Current Search: Morrison, Toni.--Song of Solomon. (x)
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- Title
- The Rastafari presence in Toni Morrison's Tar Baby, Beloved, and Song of Solomon.
- Creator
- Carr, Nicole Racquel., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Literary scholars frequently analyze the allusions to Western Christianity apparent in Toni Morrison's novels, but these studies overlook the ways in which some of her novels are informed by a Caribbean presence. This study argues that Rastafari themes, symbols, and ideologies are recurrent in Toni Morrison's Tar Baby, Beloved, and Song of Solomon. Rastafari is a social movement primarily concerned with restoring the image of Africa to a holy place. A Rastafari analysis of these texts...
Show moreLiterary scholars frequently analyze the allusions to Western Christianity apparent in Toni Morrison's novels, but these studies overlook the ways in which some of her novels are informed by a Caribbean presence. This study argues that Rastafari themes, symbols, and ideologies are recurrent in Toni Morrison's Tar Baby, Beloved, and Song of Solomon. Rastafari is a social movement primarily concerned with restoring the image of Africa to a holy place. A Rastafari analysis of these texts broadens the literary spectrum to suggest that these novels highlight Morrison's attempt to write about the multifaceted element of the black community, which remains deeply connected to its American, African, and Caribbean roots.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2683134
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Rastafari movement, Masculinity in literature, Afro-Caribbean cults
- Format
- Document (PDF)
- Title
- The mythic quest for selfhood in Toni Morrison's "The Bluest Eye," "Song of Solomon," and "Beloved".
- Creator
- Golden, Diane M., Florida Atlantic University, Coyle, William
- Abstract/Description
-
Toni Morrison's purpose in her novels is to encourage her readers to imitate her heroes' journey in their own lives. Through her protagonists' successes and failures on their monomythic quests (to use the term of Joseph Campbell), Morrison educates her readers. Campbell states that a successful hero must complete three phases: separation, initiation, and return. In The Bluest Eye, Pecola Breedlove's poor choices cause failure; she stays in the separation phase. Milkman Dead from Song of...
Show moreToni Morrison's purpose in her novels is to encourage her readers to imitate her heroes' journey in their own lives. Through her protagonists' successes and failures on their monomythic quests (to use the term of Joseph Campbell), Morrison educates her readers. Campbell states that a successful hero must complete three phases: separation, initiation, and return. In The Bluest Eye, Pecola Breedlove's poor choices cause failure; she stays in the separation phase. Milkman Dead from Song of Solomon reaches the initiation stage but fails to return with his boon. Denver of Beloved is the only successful heroine; she returns to the world with a treasure, providing Morrison's readers with a fully heroic model.
Show less - Date Issued
- 1994
- PURL
- http://purl.flvc.org/fcla/dt/15053
- Subject Headings
- Morrison, Toni--Criticism and interpretation., African Americans in literature., Morrison, Toni.--Bluest eye., Morrison, Toni.--Song of Solomon., Morrison, Toni.--Beloved.
- Format
- Document (PDF)
- Title
- Moving Ever Forward: Reading the Significance of Motion and Space as a Representation of Trauma in Toni Morrison’s Song of Solomon and Colson Whitehead’s The Underground Railroad.
- Creator
- Richmond, Samantha, Furman, Andrew, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
This thesis argues that three models of trauma theory, which include traditional trauma theory, postcolonial trauma theory, and cultural trauma theory, must be joined to fully understand the trauma experienced by African Americans within the novels Song of Solomon by Toni Morrison and The Underground Railroad by Colson Whitehead. By implementing these three theories, we can see how each novel’s main character is exploring and learning about African American trauma and better understand how an...
Show moreThis thesis argues that three models of trauma theory, which include traditional trauma theory, postcolonial trauma theory, and cultural trauma theory, must be joined to fully understand the trauma experienced by African Americans within the novels Song of Solomon by Toni Morrison and The Underground Railroad by Colson Whitehead. By implementing these three theories, we can see how each novel’s main character is exploring and learning about African American trauma and better understand how an adjustment of space and time creates the possibility for the implementation of trauma theory. Each novel presents a journey, and it is through this movement through space that each character can serve as a witness to African American trauma. This is done in Morrison’s text by condensing the geographical space of the American north and south into one town, which serves to pluralize African American culture. In Whitehead’s text, American history is removed from its chronological place, which creates a duality that instills Freud’s theory of the uncanny within both the character and the reader.
Show less - Date Issued
- 2017
- PURL
- http://purl.flvc.org/fau/fd/FA00004839, http://purl.flvc.org/fau/fd/FA00004839
- Subject Headings
- Psychic trauma., Psychic trauma--African Americans., American literature--African American authors--History and criticism--Theory, etc., Underground Railroad--Fiction., African American families--Fiction., Morrison, Toni.--Song of Solomon--Criticism and interpretation., Whitehead, Colson--1969---Underground railroad--Criticism and interpretation.
- Format
- Document (PDF)