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Title: Latitudes.
Creator: Slone, Jay., Florida Atlantic University, Mitchell, Susan
Abstract/Description: The poems of this collection attempt to bridge and break interpretive and formal borders. The speaker's voice is sometimes cohesive, sometimes fragmented. The title alludes to images in the poems: to the sea, the stars, storms, and of navigations not so much of specific places, but of motion or directions that are often tenuously connected or abstract. These poems are explorations, wonderings, and experiments. The speaker's voice shifts like the wind, sometimes leading toward a destination...
Show moreThe poems of this collection attempt to bridge and break interpretive and formal borders. The speaker's voice is sometimes cohesive, sometimes fragmented. The title alludes to images in the poems: to the sea, the stars, storms, and of navigations not so much of specific places, but of motion or directions that are often tenuously connected or abstract. These poems are explorations, wonderings, and experiments. The speaker's voice shifts like the wind, sometimes leading toward a destination and other times remaining lost. The poems require navigation as the reader is called upon to engage in the process of finding the way---of making way---and participating with the poet in the process of meaning making.
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Date Issued: 2005
PURL: http://purl.flvc.org/fcla/dt/13237
Subject Headings: Poems, Symbolism in literature
Format: Document (PDF)

Title: Outline.
Creator: Kluthe, Erika., Florida Atlantic University, Mitchell, Susan
Abstract/Description: The poems belonging to this collection are descriptive and largely image-driven. Focusing on moments of ecstasy, and written in a fragmented and highly tactile language, these poems re-present experience as a visual and aural texture or surface, one that is rough and raised: a mosaic that is sensually, emotionally, and sexually urgent that my reader might run his or her hands and ears over; I want the experience for both speaker and reader to feel that immediate. The final poem or arrangement...
Show moreThe poems belonging to this collection are descriptive and largely image-driven. Focusing on moments of ecstasy, and written in a fragmented and highly tactile language, these poems re-present experience as a visual and aural texture or surface, one that is rough and raised: a mosaic that is sensually, emotionally, and sexually urgent that my reader might run his or her hands and ears over; I want the experience for both speaker and reader to feel that immediate. The final poem or arrangement of images is suggestive and ambiguous in order to create a sense of engagement with the mysterious, strange, terrific, tumultuous, uncertain, severe, and divine: all that comprises the ecstatic. Inherent in the ecstatic (or in states of ecstasy) are the possibilities for renewed, enlightened vision, transcendence, and transformation. These poems approach various moments that suggest the possibilities for such and present-to the reader---as the title suggests---an outline offering the general features of a given subject or emotion, encouraging the reader to fill in (or feel in) the details of the experience.
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Date Issued: 2005
PURL: http://purl.flvc.org/fcla/dt/13253
Subject Headings: Poems, Symbolism in literature
Format: Document (PDF)

Title: Hot Pink.
Creator: Pifer, Lee E., Florida Atlantic University, Mitchell, Susan
Abstract/Description: The poems of this thesis take the reader to primal places of the mind, body, and soul, often considered better left unspoken or unseen. These places are no doubt dark and full of strange dreams. Here, relationships have a lack of resolution and, of course, are engineered by pleasure and pain. Pain is fire, ice, or reflection. Pleasure is also pain. It is all an eternal dance. Pain gives pleasure meaning and vice versa, like violence and passion. There is a pleasure in the heat rising from a...
Show moreThe poems of this thesis take the reader to primal places of the mind, body, and soul, often considered better left unspoken or unseen. These places are no doubt dark and full of strange dreams. Here, relationships have a lack of resolution and, of course, are engineered by pleasure and pain. Pain is fire, ice, or reflection. Pleasure is also pain. It is all an eternal dance. Pain gives pleasure meaning and vice versa, like violence and passion. There is a pleasure in the heat rising from a red bottom, and a beauty in that image. I challenge social customs and emotional aversions with my imagery. I utilize rhyme and a lack of punctuation to disturb boundaries as dreams do, or other malleable states of living. I focus on the intangible trauma of self-destruction in the pursuit of creativity, intimacy, and expression. In simpler terms, the poems of this thesis have been caught having a threesome with sex and death. Tempted to peek?
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Date Issued: 2005
PURL: http://purl.flvc.org/fcla/dt/13278
Subject Headings: Poems, Symbolism in literature, Conduct of life
Format: Document (PDF)

