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Title: "It is our duty to sing": a defense of the mythic method in David Jones's In parenthesis.
Creator: Snyder, Matthew J., Harriet L. Wilkes Honors College
Abstract/Description: Great War veteran David Jones's poem about the war, In Parenthesis, has been attacked by literary critics Paul Fussell and Evelyn Cobley on the grounds that the poem, usually read as an instance of "literature of protest" against the war, indicates Jones's ideological complicity with the war through its extensive allusions to heroic Celtic myth, British literature, and Catholic liturgy. This thesis argues that Jones's intricate allusive network represents a mythopoetic method of endurance, a...
Show moreGreat War veteran David Jones's poem about the war, In Parenthesis, has been attacked by literary critics Paul Fussell and Evelyn Cobley on the grounds that the poem, usually read as an instance of "literature of protest" against the war, indicates Jones's ideological complicity with the war through its extensive allusions to heroic Celtic myth, British literature, and Catholic liturgy. This thesis argues that Jones's intricate allusive network represents a mythopoetic method of endurance, a way of making order amidst the chaos of the Western Front. Jones's mythopoetic method, which I call allusive "seeing," serves as both a psychological defense mechanism against the war's strangeness and horror and a protest against the perception that because of the industrial, unheroic nature of the Great War, the soldiers who fought and died in it cannot be considered heroes.
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Date Issued: 2006
PURL: http://purl.flvc.org/FAU/11580
Subject Headings: Jones, David, 1895-1974, Views on war, World War, 1914-1918, Literature and the war, War poetry, English, History and criticism, War and literature, History and criticism
Format: Document (PDF)

Title: James Joyce and Derek Walcott: colonial island voices.
Creator: Terneus, Sebastian., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: When analyzing literatures that expose the effects of colonialism one can identify similarities between the lives of the oppressed. Although colonization occurs in different times and locations the consequences upon the subjugated become comparable throughout history. One prominent pairing of mirrored colonial episodes can be identified in the literature of Irish author James Joyce and St. Lucian poet Derek Walcott. Both authors endured British colonialism and produced literatures which...
Show moreWhen analyzing literatures that expose the effects of colonialism one can identify similarities between the lives of the oppressed. Although colonization occurs in different times and locations the consequences upon the subjugated become comparable throughout history. One prominent pairing of mirrored colonial episodes can be identified in the literature of Irish author James Joyce and St. Lucian poet Derek Walcott. Both authors endured British colonialism and produced literatures which revealed similar themes and narratives. Yet simply because both authors lived through colonization does not equate their experiences as parallel. This thesis argues that Joyce and Walcott created comparable literatures because they experienced subjugation on islands. A comparison of Joyce's Ulysses (1922) and Walcott's Omeros (1990) reveals the similar colonial experiences which were produced by island landscapes. Overall, this thesis will argue that the colonial turmoil which Joyce highlighted in Ulysses becomes mirrored in the postcolonial plot of Omeros.
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Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3322514
Subject Headings: Criticism and interpretation, Criticism and interpretation, Imperialism in literature, English literature, Irish authors, Criticism and interpretation, Colonies in literature, Colonies
Format: Document (PDF)

Title: Marie Corelli: Britain's most popular forgotten author.
Creator: Moss, Doris., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Marie Corelli was arguably the most popular British novelist of the early 1900s, yet few today even know her name. Though she is not the only author to lose popularity, her enormous influence during her lifetime deserves consideration. What people liked about Marie Corelli can shed light on why the rise of modernism is seen as such a break from the popular in literature. This paper examines two of her bestsellers, A Romance of Two Worlds and The Sorrows of Satan, in light of the fin de...
Show moreMarie Corelli was arguably the most popular British novelist of the early 1900s, yet few today even know her name. Though she is not the only author to lose popularity, her enormous influence during her lifetime deserves consideration. What people liked about Marie Corelli can shed light on why the rise of modernism is seen as such a break from the popular in literature. This paper examines two of her bestsellers, A Romance of Two Worlds and The Sorrows of Satan, in light of the fin de siáecle, as well as the critical response to her work from both modernist and postmodern perspectives. Corelli is of interest today because her popular female characters are women who affirm traditional femininity yet also pursue and wield great power. The question I raise is whether Corelli's work is best seen as illustrative of theories about popular literature or as contradictory to them.
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Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3172426
Subject Headings: Criticism and interpretation, Criticism and interpretation, Women and literature, History, Literature and society, History, English fiction, Criticism and interpretation
Format: Document (PDF)

