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Title: La representacion de la aniquilacion de la creatividad artistica femenina en obras seleccionadas de Elena Poniatowska.
Creator: Adriazola-Rodriguez, Ana, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: The annihilation of women's artistic creativity in selected works by the Mexican writer Elena Poniatowska is a result of societal conditioning. Two short stories from Lilus Kikus and the short novel Querido Diego, te abraza Quiela portray the process of deterioration and demeaning obliteration of women's creative faculties, as they are conditioned to accept the conventional roles of wife and mother. Poniatowska's texts posit that, upon assuming these roles, the exercise of the creative artist...
Show moreThe annihilation of women's artistic creativity in selected works by the Mexican writer Elena Poniatowska is a result of societal conditioning. Two short stories from Lilus Kikus and the short novel Querido Diego, te abraza Quiela portray the process of deterioration and demeaning obliteration of women's creative faculties, as they are conditioned to accept the conventional roles of wife and mother. Poniatowska's texts posit that, upon assuming these roles, the exercise of the creative artist's use of her imagination is postponed or detrimentally transformed forever. In the selected texts, women's artistic creativity is chronicled first at its best while the characters are girls or adolescents. The neglect, procrastination, and attention to domestic and repetitive tasks as opposed to the pursuit of their creative vein is observed in the adult women characters. Poignantly portrayed is Quiela, Diego Rivera's common-law wife of ten years, who destroys her life and creative power by trying to be the perfect wife. These literary works speak forcefully to the social issues and institutions that place women artists in a bind; are the roles of artist, mother/wife incompatible?
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Date Issued: 2000
PURL: http://purl.flvc.org/fcla/dt/15786
Subject Headings: Literature, Latin American, Women's Studies
Format: Document (PDF)

Title: La decheance matriarcale chez Zola: "L'assommoir" et "Germinal".
Creator: Alaoui, Sanaa Ismaili, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Critical studies of Zola's Rougon-Macquart novels, while explicating in detail the characterological functions of the women characters, including Gervaise in L'Assommoir and la Maheude in Germinal, have neglected the thematic functions of matriarchy in those texts as in the cycle as a whole. The decline of the matriarch is a prominent component of Zola's naturalistic scheme for the Rougon-Macquart , manifests not only in the increasing corruption of the progeny across the cycle, but primarily...
Show moreCritical studies of Zola's Rougon-Macquart novels, while explicating in detail the characterological functions of the women characters, including Gervaise in L'Assommoir and la Maheude in Germinal, have neglected the thematic functions of matriarchy in those texts as in the cycle as a whole. The decline of the matriarch is a prominent component of Zola's naturalistic scheme for the Rougon-Macquart , manifests not only in the increasing corruption of the progeny across the cycle, but primarily in the monographic depictions of the matriarchs themselves. Working-class mothers in particular embody the conflictual tensions of gender inequities and socio-economic deprivations that lead them to produce child-workers to support the family, typically becoming ever more negligent, on the model of Gervaise. Specifically in Germinal, Zola's largely negative conception of the fictive matriarch begins to change. This shift is sustained in subsequent texts of the cycle: the matriarch still suffers almost total loss (of husband, children, position), but she attains a new insight into the socio-economic system that so devours her offspring, and a new lucidity about her position within it.
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Date Issued: 2002
PURL: http://purl.flvc.org/fcla/dt/12970
Subject Headings: Literature, Romance
Format: Document (PDF)

