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Title: Correspondence and news article regarding Florida land, 1925-1926.
Creator: Ranson, Robert., Moffat, Victor R., Crabtree, Hobart., Johnson & Moffat
Date Issued: 1925 - 1926, 1925, 1926
PURL: http://purl.flvc.org/fcla/tc/fhp/FA00000248.pdf
Subject Headings: Real estate investment, History, History
Format: E-book

Title: Man in the age of mechanical reproduction: variations on transhumanism in the works of Smith, Delany, Dick, Wells and Gibson.
Creator: Herzek, Charles Barry., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Science fiction identifies three characteristics as definitive of and essential to humanity: 1) sentience or self-awareness, 2) emotions, and 3) most importantly, the capacity for sociability. Through the vital possession of these three traits any entity can come to be called human. In the first chapter, I examine Cordwainer Smith's "Scanners Live in Vain" and Samuel R. Delany's "Aye and Gomorrah...," two stories in which human subjects become Other than human. In the second chapter, I...
Show moreScience fiction identifies three characteristics as definitive of and essential to humanity: 1) sentience or self-awareness, 2) emotions, and 3) most importantly, the capacity for sociability. Through the vital possession of these three traits any entity can come to be called human. In the first chapter, I examine Cordwainer Smith's "Scanners Live in Vain" and Samuel R. Delany's "Aye and Gomorrah...," two stories in which human subjects become Other than human. In the second chapter, I explore the prospect of creatures, not biologically human who gain human status through an analysis of Smith's "The Dead Lady of Clown Town" and Philip K. Dick's Do Androids Dream of Electric Sheep? In the third chapter, I investigate the uniquely science fictional notion that "humanity" does not require biology through a comparison of H.G. Wells's The Island of Dr. Moreau and William Gibson's Idoru.
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Date Issued: 2008
PURL: http://purl.flvc.org/FAU/77644
Subject Headings: Characters and characteristics in literature, Humanity, Ethics, Modern
Format: Document (PDF)

Title: The legacy of the Highwaymen.
Creator: Rudolph, Elissa., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: In the 1950s, a group of African-American artists based around Ft. Pierce, Florida, began selling their landscapes of palm hammocks, colorful sunsets, and Evergladian fauna to tourists traveling south to the Sunshine State. Mass-produced in the artists' backyards, these subtropic landscapes found their way into Florida's motels, hotels, banks, and office buildings as well as private homes. The regional art form fell out of favor until the mid-1990s when an art aficionado coined the name ...
Show moreIn the 1950s, a group of African-American artists based around Ft. Pierce, Florida, began selling their landscapes of palm hammocks, colorful sunsets, and Evergladian fauna to tourists traveling south to the Sunshine State. Mass-produced in the artists' backyards, these subtropic landscapes found their way into Florida's motels, hotels, banks, and office buildings as well as private homes. The regional art form fell out of favor until the mid-1990s when an art aficionado coined the name "Highwaymen." Since then a resurgence of interest has brought new fame to the surviving members of the group. Along with this modern interest in the Highwaymen comes another facet of the subject : Several Highwaymen have sons and daughters who paint. Do the children paint like their parents? Are the children riding on the coattails of their parents or have they developed their own original style? Is the legacy of the Highwaymen continued in their progeny?
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Date Issued: 2005
PURL: http://purl.flvc.org/FAU/58011
Subject Headings: Landscape painting, American, African American painting
Format: Document (PDF)