Title: More than just a cup of tea.
Creator: Franklin-Jeune, Sacha, Harriet L. Wilkes Honors College
Abstract/Description: Tea is a beverage consumed by individuals from a multitude of different cultures. It is often taken up with open arms and welcomed as a prominient compnent of cultures, diets, and daily social interactions. The value of tea is based as much on its physical cultures that enjoy tea interact with the beverage in different ways, I argue that tea has its own culture. From interviews with four informants, I found three dominant components of the tea culture that have swayed them to join : (1) tea...
Show moreTea is a beverage consumed by individuals from a multitude of different cultures. It is often taken up with open arms and welcomed as a prominient compnent of cultures, diets, and daily social interactions. The value of tea is based as much on its physical cultures that enjoy tea interact with the beverage in different ways, I argue that tea has its own culture. From interviews with four informants, I found three dominant components of the tea culture that have swayed them to join : (1) tea can be a medium for social gatherings, (2) tea is beneficial to the mind and body, (3) people take the time to fully enjoy the experience. This thesis seeks to understand the value tea has for Floridian tea enthusiasts, the roots of the tea culture, and what it is about tea that has caused many to become "addicted".
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Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3359299
Subject Headings: Tea trade, History, Tea, Social aspects, Tea, Health aspects, Tea, History, Japanese tea ceremony, Social aspects, Tea, History, Tea, History, Tea, History
Format: Document (PDF)

Title: Power politics: gender and power in Mary Elizabeth Braddon's Lady Audley's Secret and Wilkie Collins's No Name.
Creator: Smith, Rebecca Ann., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: While literary critics acknowledge Mary Elizabeth Braddon's Lady Audley's Secret and Wilkie Collins's No Name as sensation novels that were considered popular literature during the 1860s, many critics often fail to recognize the social and political implications embedded within these texts. In No Name, for instance, Collins's use of a heroine that is disinherited and deemed illegitimate by the law emphasizes the overpowering force of patriarchy. In response to patriarchal law, therefore, the...
Show moreWhile literary critics acknowledge Mary Elizabeth Braddon's Lady Audley's Secret and Wilkie Collins's No Name as sensation novels that were considered popular literature during the 1860s, many critics often fail to recognize the social and political implications embedded within these texts. In No Name, for instance, Collins's use of a heroine that is disinherited and deemed illegitimate by the law emphasizes the overpowering force of patriarchy. In response to patriarchal law, therefore, the heroines of Lady Audley's Secret and No Name attempt to improve their social positions in a society that is economically dependent upon men. Braddon's Lady Audley and Collins's Magdalen Vanstone are fictional representations of women who internalize the inequality of patriarchy and strive to contest male domination. By centering their novels on heroines who endeavor to defy Victorian social norms, Braddon and Collins highlight the problem of the female in a male-dominated society.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/210519
Subject Headings: Criticism and interpretation, Criticism and interpretation, English fiction, Criticism and interpretation, Literature and society, Sex role in literature, Patriarchy in literature
Format: Document (PDF)

Title: Racial violence: examining causation in the United States, France, Great Britain, and Germany.
Creator: Sylvain, Christine Lynn., Harriet L. Wilkes Honors College
Abstract/Description: This thesis examines recent explanations of racial violence in the Los Angeles Riots of 1992, the Oldham Riots of 2001, the French Riots of 2005, and the racial violence of 1992 in Germany. In each case I outline traditional theories claiming that racial violence is caused by competition between ethnic groups for housing, jobs, and cultural identity. These theories may benefit from consideration of the historical elements that have institutionalized racial discrimination in the systematic...
Show moreThis thesis examines recent explanations of racial violence in the Los Angeles Riots of 1992, the Oldham Riots of 2001, the French Riots of 2005, and the racial violence of 1992 in Germany. In each case I outline traditional theories claiming that racial violence is caused by competition between ethnic groups for housing, jobs, and cultural identity. These theories may benefit from consideration of the historical elements that have institutionalized racial discrimination in the systematic processes of integration. In conclusion, I argue that the governmental mechanisms of integration; including citizenship models, context of state formation, immigration policy, and nationalist ideology, suggest that the framework of racial prejudice and ethnocentrism may predispose a society to racial conflict.
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Date Issued: 2006
PURL: http://purl.flvc.org/FAU/11577
Subject Headings: Racism, Racism, Racism, Ethnocentrism
Format: Document (PDF)