Title: Satire of the cuckold in the work of Francisco de Quevedo.
Creator: Averhoff, Ida Ibis, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: The "cuckold" is the prototype of the consenting husband in Quevedo's time. He represents the hypocrisy, the vanity, and, most of all, the moral decadence of Spanish society in the 17th Century. Quevedo expresses his great disillusion with the amoral behavior of his people and, through his satire, attempts to give a lesson on morality. Quevedo was able to transfer onto his work Spanish ideas and realities, giving them a serious character as that of an ascetic or a politician, with the...
Show moreThe "cuckold" is the prototype of the consenting husband in Quevedo's time. He represents the hypocrisy, the vanity, and, most of all, the moral decadence of Spanish society in the 17th Century. Quevedo expresses his great disillusion with the amoral behavior of his people and, through his satire, attempts to give a lesson on morality. Quevedo was able to transfer onto his work Spanish ideas and realities, giving them a serious character as that of an ascetic or a politician, with the pessimistic and sarcastic tone typical of his satire. Two important and influencing factors on his work and his way of looking at life were the family and cultural environment he was exposed to and the effect of his physical defects, which he succeeded in compensating due to his energetic personality. Quevedo used conceptism as his literary style, applying his genius to the creation of metaphors, taking the Spanish language to its maximum expression as no one else had done before him.
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Date Issued: 1992
PURL: http://purl.flvc.org/fcla/dt/14805
Subject Headings: Literature, Romance
Format: Document (PDF)

Title: RE-IMAGINANDO UTOPÍAS: LA DESILUSIÓN PORTEÑA DE BORGES.
Creator: Baccinelli, Mitchel, Poulson, Nancy Kason, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Borges’s literary production, particularly between 1923 and 1955, drastically changes in its depiction of Buenos Aires. The city that Borges considered his home was the center of various political and cultural changes in Argentina during those years, and the more that Argentina changed, the deeper Borges’s disillusionment became. Examining these changes in the depiction of themes such as city, community, and history, we can better understand the process of disillusionment by which Borges...
Show moreBorges’s literary production, particularly between 1923 and 1955, drastically changes in its depiction of Buenos Aires. The city that Borges considered his home was the center of various political and cultural changes in Argentina during those years, and the more that Argentina changed, the deeper Borges’s disillusionment became. Examining these changes in the depiction of themes such as city, community, and history, we can better understand the process of disillusionment by which Borges begins with a utopic view of Buenos Aires that becomes dystopic before it is abandoned in order to imagine a new utopia.
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Date Issued: 2021
PURL: http://purl.flvc.org/fau/fd/FA00013749
Subject Headings: Borges, Jorge Luis, 1899-1986, Borges, Jorge Luis, 1899-1986--Criticism and interpretation
Format: Document (PDF)

Title: RAMON DEL VALLE-INCLAN'S "LUCES DE BOHEMIA": AN ANNOTATED EDITION WITH INTRODUCTION AND AMPLIFICATIONS. (SPANISH TEXT).
Creator: BAHAMONDE, JOSE RICARDO, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: This edition was prepared as an independent or classroom study tool, in Spanish, for students of contemporary Spanish drama. The introduction includes a brief chapter on Valle-Inclan's biography. the following chapters focus their attention on the evolution of the author's style from his early period up to the esperpentos. the opinions of critics are mentioned throughout to familiarize the reader with authoritative references as well as with his work. Once the esperpento period is reached,...
Show moreThis edition was prepared as an independent or classroom study tool, in Spanish, for students of contemporary Spanish drama. The introduction includes a brief chapter on Valle-Inclan's biography. the following chapters focus their attention on the evolution of the author's style from his early period up to the esperpentos. the opinions of critics are mentioned throughout to familiarize the reader with authoritative references as well as with his work. Once the esperpento period is reached, one chapter is devoted to the treatment of the represented in Luces de bohemia. Finally the play is annotated in English and the difficult vocabulary is glossed. Amplifications at the end of each scene give additional, valuable information. More than fifty sources were consulted and/or quoted. By using this edition the reader deals with only one volume representative of what many references had to say about Valle-Inclan, his times, his works, the esperpento, and Luces the bohemia.
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Date Issued: 1974
PURL: http://purl.flvc.org/fcla/dt/13677
Subject Headings: Literature, Romance
Format: Document (PDF)