Title: Sinfonâia en rojo: el prisma de Elisabeth Mulder.
Creator: Del Olmo Lâopez, Itxaso., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: This thesis aims to rescue the name of Elisabeth Mulder, a Spanish female poet who started to publish her first poetry books around the rise of the Generation of 1927 in Spain. The importance of this work hinges on the recognition of Mulder as a female poet whose work has been marginalized from the literary canon, like that of many other women of her era. This thesis focuses on Mulde''s third poetry collection, Sinfonâia en rojo, which was published in 1929 and stands out for its symbolic...
Show moreThis thesis aims to rescue the name of Elisabeth Mulder, a Spanish female poet who started to publish her first poetry books around the rise of the Generation of 1927 in Spain. The importance of this work hinges on the recognition of Mulder as a female poet whose work has been marginalized from the literary canon, like that of many other women of her era. This thesis focuses on Mulde''s third poetry collection, Sinfonâia en rojo, which was published in 1929 and stands out for its symbolic richness and its romantic and modernist features. Part of this research deals with the symbolism of the color red and the meanings that red acquires within the context of the poems. The main leitmotivs of Sinfonâia en rojo are the images of fire and blood, which are used to make reference to both the emotional and the physical world of the poetic voice. The research also focuses on the connections between Mulder's work and that of her contemporaries, and it suggests that she was in contact with the literary world of her era.
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Date Issued: 2013
PURL: http://purl.flvc.org/fcla/dt/3362329
Subject Headings: Influence, Criticism and interpretation, Spanish poetry, Women authors, Criticism and interpretation, Spanish poetry, Criticism and interpretation, Women and literature, Generacâion 27 (Group of poets)
Format: Document (PDF)

Title: Stormland.
Creator: Ferguson, Adam, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: The narrative within this thesis follows events that transpire within a working class neighborhood over the span of three decades. The time and place in which these events occur, South Florida 1979-1989, lends itself to exploring themes such as race, class, addiction, the fragmentation of community, and the effects of these issues on the families that live there. Stylistically, the story makes three significant shifts in order to foreground each decade's dissimilarity. These shifts...
Show moreThe narrative within this thesis follows events that transpire within a working class neighborhood over the span of three decades. The time and place in which these events occur, South Florida 1979-1989, lends itself to exploring themes such as race, class, addiction, the fragmentation of community, and the effects of these issues on the families that live there. Stylistically, the story makes three significant shifts in order to foreground each decade's dissimilarity. These shifts intentionally disrupt reader expectation while a coherent narrative thread unifies the work, rendering it fragmented yet complete.
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Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3353088
Subject Headings: Symbolism in literature
Format: Document (PDF)

Title: Historical and analytical overviews on Dmitri Shostakovich's Twenty-Four Preludes and Fugues.
Creator: Park, Jihong., Dorothy F. Schmidt College of Arts and Letters, Department of Music
Abstract/Description: The goal of this research is to discover Shostakovich's inspiration and motivation for writing the Twenty-Four Preludes and Fugues. Through the in-depth research of the cycle, this thesis will discuss the different aspects of the unique harmonic ambiguity of both the preludes and the fugue subjects so that readers understand Shostakovich's language of musical communication. Shostakovich lived during a transitional period in the history of Russia when totalitarianism was being challenged. The...
Show moreThe goal of this research is to discover Shostakovich's inspiration and motivation for writing the Twenty-Four Preludes and Fugues. Through the in-depth research of the cycle, this thesis will discuss the different aspects of the unique harmonic ambiguity of both the preludes and the fugue subjects so that readers understand Shostakovich's language of musical communication. Shostakovich lived during a transitional period in the history of Russia when totalitarianism was being challenged. The research will also explore how the political environment influenced his composition during those years.
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Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3352279
Subject Headings: Criticism and interpretation, Music, History and criticism, Politics and government
Format: Document (PDF)

Title: A novel on Albanian emigration to Italy: "They Were Seeking Happiness" a translation of Ata Kerkonin Lumturine by Viktor Canosinaj.
Creator: Lubonja, Edna, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Date Issued: 2010
PURL: http://purl.flvc.org/FAU/3337188
Subject Headings: Criticism and interpretation, History, Politics and government, Emigration and immigration
Format: Document (PDF)

