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- Title
- ¿QUÉ ES GAY?: AN ETHNOGRAPHIC ACCOUNT OF SEXUALITY AND GENDER EXPRESSION IN SOUTHERN MANABÍ PROVINCE, ECUADOR.
- Creator
- Adorisio, Alessandra, Harris, Michael S., Florida Atlantic University, Department of Anthropology, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
-
This thesis explores how gender and sexuality are expressed in southern Manabí Province, Ecuador. The study employs ethnographic methods to recruit local people who identify as LGBTQ (called LGBTI regionally) to participate in interviews on sexuality and gender identity/expression. Based on this research, I explore the construction of “gay” in this part of Ecuador as identity and performance; additionally, reflective viewpoints of those who self-identify as “gay” are thematically incorporated...
Show moreThis thesis explores how gender and sexuality are expressed in southern Manabí Province, Ecuador. The study employs ethnographic methods to recruit local people who identify as LGBTQ (called LGBTI regionally) to participate in interviews on sexuality and gender identity/expression. Based on this research, I explore the construction of “gay” in this part of Ecuador as identity and performance; additionally, reflective viewpoints of those who self-identify as “gay” are thematically incorporated. The term “gay” is used to describe a spectrum of identities that include: homosexual, transformista, travestí, transexual, and transgénero. These identities are not necessarily static, as many individuals traverse categories in a culturally specific progression that I describe. I propose that coastal Ecuadorians utilize a structuring of sexualities and genders within the region that challenges Western LGBTQ+ labels. This research suggests a new regional depiction of non-conforming identities and their manifestations through language, shared strife, communal beliefs, and individual experience.
Show less - Date Issued
- 2021
- PURL
- http://purl.flvc.org/fau/fd/FA00013733
- Subject Headings
- Ecuador, Sex, Gender identity
- Format
- Document (PDF)
- Title
- {mute}.
- Creator
- Khourshid, Kally [Choreographer], Break of Reality [Music], Dorothy F. Schmidt College of Arts and Letters, Department of Theatre and Dance
- Abstract/Description
-
The Dances We Dance Performance Showcase is a capstone experience for students enrolled in all levels of the Department of Theatre and Dance performance course offerings.
- Date Issued
- 2011
- PURL
- http://purl.flvc.org/fau/fd/FAdwd2011mute
- Subject Headings
- Dance performance
- Format
- Set of related objects
- Title
- Zenos' Freedom Moves.
- Creator
- Brooks, Clarence, Dorothy F. Schmidt College of Arts and Letters, Department of Theatre and Dance
- Abstract/Description
-
The Dances We Dance Performance Showcase is a capstone experience for students enrolled in all levels of the Department of Theatre and Dance performance course offerings.
- Date Issued
- 2011
- PURL
- http://purl.flvc.org/fau/fd/FAdwd2011zeno
- Subject Headings
- Dance performance
- Format
- Set of related objects
- Title
- " You're too late!": prenatal health seeking behaviors of Guatemalan Mayan women in Palm Beach County.
- Creator
- Supanich, Colleen., Dorothy F. Schmidt College of Arts and Letters, Department of Anthropology
- Abstract/Description
-
In this thesis I explore the circumstances in which pregnant Guatemalan Mayan women in South Florida communities found themselves. A local non-profit organization, the Guatemalan Maya Center (GMC), offered assistance to pregnant Mayan women to secure biomedical prenatal care, yet many continued to underutilize these services. The decision to utilize this form of care largely depended on whether a woman received care from a traditional midwife in the community. Women receiving care from a...
Show moreIn this thesis I explore the circumstances in which pregnant Guatemalan Mayan women in South Florida communities found themselves. A local non-profit organization, the Guatemalan Maya Center (GMC), offered assistance to pregnant Mayan women to secure biomedical prenatal care, yet many continued to underutilize these services. The decision to utilize this form of care largely depended on whether a woman received care from a traditional midwife in the community. Women receiving care from a midwife generally did not seek biomedical care until late in their pregnancies. Women unable to locate a midwife often incorporated biomedical care once they suspected pregnancy. Due to the difficulties accessing the GMC's services prior to enrollment many of these women did not obtain "timely" care. A better understanding of the ways in which Guatemalan Mayan women incorporated biomedical prenatal care into their lives is the first step towards increasing their participation in these services.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/192990
- Subject Headings
- Maya women, Medical care, Prenatal care, Maternal health services, Midwifery, Social aspects, Migrant agricultural laborers, Medical care
- Format
- Document (PDF)
- Title
- YOU CAN STILL FALL IN LOVE AT THE END OF THE WORLD.
