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Title
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The food of fools: an analysis of the Fools' gustatory imagery in King Lear.
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Creator
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Sparer, Sara Rafferty., Dorothy F. Schmidt College of Arts and Letters, Department of English
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Abstract/Description
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The character of the Fool in William Shakespeare's King Lear uses hitherto unexamined gustatory imagery as a linguistic device to achieve the literary fool's function of imparting wisdom that masquerades as nonsense. While previous critics have analyzed the linguistic devices of puns, riddles, and rhymes used by medieval and Renaissance literary fools, this thesis argues not only that the Fool's gustatory imagery constitutes the dominant motif in the play, but also employs food theory to...
Show moreThe character of the Fool in William Shakespeare's King Lear uses hitherto unexamined gustatory imagery as a linguistic device to achieve the literary fool's function of imparting wisdom that masquerades as nonsense. While previous critics have analyzed the linguistic devices of puns, riddles, and rhymes used by medieval and Renaissance literary fools, this thesis argues not only that the Fool's gustatory imagery constitutes the dominant motif in the play, but also employs food theory to demonstrate how these image patterns provide political commentary on the dramatic action. The Fool's pattern of gustatory imagery is employed as well by characters who can be seen as variations on the wise fool. Through these characters, Shakespeare establishes a food chain motif that classifies some characters as all-consumptive, even cannibalistic, and others as their starving prey. The pattern of food imagery offers a range of perspectives, from highly critical to idealistic, on the play's meaning and political relationships.
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Date Issued
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2009
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PURL
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http://purl.flvc.org/FAU/227981
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Subject Headings
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Criticism and interpretation, Symbolism in literature, Food, Symbolic aspects, Food in literature, Literature and society, Criticism and interpretion
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Format
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Document (PDF)
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Title
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"One face, one voice, one habit, and two persons!": twinship and doubling in Twelfth Night.
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Creator
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Puehn, Amanda M., Harriet L. Wilkes Honors College
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Abstract/Description
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This thesis considers the relationship between scientific advances, identity formation, and literature in an early modern print culture. As medical theorists made their discoveries and defended their work they did so within the literary world; turning to the printed word to cultivate their personal identity and rebut dissenting colleagues. Subsequently, playwright William Shakespeare employed common medical knowledge within his plays. Twelfth Night presents male and female twins within the...
Show moreThis thesis considers the relationship between scientific advances, identity formation, and literature in an early modern print culture. As medical theorists made their discoveries and defended their work they did so within the literary world; turning to the printed word to cultivate their personal identity and rebut dissenting colleagues. Subsequently, playwright William Shakespeare employed common medical knowledge within his plays. Twelfth Night presents male and female twins within the scope of a comedy that plays upon the issues of cross-dressing and mistaken sexual identity. During the Renaissance, it was believed that male and female seed was co-present in every person and through dominance a distinct sexual identity was developed. This thesis argues that while Shakespeare initially convoluted this by allowing one of the twins to cross-dress; he resolved the anatomical doubling by presenting both characters together on stage at the close of the play.
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Date Issued
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2010
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PURL
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http://purl.flvc.org/FAU/3335455
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Subject Headings
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Criticism and interpretation, Symbolism in literature, Identity (Psychology) in literature, Sex role in literature, Literature and medicine, History
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Format
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Document (PDF)