Title: La aventura del heroe: Una aproximacion critica a "Lituma en los Andes" de Mario Vargas Llosa.
Creator: Barrero, Gabriela Ovando, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: Lituma en los Andes tackles the universal substance of myths, its atavistic stock of culture, prejudice and superstitions, which applied to the complex Peru uncovers taboos and reveals a political statement, whose non-fictional counterpart can be found in La utopia arcaica: Jose Maria Arguedas y las ficciones del indigenismo, by the same author. This thesis uses a mythological and archetypal approach to prove that the narration--whose underlying element are Andean myths--is structured as the...
Show moreLituma en los Andes tackles the universal substance of myths, its atavistic stock of culture, prejudice and superstitions, which applied to the complex Peru uncovers taboos and reveals a political statement, whose non-fictional counterpart can be found in La utopia arcaica: Jose Maria Arguedas y las ficciones del indigenismo, by the same author. This thesis uses a mythological and archetypal approach to prove that the narration--whose underlying element are Andean myths--is structured as the mythological adventure of a hero who must comply with the archetypal rites of passage: separation, initiation, and return. Lituma's trials lead him to a social and spiritual maturity and to discover the mysterious ancestral Peru, disdained by the more westernized Peruvians of the coast. The Andeans' fear of foreigners is represented by the myth of the pishtaco or throat-cutter, counterpart of the classical Minotaur. The encounter of the two scissioned worlds is only possible through love and friendship, in the framework of a pluralistic society, which is suggested by the novel's resolution.
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Date Issued: 1999
PURL: http://purl.flvc.org/fcla/dt/15667
Subject Headings: Literature, Latin American
Format: Document (PDF)

Title: VERSIFICACION EN LA OBRA POETICA DE JOSE DE ESPRONCEDA: UN EJEMPLO DE LAVARIEDAD ROMANTICA.
Creator: BERMUDEZ, ALBERTO C., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: Esta tesis analiza la obra poetica de Jose de Espronceda desde el punto de vista de su metrica. Espronceda es catalogado el tipico poeta romantico espanol. Lo que se pretende aqui es reiterar, a traves de la metrica, la filiacion del poeta al movimiento. El estudio esta compuesto de los siguientes capitulos: I) El romanticismo espanol y su metrica; II) El autor y su obra; III) Las poesias de Espronceda; IV) Borracores y copias atribuidos a Espronceca; V) Un poema largo; VI) Otro poema largo....
Show moreEsta tesis analiza la obra poetica de Jose de Espronceda desde el punto de vista de su metrica. Espronceda es catalogado el tipico poeta romantico espanol. Lo que se pretende aqui es reiterar, a traves de la metrica, la filiacion del poeta al movimiento. El estudio esta compuesto de los siguientes capitulos: I) El romanticismo espanol y su metrica; II) El autor y su obra; III) Las poesias de Espronceda; IV) Borracores y copias atribuidos a Espronceca; V) Un poema largo; VI) Otro poema largo. Siguiendo el resumen del movimiento romantico en Espana en el primer capitulo, el segundo trae la biografia del poeta. Los capitulos tres, cuatro, cinco y seis estan dedicados a la obra poetica de Espronceda. Termina este estudio la conclusion de que la metrica del poeta comprueba la conexion de este a los preceptos y caracteristicas del movimiento al que pertenece.
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Date Issued: 1974
PURL: http://purl.flvc.org/fcla/dt/13621
Subject Headings: Literature, Romance
Format: Document (PDF)

Title: Environmental architecture.
Creator: Boyle, Austin, Gagaoudakis, Andrea, Perry, Tina, Florida Atlantic University
Date Issued: 2005-03
PURL: http://purl.flvc.org/fcla/dt/11530
Subject Headings: Green products--Design, Green technology, Environmental engineering, Dwellings--Environmental aspects
Format: Document (PDF)

