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Title: The National Woman's Party and the Equal Rights Amendment, 1945-1977.
Creator: Neumann, Caryn Ellen., Florida Atlantic University, Bannan, Helen M.
Abstract/Description: The years following World War II were grim ones for women's organizations. Although the National Woman's Party (NWP) managed to survive, it never managed to thrive. Great determination on the part of its members to ban gender discrimination by means of the Equal Rights Amendment (ERA) did not prove adequate to the task of getting the amendment through Congress. Frustration within the NWP at the continued failure of ERA turned member against member. Unable to attract replacements for those who...
Show moreThe years following World War II were grim ones for women's organizations. Although the National Woman's Party (NWP) managed to survive, it never managed to thrive. Great determination on the part of its members to ban gender discrimination by means of the Equal Rights Amendment (ERA) did not prove adequate to the task of getting the amendment through Congress. Frustration within the NWP at the continued failure of ERA turned member against member. Unable to attract replacements for those who had left the party, the NWP diminished in strength. Before it collapsed entirely, upon the death of founder Alice Paul in 1977, the NWP introduced a new generation of feminists to ERA.
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Date Issued: 1994
PURL: http://purl.flvc.org/fcla/dt/15049
Subject Headings: Equal rights amendments--United States, National Woman's Party--History, Women--Suffrage--United States, Women's rights--United States, Feminism--United States
Format: Document (PDF)

Title: Women's feminist collective identity: A liberal feminist analysis of feminist identification and feminist consciousness.
Creator: Hiller, Tiffany Ann., Florida Atlantic University, Appleton, Lynn M.
Abstract/Description: Data from the 1992 American National Election Study are used to examine three issues: first, who is most likely to identify as a feminist; second, who is likely to show a feminist consciousness; and finally who possesses both the feminist identification and feminist consciousness that demonstrate a feminist collective identity. The results indicate that feminist identification and feminist consciousness are separate but related constructs and that overall feminist collective identity among...
Show moreData from the 1992 American National Election Study are used to examine three issues: first, who is most likely to identify as a feminist; second, who is likely to show a feminist consciousness; and finally who possesses both the feminist identification and feminist consciousness that demonstrate a feminist collective identity. The results indicate that feminist identification and feminist consciousness are separate but related constructs and that overall feminist collective identity among women is weak. The findings indicate a need to make clear which dimension--feminist identification or feminist consciousness--is being used in efforts to understand women's feminist collective identity and how these three concepts interact with cohort, employment status, income, education, race, and marital status.
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Date Issued: 1997
PURL: http://purl.flvc.org/fcla/dt/15500
Subject Headings: Feminist theory--United States, Women--United States--Social conditions, Women--United States--Identity, Feminism--United States, Consciousness
Format: Document (PDF)

Title: Janis Joplin's revolt against conventional femininity: A pentadic analysis of selected lyrics.
Creator: McCoun, Kristin June., Florida Atlantic University, Mulvaney, Becky
Abstract/Description: San Francisco in the 1960s was the birthplace for many great bands and musicians: the Grateful Dead, Jefferson Airplane, Country Joe and the Fish, and Janis Joplin. Following in the tradition of the early blues women, Janis Joplin burst onto the San Francisco music scene at the Monterey Pop Festival in 1967. After only a four year music career she was found dead of a heroin overdose. An examination of Janis' life, her preferred expressive genre of the blues, and the sixties counterculture...
Show moreSan Francisco in the 1960s was the birthplace for many great bands and musicians: the Grateful Dead, Jefferson Airplane, Country Joe and the Fish, and Janis Joplin. Following in the tradition of the early blues women, Janis Joplin burst onto the San Francisco music scene at the Monterey Pop Festival in 1967. After only a four year music career she was found dead of a heroin overdose. An examination of Janis' life, her preferred expressive genre of the blues, and the sixties counterculture scene in San Francisco provides the appropriate context for a rhetorical analysis of Joplin's original lyrics to "Turtle Blues" and "Move Over." Using Burke's pentad, the ways in which Janis revolted against conventional femininity and her perception of herself as a victim of the "scene" in which she lived are demonstrated.
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Date Issued: 1997
PURL: http://purl.flvc.org/fcla/dt/15508
Subject Headings: Joplin, Janis--Criticism and interpretation, Singers--United States, Feminism and music, Rock musicians--United States
Format: Document (PDF)

