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- Title
- "One face, one voice, one habit, and two persons!": twinship and doubling in Twelfth Night.
- Creator
- Puehn, Amanda M., Harriet L. Wilkes Honors College
- Abstract/Description
-
This thesis considers the relationship between scientific advances, identity formation, and literature in an early modern print culture. As medical theorists made their discoveries and defended their work they did so within the literary world; turning to the printed word to cultivate their personal identity and rebut dissenting colleagues. Subsequently, playwright William Shakespeare employed common medical knowledge within his plays. Twelfth Night presents male and female twins within the...
Show moreThis thesis considers the relationship between scientific advances, identity formation, and literature in an early modern print culture. As medical theorists made their discoveries and defended their work they did so within the literary world; turning to the printed word to cultivate their personal identity and rebut dissenting colleagues. Subsequently, playwright William Shakespeare employed common medical knowledge within his plays. Twelfth Night presents male and female twins within the scope of a comedy that plays upon the issues of cross-dressing and mistaken sexual identity. During the Renaissance, it was believed that male and female seed was co-present in every person and through dominance a distinct sexual identity was developed. This thesis argues that while Shakespeare initially convoluted this by allowing one of the twins to cross-dress; he resolved the anatomical doubling by presenting both characters together on stage at the close of the play.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/3335455
- Subject Headings
- Criticism and interpretation, Symbolism in literature, Identity (Psychology) in literature, Sex role in literature, Literature and medicine, History
- Format
- Document (PDF)
- Title
- The food of fools: an analysis of the Fools' gustatory imagery in King Lear.
- Creator
- Sparer, Sara Rafferty., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
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The character of the Fool in William Shakespeare's King Lear uses hitherto unexamined gustatory imagery as a linguistic device to achieve the literary fool's function of imparting wisdom that masquerades as nonsense. While previous critics have analyzed the linguistic devices of puns, riddles, and rhymes used by medieval and Renaissance literary fools, this thesis argues not only that the Fool's gustatory imagery constitutes the dominant motif in the play, but also employs food theory to...
Show moreThe character of the Fool in William Shakespeare's King Lear uses hitherto unexamined gustatory imagery as a linguistic device to achieve the literary fool's function of imparting wisdom that masquerades as nonsense. While previous critics have analyzed the linguistic devices of puns, riddles, and rhymes used by medieval and Renaissance literary fools, this thesis argues not only that the Fool's gustatory imagery constitutes the dominant motif in the play, but also employs food theory to demonstrate how these image patterns provide political commentary on the dramatic action. The Fool's pattern of gustatory imagery is employed as well by characters who can be seen as variations on the wise fool. Through these characters, Shakespeare establishes a food chain motif that classifies some characters as all-consumptive, even cannibalistic, and others as their starving prey. The pattern of food imagery offers a range of perspectives, from highly critical to idealistic, on the play's meaning and political relationships.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/227981
- Subject Headings
- Criticism and interpretation, Symbolism in literature, Food, Symbolic aspects, Food in literature, Literature and society, Criticism and interpretion
- Format
- Document (PDF)
- Title
- Inviting but frustrating over-simplification: (re)reading Tess of the d'Urbervilles.
- Creator
- Smith, Kathryn M., Harriet L. Wilkes Honors College
- Abstract/Description
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Many critics and readers assume that Tess of the d'Urbervilles is simply the tragedy of a ruined country maiden and that the sexually-driven scenes are the most important aspects of the novel. In my thesis, however, I argue that Thomas Hardy created a novel centered on his complex heroine, Tess, not on simplistic notions of sexual ruination and sensational plot developments. In other words, Tess is an autonomous, detailed character who cannot be relegated to the usual stereotypes of Virgin,...
Show moreMany critics and readers assume that Tess of the d'Urbervilles is simply the tragedy of a ruined country maiden and that the sexually-driven scenes are the most important aspects of the novel. In my thesis, however, I argue that Thomas Hardy created a novel centered on his complex heroine, Tess, not on simplistic notions of sexual ruination and sensational plot developments. In other words, Tess is an autonomous, detailed character who cannot be relegated to the usual stereotypes of Virgin, Whore, Mother, etc. Through my reading, we gain a greater understanding of the novel as a whole, instead of as a fractured, deterministic, and plot-driven tragedy. I begin my argument by examining Hardy's subtitle, "A Pure Woman," asserting that our focus should be on the word "Woman" and Tess's subjectivity, not reductive concepts of "purity" or chastity. In Chapter Two, I examine two significant scenes that occur in Alec's carriage, showing how many critics' readings underestimate Tess as helpless, and arguing that she fights against her oppressor in covert ways. My third chapter continues this defense of Tess by critiquing the critical debate surrounding the sexual encounter in "The Chase". I posit that the entire debate is flawed and that Tess should be defined based upon her actions and not simply her sexuality. Lastly, in my conclusion I present a broader defense of Tess of the d'Urbervilles, in which I assert that the ambiguous plot scenes in Tess are conscious attempts by Hardy to subvert traditional assumptions about what is important in a novel. My goal in this thesis is to critique popular but simplistic interpretations of Tess of the d'Urbervilles which diminish Tess's role; instead, I emphasize the way her character, in the words of critic Kathleen Blake, "invites but frustrates oversimplification."
Show less - Date Issued
- 2007
- PURL
- http://purl.flvc.org/FAU/11601
- Subject Headings
- Criticism and interpretation, Social change in literature, Literature and society
- Format
- Document (PDF)
- Title
- Proclamation by Charles I, 1638.
- Abstract/Description
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This Proclamation refers to disturbances in Scotland following the Introduction of the Service Book, Book of Canons, and High Commission.
- PURL
- http://purl.flvc.org/fau/fd/fauwdlb1f3
- Subject Headings
- Charles I, King of England, 1600-1649., England and Wales. Sovereign (1625-1649 : Charles I).
- Format
- Image (JPEG2000)
- Title
- "The Voice of society": Dickens' surprising lesson in diplomacy spoken by the "innocent" table in Our Mutual Friend.
- Creator
- Hernandez, Patricia., Harriet L. Wilkes Honors College
- Abstract/Description
-
In Our Mutual Friend Dickens plays with the idea of people becoming things and things becoming people. One such person, who is initially introduced as a table, is Melvin Twemlow. This member of the aristocracy plays an almost comical, minor role within one sub-plot of the novel, but over the course of the novel progresses from a "feeble" character into a strong, morally authoritative voice. Dickens concludes his novel with a debate concerning who is, or should be, "the voice of society" and...
Show moreIn Our Mutual Friend Dickens plays with the idea of people becoming things and things becoming people. One such person, who is initially introduced as a table, is Melvin Twemlow. This member of the aristocracy plays an almost comical, minor role within one sub-plot of the novel, but over the course of the novel progresses from a "feeble" character into a strong, morally authoritative voice. Dickens concludes his novel with a debate concerning who is, or should be, "the voice of society" and the last word of the debate is given to the mysterious table-man character. Rather than allowing a central protagonist to champion his thoughts, Dickens surprises his readers by making an exemplary moral figure of a mild, minor character from among the ranks of the pompous aristocracy. Twemlow's speech makes a familiar Dickensian point about the need for social reform in a strange, politically incorrect way.
Show less - Date Issued
- 2007
- PURL
- http://purl.flvc.org/FAU/40950
- Subject Headings
- Criticism and interpretation, English fiction, Criticism and interpretation, Literature and society, History, Class consciousness in literature
- Format
- Document (PDF)