- Creator
- Buijk, Cherri, McKay, Becka, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
- Date Issued
- 2020
- PURL
- http://purl.flvc.org/fau/fd/FA00013464
- Subject Headings
- Creative writing, Fiction
- Format
- Document (PDF)
- Title
- Yesterday Will Come.
- Creator
- D'Sa, Meryl, McKay, Becka, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Yesterday Will Come is a hybrid collection of linked short stories that focuses on the way a particular family passes down the family history through physical and emotional memories. The collection largely focuses on the process of making and preserving memories and how the lack of control over one’s memory can lead to paranoia and displacement in their life. Particular value is attached to certain memories and the value and emotion attached can at times overwrite the actual content of the...
Show moreYesterday Will Come is a hybrid collection of linked short stories that focuses on the way a particular family passes down the family history through physical and emotional memories. The collection largely focuses on the process of making and preserving memories and how the lack of control over one’s memory can lead to paranoia and displacement in their life. Particular value is attached to certain memories and the value and emotion attached can at times overwrite the actual content of the memory. The stories center around the Riviera family and particularly Ana Riviera’s life as she considers the many aspects of her family history she continues to inherit and the comfort and paranoia she associates with such inheritance.
Show less - Date Issued
- 2019
- PURL
- http://purl.flvc.org/fau/fd/FA00013200
- Subject Headings
- Short stories, Creative writing, Family history
- Format
- Document (PDF)
- Title
- YESTERDAY WE WERE GIRLS.
- Creator
- Prock, Katherine, Hart, Sharon, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
-
Yesterday We Were Girls is a body of work which includes photographs selected from family albums and current images I create based in and around my childhood and adolescent memories. The photographs are accompanied by porcelain recreations of precious girlhood treasures, handwritten poetic prose, and an installation which also includes found furniture and a large open book form. Focused on my lived experience of the tension between intimacy and distance, acceptance and rejection, as well as...
Show moreYesterday We Were Girls is a body of work which includes photographs selected from family albums and current images I create based in and around my childhood and adolescent memories. The photographs are accompanied by porcelain recreations of precious girlhood treasures, handwritten poetic prose, and an installation which also includes found furniture and a large open book form. Focused on my lived experience of the tension between intimacy and distance, acceptance and rejection, as well as the hidden and that which is laid bare, this body of work is an exploration of identity, female life cycles, family history, and mother – daughter relationships.
Show less - Date Issued
- 2021
- PURL
- http://purl.flvc.org/fau/fd/FA00013741
- Subject Headings
- Multimedia (Art), Creative writing, Multimedia communications
- Format
- Document (PDF)
- Title
- Writing to Exist: Transformation and Translation into Exile.
- Creator
- Martin, Angela F., Erro-Peralta, Nora, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
Silenced for almost half a century, testimonies of those who lost the Spanish Civil War are now surfacing and being published. The origin of this dissertation was the chance discovery that Martín Herrera de Mendoza, a Spanish Civil War exile living in the United States, was truly a Catalonian anarchist named Antonio Vidal Arabí. This double identity was a cover for the political activist dedicated to the fight for change in the anarchist workers’ union CNT (National Confederation of Workers)...
Show moreSilenced for almost half a century, testimonies of those who lost the Spanish Civil War are now surfacing and being published. The origin of this dissertation was the chance discovery that Martín Herrera de Mendoza, a Spanish Civil War exile living in the United States, was truly a Catalonian anarchist named Antonio Vidal Arabí. This double identity was a cover for the political activist dedicated to the fight for change in the anarchist workers’ union CNT (National Confederation of Workers) and the FAI (Federation of Iberian Anarchists). He founded the FAI chapter in Santa Cruz de Tenerife and planned a failed assassination attempt on General Franco’s life in an effort to avoid the military takeover in 1936. This dissertation is the reconstruction of Antonio Vidal Arabí’s life narrative. It is based on the texts written during his seventeen-month stay as a refugee in Great Britain. Copies of his writings were left in a suitcase with a fellow anarchist who he instructed to have sent to his family upon his death. In 1989, “The English Suitcase” was delivered to his children in Barcelona. Based on his own account, this study follows his service as an intelligence agent for the Spanish Republic during the War. When it was over, he attempted to evacuate his family from France, to save them from the threat of the Nazi invasion and reunite with them in England or America. The analysis of the letters he wrote to his wife and children in France documents how he hid from Franco’s spies using his dual identity. In his letters, always signed as Martín Herrera de Mendoza, he invents a persona in order to help his family. The present study narrates his transformation into the persona he created and the events that brought about his translation into his “other.” Antonio Vidal Arabí’s bilinguism and biculturality is underlined as the main factors in his change into Martín Herrera de Mendoza. His was a voyage into exile documented by his own words; a story of survival and reinvention.
