Current Search: Literature, Romance (x)
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- Title
- EXISTENTIALIST FEMINISM IN SIMONE DE BEAUVOIR.
- Creator
- ADNOT, GINETTE J., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
De Beauvoir's Existentialist works , primarily Pour une morale de l'ambiguite and Existentialisme et la sagesse des nations, and her feminist work Le Deuxieme sexe, affirm that women are fully as capable of attaining Existentialist authenticity and liberty as men. The novels, however, portray women who often fail the Existentialist ideal, and always fail the feminist ideal. Indeed the major novels, including L'Invitee, Le Sang des autres, Les Mandarins, suggest an almost inverse relationship...
Show moreDe Beauvoir's Existentialist works , primarily Pour une morale de l'ambiguite and Existentialisme et la sagesse des nations, and her feminist work Le Deuxieme sexe, affirm that women are fully as capable of attaining Existentialist authenticity and liberty as men. The novels, however, portray women who often fail the Existentialist ideal, and always fail the feminist ideal. Indeed the major novels, including L'Invitee, Le Sang des autres, Les Mandarins, suggest an almost inverse relationship between feminist convictions and personal success. Having chosen not to depict female characters as social activists or revolutionaries but as women in love, de Beauvoir presents unhappy lovers unable to achieve independence from the dominant male. In accord with Existentialist precepts of realism, De Beauvoir's fiction illustrates not her feminist ideal hut her view of women's contemporary condition.
Show less - Date Issued
- 1982
- PURL
- http://purl.flvc.org/fcla/dt/14113
- Subject Headings
- Literature, Romance
- Format
- Document (PDF)
- Title
- THE NOVEL IN THE THEATER: FABRE'S STAGING OF BALZAC'S "LA RABOUILLEUSE.".
- Creator
- AVERY, FRANCES ANN, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
In 1903 Emile Fabre, consummate theater technician, presented his adaption of Balzac's La Rabouilleuse at the Odeon Theater in Paris. The novel appealed to Fabre's naturalist interest in the worlds of family and finance, and Fabre based the action on the intense conflict among three characters for the inheritance of a dim-witted old man. Fabre amplified Balzac's theme of of the debilitating effects of money on families, and on society at large. This vying for inheritance becomes not only a...
Show moreIn 1903 Emile Fabre, consummate theater technician, presented his adaption of Balzac's La Rabouilleuse at the Odeon Theater in Paris. The novel appealed to Fabre's naturalist interest in the worlds of family and finance, and Fabre based the action on the intense conflict among three characters for the inheritance of a dim-witted old man. Fabre amplified Balzac's theme of of the debilitating effects of money on families, and on society at large. This vying for inheritance becomes not only a game played for high stakes, but also a life-and-death struggle among beasts of prey. many of the alterations that Fabre made in adapting the novel into a play were necessitated by the change of literary genre, as in eliminating characters or creating composite figures. Many of the additions were made for purely theatrical reasons, enabling Fabre to present his money theme while, at the same time, holding his audience's interest until the final curtain. Other changes stemmed from Fabre's almost exclusive attention to finance, and his desire to stress its moral and political implications.
Show less - Date Issued
- 1979
- PURL
- http://purl.flvc.org/fcla/dt/13972
- Subject Headings
- Literature, Romance
- Format
- Document (PDF)
- Title
- RAMON DEL VALLE-INCLAN'S "LUCES DE BOHEMIA": AN ANNOTATED EDITION WITH INTRODUCTION AND AMPLIFICATIONS. (SPANISH TEXT).
- Creator
- BAHAMONDE, JOSE RICARDO, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
This edition was prepared as an independent or classroom study tool, in Spanish, for students of contemporary Spanish drama. The introduction includes a brief chapter on Valle-Inclan's biography. the following chapters focus their attention on the evolution of the author's style from his early period up to the esperpentos. the opinions of critics are mentioned throughout to familiarize the reader with authoritative references as well as with his work. Once the esperpento period is reached,...
