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Title: The age of William A. Dunning: the realm of myth meets the yellow brick road.
Creator: Barsalou, Kathleen P., Dorothy F. Schmidt College of Arts and Letters, Department of History
Abstract/Description: Stripped of the intent of its author, L. Frank Baum, the children's fairy tale The Wonderful Wizard of Oz was left to be understood only within a changing cultural construct. Historian Hayden White, arguing that the similarities between a novel and a work of history were more significant than their differences, insisted that history was preeminently a subsection of literature. According to White, historical narratives were manifestly verbal fictions, and the only acceptable grounds upon which...
Show moreStripped of the intent of its author, L. Frank Baum, the children's fairy tale The Wonderful Wizard of Oz was left to be understood only within a changing cultural construct. Historian Hayden White, arguing that the similarities between a novel and a work of history were more significant than their differences, insisted that history was preeminently a subsection of literature. According to White, historical narratives were manifestly verbal fictions, and the only acceptable grounds upon which the historian should choose his historical perspective were the moral and the aesthetic. White conflated historical consciousness with myth and blurred the boundary that had long divided history from fiction. Just as changing cultural concerns infused the Dorothy of Baum's children's literature with meaning so social, cultural, and moral imperatives came to dictate the content of historical stories particularly in the historiography of the Reconstruction era. The twenty first century conception of Reconstruction is different from the conception influential at the start of the twentieth. In assessing the scholarship of William A. Dunning, contemporary historians have adopted a new paradigm when describing the scholar's Reconstruction accounts. Modern commentators reject Dunning's authorial intention and the contextual framework needed to define it. Thus, Dunning has receded into the "realm of myth." Careful attendance to Dunning's historical context, contemporary audience, and his authorial intent, will reposition the perspective for analysis of Dunning's work. Removing Dunning from abstract analysis will allow historians to arrive at an understanding of his work, and view the importance of the real Dunning, rather than the fabricated image constructed from a partial and even fragmented reading of his work., Taking Dunning on his own terms restores a meaningful past and brings into bas-relief the tremendous advances the U. S. of twenty first century has made in reshaping social and political patterns.Taking theReconstruction era on its own terms impels historians to move beyond Dunning and return in their research to revisit primary records and documents as they work to clear the grisly ground of Reconstruction historiography for further fruitful examination.
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Date Issued: 2008
PURL: http://purl.flvc.org/FAU/107801
Subject Headings: Criticism and interpretation, Political and social views, Criticism and interpretation, Wizard of Oz (Fictitious character), Oz (Imaginary place), Politics and literature, Criticism and interpretation
Format: Document (PDF)

Title: Who is Paule Maurice?: her relative anonymity and its consequences.
Creator: Moore, Anthony Jon., Dorothy F. Schmidt College of Arts and Letters, Department of Music
Abstract/Description: Paule Maurice (1910-1967) is the little known composer of Tableaux de Provence: Suite for Saxophone and Orchestra, one of the most frequently recorded and studied classical saxophone compositions in history. A more in depth study of Paule Maurice reveals a talented composer and dedicated professor whose career at the Conservatoire National Supérieur de Musique de Paris and l'Ecole Normale de Musique de Paris spanned over twenty-five years until her untimely death at age fifty-seven. Maurice...
Show morePaule Maurice (1910-1967) is the little known composer of Tableaux de Provence: Suite for Saxophone and Orchestra, one of the most frequently recorded and studied classical saxophone compositions in history. A more in depth study of Paule Maurice reveals a talented composer and dedicated professor whose career at the Conservatoire National Supérieur de Musique de Paris and l'Ecole Normale de Musique de Paris spanned over twenty-five years until her untimely death at age fifty-seven. Maurice composed for theatre, ballet, French National Radio, orchestra, voice, piano, flute, clarinet, and saxophone. There is question as to the whereabouts of many of her manuscripts. This thesis attempts to bring to bear the life and accomplishments of a talented French composer not well remembered in music history.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/367763
Subject Headings: Criticism and interpretation, Composers, Music, History and criticism, Women in music, Saxophone music
Format: Document (PDF)