Title: El final del tango Perâonista: la desintegraciâon del cuerpo social en No Habrâa Mâas Penas ni Olvido.
Creator: Fuentes, Delia Pamela., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: This thesis analyzes the complexities of Argentinean politics during Juan Domingo Perâon's last presidency, (1973-1974), as presented in Osvaldo Soriano's novel No habrâa mâas penas ni olvido. Soriano's work, set in the fictitious town of Colonia Vela, in the state of Buenos Aires, illustrates in a small scale the different social and political components that make up the national body. Historical and fictitious elements dramatize the conflict among the left and right wings of the Peronist...
Show moreThis thesis analyzes the complexities of Argentinean politics during Juan Domingo Perâon's last presidency, (1973-1974), as presented in Osvaldo Soriano's novel No habrâa mâas penas ni olvido. Soriano's work, set in the fictitious town of Colonia Vela, in the state of Buenos Aires, illustrates in a small scale the different social and political components that make up the national body. Historical and fictitious elements dramatize the conflict among the left and right wings of the Peronist Party. These two factions divide the villagers, who hold diverse images of Perâon and what the party entails, while putting their political beliefs and physical well-being at stake. Quickly the two splinter parties trigger an open arm conflict while fighting under the same slogan: "Perâon o muerte". Supported by diverse theoretical perspectives, this thesis reveals that Soriano's novel sheds light into one of the most confusing periods of Argentinean history while rescuing the sacrifices of the people.
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Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3175015
Subject Headings: Criticism and interpretation, Spanish American literature, Criticism and interpretation, History, Literature and the war, Politics and government, Social life and customs
Format: Document (PDF)

Title: Fearing the youth: economic turmoil, adult anxiety and the Japanese Battle Royale controversy.
Creator: Pagel, Caren., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description: In December 2000, Japanese lawmakers took unprecedented steps to ban Fukasaku Kinji's Battle Royale from theaters prior to its scheduled release. The film was deemed "crude and tasteless" for its portrayal of teen violence in a state run game of kill or be-killed and attempts to ban the film were pursued through the film certification process all the way to the floor of Japanese parliament. This thesis investigates the controversy surrounding the release of Battle Royale and the socioeconomic...
Show moreIn December 2000, Japanese lawmakers took unprecedented steps to ban Fukasaku Kinji's Battle Royale from theaters prior to its scheduled release. The film was deemed "crude and tasteless" for its portrayal of teen violence in a state run game of kill or be-killed and attempts to ban the film were pursued through the film certification process all the way to the floor of Japanese parliament. This thesis investigates the controversy surrounding the release of Battle Royale and the socioeconomic and cultural factors - in particular, the Japanese recession and widening generation gap of the 1990s - that influenced both the film's message and the extraordinary political reaction in Japan. This thesis argues that the objections to the film were not based solely on the violent content as is often reported, but rather were the combination of adult economic and cultural anxiety regarding themselves and the youth, the anti-authority message of the film that encouraged the youth to reject adult systems, and a political campaign that exploited the adult fears by using Battle Royale as a scapegoat for youth problems.
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Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3172429
Subject Headings: Criticism and interpretation, Influence, Motion pictures, Censorship, Violence in motion pictures, Sensationalism in motion pictures, Politics and government, Social life and customs
Format: Document (PDF)

Title: Marie Corelli: Britain's most popular forgotten author.
Creator: Moss, Doris., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Marie Corelli was arguably the most popular British novelist of the early 1900s, yet few today even know her name. Though she is not the only author to lose popularity, her enormous influence during her lifetime deserves consideration. What people liked about Marie Corelli can shed light on why the rise of modernism is seen as such a break from the popular in literature. This paper examines two of her bestsellers, A Romance of Two Worlds and The Sorrows of Satan, in light of the fin de...
Show moreMarie Corelli was arguably the most popular British novelist of the early 1900s, yet few today even know her name. Though she is not the only author to lose popularity, her enormous influence during her lifetime deserves consideration. What people liked about Marie Corelli can shed light on why the rise of modernism is seen as such a break from the popular in literature. This paper examines two of her bestsellers, A Romance of Two Worlds and The Sorrows of Satan, in light of the fin de siáecle, as well as the critical response to her work from both modernist and postmodern perspectives. Corelli is of interest today because her popular female characters are women who affirm traditional femininity yet also pursue and wield great power. The question I raise is whether Corelli's work is best seen as illustrative of theories about popular literature or as contradictory to them.
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Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3172426
Subject Headings: Criticism and interpretation, Criticism and interpretation, Women and literature, History, Literature and society, History, English fiction, Criticism and interpretation
Format: Document (PDF)

