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PSYCHOANALYSIS AND DREAMS IN TONI MORRISON’S BELOVED: EXPLORING CONTINUITIES AND RUPTURES OF TRAUMA CYCLES
Title
PSYCHOANALYSIS AND DREAMS IN TONI MORRISON’S BELOVED: EXPLORING CONTINUITIES AND RUPTURES OF TRAUMA CYCLES.
Creator
Peter, Rebecca M., Dagbovie-Mullins, Sika, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description
“Psychoanalysis and Dreams in Toni Morrison’s Beloved: Exploring Continuities and Ruptures of Trauma Cycles,” explores the function of dreams as they relate to trauma and memory. This thesis argues that a character’s engagement with their dreams leads to a healing discontinuity of traumatic cycles, while dreams left untouched likely result in historical and transgenerational cycles and the continuation of personal trauma and its symptoms. This thesis compares the dreams of the characters...
Show more“Psychoanalysis and Dreams in Toni Morrison’s Beloved: Exploring Continuities and Ruptures of Trauma Cycles,” explores the function of dreams as they relate to trauma and memory. This thesis argues that a character’s engagement with their dreams leads to a healing discontinuity of traumatic cycles, while dreams left untouched likely result in historical and transgenerational cycles and the continuation of personal trauma and its symptoms. This thesis compares the dreams of the characters Beloved and Denver. In part because Morrison notes her influence from both African and Western traditions, this paper argues that a sufficient understanding of dreams in her work requires a multiplicity of approaches. This thesis draws on a plurality of ideas from African and Western perspectives of dreams, the intersections of race and psychoanalysis, and trauma theory. The focus on dreams extends the arguments of critics who analyze trauma in Beloved more generally.
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Date Issued
2022
PURL
http://purl.flvc.org/fau/fd/FA00013909
Subject Headings
Morrison, Toni. Beloved, American literature
Format
Document (PDF)
Toni Morrison's "Beloved": From the middle realm to apocalyptic visions
Title
Toni Morrison's "Beloved": From the middle realm to apocalyptic visions.
Creator
King, Natalie, Florida Atlantic University, Paton, Priscilla
Abstract/Description
Toni Morrison's black characters in her novel Beloved dwell in a middle realm between slavery and a life full of responsibility. This middle realm or "safe" haven enables them to "disremember" past injustices. However, it also renders them disabled when trying to resolve moral issues, and allows them to exist blindly within the confines of an isolated illusion of almost pubescent security. In this state, characters have the certainty of the horrors of slavery behind them, but they have the...
Show moreToni Morrison's black characters in her novel Beloved dwell in a middle realm between slavery and a life full of responsibility. This middle realm or "safe" haven enables them to "disremember" past injustices. However, it also renders them disabled when trying to resolve moral issues, and allows them to exist blindly within the confines of an isolated illusion of almost pubescent security. In this state, characters have the certainty of the horrors of slavery behind them, but they have the uncertainty of the future ahead. Morrison's characters require the motivation of an apocalyptic upheaval (revelation or unveiling) as a catalyst to move them from that area of stasis and emotional impasse to the next level of their development and finally toward a sense of community. This movement from the middle realm to the apocalypse is conveyed by Morrison through myths drawn from several cultures. Her ability to manipulate and meld these myths provides the link to humanity's quest for control in an illusory world, and growth initiated by apocalyptic awakenings.
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Date Issued
1994
PURL
http://purl.flvc.org/fcla/dt/15036
Subject Headings
Morrison, Toni--Criticism and interpretation, Morrison, Toni--Beloved, African Americans in literature
Format
Document (PDF)
"Thick love" vs. "thin love": The maternal role in the African American attainment of individuation in Morrison's "Jazz" and "Beloved"
Title
"Thick love" vs. "thin love": The maternal role in the African American attainment of individuation in Morrison's "Jazz" and "Beloved".
Creator
Waite, Simone Lora., Florida Atlantic University, Furman, Andrew
Abstract/Description
In Jazz and Beloved Morrison explores the difficulties of the acquisition of selfhood for African Americans. In the novels, Morrison examines these difficulties focussing especially on the maternal role. Offering no facile solutions, these narratives do share characteristics common to individuals attaining individuation. A person's relationship with the mother and ability to confront his history, no matter how painful, are integral elements to any presence of self-worth. Although far from...