Title: Improving methods of communication based on culture in the business environment.
Creator: Burton, Walter N., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description: The ability to understand the individuals that we deal with on a daily basis can give anyone who focuses on this knowledge a competitive advantage in today's business world. In today's fast paced and globally expanding business world, it is critical to explore innovative approaches that will facilitate the process and time it typically takes to establish business relationships. When it is imperative to quickly create a business relationship between individuals that are unknown to each other,...
Show moreThe ability to understand the individuals that we deal with on a daily basis can give anyone who focuses on this knowledge a competitive advantage in today's business world. In today's fast paced and globally expanding business world, it is critical to explore innovative approaches that will facilitate the process and time it typically takes to establish business relationships. When it is imperative to quickly create a business relationship between individuals that are unknown to each other, identifying the city or region of the individual with whom a relationship is being formed and understanding that culture will help build a common ground which will facilitate and enhance the newly established working relationship. This paper shows how this can be achieved.
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Date Issued: 2008
PURL: http://purl.flvc.org/FAU/165671
Subject Headings: Business communication, Communication in management, Organizational effectiveness, Interpersonal relations, Relationship marketing, Corporate culture
Format: Document (PDF)

Title: Glades period settlement patterns in the Everglades culture area.
Creator: Callsen, Paul., Dorothy F. Schmidt College of Arts and Letters, Department of Anthropology
Abstract/Description: The manner in which human settlements are arranged across the landscape holds clues to a society's internal social relationships and may indicate how a society fits into its environment. This research investigates settlement patterns during the formative pre-historic periods in Southeast Florida, the three Glades Periods (BC 500- AD 1750). During this time span, the inhabitants of the region adapted to a changing climate and environment by occupying places that were conducive to their...
Show moreThe manner in which human settlements are arranged across the landscape holds clues to a society's internal social relationships and may indicate how a society fits into its environment. This research investigates settlement patterns during the formative pre-historic periods in Southeast Florida, the three Glades Periods (BC 500- AD 1750). During this time span, the inhabitants of the region adapted to a changing climate and environment by occupying places that were conducive to their particular hunter-gatherer way of life. However, while the Glades people moved from one locale to another, they never altered the manner in which they primarily sought sustenance; fishing and hunting. Evidence suggests substantial population increases beginning in the Glades II Period and shift of habitations due to flooding of earlier and lower sites.
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Date Issued: 2008
PURL: http://purl.flvc.org/FAU/165672
Subject Headings: Ethnoarchaeology, Indians of North America, Antiquities, Land settlement patterns, History
Format: Document (PDF)

Title: More than "just a hunch": meaning, feminine intuition and television sleuths.
Creator: Dominguez, Sheela Celeste., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description: The rise in popularity of the female sleuth television programs makes it important to explore representations of gender and knowledge. This investigation analyzes interpretations of intuition in the television sleuth genre and relevant paratexts, examines gendered public and private spheres and raises broader questions about gendered knowledge in the series Medium, Crossing Jordan, Law and Order: Criminal Intent, Veronica Mars, Monk, The Profiler and True Calling. Rooted in feminist cultural...
Show moreThe rise in popularity of the female sleuth television programs makes it important to explore representations of gender and knowledge. This investigation analyzes interpretations of intuition in the television sleuth genre and relevant paratexts, examines gendered public and private spheres and raises broader questions about gendered knowledge in the series Medium, Crossing Jordan, Law and Order: Criminal Intent, Veronica Mars, Monk, The Profiler and True Calling. Rooted in feminist cultural studies, historical and sociological analysis, television and film theory and work on the detective genre, this investigation establishes common frames, or filters, through which the television sleuth genre represents intuition and the gendered experience of knowledge. Women with intuition are depicted as unstable, dangerous and mentally ill. Though framed similarly, intuitive men have more freedom. This study expands on academic research on television representations of gender and knowledge. Societal implications include further understanding of meaning-making in regard to gendered knowing.
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Date Issued: 2008
PURL: http://purl.flvc.org/FAU/165938
Subject Headings: Women detectives in mass media, Popular culture, History, Self-actualization (Psychology), Sex differences (Psychology), Thought and thinking, Sex differences, Women in television
Format: Document (PDF)

