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"...At the ear of Eve"
Title
"...At the ear of Eve": hearing, gender, and the physiology of the fall in John Milton's Paradise lost.
Creator
Pollari, Niina., Harriet L. Wilkes Honors College
Abstract/Description
The organ of hearing, in John Milton's Paradise Lost, is inextricably connected with both the physical and the spiritual; it is the point of entry through which Satan's words enter Eve's brain, subsequently process, and lead eventually to the fall of mankind. Its symbolic importance is also indisputable, as it is a metaphor for the feminine passivity and penetrability that make Milton's Eve a particularly vulnerable target. There is, however, already a pre-existing connection between the ear...
Show moreThe organ of hearing, in John Milton's Paradise Lost, is inextricably connected with both the physical and the spiritual; it is the point of entry through which Satan's words enter Eve's brain, subsequently process, and lead eventually to the fall of mankind. Its symbolic importance is also indisputable, as it is a metaphor for the feminine passivity and penetrability that make Milton's Eve a particularly vulnerable target. There is, however, already a pre-existing connection between the ear and its role in Paradise Lost. The seventeenth-century medical texts of Milton's contemporaries gender the physiology of the ear and the process of hearing and therefore contribute to its importance in the pivotal temptation scene; that is, the rhetoric surrounding the physiology of the ear is the down fall of humankind in the epic poem. As a result of the dangerous connection between science and language, Milton's characters are already predestined to sin.
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Date Issued
2006
PURL
http://purl.flvc.org/FAU/11583
Subject Headings
Symbolism in communication, Fall of man, Body, Human, in literature, Literature and science, History
Format
Document (PDF)
Merely to officiate light"
Title
" Merely to officiate light": the subordination and glorification of God the Son in Paradise Lost.
Creator
Cruikshank, Kathryn H., Harriet L. Wilkes Honors College
Abstract/Description
This thesis considers the role and function of God the Son within the anti-Trinitarian system John Milton envisions in his epic poem, Paradise Lost. In the poem, God the Father frequently acts independently of His Son, and the divine attributes that traditionally describe the Son, including His timelessness, no longer apply to the character Milton constructs. Despite this apparent degradation, Milton still elevates the Son and considers Him to be a character worthy of our respect. To account...
Show moreThis thesis considers the role and function of God the Son within the anti-Trinitarian system John Milton envisions in his epic poem, Paradise Lost. In the poem, God the Father frequently acts independently of His Son, and the divine attributes that traditionally describe the Son, including His timelessness, no longer apply to the character Milton constructs. Despite this apparent degradation, Milton still elevates the Son and considers Him to be a character worthy of our respect. To account for this seeming paradox, I propose a reading of Paradise Lost that does not dismiss Milton's heretical belief in a subjected Son, but rather uses it as a way envision a new form of power. To do so, I compare the relationship between God the Father and His Son in terms of light and sun imagery, to demonstrate how power is divided and distributed between the two, according to the scientific principles of Milton's day. In addition, I consider how Michel Foucault's concept of the docile body both applies to the Son and explains His deference to the Father. Through these analyses, I hope to demonstrate that the Son's power exists as the result of properly exercising His free will, a will that would not have been His own had He been one with His Father.
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Date Issued
2009
PURL
http://purl.flvc.org/FAU/209988
Subject Headings
Criticism and interpretation, Religion, Symbolism in literature, God in literature, Religion and literature, Criticism and interpretation
Format
Document (PDF)
Paradise impaired
Title
Paradise impaired: duality in Paradise lost.
Creator
Bernhard, Katherine Joy., Harriet L. Wilkes Honors College
Abstract/Description
This thesis examines the duality of meaning conveyed by John Milton's use of language in the epic poem, Paradise Lost, specifically repetition, pairing, alliteration and puns. Following a long tradition of close readings, especially critics RA. Shoaf and Christopher Ricks, I argue that Milton conceives the Fall of Adam and Eve as a falling into polysemy, or multiplicity of signification. Very few critics have undertaken a close reading of words that signal coupling in the poem, and their...
Show moreThis thesis examines the duality of meaning conveyed by John Milton's use of language in the epic poem, Paradise Lost, specifically repetition, pairing, alliteration and puns. Following a long tradition of close readings, especially critics RA. Shoaf and Christopher Ricks, I argue that Milton conceives the Fall of Adam and Eve as a falling into polysemy, or multiplicity of signification. Very few critics have undertaken a close reading of words that signal coupling in the poem, and their relationship to pairs and oppositions relevant to Genesis. Shoaf identifies pairs and oppositions in the poem as duals and duels, and connects them to binaries in the theology. However, he overlooks a great deal of evidence which supports his theory of the dual and the duel, and also disregards many significant examples of duality in Milton's wordplay that other critics identify, including alliterative pairs and words that convey ancient etymologies.
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Date Issued
2006
PURL
http://purl.flvc.org/FAU/11595
Subject Headings
Criticism and interpretation, Milton, John, 1608-1674, Language, Narration (Rhetoric), Discourse analysis, Narrative, Semiotics
Format
Document (PDF)