Title: Y tu hijo tambien: La representacion de la masculinidad en la literature y el cine mexicanos (1915--2001).
Creator: Colhouer, John P., Florida Atlantic University, Erro-Peralta, Nora
Abstract/Description: In Mexico, fragmentation is an integral element in social, political, and literary realities expressing an inequality among its citizens. This disparity is reflected in literary and cinematic representations. The Mexican male is the agent that perpetuates the fractured society, and his representation in the arts reflects the impediments to social progress in both the heterosexual and homosexual communities. The novels Los de abajo, Pedro Paramo , and La muerte de Artemio Cruz, present the...
Show moreIn Mexico, fragmentation is an integral element in social, political, and literary realities expressing an inequality among its citizens. This disparity is reflected in literary and cinematic representations. The Mexican male is the agent that perpetuates the fractured society, and his representation in the arts reflects the impediments to social progress in both the heterosexual and homosexual communities. The novels Los de abajo, Pedro Paramo , and La muerte de Artemio Cruz, present the traditional Mexican male and images of masculinity in the heterosexual community. El vampiro de la Colonia Roma by Luis Zapata introduces the male homosexual character into Mexican discourse and implies how he is affected by fragmentation. The film Y tu mama tambien (2001) by Alfonso Cuaron proposes that inequality will be perpetuated if Mexican society does not change its views of what is to be considered "masculine."
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Date Issued: 2005
PURL: http://purl.flvc.org/fcla/dt/13229
Subject Headings: Masculinity--Mexico, Machismo--Mexico, Motion picture industry--Mexico, Motion pictures--Political aspects--Mexico
Format: Document (PDF)

Title: DAS VERHAELTNIS ZWISCHEN LIEBE UND EINSAMKEIT IN DEN NOVELLEN THEODOR STORMS. (GERMAN TEXT).
Creator: DAVIS, MARK STEPHEN., Florida Atlantic University, Weiser, Ernest L.
Abstract/Description: This thesis examines the interrelation of love and loneliness in the plot, structure, symbolism and characters' gestures in Theodor Storm's Novellen, to determine the function of love in its connection to tne ever-present theme of loneliness in Storm's fiction. Lave between man and woman is the basic lave relationship considered in the investigation. Storm shows how love can overcome loneliness in various ways. The memory of a past love relationship is used to combat present loneliness. The...
Show moreThis thesis examines the interrelation of love and loneliness in the plot, structure, symbolism and characters' gestures in Theodor Storm's Novellen, to determine the function of love in its connection to tne ever-present theme of loneliness in Storm's fiction. Lave between man and woman is the basic lave relationship considered in the investigation. Storm shows how love can overcome loneliness in various ways. The memory of a past love relationship is used to combat present loneliness. The idea of a lasting love relationship is embraced as the only possible solace in man's lonely struggle for existence. The love relationship is the faundation of a chain of generations which links the past, present and future, and, therefore, limits the loneliness inherent in human transitoriness. Love can only limit loneliness in Storm's Novellen, never eliminate it.
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Date Issued: 1980
PURL: http://purl.flvc.org/fcla/dt/14041
Subject Headings: Storm, Theodor,--1817-1888--Novellen
Format: Document (PDF)

Title: La metamorphose de l'amour dans l'oeuvre de colette.
Creator: de Lima, Edwige Verdier., Florida Atlantic University, Munson, Marcella L.
Abstract/Description: Many critical studies of Colette, drawing heavily on psychoanalytic theory in order to explicate the biographical particulars of her life which are present in her works, have sought to brand the writer as feminine archetype of the free-spirited and inconstant libertine of the early twentieth century. But while such studies often note the general importance of the theme of love in Colette's works, they have tended to ignore both the larger literary metamorphosis which the theme of love...
Show moreMany critical studies of Colette, drawing heavily on psychoanalytic theory in order to explicate the biographical particulars of her life which are present in her works, have sought to brand the writer as feminine archetype of the free-spirited and inconstant libertine of the early twentieth century. But while such studies often note the general importance of the theme of love in Colette's works, they have tended to ignore both the larger literary metamorphosis which the theme of love undergoes and its metonymic links to the act of writing itself. Indeed, in Colette's works the letter and the mirror become privileged symbols through which the love felt by the narrator is channeled and ultimately displaced towards the act of writing and self-apprehension. Paradoxically, the act of writing is what enables Colette's narrator to enact her own liberation, it is also the act of writing in which she encounters isolation.
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Date Issued: 2003
PURL: http://purl.flvc.org/fcla/dt/13058
Subject Headings: Colette,--1873-1954--Criticism and interpretation, Love in literature
Format: Document (PDF)