Title: The triumph of containment: Zbigniew Brzezinski, Jimmy Carter, and the demise of defense.
Creator: Embrick, Kevin S., Dorothy F. Schmidt College of Arts and Letters, Department of History
Abstract/Description: President Jimmy Carter's foreign policy changed significantly and progressively over the course of his four year term. What began as a liberal-internationalist approach to foreign policy ended in a traditional Cold War stalemate with the Soviet Union. There are many causes for this shift: changes in the international environment, shifting public opinion, and other domestic-political pressures. One of the most consistently undervalued causes for Carter's overall foreign policy shift was the...
Show morePresident Jimmy Carter's foreign policy changed significantly and progressively over the course of his four year term. What began as a liberal-internationalist approach to foreign policy ended in a traditional Cold War stalemate with the Soviet Union. There are many causes for this shift: changes in the international environment, shifting public opinion, and other domestic-political pressures. One of the most consistently undervalued causes for Carter's overall foreign policy shift was the personal influence of his National Security Advisor Zbigniew Brzezinski. Through a variety of advocacy pressures and framing tactics, Brzezinski was able to utilize the changes in the international system, and especially, changes within domestic-political environment to convince Carter of an extensive reformation of his foreign policy perspective and priorities.
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Date Issued: 2008
PURL: http://purl.flvc.org/FAU/165939
Subject Headings: Influence, Influence, National security, Politics and government, Foreign relations
Format: Document (PDF)

Title: Validating music therapy and its effectiveness in treating brain disorders: the role of emotions in music and in therapy.
Creator: Hurley, Kristin Renee., Dorothy F. Schmidt College of Arts and Letters, Department of Music
Abstract/Description: The success of the music therapy profession has been well established, though the healing properties of music are not yet fully understood. Clinical observations show the medicinal value of music therapy; however, it is challenging to quantify music's beneficial effects. Examining music therapy's effectiveness in treating neurological disorders can possibly help to better validate this profession. However, music therapy is a multidisciplinary field, and perhaps we must come to a better...
Show moreThe success of the music therapy profession has been well established, though the healing properties of music are not yet fully understood. Clinical observations show the medicinal value of music therapy; however, it is challenging to quantify music's beneficial effects. Examining music therapy's effectiveness in treating neurological disorders can possibly help to better validate this profession. However, music therapy is a multidisciplinary field, and perhaps we must come to a better understanding of how the various disciplines relate to one another. Music has the power to modulate our emotions. Neurological studies involving music therapy might help to uncover the connection between our emotional states and our physical health. To truly understand the success of music therapy, we must further study the role of emotions in the healing process. Future examinations of the emotional factor in music therapy may hold the key to a better understanding of how music affects us.
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Date Issued: 2008
PURL: http://purl.flvc.org/FAU/165942
Subject Headings: Music, Psychological aspects, Cognitive neuroscience, Healing, Psychological aspects, Medicine and psychology, Mind and body
Format: Document (PDF)

Title: Imaganes de la mujer transgresora en la tradiciâon romancera: el Romance Celestinesco y la adâultera câomo eco de las normas sociales Sefardâies.
Creator: Mazar, Inbal, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: The Sephardic ballad collection contains ballads of varying themes, many of which have been forgotten in Spain, where they were originally sung by Jews, Christians, and Muslims. A popular theme within this genre is that of women committing adultery and transgressions which in many of the ballads is punishable by death. A brief history of the Sephardic Jews and their literary and oral tradition is included. An emphasis is placed on women's role in ballad tradition and the importance of...
Show moreThe Sephardic ballad collection contains ballads of varying themes, many of which have been forgotten in Spain, where they were originally sung by Jews, Christians, and Muslims. A popular theme within this genre is that of women committing adultery and transgressions which in many of the ballads is punishable by death. A brief history of the Sephardic Jews and their literary and oral tradition is included. An emphasis is placed on women's role in ballad tradition and the importance of transculturation and mimesis within the oral tradition, both significant to the survival of a tradition that has been continued for over five centuries, encompassing various regions around the world. The analysis focuses on two ballads in particular ; the "Celestine Romance", which shares a similar plot to La Celestina, written by Fernando de Rojas, and the ballad of "The Adulteress", a popular ballad within several traditions.
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Date Issued: 2008
PURL: http://purl.flvc.org/FAU/165944
Subject Headings: Spanish literature, Criticism and interpretation, Ballads, Ladino, Criticism and interpretation, Sephardim, Songs and music, Adultery, Folklore
Format: Document (PDF)