Show moreThis edition was prepared as an independent or classroom study tool, in Spanish, for students of contemporary Spanish drama. The introduction includes a brief chapter on Valle-Inclan's biography. the following chapters focus their attention on the evolution of the author's style from his early period up to the esperpentos. the opinions of critics are mentioned throughout to familiarize the reader with authoritative references as well as with his work. Once the esperpento period is reached, one chapter is devoted to the treatment of the represented in Luces de bohemia. Finally the play is annotated in English and the difficult vocabulary is glossed. Amplifications at the end of each scene give additional, valuable information. More than fifty sources were consulted and/or quoted. By using this edition the reader deals with only one volume representative of what many references had to say about Valle-Inclan, his times, his works, the esperpento, and Luces the bohemia.
Show less - Date Issued
- 1974
- PURL
- http://purl.flvc.org/fcla/dt/13677
- Subject Headings
- Literature, Romance
- Format
- Document (PDF)
- Title
- Satire of the cuckold in the work of Francisco de Quevedo.
- Creator
- Averhoff, Ida Ibis, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
The "cuckold" is the prototype of the consenting husband in Quevedo's time. He represents the hypocrisy, the vanity, and, most of all, the moral decadence of Spanish society in the 17th Century. Quevedo expresses his great disillusion with the amoral behavior of his people and, through his satire, attempts to give a lesson on morality. Quevedo was able to transfer onto his work Spanish ideas and realities, giving them a serious character as that of an ascetic or a politician, with the...
Show moreThe "cuckold" is the prototype of the consenting husband in Quevedo's time. He represents the hypocrisy, the vanity, and, most of all, the moral decadence of Spanish society in the 17th Century. Quevedo expresses his great disillusion with the amoral behavior of his people and, through his satire, attempts to give a lesson on morality. Quevedo was able to transfer onto his work Spanish ideas and realities, giving them a serious character as that of an ascetic or a politician, with the pessimistic and sarcastic tone typical of his satire. Two important and influencing factors on his work and his way of looking at life were the family and cultural environment he was exposed to and the effect of his physical defects, which he succeeded in compensating due to his energetic personality. Quevedo used conceptism as his literary style, applying his genius to the creation of metaphors, taking the Spanish language to its maximum expression as no one else had done before him.
Show less - Date Issued
- 1992
- PURL
- http://purl.flvc.org/fcla/dt/14805
- Subject Headings
- Literature, Romance
- Format
- Document (PDF)
- Title
- VERSIFICACION EN LA OBRA POETICA DE JOSE DE ESPRONCEDA: UN EJEMPLO DE LAVARIEDAD ROMANTICA.
- Creator
- BERMUDEZ, ALBERTO C., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
Esta tesis analiza la obra poetica de Jose de Espronceda desde el punto de vista de su metrica. Espronceda es catalogado el tipico poeta romantico espanol. Lo que se pretende aqui es reiterar, a traves de la metrica, la filiacion del poeta al movimiento. El estudio esta compuesto de los siguientes capitulos: I) El romanticismo espanol y su metrica; II) El autor y su obra; III) Las poesias de Espronceda; IV) Borracores y copias atribuidos a Espronceca; V) Un poema largo; VI) Otro poema largo....
Show moreEsta tesis analiza la obra poetica de Jose de Espronceda desde el punto de vista de su metrica. Espronceda es catalogado el tipico poeta romantico espanol. Lo que se pretende aqui es reiterar, a traves de la metrica, la filiacion del poeta al movimiento. El estudio esta compuesto de los siguientes capitulos: I) El romanticismo espanol y su metrica; II) El autor y su obra; III) Las poesias de Espronceda; IV) Borracores y copias atribuidos a Espronceca; V) Un poema largo; VI) Otro poema largo. Siguiendo el resumen del movimiento romantico en Espana en el primer capitulo, el segundo trae la biografia del poeta. Los capitulos tres, cuatro, cinco y seis estan dedicados a la obra poetica de Espronceda. Termina este estudio la conclusion de que la metrica del poeta comprueba la conexion de este a los preceptos y caracteristicas del movimiento al que pertenece.
Show less - Date Issued
- 1974
- PURL
- http://purl.flvc.org/fcla/dt/13621
- Subject Headings
- Literature, Romance
- Format
- Document (PDF)
- Title
- La decheance matriarcale chez Zola: "L'assommoir" et "Germinal".