Title: LA RELATION MERE-ENFANT CHEZ DURAS. (FRENCH TEXT).
Creator: DIAFERIA, MICHAELA., Florida Atlantic University, Hokenson, Jan W.
Abstract/Description: The relationship between the mother and the child in Duras is most fully developed in the novels La Vie Tranquille (1944), Un Barrage contre le Pacifique (1950), Les Petits Chevaux de Tarquinia (1953), Moderato cantabile (1958), and L' Amant (1984). The relationship is intense, initially joyful but ultimately alienated. It dramatizes the feminine needs of the mother and the filial needs of the child, always in conflict. It weakens, as the mother undergoes personal trials, and, as the child...
Show moreThe relationship between the mother and the child in Duras is most fully developed in the novels La Vie Tranquille (1944), Un Barrage contre le Pacifique (1950), Les Petits Chevaux de Tarquinia (1953), Moderato cantabile (1958), and L' Amant (1984). The relationship is intense, initially joyful but ultimately alienated. It dramatizes the feminine needs of the mother and the filial needs of the child, always in conflict. It weakens, as the mother undergoes personal trials, and, as the child grows older, love turns to hate and despair. This study of the novels reveals a consistent structure: the mother-child relationship in Duras is repeatedly depicted as an enslaving experience, comparable in its passionate development to a foredoomed love affair.
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Date Issued: 1986
PURL: http://purl.flvc.org/fcla/dt/14292
Subject Headings: Duras, Marguerite--Criticism and interpretation, Mother and child
Format: Document (PDF)

Title: Mas alla de la palabras: La textualidad en los tejidos de Jalq'a y Tarabuco.
Creator: Duff, Maria Nuria., Florida Atlantic University, Horswell, Michael J.
Abstract/Description: The textiles of Jalq'a and Tarabuco, from Bolivia, are known worldwide for their beauty and complex designs. While most academic attention has concentrated on weaving techniques and esthetics, this thesis explores the semiotics of the designs, not only in an ethnographic context, but as an expression of ideology, cosmogony, and the indigenous groups' cultural history. In addition to reading colonial Andean sources on the pre-Inca and Inca weaving traditions, I analyze the symbolic elements of...
Show moreThe textiles of Jalq'a and Tarabuco, from Bolivia, are known worldwide for their beauty and complex designs. While most academic attention has concentrated on weaving techniques and esthetics, this thesis explores the semiotics of the designs, not only in an ethnographic context, but as an expression of ideology, cosmogony, and the indigenous groups' cultural history. In addition to reading colonial Andean sources on the pre-Inca and Inca weaving traditions, I analyze the symbolic elements of a sample of acsus, women's traditional skirts. I link the symbols still used today to depictions of pre-Inca mythology and the cultural inclusions from Hispanic culture that have created a syncretism from processes of transculturation.
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Date Issued: 2006
PURL: http://purl.flvc.org/fcla/dt/13350
Subject Headings: Textile design--Bolivia, Indians of South America--Influence, Indian textile fabrics--Bolivia, Indian philosophy--Bolivia, Tarabuco, Bolivia--Description and travel
Format: Document (PDF)

Title: De Freud a Cixous: Une autre perspective sur Dora l'hysterique. (French text).
Creator: Feldman, Marie., Florida Atlantic University, Hokenson, Jan W.
Abstract/Description: Cixous rejects the conclusions reached by Freud in the "Dora case" and rewrites the analysis without changing the sequence of events. In her play Portrait de Dora (published in Paris in 1976) Dora incarnates the injustices suffered by women within the family. The importance of the play is that it shifts responsibility from Dora to the entire society to which she belongs. Cixous's Dora becomes the symbol of woman who has overcome anguish and shattered the traditional "jougs et censures"...
Show moreCixous rejects the conclusions reached by Freud in the "Dora case" and rewrites the analysis without changing the sequence of events. In her play Portrait de Dora (published in Paris in 1976) Dora incarnates the injustices suffered by women within the family. The importance of the play is that it shifts responsibility from Dora to the entire society to which she belongs. Cixous's Dora becomes the symbol of woman who has overcome anguish and shattered the traditional "jougs et censures" opening the way to freedom.
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Date Issued: 1991
PURL: http://purl.flvc.org/fcla/dt/14685
Subject Headings: Freud, Sigmund,--1856-1939.--Dora., Cixous, Hélène,--1937---Portrait de Dora.
Format: Document (PDF)