Title: Toward a pragmatics of intent: cognitive approaches in creative and critical writing.
Creator: Wolfe, Lois., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: Locus of an author poses questions of intentionality, how intention is discovered, expressed, hidden, revealed and interpreted. The purpose of the study is to find and apply productive interdisciplinary concepts in intentionality detection, decoding and evaluation in fictional texts. The investigation integrates traditions in literature, linguistics, cognitive science and creative writing, posing a pragmatics of intent that complements and complicates precepts in reader reception-based...
Show moreLocus of an author poses questions of intentionality, how intention is discovered, expressed, hidden, revealed and interpreted. The purpose of the study is to find and apply productive interdisciplinary concepts in intentionality detection, decoding and evaluation in fictional texts. The investigation integrates traditions in literature, linguistics, cognitive science and creative writing, posing a pragmatics of intent that complements and complicates precepts in reader reception-based constructivism. Basic to a vision of pragmatic strategies: 1) situating effect and affect in an embodied mind; 2) acknowledging mutual and/or oppositional intentionalities which an embodied author and embodied reader bring to the process of fictional communication; 3) accepting language as communication that requires cognitive translation of consensually-agreed upon symbols into private representations in an embodied mind; 4) assuming that an author's fictionalizing consciousness is more discernible w hen it is navigating tensions of selection, proportion, intervention and perspective. Perceptual and close reading of J.M. Coetzee's Foe yields descriptive problematics. Analytical readings in a neglected byway of I.A. Richards' New Criticism provide pragmatic cues for detecting and evaluating intentionalities in prose. Three cross-disciplinary strategies emerge to enhance perceptual and close readings of fictional texts: 1) awareness of priming effects in form and content; 2) identification of markedness patterns; and 3) perception of tensible connections in prosaic language and artistic devices., The study concludes that: reading in tensible awareness of author intentionality adds productively to critical analysis and argument; acknowledging positioned voices in texts supports ethical criticism and multicultural aesthetics; reading to apprehend perceptual units (image structures sensed through story) supports and contextualizes close reading of propositional units(discourse/language) . The formal element of perspective emerges as the most intensive locus of the reader's sense of integrated consciousness and management of effect in fiction. Perspective can create the most ergative construction of authorial perspective, i.e., one in which transitive energy appears equalized and the subject and patient / writer and reader positions in syntax can pivot.
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Date Issued: 2008
PURL: http://purl.flvc.org/FAU/165946
Subject Headings: Intentionality (Philosophy), Philosophy of mind, Attribution (Social psychology), Reportage literature (Authorship), Creative writing, Methodology
Format: Document (PDF)

Title: Indians and underdogs: notions of identity and the symbolic language of resistance in coastal Ecuador.
Creator: Nohe, Sarah Anne., Dorothy F. Schmidt College of Arts and Letters, Department of Anthropology
Abstract/Description: This thesis examines identity as a process, how it is a reflection of, or reaction to, social, economic, and political circumstances. Identity is examined, through an ethnographically informed analysis, as it is represented, contested, and focused in the visual discourse of a small population. The research suggests that identity manifests at specific and strategic moments within the symbolic practices of resistance in coastal Ecuador. Grievances to economic and political power structures are...
Show moreThis thesis examines identity as a process, how it is a reflection of, or reaction to, social, economic, and political circumstances. Identity is examined, through an ethnographically informed analysis, as it is represented, contested, and focused in the visual discourse of a small population. The research suggests that identity manifests at specific and strategic moments within the symbolic practices of resistance in coastal Ecuador. Grievances to economic and political power structures are acted out in clear-cut identity terms, or motifs, and function to organize diverse interests into social action. The study illustrates two identity motifs that are commonly asserted in the local context: depictions of being indigenous and of being the underdog. Using local examples, this thesis addresses the complexities of identity formation, examines the strategic capacity of identity, and offers insight into the relationships between identity, resistance, and power.
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Date Issued: 2008
PURL: http://purl.flvc.org/FAU/166453
Subject Headings: Group identity, Political aspects, Social movements, Indians of South America, Government relations, Indians of South America, Ethnic identity
Format: Document (PDF)

