of denigrating women. The second comes from late twentieth century critics who accuse him of avoiding political and historical discussions in his fiction. However, it is my contention that Updike is willing to address both of these concerns, and I arrive at such an argument by carefully analyzing his collection of short stories...
Show moreThere remain two recurring criticisms of John Updike's fiction. The first comes from feminist critics who condemn his negative portrayal of women, accusing his fiction of denigrating women. The second comes from late twentieth century critics who accuse him of avoiding political and historical discussions in his fiction. However, it is my contention that Updike is willing to address both of these concerns, and I arrive at such an argument by carefully analyzing his collection of short stories compiled in Too Far To Go: The Maples Stories. Within these stories, Updike's female characters illustrate the shifting gender paradigms over the course of the fifties, sixties, and seventies amidst the middle-class, suburban American milieu. Updike's women act as agents of history providing testament to the shifting gender paradigms and historical, cultural, political, and social milestones of a maturing country and its growing pains.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/1927298
- Subject Headings
- Criticism and interpretation, Women in literature, American fiction, History and criticism
- Format
- Document (PDF)
- Title
- Of offal, corpses, and others: an examination of self, subjectivity, and authenticity in two works by Alexandra David-Neel.
- Creator
- Jones, Robert William, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
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This thesis examines two works (My Journey to Lhasa and Magic and Mystery in Tibet) by Alexandra David-Neel. These works subvert the self/other dichotomies both necessary to and critiqued by postcolonial theory. Central to this study is an examination of a claim by His Holiness the XIV Dalai Lama that David-Neel creates an "authentic" picture of Tibet. In order to do this the first chapter establishes a working definition of authenticity based on both Western philosophy and Vajrayana Buddhism...
Show moreThis thesis examines two works (My Journey to Lhasa and Magic and Mystery in Tibet) by Alexandra David-Neel. These works subvert the self/other dichotomies both necessary to and critiqued by postcolonial theory. Central to this study is an examination of a claim by His Holiness the XIV Dalai Lama that David-Neel creates an "authentic" picture of Tibet. In order to do this the first chapter establishes a working definition of authenticity based on both Western philosophy and Vajrayana Buddhism. This project argues that the advanced meditation techniques practiced by Alexandra David-Neel allow her to access a transcendent self that is able to overcome the self/other dichotomy. It also discusses the ways in which abjection and limit experiences enhance this breakdown. Finally, this thesis examines the roles that gender and a near absence of female Tibetan voice play in complicating the problems of self, subjectivity, and authenticity within these texts.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/1927604
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Influence, Self in literature, Symbolism in literature, Spiritual life, Buddhism, Buddhism, Doctrines
- Format
- Document (PDF)
- Title
- Three chamber pieces.
- Creator
- Frederick, Rochelle M., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
Three original chamber pieces are discussed from numerous points of view. They were composed for string quartet (Escape and String quartet in Four Movements), and string quartet with flute (Forward Motion). Each piece is analyzed in terms of its historical background, compositional techniques, and formal and stylistic techniques. Each piece draws influences from different genres. Escape was influenced by minimalism and jazz and is based on the Locrian scale. Forward Motion is in a modified...
Show moreThree original chamber pieces are discussed from numerous points of view. They were composed for string quartet (Escape and String quartet in Four Movements), and string quartet with flute (Forward Motion). Each piece is analyzed in terms of its historical background, compositional techniques, and formal and stylistic techniques. Each piece draws influences from different genres. Escape was influenced by minimalism and jazz and is based on the Locrian scale. Forward Motion is in a modified classical form (Sonata) but draws influences from modern music and employs much dissonance. String quartet in Four Movements combines elements of expressionism, minimalism and jazz. Each piece is discussed in regards to its musical characteristics and historical influences including scales, harmony, rhythmic structure and form.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/1927861
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Avant-garde (Music), Criticism and interpretation, Composition (Music), Musical analysis
- Format
- Document (PDF)
- Title
- The prepared piano of John Cage: a new level of hearing the Sonatas and Interludes.
- Creator
- Ferreira, Inara de Barros, Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
When John Cage invented the prepared piano in 1940, he created a sound world and body of music unlike anything heard before. The innovative music he wrote for prepared piano requires a completely new approach to performance, and expands our understanding of the piano's capabilities. This study will examine the main prepared piano works by John Cage, with a detailed analysis of the Sonatas and Interludes. Cage's Table of Preparations will be examined to establish an aesthetic rationale for...