- Creator
- Alaoui, Sanaa Ismaili, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
-
Critical studies of Zola's Rougon-Macquart novels, while explicating in detail the characterological functions of the women characters, including Gervaise in L'Assommoir and la Maheude in Germinal, have neglected the thematic functions of matriarchy in those texts as in the cycle as a whole. The decline of the matriarch is a prominent component of Zola's naturalistic scheme for the Rougon-Macquart , manifests not only in the increasing corruption of the progeny across the cycle, but primarily...
Show moreCritical studies of Zola's Rougon-Macquart novels, while explicating in detail the characterological functions of the women characters, including Gervaise in L'Assommoir and la Maheude in Germinal, have neglected the thematic functions of matriarchy in those texts as in the cycle as a whole. The decline of the matriarch is a prominent component of Zola's naturalistic scheme for the Rougon-Macquart , manifests not only in the increasing corruption of the progeny across the cycle, but primarily in the monographic depictions of the matriarchs themselves. Working-class mothers in particular embody the conflictual tensions of gender inequities and socio-economic deprivations that lead them to produce child-workers to support the family, typically becoming ever more negligent, on the model of Gervaise. Specifically in Germinal, Zola's largely negative conception of the fictive matriarch begins to change. This shift is sustained in subsequent texts of the cycle: the matriarch still suffers almost total loss (of husband, children, position), but she attains a new insight into the socio-economic system that so devours her offspring, and a new lucidity about her position within it.
Show less - Date Issued
- 2002
- PURL
- http://purl.flvc.org/fcla/dt/12970
- Subject Headings
- Literature, Romance
- Format
- Document (PDF)
- Title
- Le naturalisme fantastique chez Maupassant: Stylistique du "Horla".
- Creator
- Fois Assuied, Veronique C., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
Like most nineteenth-century French realists, Maupassant's interest in positivistic models of the human being, from Darwinian evolution to the new psychologies, led him to scientific readings, detailed documentations of "milieu," and contemporary subjects which he then treated with literary techniques drawn from both the realist Flaubert and the naturalist Zola. It is in extending these techniques to the fantastic, however, that Maupassant achieves an original and highly effective amalgam...
Show moreLike most nineteenth-century French realists, Maupassant's interest in positivistic models of the human being, from Darwinian evolution to the new psychologies, led him to scientific readings, detailed documentations of "milieu," and contemporary subjects which he then treated with literary techniques drawn from both the realist Flaubert and the naturalist Zola. It is in extending these techniques to the fantastic, however, that Maupassant achieves an original and highly effective amalgam best characterized as "Le Naturalisme fantastique."
Show less - Date Issued
- 2001
- PURL
- http://purl.flvc.org/fcla/dt/12743
- Subject Headings
- Literature, Romance
- Format
- Document (PDF)
- Title
- Jean Cocteau and Federico Garcia Lorca: The search for identity.
- Creator
- Brand, Genevieve, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
The traditional, realist, dramatic concept of coherent character identity is ruptured by the two plays Les Chevaliers de la table ronde and El publico. Cocteau's and Lorca's works, which are usually labeled as surrealist due to their apparently disjointed nature, are actually embodiments of the poet-playwrights' continuing attempts to reveal that identity, including gendered identity, is a performance. The metadramatic elements of the plays such as discourse, costumes and gender are unstable...
Show moreThe traditional, realist, dramatic concept of coherent character identity is ruptured by the two plays Les Chevaliers de la table ronde and El publico. Cocteau's and Lorca's works, which are usually labeled as surrealist due to their apparently disjointed nature, are actually embodiments of the poet-playwrights' continuing attempts to reveal that identity, including gendered identity, is a performance. The metadramatic elements of the plays such as discourse, costumes and gender are unstable and voluntarily changeable; they have repercussions beyond the proscenium. Cocteau and Lorca invite their audiences to consider the performative nature of their identities.
Show less - Date Issued
- 1997
- PURL
- http://purl.flvc.org/fcla/dt/15480
- Subject Headings
- Literature, Comparative, Literature, Romance, Theater
- Format
- Document (PDF)
- Title
- Sartre's existentialist Oresteia.
- Creator
- Benham, Timothy Lee., Florida Atlantic University, Hokenson, Jan W., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
Les Mouches is a modern reconstruction of the ancient myth embodied in the The Oresteia of Aeschylus. Jean-Paul Sartre not only rewrote the legend of Orestes; he remodeled it. Orestes is not just a new man; he is his own man. The play, therefore, is not a mere pastiche in modern dress. Sartre infuses Orestes with an unprecendented "Existentialist" consciousness, and this transformation adds new complexities to the ancient text. This Existentialist reworking of Hellenistic images is...