Show less - Date Issued
- 2017
- PURL
- http://purl.flvc.org/fau/fd/FA00004803, http://purl.flvc.org/fau/fd/FA00004803
- Subject Headings
- Herrera de Mendoza, Martín--Correspondence., Spain.--Ejército Popular de la República., Spain--History--República, 1931-1939., Spain--History--Civil War, 1936-1939--Personal narratives., Spain--History--Civil War, 1936-1939--Refugees--Great Britain--Personal narratives., Santa Cruz de Tenerife (Canary Islands : Province)--Personal narraatives., Anarchists--Spain--History--20th century., Exiles' writings, Spanish--20th century.
- Format
- Document (PDF)
- Title
- WP.
- Creator
- Hoffmaster, Diana Mighdoll, Dorothy F. Schmidt College of Arts and Letters, Brooks, Clarence, Department of Theatre and Dance
- Abstract/Description
-
The Dances We Dance Performance Showcase is a capstone experience for students enrolled in all levels of the Department of Theatre and Dance performance course offerings.
- Date Issued
- 2009
- PURL
- http://purl.flvc.org/fau/fd/FAdwd09wp
- Subject Headings
- Dance performance
- Format
- Set of related objects
- Title
- Would Lord Running Clam wear Wubfur slippers? The ethical imperative of empathy in the alternate ecologies of Philip K. Dick.
- Creator
- Aaronson, Russell S., Florida Atlantic University, Collins, Robert A., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Although critics have observed Philip K. Dick's references to empathy throughout his novels, short stories, and essays, no analysis has attempted to examine the role of empathy in his writings. In contrast to the element of ratiocination (or logical extrapolation) widely considered to be the hallmark of science fiction, Dick's fictions are held together by the value they primarily place not on reason, but on an empathic understanding of our actions and their effects upon the lives of other...
Show moreAlthough critics have observed Philip K. Dick's references to empathy throughout his novels, short stories, and essays, no analysis has attempted to examine the role of empathy in his writings. In contrast to the element of ratiocination (or logical extrapolation) widely considered to be the hallmark of science fiction, Dick's fictions are held together by the value they primarily place not on reason, but on an empathic understanding of our actions and their effects upon the lives of other entities. Using two early short stories ("Beyond Lies the Wub" and "Roog"), two non-Earth ecologies (Do Androids Dream of Electric Sheep and Dr. Bloodmoney). I will demonstrate that Dick's works are united by an ethical imperative to understand the thoughts and emotions of others, human and nonhuman alike.
Show less - Date Issued
- 1996
- PURL
- http://purl.flvc.org/fcla/dt/15339
- Subject Headings
- Dick, Philip K--Criticism and interpretation, Dick, Philip K--Ethics, Empathy in literature, Science fiction--History and criticism
- Format
- Document (PDF)
- Title
- Working in the Biz: Material and Identity Processes of Bartending.
- Creator
- Frazer, Jacqueline M.E., Hough, Phillip A., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Sociology
- Abstract/Description
-
Bartending makes for an interesting case study in that it brings together research on emotional labor and tipped front-line service jobs, as well as the contemporary increase in precarity in work and precarity in life. This project explores the material and identity processes of bartending, examining how a precarious job with high expectations of emotional labor in-turn affects the occupational and personal identities of those employed in the industry. Overall three overarching themes were...