Title: The search for order in the face of impermanence: movement and meaning in Woolf.
Creator: Hall, Maria., Harriet L. Wilkes Honors College
Abstract/Description: The two main characters of Virginia Woolf's To the Lighthouse interpret and find meaning in the world around them in two different ways. Mrs. Ramsey seeks a form of meaning that exists independent of her in the world. Lily, on the other hand, won't rely on meaning that is predetermined or inherent in the world outside of her own perception of it. Both of these positions are problematic because neither one of them actually allows the characters to establish a way in which to understand their...
Show moreThe two main characters of Virginia Woolf's To the Lighthouse interpret and find meaning in the world around them in two different ways. Mrs. Ramsey seeks a form of meaning that exists independent of her in the world. Lily, on the other hand, won't rely on meaning that is predetermined or inherent in the world outside of her own perception of it. Both of these positions are problematic because neither one of them actually allows the characters to establish a way in which to understand their world. It is only when Lily gains insight from Mrs. Ramsey's position that she is finally able to form a new, third strategy, represented in the act of painting, which allows her to create a kind of meaning that succeeds where her and Mrs. Ramsey's original strategies had failed. In the completion of her work of art she has both represented her vision and established her own way of relating to and understanding her world.
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Date Issued: 2007
PURL: http://purl.flvc.org/FAU/41005
Subject Headings: Criticism and interpretation, Impressionism in literature, Modernism (Literature)
Format: Document (PDF)

Title: The use of the bastard identity: from Victorian subverters to superheroes in the twenty-first century and beyond.
Creator: Dessler, Ryan., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: This project explores the use if illegitimacy within Western discourse over the last three centuries. Illegitimacy was used in Victorian literature as a literary device to drive plot but evolved into a touchstone for Western discourse to explore the bounds of what is considered respectable society. Over time, as illegitimacy has become more mainstream, I contend illegitimate identities have been utilized to serve as a mirror for Western hegemony. In the first chapter, I explore the origins of...
Show moreThis project explores the use if illegitimacy within Western discourse over the last three centuries. Illegitimacy was used in Victorian literature as a literary device to drive plot but evolved into a touchstone for Western discourse to explore the bounds of what is considered respectable society. Over time, as illegitimacy has become more mainstream, I contend illegitimate identities have been utilized to serve as a mirror for Western hegemony. In the first chapter, I explore the origins of illegitimacy being used as a literary device in novels by Victorian authors Charles Dickens and Wilkie Collins. In the second chapter, I examine the role illegitimacy plays in the origin stories of canonical comic book superheroes Batman and Superman. Lastly, in the third chapter, I scrutinize the role illegitimacy plays in defining the human condition within science fiction as human culture continues to advance technologically towards a post human world.
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Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3355567
Subject Headings: Criticism and interpretation, Criticism and interpretation, Literature and society, History, Literature and society, History, Comic books, strips, etc, Criticism and interpretation, Illegitimacy in literature, Sex role in literature, Sensationalism in literature
Format: Document (PDF)

FAU Theses and Dissertations (4)	+ -
Honors Student Theses (4)	+ -

Criticism and interpretation (5)	+ -
History (3)	+ -
Literature and society (3)	+ -
English fiction (2)	+ -
Sex role in literature (2)	+ -

Colonies (1)	+ -
Colonies in literature (1)	+ -
Comic books, strips, etc (1)	+ -
English literature (1)	+ -
Ethnocentrism (1)	+ -
Health aspects (1)	+ -
History and criticism (1)	+ -
Illegitimacy in literature (1)	+ -
Imperialism in literature (1)	+ -
Impressionism in literature (1)	+ -
Irish authors (1)	+ -
Japanese tea ceremony (1)	+ -
Jones, David, 1895-1974 (1)	+ -
Literature and the war (1)	+ -
Modernism (Literature) (1)	+ -
Patriarchy in literature (1)	+ -
Racism (1)	+ -
Sensationalism in literature (1)	+ -
Social aspects (1)	+ -
Tea (1)	+ -
Tea trade (1)	+ -
Views on war (1)	+ -
War and literature (1)	+ -
War poetry, English (1)	+ -
Women and literature (1)	+ -

United States (2)	+ -
Caribbean Area (1)	+ -
China (1)	+ -
Germany (1)	+ -
India (1)	+ -

Japan (1)	+ -
St. Lucia (1)	+ -

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