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Title
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Who is Paule Maurice?: her relative anonymity and its consequences.
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Creator
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Moore, Anthony Jon., Dorothy F. Schmidt College of Arts and Letters, Department of Music
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Abstract/Description
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Paule Maurice (1910-1967) is the little known composer of Tableaux de Provence: Suite for Saxophone and Orchestra, one of the most frequently recorded and studied classical saxophone compositions in history. A more in depth study of Paule Maurice reveals a talented composer and dedicated professor whose career at the Conservatoire National Supérieur de Musique de Paris and l'Ecole Normale de Musique de Paris spanned over twenty-five years until her untimely death at age fifty-seven. Maurice...
Show morePaule Maurice (1910-1967) is the little known composer of Tableaux de Provence: Suite for Saxophone and Orchestra, one of the most frequently recorded and studied classical saxophone compositions in history. A more in depth study of Paule Maurice reveals a talented composer and dedicated professor whose career at the Conservatoire National Supérieur de Musique de Paris and l'Ecole Normale de Musique de Paris spanned over twenty-five years until her untimely death at age fifty-seven. Maurice composed for theatre, ballet, French National Radio, orchestra, voice, piano, flute, clarinet, and saxophone. There is question as to the whereabouts of many of her manuscripts. This thesis attempts to bring to bear the life and accomplishments of a talented French composer not well remembered in music history.
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Date Issued
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2009
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PURL
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http://purl.flvc.org/FAU/367763
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Subject Headings
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Criticism and interpretation, Composers, Music, History and criticism, Women in music, Saxophone music
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Format
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Document (PDF)
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Title
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Le mariage et la maternitâe chez Marie de France.
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Creator
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Firmino Palazzolo, Danielle., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
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Abstract/Description
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Twelfth century French feudal culture witnesses the codification of new marriage laws and a rapid rise in popularity of the Cult of the Virgin Mary, with correspondingly renewed attention being paid to women by ecclesiastical intellectuals of all sects. Of particular interest to these churchmen was the duty of the medieval wife to bear children. The Lais of Marie de France, a late twelfth-century text, often focus explicitly on motherhood (both biological and symbolic) and therefore allow a...
Show moreTwelfth century French feudal culture witnesses the codification of new marriage laws and a rapid rise in popularity of the Cult of the Virgin Mary, with correspondingly renewed attention being paid to women by ecclesiastical intellectuals of all sects. Of particular interest to these churchmen was the duty of the medieval wife to bear children. The Lais of Marie de France, a late twelfth-century text, often focus explicitly on motherhood (both biological and symbolic) and therefore allow a deeper examination of the new cultural representations of women in the dual role of spouse and mother. The Lais further highlight the symbolic role of the child as guarantor both of a woman's social value and of the validity of the love relationship based on the tenets of fin'amors instead of formal marriage.
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Date Issued
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2009
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PURL
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http://purl.flvc.org/FAU/2182086
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Subject Headings
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Cult, History, History and criticism, Women, Women in Christianity, Social conditions, History
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Format
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Document (PDF)
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Title
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The common origin of the German contraptual organ school and the French classical organ school from the perspective of organ construction, organ music and organ technique.
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Creator
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Miller, Margaret R., Dorothy F. Schmidt College of Arts and Letters, Department of Music
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Abstract/Description
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This study examines the development of German pipe organ culture and French classical pipe organ culture from a single common origin in the Duchy of Brabant, during 1450-1850, with respect to select major attributes of organ construction, organ music and organ technique. The respective music of Dieterich Buxtehude (1637-1707), Praeludium in G Minor, BuxWV 149, for the North German contrapuntalists, and of Câesar Franck (1822- 1890), Choral No. 3 in A Minor, for the classical French symphonic...
Show moreThis study examines the development of German pipe organ culture and French classical pipe organ culture from a single common origin in the Duchy of Brabant, during 1450-1850, with respect to select major attributes of organ construction, organ music and organ technique. The respective music of Dieterich Buxtehude (1637-1707), Praeludium in G Minor, BuxWV 149, for the North German contrapuntalists, and of Câesar Franck (1822- 1890), Choral No. 3 in A Minor, for the classical French symphonic tradition, is highlighted and appended with suggested technique for each work.
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Date Issued
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2010
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PURL
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http://purl.flvc.org/FAU/2978990
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Subject Headings
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Criticism and interpretation, Criticism and interpretation, Organs, History, Organs, History, Organ music, Technique, Organ (Musical instrument), Design and construction
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Format
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Document (PDF)
