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Feminist Phenomenologies of Illness
Title
Feminist Phenomenologies of Illness.
Creator
O’Connell, Emily, Morse, Nicole, Florida Atlantic University, Center for Women, Gender and Sexuality Studies, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description
The experiences of those with difficult to diagnose conditions, chronic illnesses, and disability lack intelligibility in an able-bodied world. Much of this originates in the disjuncture between first- and third- person experience as accounted for between patients and their doctors, caregivers, and the greater public. Utilizing the insights of feminist philosophy and disability studies, I will explore how these marginalized identities face consequences in the real world for their embodiment....
Show moreThe experiences of those with difficult to diagnose conditions, chronic illnesses, and disability lack intelligibility in an able-bodied world. Much of this originates in the disjuncture between first- and third- person experience as accounted for between patients and their doctors, caregivers, and the greater public. Utilizing the insights of feminist philosophy and disability studies, I will explore how these marginalized identities face consequences in the real world for their embodiment. I propose that the best methodology to examine the experiences of chronically ill, hard to diagnose, and disabled individuals’ experiences is through the phenomenological perspective. Through utilizing case studies, I will demonstrate the importance of first- to third- person encounters in medicine and receiving adequate treatment. By examining such experiences, as well as my own, through such a perspective, I argue we can work towards creating a more equitable world for the chronically ill, hard to diagnose, and disabled.
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Date Issued
2020
PURL
http://purl.flvc.org/fau/fd/FA00013614
Subject Headings
Feminist philosophy, Feminist theory, Disability studies
Format
Document (PDF)
Postscripts to Paradise
Title
Postscripts to Paradise: Wonder Woman and the complexities of feminist iconography.
Creator
Schindler, Kathleen., Harriet L. Wilkes Honors College
Abstract/Description
Since her creation in 1941, cultural critics have cited Wonder Woman as an emblem of femininity. In 1972, the American mainstream feminist movement--through Ms. magazine--officially accepted the character as a representation of feminism. When writers at Ms. criticized changes in the character, in which she abandoned her costume and superpowers, they neglected to consider Wonder Woman's history as American World War II propaganda. In doing so, they allowed the re-vamped 1973 version of the...
Show moreSince her creation in 1941, cultural critics have cited Wonder Woman as an emblem of femininity. In 1972, the American mainstream feminist movement--through Ms. magazine--officially accepted the character as a representation of feminism. When writers at Ms. criticized changes in the character, in which she abandoned her costume and superpowers, they neglected to consider Wonder Woman's history as American World War II propaganda. In doing so, they allowed the re-vamped 1973 version of the character, and her subsequent incarnations, to ignore the duality of her existence as both a feminist icon and a reinforcement of dominant American ideologies.
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Date Issued
2008
PURL
http://purl.flvc.org/FAU/77688
Subject Headings
Feminist theory, Wonder Woman (Fictitious character), Femininity (Philosophy)
Format
Document (PDF)
Monique Wittig and the queer theory movement: Descendents and disputes
Title
Monique Wittig and the queer theory movement: Descendents and disputes.
Creator
Tang, Arthur F., Florida Atlantic University, Shaktini, Namascar
Abstract/Description
French feminist writer and theorist, Monique Wittig, theorizes from a nonessentialist, materialist lesbian position to posit categories of sex and gender as social constructions, thereby contesting what she terms the heterosexual regime. Because her social theory and literary praxis inform the thinking of leading figures associated with Queer theory, such as Judith Butler, Eve Kosofsky Sedgwick, and Teresa de Lauretis, Wittig is often considered a precursor to the Queer theory movement. As...
Show moreFrench feminist writer and theorist, Monique Wittig, theorizes from a nonessentialist, materialist lesbian position to posit categories of sex and gender as social constructions, thereby contesting what she terms the heterosexual regime. Because her social theory and literary praxis inform the thinking of leading figures associated with Queer theory, such as Judith Butler, Eve Kosofsky Sedgwick, and Teresa de Lauretis, Wittig is often considered a precursor to the Queer theory movement. As Queer studies gain purchase in academic curricula, it is timely to assess Wittig's historical contribution to the Queer theory movement and her future pertinence to it as a "Queer" theorist.
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Date Issued
2005
PURL
http://purl.flvc.org/fcla/dt/13219
Subject Headings
Lesbianism--Philosophy, Homosexuality--Philosophy, Lesbian feminist theory, Wittig, Monique,--1935-
Format
Document (PDF)
Enduring relationship with the dead: The corpse, the feminine and popular culture
Title
Enduring relationship with the dead: The corpse, the feminine and popular culture.
Creator
Kelly, Suzanne M., Florida Atlantic University, Caputi, Jane
Abstract/Description
Feminist theory has long criticized the hierarchical and oppositional thinking responsible for creating the basis of what counts as real knowledge. In questioning how and why the experience of enduring relationship with the dead is not imagined as real, this dissertation will draw from this theoretical tradition. This analysis involves a paradigm shift in thinking about the nature of relationship---one that posits these kinds of experiences as something other than either a psychological...
