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- Title
- Evoking meaning: from tangible objects to digital experience.
- Creator
- Moreno, Lenny C. Salas., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
- Abstract/Description
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The intent of this thesis is to focus on evocative objects to explore what is lost in the transition from tangible to digital and how personal meaning is altered by digitalization. "We are witnessing the sudden dematerialization of our arts and entertainment, their transfer from unique artifacts to universal on-demand screen availability."1 As we replace objects like photographs, books and music CDs with intangible digital versions, social and physical experiences get reconfigured. With more...
Show moreThe intent of this thesis is to focus on evocative objects to explore what is lost in the transition from tangible to digital and how personal meaning is altered by digitalization. "We are witnessing the sudden dematerialization of our arts and entertainment, their transfer from unique artifacts to universal on-demand screen availability."1 As we replace objects like photographs, books and music CDs with intangible digital versions, social and physical experiences get reconfigured. With more time being spent on-line, there is a growing emphasis on exchanging digital content and the network of self-projections shared virtually. As we continue towards an increasing digital environment, understanding emerging socio-cultural practices can provide insight into new directions for graphic design.
Show less - Date Issued
- 2013
- PURL
- http://purl.flvc.org/fcla/dt/3360947
- Subject Headings
- Digital art, Cultural property, Digitization, Graphic arts, Computer-aided design, Meaning (Psychology), Postmodernism, Popular culture, Effect of technological innovations on
- Format
- Document (PDF)
- Title
- Firing back!.
- Creator
- Gehrmann, Judith., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
- Abstract/Description
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This work is comprised of altered, found familiar objects. They are stacked and are covered with Egyptian paste, then fired in a burn-out kiln. Through transformation by fire the objects become post-apocalyptic relics. Raised in an Irish Catholic alcoholic home by a raging perfectionist mother, the kitchen was a battlefield - the home, a place of great drama. After dish throwing and frying pan swinging, dinner was precisely laid out on a clean white tablecloth - order covering disorder. The...
Show moreThis work is comprised of altered, found familiar objects. They are stacked and are covered with Egyptian paste, then fired in a burn-out kiln. Through transformation by fire the objects become post-apocalyptic relics. Raised in an Irish Catholic alcoholic home by a raging perfectionist mother, the kitchen was a battlefield - the home, a place of great drama. After dish throwing and frying pan swinging, dinner was precisely laid out on a clean white tablecloth - order covering disorder. The failed domestic environment of my childhood informs this body of work and is inflected by recovering psychological states. Empowered through feminist critique and filtered through my study of Jungian psychology, these objects enact a precarious balance between the known and the estranged. Through the process of transmutation, a cathartic space is generated, giving space for viewers to potentially confront their memories of home.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3170954
- Subject Headings
- Symbolism in literature, Conduct of life, Popular culture, Philosophy, Parenting, Psychological aspects
- Format
- Document (PDF)
- Title
- Micropolitics of transition in Yugoslavia: a local and global demise.
- Creator
- Marinos, Martin Y., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
- Abstract/Description
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The thesis provides a cultural analysis on the micropolitics of Yugoslavia wars in 1992-1995, examining local and global media coverage along with grassroots and historical dimensions. The study offers an extensive overview of scholarly literature on the Balkans, arguing that often omitted local, cultural and historical narratives of the war events reveal complex perspectives on the rationales provided on civil war. Investigating the nationalist social movements in Yugoslavia (1992-1995), the...
Show moreThe thesis provides a cultural analysis on the micropolitics of Yugoslavia wars in 1992-1995, examining local and global media coverage along with grassroots and historical dimensions. The study offers an extensive overview of scholarly literature on the Balkans, arguing that often omitted local, cultural and historical narratives of the war events reveal complex perspectives on the rationales provided on civil war. Investigating the nationalist social movements in Yugoslavia (1992-1995), the thesis articulates the need to revisit Deleuze and Guattari's framework of micropolitics to understand the cultural and historical dimensions operational in such movements. The study presents local media coverage in Nasa Borba, Borba, and Hrvatsko Slovo, focusing mainly on two major atrocities committed during the Balkan conflict, in order to shed light on the complex role of discourse emerging in war environments.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/FAU/186298
- Subject Headings
- Political and social views, Political and social views, Yugoslav War, 1991-1995, Popular culture, Political aspects, Ethnic groups, Political aspects, History
- Format
- Document (PDF)
- Title
- More than "just a hunch": meaning, feminine intuition and television sleuths.