Show moreIn Jazz and Beloved Morrison explores the difficulties of the acquisition of selfhood for African Americans. In the novels, Morrison examines these difficulties focussing especially on the maternal role. Offering no facile solutions, these narratives do share characteristics common to individuals attaining individuation. A person's relationship with the mother and ability to confront his history, no matter how painful, are integral elements to any presence of self-worth. Although far from didactic, one truth examined in the novels is the need for Africans in America to create their own definitions of their history. African American figures, maternal and otherwise have been traditionally defined by the oppressive society, using stereotypes inherited from slavery. Jazz and Beloved are reclamations of these definitions. Reclamations Morrison has asserted are necessary for the posterity of her people. How do African Americans attain selfhood when they do not even own themselves? The solutions to this problem are multifaceted. Morrison's novels urge the African American to confront the history and redefine myths that have often undermined the process.
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Date Issued
1999
PURL
http://purl.flvc.org/fcla/dt/15662
Subject Headings
Morrison, Toni--Criticism and interpretation, Morrison, Toni--Beloved, Morrison, Toni--Jazz, African American women in literature
Format
Document (PDF)
mythic quest for selfhood in Toni Morrison's "The Bluest Eye," "Song of Solomon," and "Beloved"
Title
The mythic quest for selfhood in Toni Morrison's "The Bluest Eye," "Song of Solomon," and "Beloved".
Creator
Golden, Diane M., Florida Atlantic University, Coyle, William
Abstract/Description
Toni Morrison's purpose in her novels is to encourage her readers to imitate her heroes' journey in their own lives. Through her protagonists' successes and failures on their monomythic quests (to use the term of Joseph Campbell), Morrison educates her readers. Campbell states that a successful hero must complete three phases: separation, initiation, and return. In The Bluest Eye, Pecola Breedlove's poor choices cause failure; she stays in the separation phase. Milkman Dead from Song of...
Show moreToni Morrison's purpose in her novels is to encourage her readers to imitate her heroes' journey in their own lives. Through her protagonists' successes and failures on their monomythic quests (to use the term of Joseph Campbell), Morrison educates her readers. Campbell states that a successful hero must complete three phases: separation, initiation, and return. In The Bluest Eye, Pecola Breedlove's poor choices cause failure; she stays in the separation phase. Milkman Dead from Song of Solomon reaches the initiation stage but fails to return with his boon. Denver of Beloved is the only successful heroine; she returns to the world with a treasure, providing Morrison's readers with a fully heroic model.
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Date Issued
1994
PURL
http://purl.flvc.org/fcla/dt/15053
Subject Headings
Morrison, Toni--Criticism and interpretation., African Americans in literature., Morrison, Toni.--Bluest eye., Morrison, Toni.--Song of Solomon., Morrison, Toni.--Beloved.
Format
Document (PDF)
Rastafari presence in Toni Morrison's Tar Baby, Beloved, and Song of Solomon
Title
The Rastafari presence in Toni Morrison's Tar Baby, Beloved, and Song of Solomon.
Creator
Carr, Nicole Racquel., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
Literary scholars frequently analyze the allusions to Western Christianity apparent in Toni Morrison's novels, but these studies overlook the ways in which some of her novels are informed by a Caribbean presence. This study argues that Rastafari themes, symbols, and ideologies are recurrent in Toni Morrison's Tar Baby, Beloved, and Song of Solomon. Rastafari is a social movement primarily concerned with restoring the image of Africa to a holy place. A Rastafari analysis of these texts...
Show moreLiterary scholars frequently analyze the allusions to Western Christianity apparent in Toni Morrison's novels, but these studies overlook the ways in which some of her novels are informed by a Caribbean presence. This study argues that Rastafari themes, symbols, and ideologies are recurrent in Toni Morrison's Tar Baby, Beloved, and Song of Solomon. Rastafari is a social movement primarily concerned with restoring the image of Africa to a holy place. A Rastafari analysis of these texts broadens the literary spectrum to suggest that these novels highlight Morrison's attempt to write about the multifaceted element of the black community, which remains deeply connected to its American, African, and Caribbean roots.