Title: The Atlantic sun.
Creator: Florida Atlantic University
Date Issued: 1966, 1989, Vol. 1, no. 1, 69, no. 8, 1966-05-12, 1989-06-28
PURL: http://purl.flvc.org/fau/fd/vola
Subject Headings: College student newspapers and periodicals, College students, Students, Florida Atlantic University, Universities and colleges
Format: Serial

Title: Arial view of the green space and Wimberly Library in the background on Boca Campus, FAU.
Creator: Florida Atlantic University
Abstract/Description: Ariel view of the green space that is between the back of the Administration building and the breezeway and the Wimberly Library in the background. During either President Catanese or President Brogan terms someone of great importance was brought by helicopter (cannot recall who) and landed in the green space. 1970-1990s Florida Atlantic University Libraries. S.E. Wimberly Library, Boca Raton Campus.
Date Issued: 1964 - 1970
PURL: http://purl.flvc.org/fau/fd/faua0000031
Subject Headings: Florida Atlantic University -- History, Florida Atlantic University -- Library, Florida Atlantic University -- Photographs, Florida Atlantic University -- Archives
Format: Image (JPEG2000)

Title: Arthur Jaffe, donor, curator, Professor Emeritus with Elliot Gertel.
Creator: Florida Atlantic University
Abstract/Description: Arthur Jaffe, curator, donor, and Professor Emeritus for the Jaffee Center for Book Arts (1998-2011). He started the center by donating 2,800 books. It opened in 2000. Arthur is seen in the photo with Elliot Gertel, the first Judicia Librarian at FAU. 1970-2000 Florida Atlantic University Libraries. S.E. Wimberly Library, Boca Raton Campus.
Date Issued: 1998 - 2000
PURL: http://purl.flvc.org/fau/fd/faua0000025
Subject Headings: Florida Atlantic University -- History, Florida Atlantic University -- Library, Florida Atlantic University -- Photographs, Florida Atlantic University -- Archives
Format: Image (JPEG2000)

Title: Bill Axford, Director of Libraries at Florida Atlantic University, 1970.
Creator: Florida Atlantic University
Abstract/Description: Bill Axford. 1970-1990s Florida Atlantic University Libraries. S.E. Wimberly Library, Boca Raton Campus.
Date Issued: 1970
PURL: http://purl.flvc.org/fau/fd/faua0000033
Subject Headings: Florida Atlantic University -- History, Florida Atlantic University -- Library, Florida Atlantic University -- Photographs, Florida Atlantic University -- Archives
Format: Image (JPEG2000)

Title: Casual study area with students reading on the first floor of FAU Wimberly Library.
Creator: Florida Atlantic University
Abstract/Description: Casual study area with students reading. Looks like it directly behind what was the Reference Desk. Note the old square computers in the background. 1970-1990s Florida Atlantic University Libraries. S.E. Wimberly Library, Boca Raton Campus.
Date Issued: 1990 - 2000
PURL: http://purl.flvc.org/fau/fd/faua0000036
Subject Headings: Florida Atlantic University -- History, Florida Atlantic University -- Library, Florida Atlantic University -- Photographs, Florida Atlantic University -- Archives
Format: Image (JPEG2000)

Title: Construction of the addition to the library at FAU.
Creator: Florida Atlantic University
Abstract/Description: Construction of the addition to the FAU library. Three floors are up and construction of the concrete façade is nearly complete in this photo. 1970-1990s Florida Atlantic University Libraries. S.E. Wimberly Library, Boca Raton Campus.
Date Issued: 1980 - 1990
PURL: http://purl.flvc.org/fau/fd/faua0000028
Subject Headings: Florida Atlantic University -- History, Florida Atlantic University -- Library, Florida Atlantic University -- Photographs, Florida Atlantic University -- Archives
Format: Image (JPEG2000)

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