Title: Un puente hecho de tierra: un estudio comparativo de la visiâon indigenista del problema de la tierra en Balâun Canâan, por Rosario Castellanos, y "El problema del indio," por Josâe Carlos Mariâategui.
Creator: Modic, Blaire., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: This thesis uncovers a deep and recurring link between two indigenista texts of the 20th Century: Balâun Canâan, by Rosario Castellanos, and "El problema del indio," by Jose Carlos Mariâategui. Mariategui's text, an essay, takes a deductive approach to prove that the "Indian's problem" in Peru is related to the concentration of land in the hands of his oppressors. Using Marxist theory, Mariâategui shows that only through more equitable distribution of land can the indigenous Peruvian's...
Show moreThis thesis uncovers a deep and recurring link between two indigenista texts of the 20th Century: Balâun Canâan, by Rosario Castellanos, and "El problema del indio," by Jose Carlos Mariâategui. Mariategui's text, an essay, takes a deductive approach to prove that the "Indian's problem" in Peru is related to the concentration of land in the hands of his oppressors. Using Marxist theory, Mariâategui shows that only through more equitable distribution of land can the indigenous Peruvian's fortunes be improved. Castellanos chooses the years of the Cardenas presidency (1934-1940) for her novel, a work that deals with the legacy of the Mexican Revolution. Set in Chiapas, Mexico, autobiographical and fictitious elements and characters dramatize a conflict over indigenous rights to land and education on a criollo family's enormous estate. Supported by intellectual criticism from a number of fields, this thesis connects episodes from Castellanos's novel with the core premises of Mariâategui's essay.
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Date Issued: 2010
PURL: http://purl.flvc.org/FAU/3170604
Subject Headings: Criticism and interpretation, Criticism and interpretation, Indians of Mexico, Government relations, Land tenure, Social aspects, Indians of South America, History, Agriculture, Economic aspects, History, Civilization
Format: Document (PDF)

Title: Neville Chamberlain, Oswald Mosley, and the historiography of appeasement revisited.
Creator: Ortiz, Michael., Dorothy F. Schmidt College of Arts and Letters, Department of History
Abstract/Description: This thesis analyzes the historiography of Neville Chamberlain and appeasement through the lens of Oswald Mosley and British Fascism, arguing that an acute and unexpected convergence emerges between the ardent radicalism of Mosley and the utter rationality of Chamberlain, illustrating the uncanny degree to which appeasement as a policy dovetailed with fascism as an ideology. Beginning at the Spanish Civil War and ending in March 1939, politicians in the vein of Chamberlain - subsequently...
Show moreThis thesis analyzes the historiography of Neville Chamberlain and appeasement through the lens of Oswald Mosley and British Fascism, arguing that an acute and unexpected convergence emerges between the ardent radicalism of Mosley and the utter rationality of Chamberlain, illustrating the uncanny degree to which appeasement as a policy dovetailed with fascism as an ideology. Beginning at the Spanish Civil War and ending in March 1939, politicians in the vein of Chamberlain - subsequently dubbed 'appeasers' - pursued appeasement as a means to placate German aggression. The British Union of Fascists, with Mosley at the helm, enthusiastically supported this movement and urged the British Government to intensify the appeasement campaign. Ultimately, the convergence of appeasement and fascism illustrates the severe lack of alternatives available to Chamberlain, and underscores the degree to which his pragmatic politics supported fascism abroad.
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Date Issued: 2010
PURL: http://purl.flvc.org/FAU/2978948
Subject Headings: Views on Germany, World War, 1939-1945, Diplomatic history, Fascism, World politics, Politics and government, Foreign relations, Foreign relations, Foreign relations
Format: Document (PDF)

Title: The power of memory: how Western collective memory of the Holocaust functioned in discourse on Kosovo.
Creator: Bjellos, Tajana., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description: This thesis provides a rhetorical analysis of the Western representation of the Kosovo conflict and its resolution in the year 1999. By reviewing political, scholarly and media rhetoric, the thesis examines how the dominant narrative of "genocide in Kosovo" was created in Western discourse, arguing that it gained its persuasive force from the legacy of the collective memory of the Holocaust. Using the framework of Kenneth Burke's theory of Dramatism and Walter Fisher's theory of the narrative...
Show moreThis thesis provides a rhetorical analysis of the Western representation of the Kosovo conflict and its resolution in the year 1999. By reviewing political, scholarly and media rhetoric, the thesis examines how the dominant narrative of "genocide in Kosovo" was created in Western discourse, arguing that it gained its persuasive force from the legacy of the collective memory of the Holocaust. Using the framework of Kenneth Burke's theory of Dramatism and Walter Fisher's theory of the narrative paradigm, this thesis aims to understand how language, analogy and collective memory function in rhetoric to shape audience perceptions and guide political and military action. The study illustrates the mechanics of the operating rhetoric by analyzing two primary sources, the rhetoric of U.S. President Bill Clinton and British Prime Minister Tony Blair.
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Date Issued: 2010
PURL: http://purl.flvc.org/FAU/2683535
Subject Headings: Discourse analysis, Narrative, Narrative (Rhetoric), History, Rhetoric, Political aspects, History, Memory, Political aspects, Kosovo War, 1998-1999, Holocaust, Jewish (1939-1945), Crimes against humanity, History
Format: Document (PDF)