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Date Issued
2010
PURL
http://purl.flvc.org/FAU/2683134
Subject Headings
Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Rastafari movement, Masculinity in literature, Afro-Caribbean cults
Format
Document (PDF)
Establishing the Bondmother: Examining the Categorization of Maternal Figures in Toni Morrison’s Beloved and Paradise
Title
Establishing the Bondmother: Examining the Categorization of Maternal Figures in Toni Morrison’s Beloved and Paradise.
Creator
Tisdale, Ashely, Hagood, Taylor, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
Literary scholars have been examining and recreating the experiences of “bonded” female characters within Toni Morrison’s novels for decades. However, the distinct experiences of these enslaved women, that are also mothers have not been astutely examined by scholars and deserves more attention. My thesis fleshes out the characterization of several of Morrison’s bonded-mothers and identifies them as a part of a developing controlling image and theory, called the bondmother. Situating these...
Show moreLiterary scholars have been examining and recreating the experiences of “bonded” female characters within Toni Morrison’s novels for decades. However, the distinct experiences of these enslaved women, that are also mothers have not been astutely examined by scholars and deserves more attention. My thesis fleshes out the characterization of several of Morrison’s bonded-mothers and identifies them as a part of a developing controlling image and theory, called the bondmother. Situating these characters within this category allows readers to trace their journeys towards freedom and personal redemption. This character tracing will occur by examining the following Toni Morrison novels: Beloved (1987) and Paradise (1997). In order to fully examine the experiences of these characters it will be necessary for me to expand the definition of bondage and mother.
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Date Issued
2016
PURL
http://purl.flvc.org/fau/fd/FA00004696, http://purl.flvc.org/fau/fd/FA00004696
Subject Headings
African American families in literature, African American women in literature, Morrison, Toni -- Beloved -- Criticism and interpretation, Morrison, Toni -- Characters -- Mothers, Morrison, Toni -- Paradise -- Criticism and interpretation, Morrison, Toni -- Political and social views, Motherhood in literature, Slavery in literature
Format
Document (PDF)
Reading, Writing, and Language: The Neo-Slave Novel and the Changing Definition of Literacy
Title
Reading, Writing, and Language: The Neo-Slave Novel and the Changing Definition of Literacy.
Creator
Segal, Pamela H., Dagbovie-Mullins, Sika A., Florida Atlantic University
Abstract/Description
After examining the neo-slave genre it becomes evident that the definition of the genre provided by AshrafRushdy is incomplete, because it does not include an important component of the narrative, literacy. By adding to Rushdy's definition, the narrative's dimensions change and the discussion of the genre is given a new perspective. Many neo-slave narratives' discussions of literacy correspond to the time of publication, not the time period or setting of the novels. Therefore, by interpreting...
Show moreAfter examining the neo-slave genre it becomes evident that the definition of the genre provided by AshrafRushdy is incomplete, because it does not include an important component of the narrative, literacy. By adding to Rushdy's definition, the narrative's dimensions change and the discussion of the genre is given a new perspective. Many neo-slave narratives' discussions of literacy correspond to the time of publication, not the time period or setting of the novels. Therefore, by interpreting the development of literacy alongside the neo-slave narrative, one is able to consider the significance of this connection. By examining three novels within the neo-slave genre, Ishmael Reed's Flight to Canada (1976), Shirley Ann Williams's Dessa Rose (1986) and Toni Morrison's Beloved (1987), I contend that Ashraf Rushdy' s definition of the narrative appears too limited. The cultural perspective and use of literacy within the neo-slave novel allows for further examination of this important component.
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Date Issued
2008
PURL
http://purl.flvc.org/fau/fd/FA00000961
Subject Headings
Slavery in literature, Influence (Literary, artistic, etc), American prose literature--African American authors--Criticism and interpretation, Reed, Ishmael,--1938---Flight to Canada--Criticism and interpretation, Williams, Shirley Ann--Dessa Rose--Criticism and interpretation, Morrison, Toni--Beloved--Criticism and interpretation
Format
Document (PDF)