- Creator
- Dominguez, Sheela Celeste., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
- Abstract/Description
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The rise in popularity of the female sleuth television programs makes it important to explore representations of gender and knowledge. This investigation analyzes interpretations of intuition in the television sleuth genre and relevant paratexts, examines gendered public and private spheres and raises broader questions about gendered knowledge in the series Medium, Crossing Jordan, Law and Order: Criminal Intent, Veronica Mars, Monk, The Profiler and True Calling. Rooted in feminist cultural...
Show moreThe rise in popularity of the female sleuth television programs makes it important to explore representations of gender and knowledge. This investigation analyzes interpretations of intuition in the television sleuth genre and relevant paratexts, examines gendered public and private spheres and raises broader questions about gendered knowledge in the series Medium, Crossing Jordan, Law and Order: Criminal Intent, Veronica Mars, Monk, The Profiler and True Calling. Rooted in feminist cultural studies, historical and sociological analysis, television and film theory and work on the detective genre, this investigation establishes common frames, or filters, through which the television sleuth genre represents intuition and the gendered experience of knowledge. Women with intuition are depicted as unstable, dangerous and mentally ill. Though framed similarly, intuitive men have more freedom. This study expands on academic research on television representations of gender and knowledge. Societal implications include further understanding of meaning-making in regard to gendered knowing.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/FAU/165938
- Subject Headings
- Women detectives in mass media, Popular culture, History, Self-actualization (Psychology), Sex differences (Psychology), Thought and thinking, Sex differences, Women in television
- Format
- Document (PDF)
- Title
- Multiple birth families, religion, and cultural hegemony: patriarchal constructions in reality television.
- Creator
- Cittadino, Emily M., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
- Abstract/Description
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Reality television programming chronicling the daily workings of multiple birth families within American culture has gained notoriety in recent years. Such programs, especially Discovery Health and TLC's 17, 18 Kids and Counting and TLC's Jon and Kate Plus Ei8ht, film, edit and broadcast the "everyday" life of these families. This research study focuses attention on hegemonic ideologies surrounding family values, motherhood, gender roles and religious faith, illuminated through textual and...
Show moreReality television programming chronicling the daily workings of multiple birth families within American culture has gained notoriety in recent years. Such programs, especially Discovery Health and TLC's 17, 18 Kids and Counting and TLC's Jon and Kate Plus Ei8ht, film, edit and broadcast the "everyday" life of these families. This research study focuses attention on hegemonic ideologies surrounding family values, motherhood, gender roles and religious faith, illuminated through textual and audience analysis. Working from an interdisciplinary approach combining feminist media and cultural studies, this study finds that hegemonic notions of family values, gender representations, religious faith and conceptions of motherhood are evident to varying degrees in the television texts and accepted by fans who negotiate their meanings online.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2684311
- Subject Headings
- Mass media and culture, Feminist theory, Popular culture, Women in popular culture, Reality television programs, Social aspects, Television program genres, Sex role in popular culture
- Format
- Document (PDF)
- Title
- A philosophy of magic.
- Creator
- Gobeo, Mark J., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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Throughout history magic has been an art that has instilled awe and wonder in its spectators. The magician used to be held in high esteem, as teacher, as scientist, as priest and even as philosopher. This being the case, throughout the history of philosophy, philosophers have deemed magic to be deception, to be a mode of misleading people into believing what is not true. Through the modern philosophical era, philosophers have been seeking a purely scientific method for questioning reality. It...
Show moreThroughout history magic has been an art that has instilled awe and wonder in its spectators. The magician used to be held in high esteem, as teacher, as scientist, as priest and even as philosopher. This being the case, throughout the history of philosophy, philosophers have deemed magic to be deception, to be a mode of misleading people into believing what is not true. Through the modern philosophical era, philosophers have been seeking a purely scientific method for questioning reality. It seems that, today, even the magician views his or her art as mere entertainment. The purpose of my thesis is to dispel the belief that magic is purely a hobby with no artistic value and that, like other artworks, magic too can cause one to question existence.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/FAU/108068
- Subject Headings
- Rationalism, Philosophy and aesthetics, Popular culture, Magic in literature
- Format
- Document (PDF)
- Title
- Scenographia: investigations of line, light and the theatricality in the micro-scale.
