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Drawing desires performance
Title
Drawing desires performance: dominance and submission in Will Eisner's The Spirit and Alan Moore's Watchmen.
Creator
Furlong, Michael., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
This thesis discusses the relationship between classic comic books and BDSM (bondage, discipline, sadism and masochism.) Will Eisner's The Spirit is used to discuss sexuality and power in comics, with special attention paid to Eisner's "The Kissing Caper." The Eisner chapter explores the relationship between sadomasochism, film noir, gender dynamics and comics. Using Judith Butler, Fredric Wertham and Theodor Reik, the gender politics of The Spirit are discussed. Women's changing roles in the...
Show moreThis thesis discusses the relationship between classic comic books and BDSM (bondage, discipline, sadism and masochism.) Will Eisner's The Spirit is used to discuss sexuality and power in comics, with special attention paid to Eisner's "The Kissing Caper." The Eisner chapter explores the relationship between sadomasochism, film noir, gender dynamics and comics. Using Judith Butler, Fredric Wertham and Theodor Reik, the gender politics of The Spirit are discussed. Women's changing roles in the post-World War II American workplace are linked to Eisner's BDSM themes in The Spirit from the character's origin story to the 1950s. In examining Alan Moore's Watchmen, the paper focuses on transactional power dynamics and how BDSM rituals are enacted in modern American comics. American power relationships in politics are used as a comparison and contrast to BDSM dynamics in Watchmen. Samuel R. Delany, William Moulton Marston and Pat Califia are used as theorists within the discussion of power exchanges in Dave Gibbons and Alan Moore's graphic novel. The consensual fantasy element to this power relationship is demonstrated as the underlying dynamic of the act, and not as actual punishment or nonconsensual sadism.
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Date Issued
2011
PURL
http://purl.flvc.org/FAU/3332180
Subject Headings
Criticism and interpretation, Criticism and interpretation, Comic books, strips, etc, History and criticism, Erotic literature, History and criticism
Format
Document (PDF)
Edna Pearce Lockett
Title
Edna Pearce Lockett: lady of the house.
Creator
Dooley, Terry L., Dorothy F. Schmidt College of Arts and Letters, Department of History
Abstract/Description
This thesis demonstrates how some women used the power of their ancestry and family name to run for political office, to become a positive role model for other women, and also to help pass laws favorable to the improvement of gender equality. Edna Pearce Lockett was unique, but also a reflection of the values of her community. Women who ran for office tended to have strong male figures in their lives that treated them as equals. They often were savvy enough to use the novelty of their gender...
Show moreThis thesis demonstrates how some women used the power of their ancestry and family name to run for political office, to become a positive role model for other women, and also to help pass laws favorable to the improvement of gender equality. Edna Pearce Lockett was unique, but also a reflection of the values of her community. Women who ran for office tended to have strong male figures in their lives that treated them as equals. They often were savvy enough to use the novelty of their gender to encourage positive press. Far from trying to be men, they accentuated their femininity through press accounts detailing their fashion sense, their dedication to feminine pursuits, and their ability to be ladies as well as serve their constituency. Edna Pearce Lockett's life also illustrates what society was like in central Florida during the first half of the 20th century for men and women living on and around the cattle industry.
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Date Issued
2009
PURL
http://purl.flvc.org/FAU/186679
Subject Headings
Political and social views, Frontier and pioneer life, History, Women in politics, History, Feminism, History and criticism, Women, History, History
Format
Document (PDF)
grassroots gospel
Title
The grassroots gospel: how spirituals and freedom songs democratized the Civil Rights Movement.
Creator
Bimmler, Lauren., Harriet L. Wilkes Honors College
Abstract/Description
The presence of music, especially in the form of freedom songs, is a notable constant in the American Civil Rights Movement of the 1950s and 1960s. Participants sang spirituals and freedom songs everywhere in the South - at mass meetings, demonstrations, and in jails. An engaging and participatory activity, singing unified, empowered, and historicized activists, allowing everyone an opportunity to be included in the action. Without these songs, the African-American communities across the...
Show moreThe presence of music, especially in the form of freedom songs, is a notable constant in the American Civil Rights Movement of the 1950s and 1960s. Participants sang spirituals and freedom songs everywhere in the South - at mass meetings, demonstrations, and in jails. An engaging and participatory activity, singing unified, empowered, and historicized activists, allowing everyone an opportunity to be included in the action. Without these songs, the African-American communities across the South may not have been able to band together to become such a force for change; while the activists were the facilitators for progress, the songs were the inspiration. Freedom songs democratized the Civil Rights Movement, enabling the participation of ordinary people at a grassroots level, therefore creating a strong mass movement.
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Date Issued
2008
PURL
http://purl.flvc.org/FAU/77657, http://purl.flvc.org/fau/fd/FADT77657
Subject Headings
Civil rights movements, History, Protest songs, History and criticism, African Americans, Civil rights, History and criticism, Spirituals (Songs), History and criticism
Format
Document (PDF)
Historical and analytical overviews on Dmitri Shostakovich's Twenty-Four Preludes and Fugues
Title
Historical and analytical overviews on Dmitri Shostakovich's Twenty-Four Preludes and Fugues.
Creator
Park, Jihong., Dorothy F. Schmidt College of Arts and Letters, Department of Music
Abstract/Description
The goal of this research is to discover Shostakovich's inspiration and motivation for writing the Twenty-Four Preludes and Fugues. Through the in-depth research of the cycle, this thesis will discuss the different aspects of the unique harmonic ambiguity of both the preludes and the fugue subjects so that readers understand Shostakovich's language of musical communication. Shostakovich lived during a transitional period in the history of Russia when totalitarianism was being challenged. The...