Show moreWhen John Cage invented the prepared piano in 1940, he created a sound world and body of music unlike anything heard before. The innovative music he wrote for prepared piano requires a completely new approach to performance, and expands our understanding of the piano's capabilities. This study will examine the main prepared piano works by John Cage, with a detailed analysis of the Sonatas and Interludes. Cage's Table of Preparations will be examined to establish an aesthetic rationale for this preparation. Different modes of listening will be explored through a selection of the Sonatas and Interludes recorded in three different technological systems - conventional AB 2.0, surround 5.1, and Disk Jecklin. The latter allows for a true "surround sound" experience as Cage himself might have heard his own pieces. Included is a compact disc of selections from Sonatas and Interludes recorded in each of the three technological systems.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/1927866
- Subject Headings
- Cage, John, Criticism and interpretation, Prepared piano music, Music, Aleatory music, History and criticism, Avant-garde (Music), History and criticism
- Format
- Document (PDF)
- Title
- The philosophy of the animal in 20th century literature.
- Creator
- Johnson, Jamie, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
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The following dissertation examines the philosophy of the animal as it appears in twentieth-century British and American literature. I argue that evolutionary theory, along with the Romantic emphasis on sympathy, creates an historical shift in our perception of humans and nonhumans. Beginning with Herman Melville's classic novel, Moby-Dick, the whale represents what I call a transitional animal figure in that the whale not only shows the traditionally symbolic literary animal but also the...
Show moreThe following dissertation examines the philosophy of the animal as it appears in twentieth-century British and American literature. I argue that evolutionary theory, along with the Romantic emphasis on sympathy, creates an historical shift in our perception of humans and nonhumans. Beginning with Herman Melville's classic novel, Moby-Dick, the whale represents what I call a transitional animal figure in that the whale not only shows the traditionally symbolic literary animal but also the beginnings of the twentieth century shift toward the literal animal-as-subject. My proposed comparative analysis consists of a return to classic existential and phenomenological philosophers with animal studies in mind. A handful of critical essays in recent years have conducted just such an analysis. My contribution extends these philosophical endeavors on the animal and applies them to major literary authors who demonstrate a notable interest in the philosophy of animals. The first chapter of the dissertation begins with D.H. Lawrence, whose writings in selected essays, St. Mawr, and "The Fox" continue considerations made by Melville concerning animal being. Because Lawrence often focuses on gender, sexuality, and intuition, I discuss how a Heideggerian reading of animals in Lawrence adds value to interpretations of his fiction which remain unavailable in analyses of human subjects. In Chapter Two, I move on to William Faulkner's classic hunting tale of "The Bear" and other significant animal sightings in his fiction and nonfiction. For Faulkner, the animal subject exists in the author's particular historical climate of American environmentalism, modernism's literary emphasis on visuality, and race theory., This combination calls for a natural progression from a Heideggerian existential phenomenology: a contemporary Sartrean reading of animal being. Finally, the last chapter examines J.M. Coetzee, an author whose texts show the accumulated existential and phenomenological progression in the philosophy of the animal with a combined interest in current political and social issues surrounding animal life in the twentieth and twenty-first centuries.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/192984
- Subject Headings
- Symbolism in literature, Animals (Philosophy), Human-animal relationships in literature, Animals in literature, American prose literature, Criticism and interpretation, English prose literature, Criticism and interpretation
- Format
- Document (PDF)
- Title
- Revis(it)ing Joseph Conrad's Heart of Darkness: women, symbolism, and resistance.
- Creator
- Smith, Kathryn M., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
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Joseph Conrad's Heart of Darkness is, admittedly, a text with many racist, imperialist and sexist subtexts. A feminist literary analysis, however, can extract women's empowerment and agency. This thesis takes a closer look at the Mistress (also known as the African woman) and the Intended, two women with vastly different racial and class backgrounds who, in their own ways, demonstrate resistance. This thesis analyzes Mr. Kurtz's often ignored sketch in oils, arguing that the sketch itself...
Show moreJoseph Conrad's Heart of Darkness is, admittedly, a text with many racist, imperialist and sexist subtexts. A feminist literary analysis, however, can extract women's empowerment and agency. This thesis takes a closer look at the Mistress (also known as the African woman) and the Intended, two women with vastly different racial and class backgrounds who, in their own ways, demonstrate resistance. This thesis analyzes Mr. Kurtz's often ignored sketch in oils, arguing that the sketch itself demonstrates the colonial mentality of difference and the disruption of that difference. It then explores both the Mistress and the Intended in detail, positing that while the Mistress uses the colonizers' fear of the wilderness and its silence to her advantage, the Intended takes control over her own domestic circumstance. Overall, this author asserts that the Mistress and the Intended, while often dismissed, are noteworthy, important, and influential characters in Heart of Darkness.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/192989
- Subject Headings
- Criticism and interpretation, Feminism in literature, Racism in literature, Imperialism in literature, Literature and society, Criticism and interpretation
- Format
- Document (PDF)
- Title
- The voice of nationalism in Moniuszko's opera.