Title: One yard shy of empowerment: cinematic portrayals of female athletes.
Creator: Lieberman, Vividiana., Dorothy F. Schmidt College of Arts and Letters, Center for Women, Gender and Sexuality Studies
Abstract/Description: Sports are a primary zone of masculinity and sports films are a popular genre. One is hard pressed to find many leading female roles as athletes in male-dominated sports storylines. The cinematic portrayal of women athletes represents social attitudes and values and whether or not the women's movement has been able to influence representations and, concomitantly, social understandings of women and athleticism. My discussion of films featuring female athletes begins with National Velvet (1944)...
Show moreSports are a primary zone of masculinity and sports films are a popular genre. One is hard pressed to find many leading female roles as athletes in male-dominated sports storylines. The cinematic portrayal of women athletes represents social attitudes and values and whether or not the women's movement has been able to influence representations and, concomitantly, social understandings of women and athleticism. My discussion of films featuring female athletes begins with National Velvet (1944) and ends with Whip It (2008). By examining select sports films centered on all female teams, co-ed teams and individual female athletes, I show how their storylines and resolutions do or do not capitulate to patriarchal ideology. I find a general capitulation, with some concessions to women's equality. I conclude with a call for a degendering of sports and a redefinition of strength, competitiveness and aggression as human, not masculine.
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Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3342205
Subject Headings: Women athletes, Feminism and sports, Competition (Psychology), Minorities in motion pictures, Sex discrimination against women
Format: Document (PDF)

Title: The influence of feminism on nursing and its relation to nursing education: 1970-1994.
Creator: Shinners-Gillenwater, Jean., Florida Atlantic University, Schuster, Eleanor
Abstract/Description: This is a historical research study of the influence of feminism on nursing and nursing education from 1970 to 1994. Historical research contributes to the knowledge of the underpinnings of nursing education practices and the socialization process of nurses as a profession within the male, patriarchal system of medicine. This inquiry identifies select nurse-woman leaders and their contributions in incorporating a new value system for education and nursing based on feminist principles. The...
Show moreThis is a historical research study of the influence of feminism on nursing and nursing education from 1970 to 1994. Historical research contributes to the knowledge of the underpinnings of nursing education practices and the socialization process of nurses as a profession within the male, patriarchal system of medicine. This inquiry identifies select nurse-woman leaders and their contributions in incorporating a new value system for education and nursing based on feminist principles. The implications of this paradigm shift for nursing education, practice and research are discussed.
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Date Issued: 1994
PURL: http://purl.flvc.org/fcla/dt/15086
Subject Headings: Nurses--United States, Nursing--Study and teaching, Nursing--Philosophy, Caring, Feminism, Nursing--History
Format: Document (PDF)

Title: Hillary Rodham Clinton: feminism, success, and the First Ladyship.
Creator: Boyer, Heather J., Harriet L. Wilkes Honors College
Abstract/Description: This thesis will investigate the ways in which Hillary Rodham Clinton, former First Lady of the United States and the Junior United States Senator from New York State, appropriated strategies of liberal feminism in her political career as the first modern, working mother to serve as First Lady. A feminist First Lady, Clinton broke through the social expectations placed upon that role in an unprecedented manner by taking an active part in the political strategy and substance of her husband's...
Show moreThis thesis will investigate the ways in which Hillary Rodham Clinton, former First Lady of the United States and the Junior United States Senator from New York State, appropriated strategies of liberal feminism in her political career as the first modern, working mother to serve as First Lady. A feminist First Lady, Clinton broke through the social expectations placed upon that role in an unprecedented manner by taking an active part in the political strategy and substance of her husband's administration. Her successful campaign for the United States Senate in 2000 as the first former First Lady to hold such an office proved that she has her own political clout independent of her husband. Hillary Rodham Clinton has all the marks of a liberal feminist success story: a strong political background and educational credentials, unfettered ambition, mastery of public discourse, her own political identity, and a real commitment to tough policymaking and representation in Washington. Yet despite this success, liberal feminism presents problems for the women's movement generally. After mapping the history of Hillary Rodham Clinton as a feminist political figure, I will examine whether liberal feminism is adequate in challenging patriarchal structures and other related forms of domination.
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Date Issued: 2006
PURL: http://purl.flvc.org/FAU/11593
Subject Headings: Presidents' spouses, Feminist theory, Women in public life, Feminism, Liberalism, Women in democracy
Format: Document (PDF)