- Creator
- Matsi, Sofâia., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
- Abstract/Description
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Informed by my training in the physical sciences, my thesis show presents results of research on the elements of line and dramatic staging. My process is documented through the experimental grounds of my sketchbooks. Originating from observational drawings of organic forms, my fascination with line quality and my desire for theatrical settings propelled these drawings to acquire a three dimensional presence. Through constructed book formats, staged micro-scenes, and photographs, I test my...
Show moreInformed by my training in the physical sciences, my thesis show presents results of research on the elements of line and dramatic staging. My process is documented through the experimental grounds of my sketchbooks. Originating from observational drawings of organic forms, my fascination with line quality and my desire for theatrical settings propelled these drawings to acquire a three dimensional presence. Through constructed book formats, staged micro-scenes, and photographs, I test my extracted, abstract forms in varying intimate environments. I control these worlds through scale, space and lighting, and I observe and record how they behave. I gather data through a methodical process that is infused with the empirical instincts I developed as a scientist. I express the resulting distilled organic forms in the most theatrical way I can invent.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3171721
- Subject Headings
- Art and technology, Popular culture, Drawing, Technique, Installations (Art)
- Format
- Document (PDF)
- Title
- Status symbols in triathlete culture.
- Creator
- Slotnick, Adam., Dorothy F. Schmidt College of Arts and Letters, Department of Anthropology
- Abstract/Description
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Triathlon status symbols allow community members to gain prestige. The accrual of paraphernalia, such as race apparel and bumper stickers, provide individuals with a means to display their accomplishments for non-participants, too. Ethnographic fieldwork, questionnaires and interviews provided insight into a variety of experiences. The individual nature of the sport is reflected by a participant's decision to display status markers. Car signs (e.g., bumper stickers and license plate frames)...
Show moreTriathlon status symbols allow community members to gain prestige. The accrual of paraphernalia, such as race apparel and bumper stickers, provide individuals with a means to display their accomplishments for non-participants, too. Ethnographic fieldwork, questionnaires and interviews provided insight into a variety of experiences. The individual nature of the sport is reflected by a participant's decision to display status markers. Car signs (e.g., bumper stickers and license plate frames) are displayed by a quarter of race participants. They come in a variety of forms allowing the car's driver to communicate with triathletes and non-triathletes while driving on the road. The most prestigious triathlon is the Ironman. The M Dot Ironman logo appears as a decal on vehicles and as a mark of permanence on the body. Tattoos act as a formal communication system in a similar manner to car signs. Triathletes display status symbols to garner respect from their peers and separate themselves from the larger society.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3359154
- Subject Headings
- Triathlon, Training, Triathlon, Psychological aspects, Bumper stickers, Popular culture
- Format
- Document (PDF)
- Title
- Studied girlhoods: consciousness, context, and negotiation of identity in the memoirs of Dorothy Allison, Mary Karr, and Barbara Robinette Moss.
- Creator
- Dilgen, Regina., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
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Dorothy Allison's Two or Three Things I Know for Sure, Mary Karr's The Liars' Club, and Barbara Robinette Moss's Change Me into Zeus's Daughter are memoirs published in the 1990s of girlhoods in the late 1950s and early 1960s. This dissertation uses and expands upon the approaches of the multi-disciplinary Girls' Studies in analyzing how these memoirists theorize their own girlhoods. Each memoirist represents her experience in a culture that attempts to marginalize, silence, and define her....