Show moreLes Mouches is a modern reconstruction of the ancient myth embodied in the The Oresteia of Aeschylus. Jean-Paul Sartre not only rewrote the legend of Orestes; he remodeled it. Orestes is not just a new man; he is his own man. The play, therefore, is not a mere pastiche in modern dress. Sartre infuses Orestes with an unprecendented "Existentialist" consciousness, and this transformation adds new complexities to the ancient text. This Existentialist reworking of Hellenistic images is distinguished from the classically "tragic" elements in Aeschylus as well as later modifications in Sophocles and Euripides. Sartre's early introduction into the lore of Hellenism is considered, and a discussion of Sartre's theoretical and philosophical perspective on theater suggests which Greek elements Sartre was disposed to incorporate into his script.
Show less - Date Issued
- 1990
- PURL
- http://purl.flvc.org/fcla/dt/14607
- Subject Headings
- Literature, Classical, Literature, Comparative, Literature, Romance
- Format
- Document (PDF)
- Title
- GOD AS STORYTELLER: C. S. LEWIS'S CONCEPT OF ROMANCE.
- Creator
- ELIOT, BARKLIE WELLINGTON., Florida Atlantic University, Greer, Allen W.
- Abstract/Description
-
In his writings C.S. Lewis expresses a distinctly individual concept of the significance, nature, and relevance of the romance genre. Viewing the primary function of literature as the presentation of a transcendent, absolute reality, he believes that romance fulfills that function better than any other literary genre. It does so because that reality is best apprehended by the Imagination, and romance, as o type of mythopoelc literature. Is the genre which Is most dominated by the imagination....
Show moreIn his writings C.S. Lewis expresses a distinctly individual concept of the significance, nature, and relevance of the romance genre. Viewing the primary function of literature as the presentation of a transcendent, absolute reality, he believes that romance fulfills that function better than any other literary genre. It does so because that reality is best apprehended by the Imagination, and romance, as o type of mythopoelc literature. Is the genre which Is most dominated by the imagination. The distinguishing elements of Lewis's concept of romance include the presence of the marvelous, reollsm of presentation, the engagement of the reader’s emotions, the primacy of "story" the typal nature of the characters, and the importance of setting. These elements Interact to create a kind of romance which serves a healing function in contemporary society—revealing meaning, giving wonder, and conveying moral truths.
Show less - Date Issued
- 1987
- PURL
- http://purl.flvc.org/fcla/dt/14365
- Subject Headings
- Christian literature, Romance-language., Lewis, C. S.--(Clive Staples),--1898-1963.
- Format
- Document (PDF)
- Title
- Which witch?: Morgan Le Fay as shape-shifter and English perceptions of magic reflected in Arthurian legend.
- Creator
- Oliver, Cheyenne, Lowe, Ben, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of History
- Abstract/Description
-
Descended from Celtic goddesses and the fairies of folklore, the literary character of Morgan le Fay has been most commonly perceived as a witch and a one-dimensional villainess who plagues King Arthur and his court, rather than recognized as the legendary King’s enchanted healer and otherworldly guardian. Too often the complexity of Morgan le Fay and her supernatural abilities are lost, her character neglected as peripheral. As a literary figure of imaginative design this thesis explores...
Show moreDescended from Celtic goddesses and the fairies of folklore, the literary character of Morgan le Fay has been most commonly perceived as a witch and a one-dimensional villainess who plagues King Arthur and his court, rather than recognized as the legendary King’s enchanted healer and otherworldly guardian. Too often the complexity of Morgan le Fay and her supernatural abilities are lost, her character neglected as peripheral. As a literary figure of imaginative design this thesis explores Morgan le Fay as a unique “window” into the medieval mindset, whereby one can recover both medieval understandings of magic and female magicians. By analyzing her role in key sources from the twelfth to fifteenth century, this thesis uses Morgan le Fay to recover nuanced perceptions of the supernatural in medieval England that embraced the ambiguity of a pagan past and remained insulated from continental constructions of demonic witchcraft.