Title: The philosophy of the animal in 20th century literature.
Creator: Johnson, Jamie, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: The following dissertation examines the philosophy of the animal as it appears in twentieth-century British and American literature. I argue that evolutionary theory, along with the Romantic emphasis on sympathy, creates an historical shift in our perception of humans and nonhumans. Beginning with Herman Melville's classic novel, Moby-Dick, the whale represents what I call a transitional animal figure in that the whale not only shows the traditionally symbolic literary animal but also the...
Show moreThe following dissertation examines the philosophy of the animal as it appears in twentieth-century British and American literature. I argue that evolutionary theory, along with the Romantic emphasis on sympathy, creates an historical shift in our perception of humans and nonhumans. Beginning with Herman Melville's classic novel, Moby-Dick, the whale represents what I call a transitional animal figure in that the whale not only shows the traditionally symbolic literary animal but also the beginnings of the twentieth century shift toward the literal animal-as-subject. My proposed comparative analysis consists of a return to classic existential and phenomenological philosophers with animal studies in mind. A handful of critical essays in recent years have conducted just such an analysis. My contribution extends these philosophical endeavors on the animal and applies them to major literary authors who demonstrate a notable interest in the philosophy of animals. The first chapter of the dissertation begins with D.H. Lawrence, whose writings in selected essays, St. Mawr, and "The Fox" continue considerations made by Melville concerning animal being. Because Lawrence often focuses on gender, sexuality, and intuition, I discuss how a Heideggerian reading of animals in Lawrence adds value to interpretations of his fiction which remain unavailable in analyses of human subjects. In Chapter Two, I move on to William Faulkner's classic hunting tale of "The Bear" and other significant animal sightings in his fiction and nonfiction. For Faulkner, the animal subject exists in the author's particular historical climate of American environmentalism, modernism's literary emphasis on visuality, and race theory., This combination calls for a natural progression from a Heideggerian existential phenomenology: a contemporary Sartrean reading of animal being. Finally, the last chapter examines J.M. Coetzee, an author whose texts show the accumulated existential and phenomenological progression in the philosophy of the animal with a combined interest in current political and social issues surrounding animal life in the twentieth and twenty-first centuries.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/192984
Subject Headings: Symbolism in literature, Animals (Philosophy), Human-animal relationships in literature, Animals in literature, American prose literature, Criticism and interpretation, English prose literature, Criticism and interpretation
Format: Document (PDF)

Title: John Updike: the role of women in his short fiction.
Creator: Rosen, Cindy M., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: There remain two recurring criticisms of John Updike's fiction. The first comes from feminist critics who condemn his negative portrayal of women, accusing his fiction of denigrating women. The second comes from late twentieth century critics who accuse him of avoiding political and historical discussions in his fiction. However, it is my contention that Updike is willing to address both of these concerns, and I arrive at such an argument by carefully analyzing his collection of short stories...
Show moreThere remain two recurring criticisms of John Updike's fiction. The first comes from feminist critics who condemn his negative portrayal of women, accusing his fiction of denigrating women. The second comes from late twentieth century critics who accuse him of avoiding political and historical discussions in his fiction. However, it is my contention that Updike is willing to address both of these concerns, and I arrive at such an argument by carefully analyzing his collection of short stories compiled in Too Far To Go: The Maples Stories. Within these stories, Updike's female characters illustrate the shifting gender paradigms over the course of the fifties, sixties, and seventies amidst the middle-class, suburban American milieu. Updike's women act as agents of history providing testament to the shifting gender paradigms and historical, cultural, political, and social milestones of a maturing country and its growing pains.
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Date Issued: 2010
PURL: http://purl.flvc.org/FAU/1927298
Subject Headings: Criticism and interpretation, Women in literature, American fiction, History and criticism
Format: Document (PDF)