Title: Formal variation in lithic projectile armatures: re-interpreting points from Tabun Cave, Israel.
Creator: Leslie, David E., Dorothy F. Schmidt College of Arts and Letters, Department of Anthropology
Abstract/Description: Lithic projectile armatures represent a significant innovation over thrusted spears in the subsistence strategies of hominins. Previous researchers have disagreed over the timing of the appearance of projectile weapons in the archaeological record (Brooks 2006; Shea 2006). To discover when projectile technology first appears in the Levant, I have compared tip cross-sectional areas, weights, and tip penetrating angles (three variables useful for discriminating between projectile and thrusting...
Show moreLithic projectile armatures represent a significant innovation over thrusted spears in the subsistence strategies of hominins. Previous researchers have disagreed over the timing of the appearance of projectile weapons in the archaeological record (Brooks 2006; Shea 2006). To discover when projectile technology first appears in the Levant, I have compared tip cross-sectional areas, weights, and tip penetrating angles (three variables useful for discriminating between projectile and thrusting weapons) of pointed Blades, Levallois points, and Mousterian points with analogs from known and suspected chipped stone projectile points. Results indicate that pointed Blades from Tabun and Skhul caves are statistically indistinguishable from other suspected projectile point types. Levallois and Mousterian points from Tabun and Skhul are also statistically indistinguishable from suspected projectile types when the lower halves of the populations are compared. Consequently, I conclude that points from Tabun and Skhul caves fall within the known and suspected range of variation of projectile point morphology.
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Date Issued: 2008
PURL: http://purl.flvc.org/fcla/dt/172670
Subject Headings: Tools, Prehistoric, Analysis, Stone implements, Classification, Projectile points, Analysis, Paleoanthropology, Excavations (Archaeology), Fossil hominids
Format: Document (PDF)

Title: La fuerza de la tradiciâon: representaciones del estudiante en la novela picaresque.
Creator: Fernandez del Paramo, Javier., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: The genre of the "picaresque" (romances of roguery), which were popular in sixteenth-century Spain, contain the literary type of the "picaro" or rogue, which can appear at times as a "student." The current work presents the historical context of the Spanish university and of the student's life as well as the representation of the "student" in several picaresque novels, namely, Mateo Aleman's El Guzman de Alfarache, Vicente Espinel's Marcos de Obregâon, Jerâonimo de Alcalâa y Yâanez's El...
Show moreThe genre of the "picaresque" (romances of roguery), which were popular in sixteenth-century Spain, contain the literary type of the "picaro" or rogue, which can appear at times as a "student." The current work presents the historical context of the Spanish university and of the student's life as well as the representation of the "student" in several picaresque novels, namely, Mateo Aleman's El Guzman de Alfarache, Vicente Espinel's Marcos de Obregâon, Jerâonimo de Alcalâa y Yâanez's El donoso hablador, and Francisco de Quevedo's El Buscâon, in order to contrast the social reality of the student and its literary representation. The literary character of the "student" does not depart only from its reality. Its characteristics are based on the student stories from the oral medieval tradition, a residual cultural elements, as described by Maxime Chevalier, as well as the emerging picaresque narratives.
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Date Issued: 2008
PURL: http://purl.flvc.org/fcla/dt/172672
Subject Headings: Picaresque literature, Spanish, History and criticism, Spanish fiction, Criticism and interpretation, Point of view (Literature), Characters and characteristics in literature
Format: Document (PDF)