Title: Betty Friedan and "The Feminine Mystique": An example of rhetorical exclusion.
Creator: Carney, Ann Maire., Florida Atlantic University, Mulvaney, Becky
Abstract/Description: One of the key catalytic feminist works of our time is The Feminine Mystique by Betty Friedan. Although acclaimed as a well researched artifact designed to help "American women" recognize and understand how and why they were being manipulated via a social phenomenon Friedan terms a "feminine mystique," upon close examination of this work we find that the preponderance of inductive examples Friedan uses to persuade her implied audience excluded another audience, specifically black women. The...
Show moreOne of the key catalytic feminist works of our time is The Feminine Mystique by Betty Friedan. Although acclaimed as a well researched artifact designed to help "American women" recognize and understand how and why they were being manipulated via a social phenomenon Friedan terms a "feminine mystique," upon close examination of this work we find that the preponderance of inductive examples Friedan uses to persuade her implied audience excluded another audience, specifically black women. The effect of this "rhetorical exclusion" (and other means of segregation) has been the disaffection of most black women from the contemporary women's movement. This study, therefore, provides a critical analysis of specific inductive examples found within The Feminine Mystique, demonstrates how such examples affected both Friedan's implied and excluded audiences, and suggests how such forms of "rhetorical exclusion" can be avoided in the future.
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Date Issued: 1994
PURL: http://purl.flvc.org/fcla/dt/15102
Subject Headings: Friedan, Betty--Criticism and interpretation, Friedan, Betty--Feminine mystique, Feminism--United States, African American women--Social conditions
Format: Document (PDF)

Title: From presidential wife to leader in her own right? The media's representation of Hillary Rodham Clinton and the feminine ideal.
Creator: Oxner, Amy Carol., Florida Atlantic University, Scodari, Christine
Abstract/Description: This thesis examines how the media depicted First Lady Hillary Rodham Clinton when she stepped outside of the traditional feminine roles of wife and/or mother and into the traditionally masculine/public world with her bid to run for the office of United States Senator from New York. It critically examines the cover, cover story images, and textual representations in Newsweek, Time, and New York magazines by means of a feminist semiotic and rhetorical analysis to discern potential meanings....
Show moreThis thesis examines how the media depicted First Lady Hillary Rodham Clinton when she stepped outside of the traditional feminine roles of wife and/or mother and into the traditionally masculine/public world with her bid to run for the office of United States Senator from New York. It critically examines the cover, cover story images, and textual representations in Newsweek, Time, and New York magazines by means of a feminist semiotic and rhetorical analysis to discern potential meanings. The research concludes that the media circumscribe limited roles for First Ladies. First Ladies continue to be shown as victim, object, and/or appendage of a more powerful male, even when they consider political office. Therefore, it is argued that the media have a profound role in defining political women through the perpetuation of hegemonic constructions of femininity.
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Date Issued: 2003
PURL: http://purl.flvc.org/fcla/dt/13088
Subject Headings: Clinton, Hillary Rodham--In mass media, Women politicians--Press coverage, Presidents' spouses--United States, Feminism and mass media
Format: Document (PDF)

Title: A good woman is hard to find: discovering the voice of the woman satirist in Flannery O'Connor's Wise Blood.
Creator: Paxton, Virginia A., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: While Flannery O'Connor's characters and narrative landscape may share a history with those of other works often labeled "Southern gothic," her heavily judicious narrative voice utilizes the depravity of the South struggling to find its identity as a means to explore her vision of God's mercy and distinguishes her work as satirical criticism. This thesis analyzes her construction of a distinctive satirical narrative voice for Wise Blood, particularly as it deviates from how she initially...
Show moreWhile Flannery O'Connor's characters and narrative landscape may share a history with those of other works often labeled "Southern gothic," her heavily judicious narrative voice utilizes the depravity of the South struggling to find its identity as a means to explore her vision of God's mercy and distinguishes her work as satirical criticism. This thesis analyzes her construction of a distinctive satirical narrative voice for Wise Blood, particularly as it deviates from how she initially wrote the first chapters as presented in earlier short stories like "The Train" and "The Peeler." Here, the ways in which O'Connor revises her diction and syntax to create a satirical tone will be examined closely. For the purposes of this paper, satire is defined as a literary work aimed at utilizing irony, hyperbole, or sarcasm to reveal, critique, and correct some moral, ethical, or social phenomenon or situation that the author finds reprehensible.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/221951
Subject Headings: Criticism and interpretation, Feminism and literature, Didactic fiction, American, Criticism and interpretation, Symbolism in literature, Influence (Literary, artistic, etc.)
Format: Document (PDF)

Title: Edna Pearce Lockett: lady of the house.
Creator: Dooley, Terry L., Dorothy F. Schmidt College of Arts and Letters, Department of History
Abstract/Description: This thesis demonstrates how some women used the power of their ancestry and family name to run for political office, to become a positive role model for other women, and also to help pass laws favorable to the improvement of gender equality. Edna Pearce Lockett was unique, but also a reflection of the values of her community. Women who ran for office tended to have strong male figures in their lives that treated them as equals. They often were savvy enough to use the novelty of their gender...
Show moreThis thesis demonstrates how some women used the power of their ancestry and family name to run for political office, to become a positive role model for other women, and also to help pass laws favorable to the improvement of gender equality. Edna Pearce Lockett was unique, but also a reflection of the values of her community. Women who ran for office tended to have strong male figures in their lives that treated them as equals. They often were savvy enough to use the novelty of their gender to encourage positive press. Far from trying to be men, they accentuated their femininity through press accounts detailing their fashion sense, their dedication to feminine pursuits, and their ability to be ladies as well as serve their constituency. Edna Pearce Lockett's life also illustrates what society was like in central Florida during the first half of the 20th century for men and women living on and around the cattle industry.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/186679
Subject Headings: Political and social views, Frontier and pioneer life, History, Women in politics, History, Feminism, History and criticism, Women, History, History
Format: Document (PDF)