- Creator
- Niewczas, Marlena., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
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Stanislaw Moniuszko (1819-1872) is the father of the Polish national opera, and yet he is little known outside Poland. His two masterpieces, Halka and The Haunted Manor, are operatic works that contributed to the development of national music. Moniuszko composed during the middle of the nineteenth century when Poland was under control of the three Powers: Russia, Prussia, and Austria. A study of Polish history reveals the understanding of Moniuszko's position as an artist and the role of his...
Show moreStanislaw Moniuszko (1819-1872) is the father of the Polish national opera, and yet he is little known outside Poland. His two masterpieces, Halka and The Haunted Manor, are operatic works that contributed to the development of national music. Moniuszko composed during the middle of the nineteenth century when Poland was under control of the three Powers: Russia, Prussia, and Austria. A study of Polish history reveals the understanding of Moniuszko's position as an artist and the role of his operas. The national elements portrayed in his compositions include Polish dances, such as the polonaise, mazurka, and krakowiak, as well as folk tunes, and most importantly, the libretto with social and patriotic stances. This thesis intends to enlighten English speakers about the development of Polish national opera, its innovator, and his techniques.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/1930489
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Nationalism in literature, Music, History and criticism, Nationalism, History, Politics and government
- Format
- Document (PDF)
- Title
- Dissipating hostility through feminine rhetorical style: Barbara Bush and the petitioners of Wellesley College.
- Creator
- Doran, Bethany Lynne., Gorbacheva, Raisa Maksimovna, Wellesley College, Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
- Abstract/Description
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This study uses Karlyn Campbell's concept of feminine rhetorical style as a theoretical framework for analyzing the rhetoric of Barbara Bush's 1990 Wellesley College commencement address. Through a systematic evaluation of Barbara Bush's speech, this study reveals that her rhetoric exemplifies feminine rhetorical style. The analysis also concludes that Barbara Bush's personal tone, specifically her use of narrative and humor, is the most useful and effective characteristic of her feminine...
Show moreThis study uses Karlyn Campbell's concept of feminine rhetorical style as a theoretical framework for analyzing the rhetoric of Barbara Bush's 1990 Wellesley College commencement address. Through a systematic evaluation of Barbara Bush's speech, this study reveals that her rhetoric exemplifies feminine rhetorical style. The analysis also concludes that Barbara Bush's personal tone, specifically her use of narrative and humor, is the most useful and effective characteristic of her feminine rhetorical style. Using feminine rhetorical style, Barbara Bush successfully dissipates some of the tension she faced prior to the graduation ceremony at Wellesley College. Therefore, this study reveals that feminine rhetorical style is an attractive alternative for speakers seeking to build identification in hostile situations when identification is, or appears to be, lacking.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2100573
- Subject Headings
- Influence, Criticism and interpretation, Feminist theory, Narration (Rhetoric), Psychological aspects, Persuasion (Rhetoric)
- Format
- Document (PDF)
- Title
- Three suites: a celebration of klezmer.
- Creator
- Weiner, Alison, Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
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Three original suites, composed during 2008-2009, are presented and discussed with respect to form, style, and compositional techniques. The subjects are Suite No. 1 (clarinet and piano), Suite No. 2: For Paul, A Master of Music (clarinet, piano, double bass and drums), and Suite No. 3: L'Chaim (two clarinets, flugelhorn, French horn, bandoneon, piano, violin, and cello). Common to all three pieces is the inspiration of klezmer, a Jewish music genre that, during its reemergence over the past...
Show moreThree original suites, composed during 2008-2009, are presented and discussed with respect to form, style, and compositional techniques. The subjects are Suite No. 1 (clarinet and piano), Suite No. 2: For Paul, A Master of Music (clarinet, piano, double bass and drums), and Suite No. 3: L'Chaim (two clarinets, flugelhorn, French horn, bandoneon, piano, violin, and cello). Common to all three pieces is the inspiration of klezmer, a Jewish music genre that, during its reemergence over the past thirty-five years, has welcomed the influence of other musical styles. In keeping with the eclectic nature of klezmer, each suite builds upon the previous one with regard to instrumentation, style and technique, and embraces additional genres (jazz and tango). Brief reviews regarding the history and musical characteristics (including modes, ornamentation and improvisation, song types and instrumentation) for all the included genres are also presented for the benefit of compositional context.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2100575
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Klezmer music, History and criticism, Jews, Music, History and criticism
- Format
- Document (PDF)