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Simulation, creation and reproduction in Dystopian science fiction
Title
Simulation, creation and reproduction in Dystopian science fiction.
Creator
Burns-Davies, Erin, Comparative Studies Program, Dorothy F. Schmidt College of Arts and Letters
Date Issued
2008-10-24
PURL
http://purl.flvc.org/fau/fd/FADT165363p
Subject Headings
Utopias in literature, Science fiction, American, Place (Philosophy) in literature
Format
Set of related objects
amtal rule
Title
The amtal rule: testing to define in Frank Herbert's Dune.
Creator
Irizarry, Adella., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
In this project, I focus on the function of the "amtal" or test of definition or destruction, in Frank Herbert's Dune. It is my argument that these tests "to destruction" determine not only the limits or defects of the person being tested, but also - and more crucially - the very limits and defects of the definition of humanity in three specific cultural spheres within the novel: the Bene Gesserit, the Fremen, and the Faufreluches. The definitions of "amtal" as well as "humanity," like all...
Show moreIn this project, I focus on the function of the "amtal" or test of definition or destruction, in Frank Herbert's Dune. It is my argument that these tests "to destruction" determine not only the limits or defects of the person being tested, but also - and more crucially - the very limits and defects of the definition of humanity in three specific cultural spheres within the novel: the Bene Gesserit, the Fremen, and the Faufreluches. The definitions of "amtal" as well as "humanity," like all definitions, are somewhat fluid, changing depending on usage, cultural context, and the political and social needs of the society which uses them. Accordingly, Dune remains an instructive text for thinking through contemporary and controversial notions about the limits of humanism and, consequently, of animalism and posthumanism.
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Date Issued
2013
PURL
http://purl.flvc.org/fcla/dt/3362377
Subject Headings
Criticism and interpretation, Dune (Imaginary place), Philosophy, Philosophy in literature, Humanism
Format
Document (PDF)
Unrecognized Pasts and Unforeseen Futures: Architecture and Postcolonialism in William Faulkner's Absalom, Absalom! and The Sound and the Fury
Title
Unrecognized Pasts and Unforeseen Futures: Architecture and Postcolonialism in William Faulkner's Absalom, Absalom! and The Sound and the Fury.
Creator
Haugk, Danielle, Hagood, Taylor, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
This thesis examines the genesis, maintenance, and failure of rigid and exclusionary societal models present in William Faulkner's Yoknapatawpha County. Yi- Fu Tuan's analysis of the concepts space and place serves as the foundational theoretical framework by which human spatiality may be interpreted. Combining Tuan's observations and architectural analysis with Edouard Glissant's concepts of atavistic and composite societal models allows for a much broader consideration of various political...
Show moreThis thesis examines the genesis, maintenance, and failure of rigid and exclusionary societal models present in William Faulkner's Yoknapatawpha County. Yi- Fu Tuan's analysis of the concepts space and place serves as the foundational theoretical framework by which human spatiality may be interpreted. Combining Tuan's observations and architectural analysis with Edouard Glissant's concepts of atavistic and composite societal models allows for a much broader consideration of various political ideologies present in the South. Following this, it becomes necessary to apply a postcolonial lens to areas of Faulkner's literature to examine how these societal models are upheld and the effects they have on characters in both Reconstruction and post- Reconstruction eras. Within Absalom, Absalom! and The Sound and the Fury, Faulkner showcases an aspect of southern history that allowed this societal model to flourish, how this model affected those trapped within it, and its ultimate failure for future generations.
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Date Issued
2017
PURL
http://purl.flvc.org/fau/fd/FA00004905, http://purl.flvc.org/fau/fd/FA00004905
Subject Headings
Faulkner, William,--1897-1962.--Absalom, Absalom!--Criticism and interpretation., Faulkner, William,--1897-1962.--Sound and the fury--Criticism and interpretation., Glissant, Édouard,--1928-2011--Criticism and interpretation., Tuan, Yi-fu,--1930---Criticism and interpretation., Space (Architecture)--Southern States--History--19th century., Postcolonialism--Southern States., Plantation life in literature., Imperialism in literature., Literature and society--Southern States--History--20th century., Place (Philosophy) in literature.
Format
Document (PDF)
From Slaves to Subjects: Forging Freedom in the Canadian Legal System
Title
From Slaves to Subjects: Forging Freedom in the Canadian Legal System.
Creator
Halty, Nina, Engle, Stephen D., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of History
Abstract/Description
This thesis clarifies recent debates on the problems of territorialized freedom in the Atlantic world by examining several extradition cases involving runaway slaves in Canada, where southern slaveholders attempted to retrieve their lost property by relabeling fugitive slaves as fugitive criminals. In order to combat these efforts and receive the full protections of British subjecthood, self-emancipated people realized that they needed to prove themselves worthy of this status. To achieve...