Show less - Date Issued
- 2015
- PURL
- http://purl.flvc.org/fau/fd/FA00004396, http://purl.flvc.org/fau/fd/FA00004396
- Subject Headings
- Arthur -- King -- Legends -- Criticism and interpretation, Arthurian romances -- History and criticism, Druids and druidism, Magic in literature, Morgan le Fay (Legendary character)--Romances, Mythology, Celtic
- Format
- Document (PDF)
- Title
- Divine opposition: Malory's polarization of female power in Arthurian legend.
- Creator
- Kelly, Amy S., Florida Atlantic University, Murtaugh, Daniel M.
- Abstract/Description
-
Morgan le Fay and the Lady of the Lake are the two most critical representatives of supernatural female power in Arthurian legend. Yet despite their common origins from a single figure in Celtic myth, these women were split into two distinct characters as the legend was progressively revised. Malory finalizes this split by forcing Morgan and Nymue into direct opposition. The events and characteristics that he did not include from his French sources combined with the actions and descriptions...
Show moreMorgan le Fay and the Lady of the Lake are the two most critical representatives of supernatural female power in Arthurian legend. Yet despite their common origins from a single figure in Celtic myth, these women were split into two distinct characters as the legend was progressively revised. Malory finalizes this split by forcing Morgan and Nymue into direct opposition. The events and characteristics that he did not include from his French sources combined with the actions and descriptions that he invented for the two sorceresses reveal his vision of these women and his intolerance for their contradictory nature. Malory's attitude toward supernatural female power, perhaps the reigning attitude of his time, could only reconcile accommodate this magic if it occurred in a dichotomy: such power must either be good or evil. The archetypes constructed in Malory's Morgan le Fay and his Lady of the Lake persist in popular culture even today.
Show less - Date Issued
- 2000
- PURL
- http://purl.flvc.org/fcla/dt/12702
- Subject Headings
- Malory, Thomas,--Sir,--15th cent--Characters--Women, Women in literature, Arthurian romances--History and criticism
- Format
- Document (PDF)
- Title
- Framing bad art: A semiotic view of Nathaniel Hawthorne's The Blithedale Romance.
- Creator
- Givonetti, Scott B., Florida Atlantic University, Blakemore, Steven
- Abstract/Description
-
Nathaniel Hawthorne's The Blithedale Romance has been criticized contemporaneously and subsequently by such figures as F. O. Matthiessen, Mark Van Doren, and Rudolph Von Abele for its lack of romanticism or realism, depending upon the critic. This thesis uses a semiotic approach to explore Hawthorne's deconstruction of his first-person narrator, Miles Coverdale, and the resulting confusion among critics regarding authorial control in what some call his "anti-romance." Coverdale, as a detached...
Show moreNathaniel Hawthorne's The Blithedale Romance has been criticized contemporaneously and subsequently by such figures as F. O. Matthiessen, Mark Van Doren, and Rudolph Von Abele for its lack of romanticism or realism, depending upon the critic. This thesis uses a semiotic approach to explore Hawthorne's deconstruction of his first-person narrator, Miles Coverdale, and the resulting confusion among critics regarding authorial control in what some call his "anti-romance." Coverdale, as a detached artist, is responsible for reality's misinterpretation and misrepresentation, somewhat lampooning Transcendentalism. The triadic relationship of object, sign, and interpretant modeled by Charles Sanders Peirce is discussed using Liszka, Sebeok, Eco, and others and is complimented by the Umwelt Theory of Jakob von Uexkull to explain Coverdale's faulty symbolism. Hawthorne's "The Custom House" is also used to indicate his concerns for artistic limitation and the loss of an individual in a static community as he later fictionalizes in Blithedale.
Show less - Date Issued
- 2006
- PURL
- http://purl.flvc.org/fcla/dt/13323
- Subject Headings
- Hawthorne, Nathaniel,--1804-1864.--Blithedale romance., Symbolism in literature., Hawthorne, Nathaniel,--1804-1864--Criticism and interpretation., Semiotics and literature.
- Format
- Document (PDF)
- Title
- Hawthorne's play on gender and sexuality in "The Blithedale Romance".