Show moreBartending makes for an interesting case study in that it brings together research on emotional labor and tipped front-line service jobs, as well as the contemporary increase in precarity in work and precarity in life. This project explores the material and identity processes of bartending, examining how a precarious job with high expectations of emotional labor in-turn affects the occupational and personal identities of those employed in the industry. Overall three overarching themes were identified: (1) When wages are outsourced to customers via tipping systems workers are exposed to particularly high emotional demands, rendering bartending a unique form of quid pro quo emotional labor. (2) Bartenders exist in a “default career” mode of employment that is stigmatized for being low-status low-skilled labor. (3) Performing emotional labor and managing stigma creates a divergence between bartender’s personal and occupational identities resulting in constant identity work on and off the job.
Show less - Date Issued
- 2017
- PURL
- http://purl.flvc.org/fau/fd/FA00004876, http://purl.flvc.org/fau/fd/FA00004876
- Subject Headings
- Bartending--Psychological aspects., Bars (Drinking establishments)--Management., Alcoholic beverage industry--Social aspects., Identity (Psychology), Quality of work life., Work environment--Social aspects.
- Format
- Document (PDF)
- Title
- Wool and water.
- Creator
- Frederick, Kira., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Wool and Water is a creative work of 36 poems. This collection examines the relationship between the silent and vocal, between the pastoral and urban. By reconfiguring and retelling the fairy tales and nursery rhymes, this collection seeks to challenge the status quo through trickster-like diction. Themes that are prevalent include: alienation, nourishment, anonymity, and the female body. From the concrete to the lyric, Wool and Water relies upon the process of questioning patriarchal guises....
Show moreWool and Water is a creative work of 36 poems. This collection examines the relationship between the silent and vocal, between the pastoral and urban. By reconfiguring and retelling the fairy tales and nursery rhymes, this collection seeks to challenge the status quo through trickster-like diction. Themes that are prevalent include: alienation, nourishment, anonymity, and the female body. From the concrete to the lyric, Wool and Water relies upon the process of questioning patriarchal guises. These poems intersect in order to rectify the past and make amends with the present. The female voices that drive these poems are multi-generational.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/187210
- Subject Headings
- Symbolism in literature, Poetry, Feminist poetry, American
- Format
- Document (PDF)
- Title
- Women, film, and oceans a/part: the critical humor of Tracey Moffatt, Monica Pellizzari, and Clara Law.
- Creator
- Senzani, Alessandra., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
- Abstract/Description
-
The politicized use of humor in accented cinema is a tool for negotiating particular formations of identity, such as sexuality, gender, ethnicity, and class. The body of work produced by contemporary women filmmakers working in Australia, specifically Tracey Moffatt, Monica Pellizzari, and Clara Law, illustrates how these directors have employed critical humor as a response to their multiple marginalization as women, Australian, and accented filmmakers. In their works, humor functions as a...
Show moreThe politicized use of humor in accented cinema is a tool for negotiating particular formations of identity, such as sexuality, gender, ethnicity, and class. The body of work produced by contemporary women filmmakers working in Australia, specifically Tracey Moffatt, Monica Pellizzari, and Clara Law, illustrates how these directors have employed critical humor as a response to their multiple marginalization as women, Australian, and accented filmmakers. In their works, humor functions as a critical tool to deconstruct the contradictions in dominant discourses as they relate to (neo)colonial, racist, globalized, patriarchal, and displaced pasts and presents. Produced within Australian national cinema, but emerging from experiences of geographical displacements that defy territorial borders, their films illuminate how critical humor can inflect such accepted categories as the national constitution of a cinema, film genre, and questions of exile and diaspora. Critical humor thus consti tutes a cinematic signifying practice able, following Luigi Pirandello's description of umorismo, to decompose the filmic text, and as a tool for an ideological critique of cinema and its role in (re)producing discourses of the nation predicated on the dominant categories of whiteness and masculinity. The study offers a theoretical framework for decoding humor in a film text, focusing on the manipulation of cinematic language, and it provides a model for a criticism that wishes to heighten the counter-hegemonic potential of cinematic texts, by picking up on the humorous, contradictory openings of the text and widening them through a parallel dissociating process., Finally, critical humor in the accented cinema of women filmmakers like Moffatt, Pellizzari, and Law is shown to constitute a form of translation and negotiation performed between the national, monologic constraints of film production and cinematic language, the heteroglossia of the global imaginaries that have traveled since the beginning with film technology, and the local and diasporic accents informing a filmmaker's unique style and perspective.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/FAU/186293
- Subject Headings
- Women motion picture producers and directors, Feminism and motion pictures, Criticism and interpretation, Local color in motion pictures, Intercultural communication in motion pictures
- Format
- Document (PDF)
- Title
- Women’s Representation in Contemporary Hollywood Film Culture.