Title: The Far winter.
Creator: Rodrigues, Elizabeth., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: This collection of poems engages narratives of geographical and emotional displacement on a journey toward a place from which to begin writing. The inciting narrative is one of travel - Brazil, to England, and to adulthood. A second narrative emerges as a gradual realization that these first displacements will never be truly resolved and that this lack of resolution is the only occasion from which to write. As the collection continues, the speaker of these poems is less and less comfortable...
Show moreThis collection of poems engages narratives of geographical and emotional displacement on a journey toward a place from which to begin writing. The inciting narrative is one of travel - Brazil, to England, and to adulthood. A second narrative emerges as a gradual realization that these first displacements will never be truly resolved and that this lack of resolution is the only occasion from which to write. As the collection continues, the speaker of these poems is less and less comfortable with pronouncement and more and more comfortable with action. The act of doing something - moving, driving, walking, escaping, returning, floating down a river of ice - is what creates the silence needed to proceed. Through the body, deafening directives can be temporarily suspended.
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Date Issued: 2008
PURL: http://purl.flvc.org/fcla/dt/177013
Subject Headings: Poetry, Symbolism in literature, Displacement (Psychology)
Format: Document (PDF)

Title: Women, film, and oceans a/part: the critical humor of Tracey Moffatt, Monica Pellizzari, and Clara Law.
Creator: Senzani, Alessandra., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description: The politicized use of humor in accented cinema is a tool for negotiating particular formations of identity, such as sexuality, gender, ethnicity, and class. The body of work produced by contemporary women filmmakers working in Australia, specifically Tracey Moffatt, Monica Pellizzari, and Clara Law, illustrates how these directors have employed critical humor as a response to their multiple marginalization as women, Australian, and accented filmmakers. In their works, humor functions as a...
Show moreThe politicized use of humor in accented cinema is a tool for negotiating particular formations of identity, such as sexuality, gender, ethnicity, and class. The body of work produced by contemporary women filmmakers working in Australia, specifically Tracey Moffatt, Monica Pellizzari, and Clara Law, illustrates how these directors have employed critical humor as a response to their multiple marginalization as women, Australian, and accented filmmakers. In their works, humor functions as a critical tool to deconstruct the contradictions in dominant discourses as they relate to (neo)colonial, racist, globalized, patriarchal, and displaced pasts and presents. Produced within Australian national cinema, but emerging from experiences of geographical displacements that defy territorial borders, their films illuminate how critical humor can inflect such accepted categories as the national constitution of a cinema, film genre, and questions of exile and diaspora. Critical humor thus consti tutes a cinematic signifying practice able, following Luigi Pirandello's description of umorismo, to decompose the filmic text, and as a tool for an ideological critique of cinema and its role in (re)producing discourses of the nation predicated on the dominant categories of whiteness and masculinity. The study offers a theoretical framework for decoding humor in a film text, focusing on the manipulation of cinematic language, and it provides a model for a criticism that wishes to heighten the counter-hegemonic potential of cinematic texts, by picking up on the humorous, contradictory openings of the text and widening them through a parallel dissociating process., Finally, critical humor in the accented cinema of women filmmakers like Moffatt, Pellizzari, and Law is shown to constitute a form of translation and negotiation performed between the national, monologic constraints of film production and cinematic language, the heteroglossia of the global imaginaries that have traveled since the beginning with film technology, and the local and diasporic accents informing a filmmaker's unique style and perspective.
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Date Issued: 2008
PURL: http://purl.flvc.org/FAU/186293
Subject Headings: Women motion picture producers and directors, Feminism and motion pictures, Criticism and interpretation, Local color in motion pictures, Intercultural communication in motion pictures
Format: Document (PDF)