Title: "Strange Snow" and other stories.
Creator: DeJong, Laura Quinlan, Florida Atlantic University, Bucak, Ayse Papatya
Abstract/Description: Weather assists in shaping our reality. It is an unalterable condition of the world that we are born into. This short story collection aims to present the nuances of weather. It attempts to acknowledge wind, rain, snow and lightning as forces that shape the world of its characters, forces that even influence the structure of the story itself. In some cases, weather acts as metaphor; in others, the weather seeks to alter language itself. The beauty of a snowflake resides in image and language.
Date Issued: 2005
PURL: http://purl.flvc.org/fcla/dt/13293
Subject Headings: Symbolism in literature, Fiction--Technique, Weather--Literary collections, Short stories--Collections
Format: Document (PDF)

Title: 2 Vietnams.
Creator: Rooney, Scarlett Elizabeth., Florida Atlantic University, Schwartz, Jason
Abstract/Description: 2 Vietnams documents modern Vietnam through alternating chapters of collage fictions and images: "East-West Documentation," "Vietnam in the Twilight-Hour," "Correspondence," and "Confessional Archives." Although 2 Vietnams serves as a documentary-style account of the many Vietnams that exist and confront our American memory of Vietnam, each chapter contains social narratives that connect to each other forming larger, subtler narratives. "East-West Documentation" follows a fictional writer's...
Show more2 Vietnams documents modern Vietnam through alternating chapters of collage fictions and images: "East-West Documentation," "Vietnam in the Twilight-Hour," "Correspondence," and "Confessional Archives." Although 2 Vietnams serves as a documentary-style account of the many Vietnams that exist and confront our American memory of Vietnam, each chapter contains social narratives that connect to each other forming larger, subtler narratives. "East-West Documentation" follows a fictional writer's experience living in Vietnam, conducting interviews and reading articles. "Vietnam in the Twilight-Hour" strings narrative poetry together with titles ranging from "Neocolonialism," "Love in Notations," to "SocialPolygrams." In addition to these poetic narratives are photographs that tell snapshot stories. "Correspondence" contains fictions such as "Think and It Will Happen," "StoryOptics," and "Flame of Life." Lastly, "Confessional Archives" contains images and non-fictional stories from veterans, both Vietnamese and American.
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Date Issued: 2005
PURL: http://purl.flvc.org/fcla/dt/13310
Subject Headings: Memory in art, Vietnam--History--Pictorial works, Vietnam War, 1961-1965--Pictorial works, Symbolism in literature, Indochina--History--1945---Sources
Format: Document (PDF)

Title: Four Sparks Fall: A novella.
Creator: Noonan, Tiffany., Florida Atlantic University, Schwartz, Jason
Abstract/Description: four sparks fall is a complex narrative, darting among symbols, languages, puzzles, and styles. There is the story of Susanna, our narrator, and there is a diary of May, Susanna's twin sister---a story within a story. To further complicate matters, both narratives are "interrupted" by May, who manifests an uncanny ability to project her thoughts into Susanna's mind. In a sense, both characters know and do not know what is happening, and their struggle to come to terms with multiple ways of ...
Show morefour sparks fall is a complex narrative, darting among symbols, languages, puzzles, and styles. There is the story of Susanna, our narrator, and there is a diary of May, Susanna's twin sister---a story within a story. To further complicate matters, both narratives are "interrupted" by May, who manifests an uncanny ability to project her thoughts into Susanna's mind. In a sense, both characters know and do not know what is happening, and their struggle to come to terms with multiple ways of "knowing" is manifested in the structure, which experiments with visual layout and language in new, interesting ways. This project began as an experiment in "organic writing": the process of writing without a direction or end in mind. One of my weaknesses as a writer is a tendency to "over-think" my work, and four sparks fall represents my attempt to address this issue.
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Date Issued: 2006
PURL: http://purl.flvc.org/fcla/dt/13329
Subject Headings: Symbolism in literature, Twins--Fiction, Sisters--Fiction
Format: Document (PDF)