- Creator
- Trujillo, Michelle, Sim, Gerald, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
-
See Her is a found footage montage that identifies the issue of women’s representation in contemporary Hollywood film culture. It analyzes different ways that spectatorship develops through the division of the film into four sections of which three analyze film from the perspective of Laura Mulvey, Mary Ann Doane, and Linda Williams. These three sections also approach the representation of women as a sociological issue of oppression as discussed by sociologist Patricia Hill Collins. The last...
Show moreSee Her is a found footage montage that identifies the issue of women’s representation in contemporary Hollywood film culture. It analyzes different ways that spectatorship develops through the division of the film into four sections of which three analyze film from the perspective of Laura Mulvey, Mary Ann Doane, and Linda Williams. These three sections also approach the representation of women as a sociological issue of oppression as discussed by sociologist Patricia Hill Collins. The last section serves as a speculative vision of the future of female representation in Hollywood Film Culture. While this film is critical on the current state of representation, it presents hope for a more equal future.
Show less - Date Issued
- 2015
- PURL
- http://purl.flvc.org/fau/fd/FA00005215
- Subject Headings
- College students --Research --United States.
- Format
- Document (PDF)
- Title
- WOMEN IN MOSQUE: AN ETHNOGRAPHIC STUDY OF MUSLIM WOMEN EXPERIENCES AT TWO MOSQUES IN SOUTH FLORIDA.
- Creator
- Akhter, Afsana, Harris, Michael S., Florida Atlantic University, Department of Anthropology, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
-
Women's participation and roles in contemporary mosques in Western nations differ from that of many Muslim-majority countries. Yet, women’s presence and function are contentious within and outside Muslim communities, and research on the issue is limited. Most extant research on Muslim communities and religious institutions comes from Europe. Moreover, while seeking an opinion or firsthand knowledge of religious opinions in Muslim communities, the male voice takes precedence. This qualitative...
Show moreWomen's participation and roles in contemporary mosques in Western nations differ from that of many Muslim-majority countries. Yet, women’s presence and function are contentious within and outside Muslim communities, and research on the issue is limited. Most extant research on Muslim communities and religious institutions comes from Europe. Moreover, while seeking an opinion or firsthand knowledge of religious opinions in Muslim communities, the male voice takes precedence. This qualitative research investigates Muslim women’s experiences at two mosques in south Florida. I aimed to gain a better understanding of mosques’ impact on women’s religious practices, their adaptation to American society, and their views on male-dominated religious places, including the topic of gender segregation. By using narrative data collected from participant observation and interviews with informants, this study demonstrates that Muslim women at these south Florida mosques engage in their religious and social activities, creating a meaningful space to worship in the mosque while following the dominant patriarchal norms in the religious institution. The findings from this study also highlight the need for a more extensive quantitative analysis of women's demands for inclusion and equality in mosques and Muslim men's (including imams') responses to such requests as well as the significance of generational, age, and national-ethnic differences when it comes to the issue of gender in mosques.
Show less - Date Issued
- 2023
- PURL
- http://purl.flvc.org/fau/fd/FA00014219
- Subject Headings
- Muslim women, Islam, Feminism
- Format
- Document (PDF)
- Title
- Witches and daughters: emerging 'green' in the wind of mind.
- Creator
- Czerny, Val, Comparative Studies Program, Dorothy F. Schmidt College of Arts and Letters
- Date Issued
- 2008-10-24
- PURL
- http://purl.flvc.org/fau/fd/FADT165223p
- Subject Headings
- Ecofeminism, Environmental ethics, Feminist ethics
- Format
- Set of related objects
- Title
- Willkommen.
- Creator
- Perkins, Abby [Choreographer], Kander, John; Ebb, Fred [Music], Dorothy F. Schmidt College of Arts and Letters, Chapman, Ariana [Lighting Designer], Department of Theatre and Dance
- Abstract/Description
-
The Dances We Dance Performance Showcase is a capstone experience for students enrolled in all levels of the Department of Theatre and Dance performance course offerings.
