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From presidential wife to leader in her own right? The media's representation of Hillary Rodham Clinton and the feminine ideal
Title
From presidential wife to leader in her own right? The media's representation of Hillary Rodham Clinton and the feminine ideal.
Creator
Oxner, Amy Carol., Florida Atlantic University, Scodari, Christine
Abstract/Description
This thesis examines how the media depicted First Lady Hillary Rodham Clinton when she stepped outside of the traditional feminine roles of wife and/or mother and into the traditionally masculine/public world with her bid to run for the office of United States Senator from New York. It critically examines the cover, cover story images, and textual representations in Newsweek, Time, and New York magazines by means of a feminist semiotic and rhetorical analysis to discern potential meanings....
Show moreThis thesis examines how the media depicted First Lady Hillary Rodham Clinton when she stepped outside of the traditional feminine roles of wife and/or mother and into the traditionally masculine/public world with her bid to run for the office of United States Senator from New York. It critically examines the cover, cover story images, and textual representations in Newsweek, Time, and New York magazines by means of a feminist semiotic and rhetorical analysis to discern potential meanings. The research concludes that the media circumscribe limited roles for First Ladies. First Ladies continue to be shown as victim, object, and/or appendage of a more powerful male, even when they consider political office. Therefore, it is argued that the media have a profound role in defining political women through the perpetuation of hegemonic constructions of femininity.
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Date Issued
2003
PURL
http://purl.flvc.org/fcla/dt/13088
Subject Headings
Clinton, Hillary Rodham--In mass media, Women politicians--Press coverage, Presidents' spouses--United States, Feminism and mass media
Format
Document (PDF)
Towards a feminist funny
Title
Towards a feminist funny: exploring myth, power and postfeminism in the work of Chelsea Handler.
Creator
Walleser, Lauren., Dorothy F. Schmidt College of Arts and Letters, Center for Women, Gender and Sexuality Studies
Abstract/Description
Chelsea Handler is a comedian and host of the TV show Chelsea Lately. She has been successful in the late night comedy talk show genre to a degree that no woman has before. While she represents the most significant advancement for women in the genre, she also plays to patriarchal themes in order to maintain her foothold. In my thesis, I locate Handler within the history of women's stand-up comedy, analyzing her appeal via the figure of "The Unruly Woman" and other image types. I apply a...
Show moreChelsea Handler is a comedian and host of the TV show Chelsea Lately. She has been successful in the late night comedy talk show genre to a degree that no woman has before. While she represents the most significant advancement for women in the genre, she also plays to patriarchal themes in order to maintain her foothold. In my thesis, I locate Handler within the history of women's stand-up comedy, analyzing her appeal via the figure of "The Unruly Woman" and other image types. I apply a mythic analysis as I look for Handler's manifestation of mythic types, including archetypal Goddess representations. I analyze her treatment of violence against women, exploring how Handler approaches these themes in ways that allow her into the "old boys club." I use textual and audience analysis to assess Handler's ability to be a transformative and empowering figure for women in comedy and beyond.
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Date Issued
2011
PURL
http://purl.flvc.org/FAU/3322513
Subject Headings
Criticism and interpretation, Women in popular culture, Feminist theory, Performance art, Social aspects, Mass media and women
Format
Document (PDF)
More than "just a hunch"
Title
More than "just a hunch": meaning, feminine intuition and television sleuths.
Creator
Dominguez, Sheela Celeste., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
The rise in popularity of the female sleuth television programs makes it important to explore representations of gender and knowledge. This investigation analyzes interpretations of intuition in the television sleuth genre and relevant paratexts, examines gendered public and private spheres and raises broader questions about gendered knowledge in the series Medium, Crossing Jordan, Law and Order: Criminal Intent, Veronica Mars, Monk, The Profiler and True Calling. Rooted in feminist cultural...
Show moreThe rise in popularity of the female sleuth television programs makes it important to explore representations of gender and knowledge. This investigation analyzes interpretations of intuition in the television sleuth genre and relevant paratexts, examines gendered public and private spheres and raises broader questions about gendered knowledge in the series Medium, Crossing Jordan, Law and Order: Criminal Intent, Veronica Mars, Monk, The Profiler and True Calling. Rooted in feminist cultural studies, historical and sociological analysis, television and film theory and work on the detective genre, this investigation establishes common frames, or filters, through which the television sleuth genre represents intuition and the gendered experience of knowledge. Women with intuition are depicted as unstable, dangerous and mentally ill. Though framed similarly, intuitive men have more freedom. This study expands on academic research on television representations of gender and knowledge. Societal implications include further understanding of meaning-making in regard to gendered knowing.
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Date Issued
2008
PURL
http://purl.flvc.org/FAU/165938
Subject Headings
Women detectives in mass media, Popular culture, History, Self-actualization (Psychology), Sex differences (Psychology), Thought and thinking, Sex differences, Women in television
Format
Document (PDF)
Hegemonic "realness"?
Title
Hegemonic "realness"?: an intersectional analysis of RuPaul's Drag Race.