Title: Masks.
Creator: Leen, Carmel Codd., Florida Atlantic University, Bucak, Ayse Papatya
Abstract/Description: The story of an Irish grandfather, Brendan Doran, covers the period 1918 through 1966; the story of his granddaughter, Maisie Doyle covers the summer of her seventeenth year. Brendan's perceptions are given in the first person viewpoint; Maisie's in the third-person viewpoint. A faithful following is given of Brendan's vernacular in young manhood; then, as he grows in sophisticated use of language his first-person narration reflects this. Both stories trace the psychological development of...
Show moreThe story of an Irish grandfather, Brendan Doran, covers the period 1918 through 1966; the story of his granddaughter, Maisie Doyle covers the summer of her seventeenth year. Brendan's perceptions are given in the first person viewpoint; Maisie's in the third-person viewpoint. A faithful following is given of Brendan's vernacular in young manhood; then, as he grows in sophisticated use of language his first-person narration reflects this. Both stories trace the psychological development of the two, leading to questions regarding the similarities and the differences between the romantic dreams of a young man and a young woman. An omniscient narrator is the narrative voice for an overview of family history, with emphasis on the family dwelling and land, Bloomlands, and on the story of Maisie's mother and father, Essie and Eddie Doran.
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Date Issued: 2006
PURL: http://purl.flvc.org/fcla/dt/13330
Subject Headings: Symbolism in literature, Ireland--Social life and customs--20th century--Fiction
Format: Document (PDF)

Title: residue.
Creator: Carlson, Susan L., Florida Atlantic University, Scroggins, Mark
Abstract/Description: This creative thesis contains 19 poems exploring and examining the association of residues, primarily through that of memory and memories, through a process of defining and (re)defining those associations of memory (the residues) that attach themselves to memory and the actions of and upon memory. This thematic thread is woven throughout with narrative prose and verse, traditional and free verse, and the melding of each in an effort to exemplify the relationships between memory and its...
Show moreThis creative thesis contains 19 poems exploring and examining the association of residues, primarily through that of memory and memories, through a process of defining and (re)defining those associations of memory (the residues) that attach themselves to memory and the actions of and upon memory. This thematic thread is woven throughout with narrative prose and verse, traditional and free verse, and the melding of each in an effort to exemplify the relationships between memory and its residual associations through structure, form, and language. Speakers are most often characters who represent the roles of memory and the associate value of the residues attached to it. The notion of residue is defined and redefined through the formation of memories, cultural associations, environmental and educational influences.
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Date Issued: 2006
PURL: http://purl.flvc.org/fcla/dt/13339
Subject Headings: Poems, Symbolism in literature, Memory--Miscellanea
Format: Document (PDF)

Title: The religion of William Butler Yeats.
Creator: Turso, Betty Doris., Florida Atlantic University, Peyton, Ann
Abstract/Description: William Butler Yeats created his own mythology which is a religion unto itself. He took the myths of ancient heroic Ireland and combined these with the dominant Christian beliefs in Ireland during his lifetime and created a new religion that would serve to unite Ireland that was divided along religious lines. My thesis will show that Yeats, out of a fardel of tales, created not only his own mythology but a religion as well. With the help of the theories of Joseph Campbell, I will prove that...
Show moreWilliam Butler Yeats created his own mythology which is a religion unto itself. He took the myths of ancient heroic Ireland and combined these with the dominant Christian beliefs in Ireland during his lifetime and created a new religion that would serve to unite Ireland that was divided along religious lines. My thesis will show that Yeats, out of a fardel of tales, created not only his own mythology but a religion as well. With the help of the theories of Joseph Campbell, I will prove that Yeats's writing provided a virtual medium through which he disseminated his belief system. Therefore, this exploration is essential to give a deeper understanding to the total scope of Yeats's work.
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Date Issued: 1996
PURL: http://purl.flvc.org/fcla/dt/15273
Subject Headings: Yeats, W B--(William Butler),--1865-1939--Criticism and interpretation, Religious poetry--History and criticism, Religion in literature, Symbolism in literature
Format: Document (PDF)