Show moreDorothy Allison's Two or Three Things I Know for Sure, Mary Karr's The Liars' Club, and Barbara Robinette Moss's Change Me into Zeus's Daughter are memoirs published in the 1990s of girlhoods in the late 1950s and early 1960s. This dissertation uses and expands upon the approaches of the multi-disciplinary Girls' Studies in analyzing how these memoirists theorize their own girlhoods. Each memoirist represents her experience in a culture that attempts to marginalize, silence, and define her. An application of the foundational work on girlhood in developmental psychology provides for an analysis of each memoirist's depiction of girlhood as a time of authentic insight and developing agency. Referencing feminist literary criticism allows for an interpretation of how the girls at the center of these works develop agency through growing awareness of the circumstances of their marginalization. And a semiotic literary interpretation adds to the analysis of these works as creative autobiogra phical writing in affording a close reading of how the memoirists portray younger selves learning to read the signs and texts of a culture and becoming aware of their status as girls in working-class families. Each memoirist uses a dual vocal presentation as both the adult memoirist and a younger self give shape to the narrative. Each memoirist represents a distinct southern space intersecting with specifics of the era to form a cultural moment. Social Construction Theory makes available a basis for considering how the memoirists narrate their increasing understanding of race and gender within these specific contexts as well as their resistive voicing of these insights., Through a Cultural Studies focus this dissertation examines how each memoirist represents a younger self's negotiations with cultural products of the era that work to construct girlhood. Adding to this unpacking of how the memoirists study their own girlhoods, the tools of Postco for an analysis of how the memoirists theorize their own girlhoods in ways that parallel these approaches. This dissertation adds to the evolving field of Girls' Studies in using contemporary theoretical frameworks to interpret how girlhood is constructed, represented, and negotiated with in these memoirs.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3332175
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Self in literature, Popular culture, Working class women
- Format
- Document (PDF)
- Title
- Tracing feminism in Brazil: locating gender, race and global power relations in Revista Estudos Feministas.
- Creator
- Bozzetto, Renata Rodrigues, Dorothy F. Schmidt College of Arts and Letters, Center for Women, Gender and Sexuality Studies
- Abstract/Description
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Women's movements and feminisms in Brazil have taken various forms throughout the years, contributing significantly to socio-political actions that favor gender justice. However, Brazilian feminisms remain on the margins of American academic discourse. In the United States, conceptualizations of feminism are often complicated by epistemological practices that treat certain political actions as feminist while dismissing others. The invisibility of Brazilian feminisms within feminist...
Show moreWomen's movements and feminisms in Brazil have taken various forms throughout the years, contributing significantly to socio-political actions that favor gender justice. However, Brazilian feminisms remain on the margins of American academic discourse. In the United States, conceptualizations of feminism are often complicated by epistemological practices that treat certain political actions as feminist while dismissing others. The invisibility of Brazilian feminisms within feminist scholarship in the United States, therefore, justifies the need for further research on the topic. My research focuses on feminist articles published by Revista Estudos Feministas, one of the oldest and most well known feminist journals in Brazil. Using postcolonial, postmodern, and critical race feminist theories as a framework of analysis, my thesis investigates the theories and works utilized by feminists in Brazil. I argue that Brazilian feminisms both challenge and emulate the social, economic, and geopolitical orders that divide the world into Global North and South.
Show less - Date Issued
- 2013
- PURL
- http://purl.flvc.org/fcla/dt/3362338
- Subject Headings
- Feminism, Popular culture, Women and democracy, Postmodernism (Litearture), Social life and customs
- Format
- Document (PDF)
- Title
- We are what we eat: food consumption and identity in the United States.
- Creator
- Dates, Marlena Kay., Dorothy F. Schmidt College of Arts and Letters, Department of Anthropology
- Abstract/Description
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In the modern United States, capitalism is the predominant cultural value that structures the food system. The current American relationship to food is strained, at best, as two-thirds of Americans experience overweight and obesity and are at risk for a number of serious health complications. An understanding of the historic and political-economic aspects of the American food system is necessary to address the effects of our modern food habits on our ideas of our selves. This thesis analyzes...
Show moreIn the modern United States, capitalism is the predominant cultural value that structures the food system. The current American relationship to food is strained, at best, as two-thirds of Americans experience overweight and obesity and are at risk for a number of serious health complications. An understanding of the historic and political-economic aspects of the American food system is necessary to address the effects of our modern food habits on our ideas of our selves. This thesis analyzes the types of foods Americans eat, why they make the food choices that they do, how they feel about their eating habits and their habits' effects on their bodies, and how this all relates to our sense of identity as Americans.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/186678
- Subject Headings
- Food consumption, Food habits, Nutrition, Social aspects, Diet, Popular culture
- Format
- Document (PDF)