Show moreFeminist theory has long criticized the hierarchical and oppositional thinking responsible for creating the basis of what counts as real knowledge. In questioning how and why the experience of enduring relationship with the dead is not imagined as real, this dissertation will draw from this theoretical tradition. This analysis involves a paradigm shift in thinking about the nature of relationship---one that posits these kinds of experiences as something other than either a psychological remedy to our grief or the requisite belief in the survival of the self. Feminist critiques of dualistic thinking become the cornerstone of Chapter One in order to get to the roots of how knowledge of enduring relationship with the dead gets denied. This chapter addresses the splitting responsible for the othering of death, the desire to flee it, and, by association, the desire to flee the body. This flight is predicated on a bounded and distinct subject who imagines it must separate itself from the material in order to survive. Imagining the body in this manner sets limits for making visible a relationship that endures with death. Dualistic thinking, the degradation of the body and the desire to flee it will also be the focus of Chapter Two as it looks at the dominant contemporary practices around what is done with the corpse. These practices work together to deny a dead body that matters and one important for legitimizing enduring relationship with the dead. While enduring relationship is made invisible through these hegemonic discourses and practices, there are, as I mentioned at the start, experiences that say otherwise. Chapter Three will suggest that the knowledge that comes with these experiences is one sometimes accepted and explored in popular culture. Popular culture may provide the reminder, but recognizing enduring relationship also relies on the willingness to bring to the fore the role, the value and the contribution of the corpse. The conclusion will offer some examples of what I call practices of proximity that recognize the corpse as central for the living.
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Date Issued
2006
PURL
http://purl.flvc.org/fcla/dt/12216
Subject Headings
Loss (Psychology), Feminist theory, Women--Death--Social aspects, Perception (Philosophy), Philosophy of nature
Format
Document (PDF)
Is it my fault my fangs come out when I'm turned on?"
Title
" Is it my fault my fangs come out when I'm turned on?": a feminist analysis of Pam and Jessica's vampire sexuality in the HBO television series True Blood.
Creator
Anderson, Ashley., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
This thesis analyzes Pamela Swynford De Beaufort and Jessica Hamby from the provocative HBO series, True Blood, in order to determine what hegemonic ideologies are reinforced through their sexual representation in the series. Through analysis based on concepts of the "vagina dentata" and "monstrous feminine," and in determining whether they fall victim to the Madonna/wore dichotomy, the question of Pam and Jessica's autonomous existence falls under scrutiny - particularly in regards to their...
Show moreThis thesis analyzes Pamela Swynford De Beaufort and Jessica Hamby from the provocative HBO series, True Blood, in order to determine what hegemonic ideologies are reinforced through their sexual representation in the series. Through analysis based on concepts of the "vagina dentata" and "monstrous feminine," and in determining whether they fall victim to the Madonna/wore dichotomy, the question of Pam and Jessica's autonomous existence falls under scrutiny - particularly in regards to their sexuality. Feminist scholarship is vital to this research in order to examine the often fetishized and marginalized sexuality of women who dare to exhibit transgressive behaviors. This thesis concentrates on Seasons One through Four of the series, and also utilizes meta-text from the official website related to each character in order to help answer the posed research questions.
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Date Issued
2012
PURL
http://purl.flvc.org/FAU/3356897
Subject Headings
Criticism and interpretation, Women in popular culture, Vampires on television, Lesbianism on television, Feminist theory, Philosophy in literature
Format
Document (PDF)
Building a character
Title
Building a character: a somaesthetics approach to Comedias and women of the stage.
Creator
Cruz Peterson, Elizabeth Marie., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description
This dissertation focuses on the elements of performance that contribute to the actress's development of somatic practices. By mastering the art of articulation and vocalization, by transforming their bodies and their environment, these actors created their own agency. The female actors lived the life of the characters they portrayed, which were full of multicultural models from various social and economic classes. Somaesthetics, as a focus of sensory-aesthetic appreciation and somatic...
Show moreThis dissertation focuses on the elements of performance that contribute to the actress's development of somatic practices. By mastering the art of articulation and vocalization, by transforming their bodies and their environment, these actors created their own agency. The female actors lived the life of the characters they portrayed, which were full of multicultural models from various social and economic classes. Somaesthetics, as a focus of sensory-aesthetic appreciation and somatic awareness, provides a pragmatic approach to understanding the unique way in which the woman of the early modern Spanish stage, while dedicating herself to the art of acting, challenged the negative cultural and social constructs imposed on her. Drawing from early modern plays and treatises on the precepts and practices of the acting process, I use somaesthetics to shed light on how the actor might have prepared for a role in a comedia, selfconsciously cultivating her body in order to meet the challenges of the stage.
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Date Issued
2013
PURL
http://purl.flvc.org/fcla/dt/3360968
Subject Headings
Women in the performing arts, Criticism and interpretation, Comic, The, Criticism and interpretation, European drama, Criticism and interpretation, Feminist drama, Criticism and interpretation, Spanish drama, Criticism and interpretation, Aesthetics, Physiological aspects, Body, Human (Philosophy), Mind and body
Format
Document (PDF)