Title: Micropolitics of transition in Yugoslavia: a local and global demise.
Creator: Marinos, Martin Y., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description: The thesis provides a cultural analysis on the micropolitics of Yugoslavia wars in 1992-1995, examining local and global media coverage along with grassroots and historical dimensions. The study offers an extensive overview of scholarly literature on the Balkans, arguing that often omitted local, cultural and historical narratives of the war events reveal complex perspectives on the rationales provided on civil war. Investigating the nationalist social movements in Yugoslavia (1992-1995), the...
Show moreThe thesis provides a cultural analysis on the micropolitics of Yugoslavia wars in 1992-1995, examining local and global media coverage along with grassroots and historical dimensions. The study offers an extensive overview of scholarly literature on the Balkans, arguing that often omitted local, cultural and historical narratives of the war events reveal complex perspectives on the rationales provided on civil war. Investigating the nationalist social movements in Yugoslavia (1992-1995), the thesis articulates the need to revisit Deleuze and Guattari's framework of micropolitics to understand the cultural and historical dimensions operational in such movements. The study presents local media coverage in Nasa Borba, Borba, and Hrvatsko Slovo, focusing mainly on two major atrocities committed during the Balkan conflict, in order to shed light on the complex role of discourse emerging in war environments.
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Date Issued: 2008
PURL: http://purl.flvc.org/FAU/186298
Subject Headings: Political and social views, Political and social views, Yugoslav War, 1991-1995, Popular culture, Political aspects, Ethnic groups, Political aspects, History
Format: Document (PDF)

Title: Mapping urban growth in Boca Raton Florida, over a thirty year period.
Creator: Breary, Gillian., Charles E. Schmidt College of Science, Department of Geosciences
Abstract/Description: The rapid increase of urban growth is a major issue for many regions around the world, which result in astounding loss in farmlands and increase in population densities. It important that urban growth be monitored as it will aid the local government in implementing the appropriate measures for a growing population. The city of Boca Raton, Florida, is the case study for this research. A multi-temporal analysis is done of five Landsat satellite images over a thirty year time period, 1973-2002....
Show moreThe rapid increase of urban growth is a major issue for many regions around the world, which result in astounding loss in farmlands and increase in population densities. It important that urban growth be monitored as it will aid the local government in implementing the appropriate measures for a growing population. The city of Boca Raton, Florida, is the case study for this research. A multi-temporal analysis is done of five Landsat satellite images over a thirty year time period, 1973-2002. Textural analysis was performed on each of the images, to delineate the urban areas. Three by-products resulted from the textural analysis: time series tinted overlays, dasymetric mapping and a series of animated maps, showing the movement of growth across the landscape through time. All the resulting products of the time series analysis were used to show the magnitude and direction of growth over time.
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Date Issued: 2008
PURL: http://purl.flvc.org/fcla/dt/172668
Subject Headings: Urbanization, Cities and towns, Community development, Urban, Regional planning
Format: Document (PDF)

Title: Who is Paule Maurice?: her relative anonymity and its consequences.
Creator: Moore, Anthony Jon., Dorothy F. Schmidt College of Arts and Letters, Department of Music
Abstract/Description: Paule Maurice (1910-1967) is the little known composer of Tableaux de Provence: Suite for Saxophone and Orchestra, one of the most frequently recorded and studied classical saxophone compositions in history. A more in depth study of Paule Maurice reveals a talented composer and dedicated professor whose career at the Conservatoire National Supérieur de Musique de Paris and l'Ecole Normale de Musique de Paris spanned over twenty-five years until her untimely death at age fifty-seven. Maurice...
Show morePaule Maurice (1910-1967) is the little known composer of Tableaux de Provence: Suite for Saxophone and Orchestra, one of the most frequently recorded and studied classical saxophone compositions in history. A more in depth study of Paule Maurice reveals a talented composer and dedicated professor whose career at the Conservatoire National Supérieur de Musique de Paris and l'Ecole Normale de Musique de Paris spanned over twenty-five years until her untimely death at age fifty-seven. Maurice composed for theatre, ballet, French National Radio, orchestra, voice, piano, flute, clarinet, and saxophone. There is question as to the whereabouts of many of her manuscripts. This thesis attempts to bring to bear the life and accomplishments of a talented French composer not well remembered in music history.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/367763
Subject Headings: Criticism and interpretation, Composers, Music, History and criticism, Women in music, Saxophone music
Format: Document (PDF)