Show moreThis thesis clarifies recent debates on the problems of territorialized freedom in the Atlantic world by examining several extradition cases involving runaway slaves in Canada, where southern slaveholders attempted to retrieve their lost property by relabeling fugitive slaves as fugitive criminals. In order to combat these efforts and receive the full protections of British subjecthood, self-emancipated people realized that they needed to prove themselves worthy of this status. To achieve this, black refugees formulated their own language of subjecthood predicated upon economic productivity, social respectability, and political loyalty. By actively working to incorporate themselves into the British Empire, Afro-Canadians redefined subjecthood from a status largely seen as a passively received birthright to a deliberate choice. Therefore, this thesis demonstrates that ways in which formerly enslaved people laid out their own terms for imperial inclusion and defined the contours of black social and legal belonging in a partially free Atlantic world.
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Date Issued
2017
PURL
http://purl.flvc.org/fau/fd/FA00004923
Subject Headings
Canada--Race relations--History--19th century., African Americans--Canada--History--19th century., Freedmen--Canada--History--19th century., Fugitive slaves--Legal status, laws, etc.--Canada., Free African Americans--Canada--History--19th century., Postcolonialism--Southern States., Plantation life in literature., Imperialism in literature., Literature and society--Southern States--History--20th century., Place (Philosophy) in literature.
Format
Document (PDF)
Smoothing out the rough edges
Title
Smoothing out the rough edges: postcolonial spaces and postcolonial subjectivities in Le petit prince de Belleville and The celestial jukebox.
Creator
Anderson, Karyn H., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description
Both Calixthe Beyala's Le petit prince de Belleville, published in France in 1992, and Cynthia Shearer's The Celestial Jukebox, published in the United States in 2005, explore similar questions regarding the place of immigrants in increasingly multicultural societies. Gilles Deleuze and Fâelix Guattari's concept of - smoothness and - striation illuminates the settings of these two texts, helping demonstrate that the Parisian neighborhood of Belleville presents a striated space dominated by...
Show moreBoth Calixthe Beyala's Le petit prince de Belleville, published in France in 1992, and Cynthia Shearer's The Celestial Jukebox, published in the United States in 2005, explore similar questions regarding the place of immigrants in increasingly multicultural societies. Gilles Deleuze and Fâelix Guattari's concept of - smoothness and - striation illuminates the settings of these two texts, helping demonstrate that the Parisian neighborhood of Belleville presents a striated space dominated by State constraints, from which the residents yearn to break free, and the fictional town of Madagascar, Mississippi consists of relatively smooth space that allows for local improvisation and engenders insecurity. The stories of Loukoum and Boubacar illustrate how these two characters negotiate their respective spaces, with Loukoum creating a position thoroughly between striated majority French culture and the smoothness of his diasporic sphere and Boubacar functioning as a rhizomatic nomad, embarking on an autonomous journey of discovery.
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Date Issued
2009
PURL
http://purl.flvc.org/FAU/186325
Subject Headings
Criticism and interpretation, Criticism and interpretation, Multiculturalism, Philosophy, Emigration and immigration, Political and social aspects, Place (Philosophy) in literature, Women authors, Black, Criticism and interpretation
Format
Document (PDF)
Under construction
Title
Under construction: positive-negative space in Faulkner and beyond.
Creator
Puleo, Simone Maria., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
This thesis probes the materiality of a text by focusing on elliptical matters. In The Culture of Time and Space, Stephen Kern introduces the term "positive-negative space" to describe the primacy of empty space as a formal subject matter in sculptures of the early twentieth century. With some caveats and distinctions, the thesis argues that Kern's theory of positive-negative space is crucial for reading Faulkner's crytic and polyvalent production of space. Using a smorgasbord of approaches...
Show moreThis thesis probes the materiality of a text by focusing on elliptical matters. In The Culture of Time and Space, Stephen Kern introduces the term "positive-negative space" to describe the primacy of empty space as a formal subject matter in sculptures of the early twentieth century. With some caveats and distinctions, the thesis argues that Kern's theory of positive-negative space is crucial for reading Faulkner's crytic and polyvalent production of space. Using a smorgasbord of approaches including psychoanalytic and reader-response criticism, feminist and critical race theories, post-structuralist and formalist notions of space, theories of the "hole" in fine arts sculpture, and the New Southern studies, my thesis reinvents the conception of positive-negative space, and asserts that positive-negative space as an artistic principle" is the modus operandi of William Faulkner's The Sound and the Fury and Sanctuary.
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Date Issued
2012
PURL
http://purl.flvc.org/FAU/3358961
Subject Headings
Criticism and interpretation, Criticism and interpretation, Symbolism in literature, Space in literature, Place (Philosophy) in literature
Format
Document (PDF)