Creator
Jenkins, Sarah Tucker, Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
RuPaul's Drag Race is one of the few realilty television shows focusing on QLGBT (queer, lesbian, gay, bisexual, and transgender) identified individuals that has made it into mainstream consciousness. Drag Race provides a unique perspective on the ways that gender identity, sexuality, size, class, race, and ethnicity intersect and interact in people's lives.The television show augments many of these intersedtions and the challenges related to these identities while still reflecting the daily...
Show moreRuPaul's Drag Race is one of the few realilty television shows focusing on QLGBT (queer, lesbian, gay, bisexual, and transgender) identified individuals that has made it into mainstream consciousness. Drag Race provides a unique perspective on the ways that gender identity, sexuality, size, class, race, and ethnicity intersect and interact in people's lives.The television show augments many of these intersedtions and the challenges related to these identities while still reflecting the daily struggles that people experience.The show works to promote messages of self-love and acceptance ; however, it also promotes many problematic and damaging stereotypes. This thesis conducts a feminist analysis in order to answer the question: How does RuPaul's Drag Race relate to hegemonic and oppressive stereotypes and roles associated with gender identity, sexual orientation, size, class, race and ethnicity? Does it challenge or reinforce such hegemonies? In order to answer these questions, this thesis examines visual imagery, narrative, and dialogue in the show, utilizes theories from cultural and women's studies, English and communications. It concludes that although Drag Race does engage in some subversive behavior, it ultimately reinforces harmful hegemonic stereotypes.
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Date Issued
2013
PURL
http://purl.flvc.org/fcla/dt/3360799
Subject Headings
Criticism and interpretation, Criticism and interpretation, Reality television programs, Social aspects, Mass media and culture, Mass media and women, Feminist theory, Television program genres, Stereotypes (Social psychology)
Format
Document (PDF)
Multiple birth families, religion, and cultural hegemony
Title
Multiple birth families, religion, and cultural hegemony: patriarchal constructions in reality television.
Creator
Cittadino, Emily M., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
Reality television programming chronicling the daily workings of multiple birth families within American culture has gained notoriety in recent years. Such programs, especially Discovery Health and TLC's 17, 18 Kids and Counting and TLC's Jon and Kate Plus Ei8ht, film, edit and broadcast the "everyday" life of these families. This research study focuses attention on hegemonic ideologies surrounding family values, motherhood, gender roles and religious faith, illuminated through textual and...
Show moreReality television programming chronicling the daily workings of multiple birth families within American culture has gained notoriety in recent years. Such programs, especially Discovery Health and TLC's 17, 18 Kids and Counting and TLC's Jon and Kate Plus Ei8ht, film, edit and broadcast the "everyday" life of these families. This research study focuses attention on hegemonic ideologies surrounding family values, motherhood, gender roles and religious faith, illuminated through textual and audience analysis. Working from an interdisciplinary approach combining feminist media and cultural studies, this study finds that hegemonic notions of family values, gender representations, religious faith and conceptions of motherhood are evident to varying degrees in the television texts and accepted by fans who negotiate their meanings online.
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Date Issued
2010
PURL
http://purl.flvc.org/FAU/2684311
Subject Headings
Mass media and culture, Feminist theory, Popular culture, Women in popular culture, Reality television programs, Social aspects, Television program genres, Sex role in popular culture
Format
Document (PDF)
Imperialism and the 1999 Women's World Cup
Title
Imperialism and the 1999 Women's World Cup: representations of the United States and Nigerian national teams in the U.S.
Creator
Canning, Michele., Dorothy F. Schmidt College of Arts and Letters, Center for Women, Gender and Sexuality Studies
Abstract/Description
This research examines the U.S. media during the 1999 Women's World Cup from a feminist postcolonial standpoint. This research adds to current feminist scholarship on women and sports by de-centering the global North in its discourse. It reveals the bias of the media through the representation of the United States National Team as a universal "woman" athlete and the standard for international women's soccer. It further argues that, as a result, the Nigerian National Team was cast in...
Show moreThis research examines the U.S. media during the 1999 Women's World Cup from a feminist postcolonial standpoint. This research adds to current feminist scholarship on women and sports by de-centering the global North in its discourse. It reveals the bias of the media through the representation of the United States National Team as a universal "woman" athlete and the standard for international women's soccer. It further argues that, as a result, the Nigerian National Team was cast in simplistic stereotypes of race, class, ethnicity, and nation, which were often also appropriated and commodified. I emphasize that the Nigerian National Team resisted this construction and fought to secure their position in the global soccer landscape. I conclude that these biased representations, which did not fairly depict or value the contributions of diverse competing teams, were primarily employed to promote and sell the event to a predominantly white middle-class American audience.
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Date Issued
2009
PURL
http://purl.flvc.org/FAU/192982
Subject Headings
Women soccer players, Soccer for women, Imperialism, Psychological aspects, Nationalism and sports, Mass media and sports
Format
Document (PDF)