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- Title
- Rewriting history in Alejo Carpentier's The Kingdom of This World and Michelle Cliff's Abeng.
- Creator
- Amiel, Tricia., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
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Traditional Caribbean history has been directed by and focused upon the conquerors who came to the region to colonize and seek profitable resources. Native Caribbean peoples and African slaves used to work the land have been silenced by traditional history so that it has become necessary for modern Caribbean thinkers to challenge that history and recreate it. Alejo Carpentier and Michelle Cliff challenge traditional Caribbean history in their texts, The Kingdom of This World and Abeng,...
Show moreTraditional Caribbean history has been directed by and focused upon the conquerors who came to the region to colonize and seek profitable resources. Native Caribbean peoples and African slaves used to work the land have been silenced by traditional history so that it has become necessary for modern Caribbean thinkers to challenge that history and recreate it. Alejo Carpentier and Michelle Cliff challenge traditional Caribbean history in their texts, The Kingdom of This World and Abeng, respectively. Each of these texts rewrites traditional history to include the perspectives of natives and the slaves of Haiti and Jamaica. Traditional history is challenged by the inclusion of these perspectives, thus providing a rewritten, revised history.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3342034
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Slavery, Historiography, Slavery, Historiography, Slavery, Historiography, History
- Format
- Document (PDF)
- Title
- Migrant collectives as new twenty-first century transnational movements: the case of the Jamaican Diaspora.
- Creator
- Johnson, Nadja., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
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In the past two decades the tendency to view migrant communities as victimized, without agency, or oppressed has been challenged by the new rhetoric of "Diaspora". The recent formation of Diaspora movements globally suggests that these groups of migrants are not just financial remitters but are organized, visible collectives that influence the geo-political status quo in many ways. ... Utilizing qualitative methodology in conjunction with the analytical lenses of social movement theory and...
Show moreIn the past two decades the tendency to view migrant communities as victimized, without agency, or oppressed has been challenged by the new rhetoric of "Diaspora". The recent formation of Diaspora movements globally suggests that these groups of migrants are not just financial remitters but are organized, visible collectives that influence the geo-political status quo in many ways. ... Utilizing qualitative methodology in conjunction with the analytical lenses of social movement theory and the rhetoric of movements, the study addresses the gaps in the literature on Diasporas by exploring the factors that contributed to the formation of the Jamaican Diaspora during the years 1962 to 2011. ... Moving even beyond our conceptualization of movements, this study also connects Diasporas to the notion of publics. Migrant communities, like the Jamaican Diaspora, negotiate global and local terrains, operate as self-organized publics and form new public spaces in which a common identity goal and imagination connects and motivates strangers.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3358595
- Subject Headings
- Emigration and immigration, Social aspects, Globalization, Political aspects, Transnationalism, Emigration and immigration, Political aspects, Emigration and immigration, Social aspects
- Format
- Document (PDF)
- Title
- An exploratory study of how lesbian women and gay men are portrayed in Jamaica's primary newspaper - The Gleaner, dancehall music, and the works of authors Kwame Dawes, Kei Miller, and Staceyann Chin.
- Creator
- Cann, Victoria E., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
- Abstract/Description
-
This thesis examines the treatment of gay men and lesbian women through the multilayered lenses of the local Jamaican newspaper - The Gleaner, Dancehall music, and select works of Kei Miller, Kwame Dawes, and Staceyann Chin. The study is an exploratory one and as such its methodology is not confined to a prescribed model, but instead draws on a diverse range of theorists, some from postcolonialism, feminism, cultural studies, philosophy, Caribbean studies and more. This project's intent is to...
Show moreThis thesis examines the treatment of gay men and lesbian women through the multilayered lenses of the local Jamaican newspaper - The Gleaner, Dancehall music, and select works of Kei Miller, Kwame Dawes, and Staceyann Chin. The study is an exploratory one and as such its methodology is not confined to a prescribed model, but instead draws on a diverse range of theorists, some from postcolonialism, feminism, cultural studies, philosophy, Caribbean studies and more. This project's intent is to add to the newly emerging canon on queer Caribbean identities by further exploring societal representations of gay sexuality. The first chapter looks at the portrayal of Jamaican gay men and lesbian women through the public discourse of the Jamaica Gleaner. The second discusses the treatment of male and female homosexuality in the popular discourse of Dancehall music. The third chapter analyses the depiction of Caribbean gay and lesbian sexuality through the recent works of authors Kei Miller, Kwame Dawes and Staceyann Chin.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3169916
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Homosexuality
- Format
- Document (PDF)