- Creator
- Rubin, Brooke J., Florida Atlantic University, Blakemore, Steven
- Abstract/Description
-
Feminist critics have primarily concentrated on the character of Zenobia, Nathaniel Hawthorne's premier feminist in The Blithedale Romance, to unravel Hawthorne's stance on the emergent sexual politics of the time. This thesis not only examines the importance of Zenobia but also analyzes the significance of Hawthorne's allusions to gender and sexuality constructs in terms of his other characters: Coverdale, Hollingsworth, Priscilla, Westervelt, and Moodie. In addition, I argue that Hawthorne...
Show moreFeminist critics have primarily concentrated on the character of Zenobia, Nathaniel Hawthorne's premier feminist in The Blithedale Romance, to unravel Hawthorne's stance on the emergent sexual politics of the time. This thesis not only examines the importance of Zenobia but also analyzes the significance of Hawthorne's allusions to gender and sexuality constructs in terms of his other characters: Coverdale, Hollingsworth, Priscilla, Westervelt, and Moodie. In addition, I argue that Hawthorne's purpose is to experiment with societal constructs of gender and sexuality among his central characters, a literary experiment that inadvertently subverts his ostensible traditional, patriarchal perspective. In essence, my reading aims to reorientate the conventional presuppositions and gender conventions that have dominated Hawthorne criticism for the past 150 years.
Show less - Date Issued
- 2006
- PURL
- http://purl.flvc.org/fcla/dt/13353
- Subject Headings
- Hawthorne, Nathaniel,--1804-1864--Blithedale romance, Hawthorne, Nathaniel,--1804-1864--Political and social views, American fiction--19th century--Criticism and interpretation, Women in literature, Sex role in literature
- Format
- Document (PDF)
- Title
- A queer world: feminine subversions of chivalric homosocial normativity.
- Creator
- Pitts, Jessica., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
If queer is an applicable label for that which aims to subvert or counteract normativity, then Sir Gawain and the Green Knight, The Wife of Bath's tale, and her Prologue are each, in their own ways, queer texts. I examine the ways in which the feminine presences of Morgan le Fay and the Loathly Lady influence and challenge the heteronormative, homosocial space of Arthur and his knights. The two knights in each respective tale journey away from their heteronormative spaces, in which a complex...
Show moreIf queer is an applicable label for that which aims to subvert or counteract normativity, then Sir Gawain and the Green Knight, The Wife of Bath's tale, and her Prologue are each, in their own ways, queer texts. I examine the ways in which the feminine presences of Morgan le Fay and the Loathly Lady influence and challenge the heteronormative, homosocial space of Arthur and his knights. The two knights in each respective tale journey away from their heteronormative spaces, in which a complex system of homosociality and chivalric patriarchy dominate, to a queer space where each must go against his societal norms and rely on feminine agency and talismans in order for their quests to succeed - and to ensure their survival. It is this very convergence of heteronormative and queer spaces that enables Morgan's defiance of heteronormativity and dominance over those who enter her feminine, non-normative domain.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3318679
- Subject Headings
- Characters, Wife of Bath, Feminism and literature, Gawain (Legendary character), Man-woman relationships in literature, Human body in literature, Symbolism in literature, Sex in literature
- Format
- Document (PDF)
- Title
- Marie Corelli: Britain's most popular forgotten author.
- Creator
- Moss, Doris., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Marie Corelli was arguably the most popular British novelist of the early 1900s, yet few today even know her name. Though she is not the only author to lose popularity, her enormous influence during her lifetime deserves consideration. What people liked about Marie Corelli can shed light on why the rise of modernism is seen as such a break from the popular in literature. This paper examines two of her bestsellers, A Romance of Two Worlds and The Sorrows of Satan, in light of the fin de...
Show moreMarie Corelli was arguably the most popular British novelist of the early 1900s, yet few today even know her name. Though she is not the only author to lose popularity, her enormous influence during her lifetime deserves consideration. What people liked about Marie Corelli can shed light on why the rise of modernism is seen as such a break from the popular in literature. This paper examines two of her bestsellers, A Romance of Two Worlds and The Sorrows of Satan, in light of the fin de siáecle, as well as the critical response to her work from both modernist and postmodern perspectives. Corelli is of interest today because her popular female characters are women who affirm traditional femininity yet also pursue and wield great power. The question I raise is whether Corelli's work is best seen as illustrative of theories about popular literature or as contradictory to them.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3172426
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Women and literature, History, Literature and society, History, English fiction, Criticism and interpretation
- Format
- Document (PDF)