Title: The sui generis in Charles G. Finney’s The Circus Of Dr. Lao.
Creator: White, Adam J., Martin, Thomas L., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Charles G. Finney’s 1936 novel The Circus of Dr. Lao was published to enthusiastic reviews, but fell into relative obscurity shortly thereafter. Since its publication, it has been the subject of one peer-reviewed critical essay, a number of reviews, one non-peer-reviewed essay, and a master’s thesis. It was published in a world where the fantastic and unique found only barren desert soil, with no scholarly tradition for the fantastic, nor a widely receptive lay audience for something truly...
Show moreCharles G. Finney’s 1936 novel The Circus of Dr. Lao was published to enthusiastic reviews, but fell into relative obscurity shortly thereafter. Since its publication, it has been the subject of one peer-reviewed critical essay, a number of reviews, one non-peer-reviewed essay, and a master’s thesis. It was published in a world where the fantastic and unique found only barren desert soil, with no scholarly tradition for the fantastic, nor a widely receptive lay audience for something truly unique, or sui generis. The concept of the sui generis, meaning “of its own kind,” provides a useful lens for examining the novel, as Finney develops not only creatures, but people, which are truly of their own kind, borrowing from existing mythologies, traits of humanity, and aspects of nature, recombining them in a singular way which resists classification.
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Date Issued: 2013
PURL: http://purl.flvc.org/fau/fd/FA0004073
Subject Headings: Fantasy fiction, American -- Criticism and interpretation, Finney, Charles G. -- (Charles Grandison) -- 1905-1984 -- Circus of Dr. Lao -- Criticism and interpretation, Individualism (Philosophy), Knowledge, Theory of, in literature, Meaning (Philosophy), Symbolism in literature
Format: Document (PDF)

Title: Only sound remains.
Creator: Filsoofi, Raheleh T., McConnell, Brian E., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: We each experience the world through the prism of our upbringing, our traditions and the familiar sights and sounds embedded deep within our soul. Only Sound Remains is an installation in which I explore and share those experiences through objects, sounds and video. Ceramic vessels inspired by the traditions of my ancestors hide and shape sounds that narrate simple and complex experiences, which are the stories of my life. The sounds relate to the world that I came from and that still can be...
Show moreWe each experience the world through the prism of our upbringing, our traditions and the familiar sights and sounds embedded deep within our soul. Only Sound Remains is an installation in which I explore and share those experiences through objects, sounds and video. Ceramic vessels inspired by the traditions of my ancestors hide and shape sounds that narrate simple and complex experiences, which are the stories of my life. The sounds relate to the world that I came from and that still can be heard now. The sounds are not clear until one gets close to the vessels and lifts the lid-- a bazaar, praying, marching, an explosion, a woman telling a story, traditional Iranian music. The installation is a metaphor for the way in which we experience the world. The vessels represent a selection of personal and cultural experiences through sounds that may or may not be fully understood.
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Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FA00004108, http://purl.flvc.org/fau/fd/FA00004108
Subject Headings: Iran -- Social life and customs, Memory -- Social aspects, Music -- Philosophy and aesthetics, Symbolism in literature
Format: Document (PDF)

Title: The Far winter.
Creator: Rodrigues, Elizabeth., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: This collection of poems engages narratives of geographical and emotional displacement on a journey toward a place from which to begin writing. The inciting narrative is one of travel - Brazil, to England, and to adulthood. A second narrative emerges as a gradual realization that these first displacements will never be truly resolved and that this lack of resolution is the only occasion from which to write. As the collection continues, the speaker of these poems is less and less comfortable...
Show moreThis collection of poems engages narratives of geographical and emotional displacement on a journey toward a place from which to begin writing. The inciting narrative is one of travel - Brazil, to England, and to adulthood. A second narrative emerges as a gradual realization that these first displacements will never be truly resolved and that this lack of resolution is the only occasion from which to write. As the collection continues, the speaker of these poems is less and less comfortable with pronouncement and more and more comfortable with action. The act of doing something - moving, driving, walking, escaping, returning, floating down a river of ice - is what creates the silence needed to proceed. Through the body, deafening directives can be temporarily suspended.
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Date Issued: 2008
PURL: http://purl.flvc.org/fcla/dt/177013
Subject Headings: Poetry, Symbolism in literature, Displacement (Psychology)
Format: Document (PDF)