Title: Micropolitics of transition in Yugoslavia: a local and global demise.
Creator: Marinos, Martin Y., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description: The thesis provides a cultural analysis on the micropolitics of Yugoslavia wars in 1992-1995, examining local and global media coverage along with grassroots and historical dimensions. The study offers an extensive overview of scholarly literature on the Balkans, arguing that often omitted local, cultural and historical narratives of the war events reveal complex perspectives on the rationales provided on civil war. Investigating the nationalist social movements in Yugoslavia (1992-1995), the...
Show moreThe thesis provides a cultural analysis on the micropolitics of Yugoslavia wars in 1992-1995, examining local and global media coverage along with grassroots and historical dimensions. The study offers an extensive overview of scholarly literature on the Balkans, arguing that often omitted local, cultural and historical narratives of the war events reveal complex perspectives on the rationales provided on civil war. Investigating the nationalist social movements in Yugoslavia (1992-1995), the thesis articulates the need to revisit Deleuze and Guattari's framework of micropolitics to understand the cultural and historical dimensions operational in such movements. The study presents local media coverage in Nasa Borba, Borba, and Hrvatsko Slovo, focusing mainly on two major atrocities committed during the Balkan conflict, in order to shed light on the complex role of discourse emerging in war environments.
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Date Issued: 2008
PURL: http://purl.flvc.org/FAU/186298
Subject Headings: Political and social views, Political and social views, Yugoslav War, 1991-1995, Popular culture, Political aspects, Ethnic groups, Political aspects, History
Format: Document (PDF)

Title: Mother's forgotten garden.
Creator: Zimmerman, Cory Daniel., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: The thesis proposed for my M.F.A. in creative writing is a collection of conceptual American short stories written in a variety of forms that properly suit their respective subjects. Like a handful of miscellaneous wild seeds scattered over a tilled garden, the goal of the project is to represent the wild asymmetry of Nature via a collection of unlikely companions. For this reason, the conceptual form of each story often takes root in scientific or symbolic representations of Nature (i.e....
Show moreThe thesis proposed for my M.F.A. in creative writing is a collection of conceptual American short stories written in a variety of forms that properly suit their respective subjects. Like a handful of miscellaneous wild seeds scattered over a tilled garden, the goal of the project is to represent the wild asymmetry of Nature via a collection of unlikely companions. For this reason, the conceptual form of each story often takes root in scientific or symbolic representations of Nature (i.e. sine and cosine curves, the yin-yang, etc.). The plot of loose soil holding these collective experiments together is their earthy thematic focus-namely, the way in which Nature has been systematically backgrounded by western ideology. On occasion, a story's conceptual focus may stray from these ecofeminist principles, but only for the purpose of leveling a more critical or satirical eye upon common American ideologies.
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Date Issued: 2008
PURL: http://purl.flvc.org/FAU/186303
Subject Headings: Symbolism in literature, Nature in literature, Short stories, American
Format: Document (PDF)

Title: Smoothing out the rough edges: postcolonial spaces and postcolonial subjectivities in Le petit prince de Belleville and The celestial jukebox.
Creator: Anderson, Karyn H., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: Both Calixthe Beyala's Le petit prince de Belleville, published in France in 1992, and Cynthia Shearer's The Celestial Jukebox, published in the United States in 2005, explore similar questions regarding the place of immigrants in increasingly multicultural societies. Gilles Deleuze and Fâelix Guattari's concept of - smoothness and - striation illuminates the settings of these two texts, helping demonstrate that the Parisian neighborhood of Belleville presents a striated space dominated by...
Show moreBoth Calixthe Beyala's Le petit prince de Belleville, published in France in 1992, and Cynthia Shearer's The Celestial Jukebox, published in the United States in 2005, explore similar questions regarding the place of immigrants in increasingly multicultural societies. Gilles Deleuze and Fâelix Guattari's concept of - smoothness and - striation illuminates the settings of these two texts, helping demonstrate that the Parisian neighborhood of Belleville presents a striated space dominated by State constraints, from which the residents yearn to break free, and the fictional town of Madagascar, Mississippi consists of relatively smooth space that allows for local improvisation and engenders insecurity. The stories of Loukoum and Boubacar illustrate how these two characters negotiate their respective spaces, with Loukoum creating a position thoroughly between striated majority French culture and the smoothness of his diasporic sphere and Boubacar functioning as a rhizomatic nomad, embarking on an autonomous journey of discovery.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/186325
Subject Headings: Criticism and interpretation, Criticism and interpretation, Multiculturalism, Philosophy, Emigration and immigration, Political and social aspects, Place (Philosophy) in literature, Women authors, Black, Criticism and interpretation
Format: Document (PDF)

