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(1 - 3 of 3)
- Title
- Rewriting history in Alejo Carpentier's The Kingdom of This World and Michelle Cliff's Abeng.
- Creator
- Amiel, Tricia., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Traditional Caribbean history has been directed by and focused upon the conquerors who came to the region to colonize and seek profitable resources. Native Caribbean peoples and African slaves used to work the land have been silenced by traditional history so that it has become necessary for modern Caribbean thinkers to challenge that history and recreate it. Alejo Carpentier and Michelle Cliff challenge traditional Caribbean history in their texts, The Kingdom of This World and Abeng,...
Show moreTraditional Caribbean history has been directed by and focused upon the conquerors who came to the region to colonize and seek profitable resources. Native Caribbean peoples and African slaves used to work the land have been silenced by traditional history so that it has become necessary for modern Caribbean thinkers to challenge that history and recreate it. Alejo Carpentier and Michelle Cliff challenge traditional Caribbean history in their texts, The Kingdom of This World and Abeng, respectively. Each of these texts rewrites traditional history to include the perspectives of natives and the slaves of Haiti and Jamaica. Traditional history is challenged by the inclusion of these perspectives, thus providing a rewritten, revised history.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3342034
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Slavery, Historiography, Slavery, Historiography, Slavery, Historiography, History
- Format
- Document (PDF)
- Title
- A literary history of sugarcane discourse in the works of James Grainger and Junot Dâiaz.
- Creator
- Linder, Michael., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
This study examines the recurrence of the image of sugarcane in Caribbean literature and traces a timeline of oppressive discourse. The image of the cane field represents a tension between silencing voice and identity independent of European nation-building ideologies. There is a history of silencing associated with sugarcane, even as Caribbean authors seek a potential to use this history to create a voice. While the authors examined employ the image of the cane field to create a voice...
Show moreThis study examines the recurrence of the image of sugarcane in Caribbean literature and traces a timeline of oppressive discourse. The image of the cane field represents a tension between silencing voice and identity independent of European nation-building ideologies. There is a history of silencing associated with sugarcane, even as Caribbean authors seek a potential to use this history to create a voice. While the authors examined employ the image of the cane field to create a voice outside of the dominant discourse, the voice of the Caribbean is nonetheless restricted. Postcolonial theory will be used to examine the history of oppression through the image of sugarcane as a negative past that authors try to get beyond, while dealing with the issue that it also helped to form their voice. My thesis investigates these issues using The Sugar-Cane: A Poem. In Four Books. With Notes, a poem by James Grainger, to set up the colonial history of sugar in the Caribbean and Junot Diaz's The Brief Wondrous Life of Oscar Wao as a reaction to that colonial discourse.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3342201
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Symbolism in literature, Sugar in literature, Imperialism in literature, Caribbean literature (English), Criticism and interpretation, In literature
- Format
- Document (PDF)
- Title
- James Joyce and Derek Walcott: colonial island voices.
- Creator
- Terneus, Sebastian., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
When analyzing literatures that expose the effects of colonialism one can identify similarities between the lives of the oppressed. Although colonization occurs in different times and locations the consequences upon the subjugated become comparable throughout history. One prominent pairing of mirrored colonial episodes can be identified in the literature of Irish author James Joyce and St. Lucian poet Derek Walcott. Both authors endured British colonialism and produced literatures which...
Show moreWhen analyzing literatures that expose the effects of colonialism one can identify similarities between the lives of the oppressed. Although colonization occurs in different times and locations the consequences upon the subjugated become comparable throughout history. One prominent pairing of mirrored colonial episodes can be identified in the literature of Irish author James Joyce and St. Lucian poet Derek Walcott. Both authors endured British colonialism and produced literatures which revealed similar themes and narratives. Yet simply because both authors lived through colonization does not equate their experiences as parallel. This thesis argues that Joyce and Walcott created comparable literatures because they experienced subjugation on islands. A comparison of Joyce's Ulysses (1922) and Walcott's Omeros (1990) reveals the similar colonial experiences which were produced by island landscapes. Overall, this thesis will argue that the colonial turmoil which Joyce highlighted in Ulysses becomes mirrored in the postcolonial plot of Omeros.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3322514
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Imperialism in literature, English literature, Irish authors, Criticism and interpretation, Colonies in literature, Colonies
- Format
- Document (PDF)