Title: Mother's forgotten garden.
Creator: Zimmerman, Cory Daniel., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: The thesis proposed for my M.F.A. in creative writing is a collection of conceptual American short stories written in a variety of forms that properly suit their respective subjects. Like a handful of miscellaneous wild seeds scattered over a tilled garden, the goal of the project is to represent the wild asymmetry of Nature via a collection of unlikely companions. For this reason, the conceptual form of each story often takes root in scientific or symbolic representations of Nature (i.e....
Show moreThe thesis proposed for my M.F.A. in creative writing is a collection of conceptual American short stories written in a variety of forms that properly suit their respective subjects. Like a handful of miscellaneous wild seeds scattered over a tilled garden, the goal of the project is to represent the wild asymmetry of Nature via a collection of unlikely companions. For this reason, the conceptual form of each story often takes root in scientific or symbolic representations of Nature (i.e. sine and cosine curves, the yin-yang, etc.). The plot of loose soil holding these collective experiments together is their earthy thematic focus-namely, the way in which Nature has been systematically backgrounded by western ideology. On occasion, a story's conceptual focus may stray from these ecofeminist principles, but only for the purpose of leveling a more critical or satirical eye upon common American ideologies.
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Date Issued: 2008
PURL: http://purl.flvc.org/FAU/186303
Subject Headings: Symbolism in literature, Nature in literature, Short stories, American
Format: Document (PDF)

Title: Can I call you brother?.
Creator: Norberg, Elizabeth Andrea., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: The following manuscript is a novel intended to explore the confusing nature of butch lesbian gender identity and the unique bonds of friendship butch women often share with one another. Lesbian culture, today, sometimes puts pressure on the term butch and pushes butch women to choose between transgender, femme and androgynous. The lead character in this novel, Sarah, struggles to come to terms with her own sexual identity amidst all this pressure to conform. She watches her friends and...
Show moreThe following manuscript is a novel intended to explore the confusing nature of butch lesbian gender identity and the unique bonds of friendship butch women often share with one another. Lesbian culture, today, sometimes puts pressure on the term butch and pushes butch women to choose between transgender, femme and androgynous. The lead character in this novel, Sarah, struggles to come to terms with her own sexual identity amidst all this pressure to conform. She watches her friends and searches for a model of what butch is and is not but she continues to feel emotionally and physically cut off from the people she cares about. Ultimately, Sarah realizes she can move fluidly between many genders. When she stops trying to be a stereotype, she is finally able to connect with the people she cares about.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/186332
Subject Headings: Symbolism in literature, Lesbians, Attitudes, Homosexuality, Philosophy, Stereotype (Psychology)
Format: Document (PDF)

Title: Bingo and other stories.
Creator: Peacock, Richard., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: "Bingo" and Other Stories is a collection of short stories whose individual primary characters are forced to make profound changes in the wake of a discovery that comes about as a result of a tragedy or strained personal relationship or a combination of both. This collection is multigenerational in its collective scope and it reflects influences that come from the African-American and Southern literary traditions. In addition, it uses realism to create the settings for and sensibilities of...
Show more"Bingo" and Other Stories is a collection of short stories whose individual primary characters are forced to make profound changes in the wake of a discovery that comes about as a result of a tragedy or strained personal relationship or a combination of both. This collection is multigenerational in its collective scope and it reflects influences that come from the African-American and Southern literary traditions. In addition, it uses realism to create the settings for and sensibilities of the characters who populate the stories. Stories in the collection are also connected in how they conjure up various geographical locations in Florida, especially regions of Florida that identify with the traditional American South.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/186770
Subject Headings: Symbolism in literature, Short stories, American, Conduct of life, Southern States, In literature, African Americans in literature
Format: Document (PDF)