Title: A fistful of facts: reconsidering Dziga Vertov's cinematic truth.
Creator: Salomone, Peter., Harriet L. Wilkes Honors College
Abstract/Description: In 1919, the Soviet filmmaker Dziga Vertov declared a "death sentence" on fictional films. Vertov championed his own unique method of non-fiction filmmaking, called Kino-Eye, which is based on Vertov's ideas regarding truth in cinema. Although he does not write specifically about Vertov or film, the philosopher Nelson Goodman offers a contrasting view of truth in general. By comparing the Kino-Eye method to Goodman's philosophy, we can better understand Vertov's radical ideas and see more...
Show moreIn 1919, the Soviet filmmaker Dziga Vertov declared a "death sentence" on fictional films. Vertov championed his own unique method of non-fiction filmmaking, called Kino-Eye, which is based on Vertov's ideas regarding truth in cinema. Although he does not write specifically about Vertov or film, the philosopher Nelson Goodman offers a contrasting view of truth in general. By comparing the Kino-Eye method to Goodman's philosophy, we can better understand Vertov's radical ideas and see more clearly how the concept of cinematic truth has changed over time.
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Date Issued: 2008
PURL: http://purl.flvc.org/FAU/77687
Subject Headings: Criticism and interpretation, Documentary films, Sources, Motion pictures, Philosophy, Film criticism
Format: Document (PDF)

Title: The role of church-state conflict in the growth of religious pluralism in Latin America.
Creator: McMillan, Michael., Harriet L. Wilkes Honors College
Abstract/Description: Since the 1960s Latin America has experienced a religious transformation, with several countries developing significant Protestant populations. These religious changes have influenced the political processes of several Latin American nations, playing a prominent role in elections and the formation of political platforms. Several theories attempt to account for the recent growth in religious pluralism, particularly social anomie theory and religious market models. These theories ignore or...
Show moreSince the 1960s Latin America has experienced a religious transformation, with several countries developing significant Protestant populations. These religious changes have influenced the political processes of several Latin American nations, playing a prominent role in elections and the formation of political platforms. Several theories attempt to account for the recent growth in religious pluralism, particularly social anomie theory and religious market models. These theories ignore or downplay the role of conflict between the state and civil society, especially violent confrontations between the government and the Roman Catholic Church. This study focuses on four case studies with varying amounts of church-state conflict and differing religious pluralistic growth rates: Colombia, Guatemala, Haiti, and Southern Mexico. This study finds that church-state conflict serves as a catalyst, and in some cases a useful predictor, of growth in religious pluralism.
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Date Issued: 2008
PURL: http://purl.flvc.org/FAU/77678
Subject Headings: Religious pluralism, Latin America, Politics and government, Latin America, Church history, Church and state, History
Format: Document (PDF)

FAU Theses and Dissertations (17)	+ -
Honors Student Theses (6)	+ -
Florida Miscellaneous (1)	+ -

Criticism and interpretation (12)	+ -
History (10)	+ -
Politics and government (6)	+ -
History and criticism (3)	+ -
American prose literature (2)	+ -

Economic conditions (2)	+ -
Government relations (2)	+ -
Influence (2)	+ -
Latin America (2)	+ -
Motion pictures (2)	+ -
Music (2)	+ -
Political and social views (2)	+ -
Political aspects (2)	+ -
Social aspects (2)	+ -
Social life and customs (2)	+ -
Symbolism in literature (2)	+ -
Women and literature (2)	+ -
African American painting (1)	+ -
Agriculture (1)	+ -
American fiction (1)	+ -
Animals (Philosophy) (1)	+ -
Animals in literature (1)	+ -
Autonomy and independence movements (1)	+ -
Censorship (1)	+ -
Characters and characteristics in literature (1)	+ -
Church and state (1)	+ -
Church history (1)	+ -
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