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residue
Title
residue.
Creator
Carlson, Susan L., Florida Atlantic University, Scroggins, Mark
Abstract/Description
This creative thesis contains 19 poems exploring and examining the association of residues, primarily through that of memory and memories, through a process of defining and (re)defining those associations of memory (the residues) that attach themselves to memory and the actions of and upon memory. This thematic thread is woven throughout with narrative prose and verse, traditional and free verse, and the melding of each in an effort to exemplify the relationships between memory and its...
Show moreThis creative thesis contains 19 poems exploring and examining the association of residues, primarily through that of memory and memories, through a process of defining and (re)defining those associations of memory (the residues) that attach themselves to memory and the actions of and upon memory. This thematic thread is woven throughout with narrative prose and verse, traditional and free verse, and the melding of each in an effort to exemplify the relationships between memory and its residual associations through structure, form, and language. Speakers are most often characters who represent the roles of memory and the associate value of the residues attached to it. The notion of residue is defined and redefined through the formation of memories, cultural associations, environmental and educational influences.
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Date Issued
2006
PURL
http://purl.flvc.org/fcla/dt/13339
Subject Headings
Poems, Symbolism in literature, Memory--Miscellanea
Format
Document (PDF)
Outline
Title
Outline.
Creator
Kluthe, Erika., Florida Atlantic University, Mitchell, Susan
Abstract/Description
The poems belonging to this collection are descriptive and largely image-driven. Focusing on moments of ecstasy, and written in a fragmented and highly tactile language, these poems re-present experience as a visual and aural texture or surface, one that is rough and raised: a mosaic that is sensually, emotionally, and sexually urgent that my reader might run his or her hands and ears over; I want the experience for both speaker and reader to feel that immediate. The final poem or arrangement...
Show moreThe poems belonging to this collection are descriptive and largely image-driven. Focusing on moments of ecstasy, and written in a fragmented and highly tactile language, these poems re-present experience as a visual and aural texture or surface, one that is rough and raised: a mosaic that is sensually, emotionally, and sexually urgent that my reader might run his or her hands and ears over; I want the experience for both speaker and reader to feel that immediate. The final poem or arrangement of images is suggestive and ambiguous in order to create a sense of engagement with the mysterious, strange, terrific, tumultuous, uncertain, severe, and divine: all that comprises the ecstatic. Inherent in the ecstatic (or in states of ecstasy) are the possibilities for renewed, enlightened vision, transcendence, and transformation. These poems approach various moments that suggest the possibilities for such and present-to the reader---as the title suggests---an outline offering the general features of a given subject or emotion, encouraging the reader to fill in (or feel in) the details of the experience.
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Date Issued
2005
PURL
http://purl.flvc.org/fcla/dt/13253
Subject Headings
Poems, Symbolism in literature
Format
Document (PDF)
Latitudes
Title
Latitudes.
Creator
Slone, Jay., Florida Atlantic University, Mitchell, Susan
Abstract/Description
The poems of this collection attempt to bridge and break interpretive and formal borders. The speaker's voice is sometimes cohesive, sometimes fragmented. The title alludes to images in the poems: to the sea, the stars, storms, and of navigations not so much of specific places, but of motion or directions that are often tenuously connected or abstract. These poems are explorations, wonderings, and experiments. The speaker's voice shifts like the wind, sometimes leading toward a destination...
Show moreThe poems of this collection attempt to bridge and break interpretive and formal borders. The speaker's voice is sometimes cohesive, sometimes fragmented. The title alludes to images in the poems: to the sea, the stars, storms, and of navigations not so much of specific places, but of motion or directions that are often tenuously connected or abstract. These poems are explorations, wonderings, and experiments. The speaker's voice shifts like the wind, sometimes leading toward a destination and other times remaining lost. The poems require navigation as the reader is called upon to engage in the process of finding the way---of making way---and participating with the poet in the process of meaning making.
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Date Issued
2005
PURL
http://purl.flvc.org/fcla/dt/13237
Subject Headings
Poems, Symbolism in literature
Format
Document (PDF)
Hot Pink
Title
Hot Pink.
Creator
Pifer, Lee E., Florida Atlantic University, Mitchell, Susan
Abstract/Description
The poems of this thesis take the reader to primal places of the mind, body, and soul, often considered better left unspoken or unseen. These places are no doubt dark and full of strange dreams. Here, relationships have a lack of resolution and, of course, are engineered by pleasure and pain. Pain is fire, ice, or reflection. Pleasure is also pain. It is all an eternal dance. Pain gives pleasure meaning and vice versa, like violence and passion. There is a pleasure in the heat rising from a...
Show moreThe poems of this thesis take the reader to primal places of the mind, body, and soul, often considered better left unspoken or unseen. These places are no doubt dark and full of strange dreams. Here, relationships have a lack of resolution and, of course, are engineered by pleasure and pain. Pain is fire, ice, or reflection. Pleasure is also pain. It is all an eternal dance. Pain gives pleasure meaning and vice versa, like violence and passion. There is a pleasure in the heat rising from a red bottom, and a beauty in that image. I challenge social customs and emotional aversions with my imagery. I utilize rhyme and a lack of punctuation to disturb boundaries as dreams do, or other malleable states of living. I focus on the intangible trauma of self-destruction in the pursuit of creativity, intimacy, and expression. In simpler terms, the poems of this thesis have been caught having a threesome with sex and death. Tempted to peek?
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Date Issued
2005
PURL
http://purl.flvc.org/fcla/dt/13278
Subject Headings
Poems, Symbolism in literature, Conduct of life
Format
Document (PDF)