Title: Existential consciousness, redemption, and Buddhist allusions in the work of Saul Bellow.
Creator: Durbeej, Jerry K., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Within the past two centuries, massive industrialization, technological and scientific advances, wars, diseases, failures in social systems, and religious, ethnic, and political conflicts have produced an existential angst that has saturated the collective consciousness of modern man. The atrocities of World Wars I and II induced European and American authors and artists to confront this state of disillusionment, anxiety, loneliness, fear, and dread; consequently, much of our modern...
Show moreWithin the past two centuries, massive industrialization, technological and scientific advances, wars, diseases, failures in social systems, and religious, ethnic, and political conflicts have produced an existential angst that has saturated the collective consciousness of modern man. The atrocities of World Wars I and II induced European and American authors and artists to confront this state of disillusionment, anxiety, loneliness, fear, and dread; consequently, much of our modern literature reflects this nihilistic darkness. In this state of grave doubts and uncertainties, the modern man finds himself alienated and disconnected from the very essences that ground him. Scholars of literature, philosophy, and the various arts and social sciences, having examined this contemporary dilemma, find just cause to question our western belief that science, technology, and materialism put the world in order. The further indictment is that these rational and materialistic forces have usurped the place of God and dismantled the ancient mythologies that once grounded our existence. This study examines the selected work of Saul Bellow and argues that his recurring themes of suffering, compassion, humanity, and renewal of the human spirit are antithetical to this collective existential angst. My argument introduces the doctrine of Existentialism and then explores the basic existentialist theory of Jean-Paul Sartre. From this platform, I later establish that Bellow takes a stand against this collective nihilism in favor of community and the celebration of life that are defined by a moral framework. Bellow's most representative novel in this vein of existential dislocation is Dangling Man., From this novel, I argue that there is an inherent flaw in the notion that man's essential existence can only be defined through his agency as an individual, and that man, not God, is ultimately responsible for his actions and destiny. This pursuit of existence based on personal freedom and intellectual synthesis is prone to failure; Bellow's point of view is that the existentialist, having disconnected himself from God and community, plunges into an abyss fraught with angst and turmoil. Bellow's theme of humanity instructs that our redemption lies not in our personal quest, but in our absorption and participation in a community framed by moral precepts and the respect for God. Finally, and from another angle and through Bellow's Herzog, I establish a connection to Buddhism. From these Buddhist allusions, I further affirm that the quest for authentic existence and redemption demands a confrontation with our angst and an acknowledgement of our suffering.
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Date Issued: 2010
PURL: http://purl.flvc.org/FAU/1870695
Subject Headings: Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Existentialsim in literature, Symbolism in literature, Buddhism and literature
Format: Document (PDF)

Title: The war within houses.
Creator: Boles, Hillary., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: This work of creative nonfiction is meant to explore the effects of combat-related post-traumatic stress disorder in American war veterans and their families. As a work of blended literary journalism and memoir, the author interviewed afflicted veterans from World War II to the current Iraq and Afghanistan wars, included scholarly research, and reflected on how her father's dealings with the disorder have affected her family.
Date Issued: 2009
PURL: http://purl.flvc.org/FAU/187205
Subject Headings: Symbolism in literature, Post-traumatic stress disorder, Patients, Family relationships, Reportage literature, Technique, Creative writing (Higher education), Veterans, Mental health, War, Psychological aspects
Format: Document (PDF)

Title: Wool and water.
Creator: Frederick, Kira., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Wool and Water is a creative work of 36 poems. This collection examines the relationship between the silent and vocal, between the pastoral and urban. By reconfiguring and retelling the fairy tales and nursery rhymes, this collection seeks to challenge the status quo through trickster-like diction. Themes that are prevalent include: alienation, nourishment, anonymity, and the female body. From the concrete to the lyric, Wool and Water relies upon the process of questioning patriarchal guises....
Show moreWool and Water is a creative work of 36 poems. This collection examines the relationship between the silent and vocal, between the pastoral and urban. By reconfiguring and retelling the fairy tales and nursery rhymes, this collection seeks to challenge the status quo through trickster-like diction. Themes that are prevalent include: alienation, nourishment, anonymity, and the female body. From the concrete to the lyric, Wool and Water relies upon the process of questioning patriarchal guises. These poems intersect in order to rectify the past and make amends with the present. The female voices that drive these poems are multi-generational.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/187210
Subject Headings: Symbolism in literature, Poetry, Feminist poetry, American
Format: Document (PDF)