Title: Can I call you brother?.
Creator: Norberg, Elizabeth Andrea., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: The following manuscript is a novel intended to explore the confusing nature of butch lesbian gender identity and the unique bonds of friendship butch women often share with one another. Lesbian culture, today, sometimes puts pressure on the term butch and pushes butch women to choose between transgender, femme and androgynous. The lead character in this novel, Sarah, struggles to come to terms with her own sexual identity amidst all this pressure to conform. She watches her friends and...
Show moreThe following manuscript is a novel intended to explore the confusing nature of butch lesbian gender identity and the unique bonds of friendship butch women often share with one another. Lesbian culture, today, sometimes puts pressure on the term butch and pushes butch women to choose between transgender, femme and androgynous. The lead character in this novel, Sarah, struggles to come to terms with her own sexual identity amidst all this pressure to conform. She watches her friends and searches for a model of what butch is and is not but she continues to feel emotionally and physically cut off from the people she cares about. Ultimately, Sarah realizes she can move fluidly between many genders. When she stops trying to be a stereotype, she is finally able to connect with the people she cares about.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/186332
Subject Headings: Symbolism in literature, Lesbians, Attitudes, Homosexuality, Philosophy, Stereotype (Psychology)
Format: Document (PDF)

Title: Atrave(s) and fronte(i)ras: la traducciâon del Portuguâes al Espaînol de la novella Brasilîena Adeus, Rio Doce.
Creator: Bandeira de Mello, Clarisse., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: The translation of Geny Vilas-Novas' novel Adeus, Rio Doce emphasizes the importance of promoting a literary exchange between Brazil and the Spanish-speaking world. This study analyses contemporary Brazilian literature and situates the author in the post-modern literary movement, stressing two post-colonial fundamental themes: emigration and feminine literature. Millions of undocumented emigrants from Latin America live nowadays in the United States displaced in the American society and leave...
Show moreThe translation of Geny Vilas-Novas' novel Adeus, Rio Doce emphasizes the importance of promoting a literary exchange between Brazil and the Spanish-speaking world. This study analyses contemporary Brazilian literature and situates the author in the post-modern literary movement, stressing two post-colonial fundamental themes: emigration and feminine literature. Millions of undocumented emigrants from Latin America live nowadays in the United States displaced in the American society and leave suffering family members abandoned in their native countries. One of the roles of Latin- American women writers like Vilas-Novas is to reveal and denounce the subaltern conditions of this emigration movement in the globalization process, under the unusual perspective of those left behind. The linguistic and semantic challenges and difficulties faced during translation are a metaphor for the crossing of linguistic, cultural, social, and historical borders by Latin-Americans in search of better life opportunities.
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Date Issued: 2008
PURL: http://purl.flvc.org/fcla/dt/186336
Subject Headings: Brazilian fiction, Translations into English, Brazilian literature, Criticism and interpretation, Postmodernism (Literature), Feminism and literature, Criticism and interpretation
Format: Document (PDF)

Title: We are what we eat: food consumption and identity in the United States.
Creator: Dates, Marlena Kay., Dorothy F. Schmidt College of Arts and Letters, Department of Anthropology
Abstract/Description: In the modern United States, capitalism is the predominant cultural value that structures the food system. The current American relationship to food is strained, at best, as two-thirds of Americans experience overweight and obesity and are at risk for a number of serious health complications. An understanding of the historic and political-economic aspects of the American food system is necessary to address the effects of our modern food habits on our ideas of our selves. This thesis analyzes...
Show moreIn the modern United States, capitalism is the predominant cultural value that structures the food system. The current American relationship to food is strained, at best, as two-thirds of Americans experience overweight and obesity and are at risk for a number of serious health complications. An understanding of the historic and political-economic aspects of the American food system is necessary to address the effects of our modern food habits on our ideas of our selves. This thesis analyzes the types of foods Americans eat, why they make the food choices that they do, how they feel about their eating habits and their habits' effects on their bodies, and how this all relates to our sense of identity as Americans.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/186678
Subject Headings: Food consumption, Food habits, Nutrition, Social aspects, Diet, Popular culture
Format: Document (PDF)

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