Title: Edith Wharton: self-actualization through characterization in The Age of Innocence.
Creator: Feuerberg, Betty., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Edith Wharton uses characterization in the primary three characters in The Age of Innocence to explore the aspects of her life. Early adulthood is represented by May Welland Archer, who was born into New York 400, where society suppressed an individual's emotions, aspirations, and freedoms. The intermediate phase of her life is depicted in Newland Archer, who tests the confining limits of the society to which he belongs and strives to understand the role of emotions in achieving personal...
Show moreEdith Wharton uses characterization in the primary three characters in The Age of Innocence to explore the aspects of her life. Early adulthood is represented by May Welland Archer, who was born into New York 400, where society suppressed an individual's emotions, aspirations, and freedoms. The intermediate phase of her life is depicted in Newland Archer, who tests the confining limits of the society to which he belongs and strives to understand the role of emotions in achieving personal satisfaction. Wharton rejected and craved the ties of the New York 400 in the final phase of her life as portrayed in Ellen Olenska who left the 400, lived in Europe, and returned to New York. By developing these characters, Wharton attempts to retrospectively reconcile the transformations she experienced. Indeed, it will be clear that Wharton's work serves as a personal assessment of her self-actualization.
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Date Issued: 2013
PURL: http://purl.flvc.org/fcla/dt/3360784
Subject Headings: Criticism and interpretation, Women and literature, History, Feminism in literature
Format: Document (PDF)

Title: Reconfiguring the classic narrative of pulp fiction.
Creator: Gray, Alexandria S., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: This project considers four writers that have used postmodern narrative strategies to reconfigure classic pulp science fiction tropes. The primary texts are Catherine L. Moore's "Shambleau," Eleanor Arnason's "The Warlord of Saturn's Moons", Robert Heinlein's "The Rolling Stones", and Margaret Atwood's "The Blind Assassin". Each experiments with narrative voices or uses a story-within-a-story structure. These strategies enable the authors to engage and comment on the process of how...
Show moreThis project considers four writers that have used postmodern narrative strategies to reconfigure classic pulp science fiction tropes. The primary texts are Catherine L. Moore's "Shambleau," Eleanor Arnason's "The Warlord of Saturn's Moons", Robert Heinlein's "The Rolling Stones", and Margaret Atwood's "The Blind Assassin". Each experiments with narrative voices or uses a story-within-a-story structure. These strategies enable the authors to engage and comment on the process of how traditional tropes and narratives are brought into a new context through appropriation and reconstruction.
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Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3332251
Subject Headings: Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Pulp literature, Criticism and interpretation, Popular literature, Criticism and interpretation, Postmodernism (Literature), Feminism and literature
Format: Document (PDF)

FAU Theses and Dissertations (11)	+ -
Honors Student Theses (1)	+ -

Criticism and interpretation (3)	+ -
Feminism (3)	+ -
Feminism--United States (3)	+ -
Feminism and literature (2)	+ -
History (2)	+ -

African American women--Social conditions (1)	+ -
Caring (1)	+ -
Clinton, Hillary Rodham--In mass media (1)	+ -
Competition (Psychology) (1)	+ -
Consciousness (1)	+ -
Didactic fiction, American (1)	+ -
Equal rights amendments--United States (1)	+ -
Feminism and mass media (1)	+ -
Feminism and music (1)	+ -
Feminism and sports (1)	+ -
Feminism in literature (1)	+ -
Feminist theory (1)	+ -
Feminist theory--United States (1)	+ -
Friedan, Betty--Criticism and interpretation (1)	+ -
Friedan, Betty--Feminine mystique (1)	+ -
Frontier and pioneer life (1)	+ -
History and criticism (1)	+ -
Influence (Literary, artistic, etc.) (1)	+ -
Joplin, Janis--Criticism and interpretation (1)	+ -
Liberalism (1)	+ -
Minorities in motion pictures (1)	+ -
National Woman's Party--History (1)	+ -
Nurses--United States (1)	+ -
Nursing--History (1)	+ -
Nursing--Philosophy (1)	+ -

United States (6)	+ -
Florida (1)	+ -
Southern States (1)	+ -

20th century (4)	+ -
19th century (1)	+ -

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