- Date Issued
- 2013
- PURL
- http://purl.flvc.org/fau/fd/FAdwd13will
- Subject Headings
- Dance performance
- Format
- Set of related objects
- Title
- William Vaughan: Liberal Education and Voluntary Societies in the Age of Revolution.
- Creator
- Jones, Daniel Alexander, Kanter, Douglas, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of History
- Abstract/Description
-
This study examines the life of William Vaughan, a merchant in London during the revolutionary era, and the product of a new form of liberal education developed in England's Dissenting Academies. By taking full advantage of the innovative principles of liberal education developed by men like Joseph Priestley, Vaughan, as a professional, was able to wield social and political influence on behalf of a new merchant class previously excluded from the halls of power. Vaughan's success as governor...
Show moreThis study examines the life of William Vaughan, a merchant in London during the revolutionary era, and the product of a new form of liberal education developed in England's Dissenting Academies. By taking full advantage of the innovative principles of liberal education developed by men like Joseph Priestley, Vaughan, as a professional, was able to wield social and political influence on behalf of a new merchant class previously excluded from the halls of power. Vaughan's success as governor of the Royal Exchange Assurance Corporation and promoter of the English shipping industry, as well as his service as a member of numerous civic and philanthropic organizations, demonstrated a commitment to gradual improvements in the material and moral circumstances of the British Empire that had relatively little to do with the partisan political categories typically associated with the revolutionary era.
Show less - Date Issued
- 2015
- PURL
- http://purl.flvc.org/fau/fd/FA00004510, http://purl.flvc.org/fau/fd/FA00004510
- Subject Headings
- Constitutional history -- Great Britain -- 18th century, Great Britain -- Economic policy -- 18th century, Great Britain -- History -- 18th century, Liberalism, Political science -- Great Britain -- 18th century, Royal Exchange Assurance (Firm), Vaughan, William -- 1752-1850 -- Influence
- Format
- Document (PDF)
- Title
- WILLIAM FAULKNER AND AVIATION: THE MAN AND THE MYTH.
- Creator
- BOSTWICK, WALTER INGERSOLL, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
In the years following World War I, William Faulkner implied to his family and acquaintances that he had been a pilot in the RAF. Some people even thought that he had flown combat missions in France and had been wounded. He maintained this fictitious persona throughout his life, and it was accepted by most scholars and biographers. Several of Faulkner's early works featured aviators as central characters, and he treated them as romanticized, tragic heroes as he did Confederate cavalry...
Show moreIn the years following World War I, William Faulkner implied to his family and acquaintances that he had been a pilot in the RAF. Some people even thought that he had flown combat missions in France and had been wounded. He maintained this fictitious persona throughout his life, and it was accepted by most scholars and biographers. Several of Faulkner's early works featured aviators as central characters, and he treated them as romanticized, tragic heroes as he did Confederate cavalry officers. Pylon, which was written after he had actually started flying, reflects an awareness of the psychology of flying not seen in his earlier works. Faulkner's "wounded pilot" persona was only one facet of his imaginative and creative personality, but knowledge of this persona is necessary to the understanding of the man and thus his art.
Show less - Date Issued
- 1981
- PURL
- http://purl.flvc.org/fcla/dt/14075
- Subject Headings
- Literature, American
- Format
- Document (PDF)
- Title
- William A. Dunning revisited: The mind or malice of Reconstruction?.
- Creator
- Barsalou, Kathleen P., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of History
- Abstract/Description
-
Historian William A. Dunning was responsible for the first scholarly treatment of the Reconstruction era. The terms which his contemporaries used to describe him differ strikingly from those historians may choose today. Since the 1930s, American historiography has reflected the new emphasis on sociology and psychology with a radical shift in subject matter away from the traditional political focus. Surely, certain truths are known to the modern historian which were not known to those who...
Show moreHistorian William A. Dunning was responsible for the first scholarly treatment of the Reconstruction era. The terms which his contemporaries used to describe him differ strikingly from those historians may choose today. Since the 1930s, American historiography has reflected the new emphasis on sociology and psychology with a radical shift in subject matter away from the traditional political focus. Surely, certain truths are known to the modern historian which were not known to those who lived earlier. However, to discard the insights of one generation of historians is, perhaps, to ignore some of history's most important resources.
Show less - Date Issued
- 2001
- PURL
- http://purl.flvc.org/fcla/dt/12826
- Subject Headings
- Biography, History, United States
- Format
- Document (PDF)