Show moreThe goal of this research is to discover Shostakovich's inspiration and motivation for writing the Twenty-Four Preludes and Fugues. Through the in-depth research of the cycle, this thesis will discuss the different aspects of the unique harmonic ambiguity of both the preludes and the fugue subjects so that readers understand Shostakovich's language of musical communication. Shostakovich lived during a transitional period in the history of Russia when totalitarianism was being challenged. The research will also explore how the political environment influenced his composition during those years.
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Date Issued
2012
PURL
http://purl.flvc.org/FAU/3352279
Subject Headings
Criticism and interpretation, Music, History and criticism, Politics and government
Format
Document (PDF)
John Updike
Title
John Updike: the role of women in his short fiction.
Creator
Rosen, Cindy M., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
There remain two recurring criticisms of John Updike's fiction. The first comes from feminist critics who condemn his negative portrayal of women, accusing his fiction of denigrating women. The second comes from late twentieth century critics who accuse him of avoiding political and historical discussions in his fiction. However, it is my contention that Updike is willing to address both of these concerns, and I arrive at such an argument by carefully analyzing his collection of short stories...
Show moreThere remain two recurring criticisms of John Updike's fiction. The first comes from feminist critics who condemn his negative portrayal of women, accusing his fiction of denigrating women. The second comes from late twentieth century critics who accuse him of avoiding political and historical discussions in his fiction. However, it is my contention that Updike is willing to address both of these concerns, and I arrive at such an argument by carefully analyzing his collection of short stories compiled in Too Far To Go: The Maples Stories. Within these stories, Updike's female characters illustrate the shifting gender paradigms over the course of the fifties, sixties, and seventies amidst the middle-class, suburban American milieu. Updike's women act as agents of history providing testament to the shifting gender paradigms and historical, cultural, political, and social milestones of a maturing country and its growing pains.
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Date Issued
2010
PURL
http://purl.flvc.org/FAU/1927298
Subject Headings
Criticism and interpretation, Women in literature, American fiction, History and criticism
Format
Document (PDF)
prepared piano of John Cage
Title
The prepared piano of John Cage: a new level of hearing the Sonatas and Interludes.
Creator
Ferreira, Inara de Barros, Dorothy F. Schmidt College of Arts and Letters, Department of Music
Abstract/Description
When John Cage invented the prepared piano in 1940, he created a sound world and body of music unlike anything heard before. The innovative music he wrote for prepared piano requires a completely new approach to performance, and expands our understanding of the piano's capabilities. This study will examine the main prepared piano works by John Cage, with a detailed analysis of the Sonatas and Interludes. Cage's Table of Preparations will be examined to establish an aesthetic rationale for...
Show moreWhen John Cage invented the prepared piano in 1940, he created a sound world and body of music unlike anything heard before. The innovative music he wrote for prepared piano requires a completely new approach to performance, and expands our understanding of the piano's capabilities. This study will examine the main prepared piano works by John Cage, with a detailed analysis of the Sonatas and Interludes. Cage's Table of Preparations will be examined to establish an aesthetic rationale for this preparation. Different modes of listening will be explored through a selection of the Sonatas and Interludes recorded in three different technological systems - conventional AB 2.0, surround 5.1, and Disk Jecklin. The latter allows for a true "surround sound" experience as Cage himself might have heard his own pieces. Included is a compact disc of selections from Sonatas and Interludes recorded in each of the three technological systems.
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Date Issued
2010
PURL
http://purl.flvc.org/FAU/1927866
Subject Headings
Cage, John, Criticism and interpretation, Prepared piano music, Music, Aleatory music, History and criticism, Avant-garde (Music), History and criticism
Format
Document (PDF)
Who is Paule Maurice?
Title
Who is Paule Maurice?: her relative anonymity and its consequences.
Creator
Moore, Anthony Jon., Dorothy F. Schmidt College of Arts and Letters, Department of Music
Abstract/Description
Paule Maurice (1910-1967) is the little known composer of Tableaux de Provence: Suite for Saxophone and Orchestra, one of the most frequently recorded and studied classical saxophone compositions in history. A more in depth study of Paule Maurice reveals a talented composer and dedicated professor whose career at the Conservatoire National Supérieur de Musique de Paris and l'Ecole Normale de Musique de Paris spanned over twenty-five years until her untimely death at age fifty-seven. Maurice...
Show morePaule Maurice (1910-1967) is the little known composer of Tableaux de Provence: Suite for Saxophone and Orchestra, one of the most frequently recorded and studied classical saxophone compositions in history. A more in depth study of Paule Maurice reveals a talented composer and dedicated professor whose career at the Conservatoire National Supérieur de Musique de Paris and l'Ecole Normale de Musique de Paris spanned over twenty-five years until her untimely death at age fifty-seven. Maurice composed for theatre, ballet, French National Radio, orchestra, voice, piano, flute, clarinet, and saxophone. There is question as to the whereabouts of many of her manuscripts. This thesis attempts to bring to bear the life and accomplishments of a talented French composer not well remembered in music history.
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Date Issued
2009
PURL
http://purl.flvc.org/FAU/367763
Subject Headings
Criticism and interpretation, Composers, Music, History and criticism, Women in music, Saxophone music
Format
Document (PDF)