Title: Of offal, corpses, and others: an examination of self, subjectivity, and authenticity in two works by Alexandra David-Neel.
Creator: Jones, Robert William, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: This thesis examines two works (My Journey to Lhasa and Magic and Mystery in Tibet) by Alexandra David-Neel. These works subvert the self/other dichotomies both necessary to and critiqued by postcolonial theory. Central to this study is an examination of a claim by His Holiness the XIV Dalai Lama that David-Neel creates an "authentic" picture of Tibet. In order to do this the first chapter establishes a working definition of authenticity based on both Western philosophy and Vajrayana Buddhism...
Show moreThis thesis examines two works (My Journey to Lhasa and Magic and Mystery in Tibet) by Alexandra David-Neel. These works subvert the self/other dichotomies both necessary to and critiqued by postcolonial theory. Central to this study is an examination of a claim by His Holiness the XIV Dalai Lama that David-Neel creates an "authentic" picture of Tibet. In order to do this the first chapter establishes a working definition of authenticity based on both Western philosophy and Vajrayana Buddhism. This project argues that the advanced meditation techniques practiced by Alexandra David-Neel allow her to access a transcendent self that is able to overcome the self/other dichotomy. It also discusses the ways in which abjection and limit experiences enhance this breakdown. Finally, this thesis examines the roles that gender and a near absence of female Tibetan voice play in complicating the problems of self, subjectivity, and authenticity within these texts.
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Date Issued: 2010
PURL: http://purl.flvc.org/FAU/1927604
Subject Headings: Criticism and interpretation, Criticism and interpretation, Influence, Self in literature, Symbolism in literature, Spiritual life, Buddhism, Buddhism, Doctrines
Format: Document (PDF)

Title: The philosophy of the animal in 20th century literature.
Creator: Johnson, Jamie, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: The following dissertation examines the philosophy of the animal as it appears in twentieth-century British and American literature. I argue that evolutionary theory, along with the Romantic emphasis on sympathy, creates an historical shift in our perception of humans and nonhumans. Beginning with Herman Melville's classic novel, Moby-Dick, the whale represents what I call a transitional animal figure in that the whale not only shows the traditionally symbolic literary animal but also the...
Show moreThe following dissertation examines the philosophy of the animal as it appears in twentieth-century British and American literature. I argue that evolutionary theory, along with the Romantic emphasis on sympathy, creates an historical shift in our perception of humans and nonhumans. Beginning with Herman Melville's classic novel, Moby-Dick, the whale represents what I call a transitional animal figure in that the whale not only shows the traditionally symbolic literary animal but also the beginnings of the twentieth century shift toward the literal animal-as-subject. My proposed comparative analysis consists of a return to classic existential and phenomenological philosophers with animal studies in mind. A handful of critical essays in recent years have conducted just such an analysis. My contribution extends these philosophical endeavors on the animal and applies them to major literary authors who demonstrate a notable interest in the philosophy of animals. The first chapter of the dissertation begins with D.H. Lawrence, whose writings in selected essays, St. Mawr, and "The Fox" continue considerations made by Melville concerning animal being. Because Lawrence often focuses on gender, sexuality, and intuition, I discuss how a Heideggerian reading of animals in Lawrence adds value to interpretations of his fiction which remain unavailable in analyses of human subjects. In Chapter Two, I move on to William Faulkner's classic hunting tale of "The Bear" and other significant animal sightings in his fiction and nonfiction. For Faulkner, the animal subject exists in the author's particular historical climate of American environmentalism, modernism's literary emphasis on visuality, and race theory., This combination calls for a natural progression from a Heideggerian existential phenomenology: a contemporary Sartrean reading of animal being. Finally, the last chapter examines J.M. Coetzee, an author whose texts show the accumulated existential and phenomenological progression in the philosophy of the animal with a combined interest in current political and social issues surrounding animal life in the twentieth and twenty-first centuries.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/192984
Subject Headings: Symbolism in literature, Animals (Philosophy), Human-animal relationships in literature, Animals in literature, American prose literature, Criticism and interpretation, English prose literature, Criticism and interpretation
Format: Document (PDF)

Criticism and interpretation (26)	+ -
Short stories, American (10)	+ -
Conduct of life (8)	+ -
Postmodernism (Literature) (7)	+ -
Narration (Rhetoric) (5)	+ -

Poetry (5)	+ -
Poems (4)	+ -
Self in literature (4)	+ -
Avant-garde (Aesthetics) (3)	+ -
Postmodernism (3)	+ -
Creation (Literary, artistic, etc.) (2)	+ -
Feminism and literature (2)	+ -
Identity (Psychology) (2)	+ -
Imagery (Psychology) in literature (2)	+ -
In literature (2)	+ -
Influence (2)	+ -
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