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NARCOTIC GAZE: OCULAR IMAGERY AND THE VAMPIRE MOTIF IN "CHRISTABEL,""CARMILLA," AND "DRACULA" (SAMUEL TAYLOR COLERIDGE, BRAM STOKER, JOSEPH SHERIDAN LE FANU, IRELAND)
Title
THE NARCOTIC GAZE: OCULAR IMAGERY AND THE VAMPIRE MOTIF IN "CHRISTABEL,""CARMILLA," AND "DRACULA" (SAMUEL TAYLOR COLERIDGE, BRAM STOKER, JOSEPH SHERIDAN LE FANU, IRELAND).
Creator
PARKER, BERLINDA ZELLNER., Florida Atlantic University, Coyle, William
Abstract/Description
Superstitions of ocular power are timeless; tales of the evil eye and the vampire's locking gaze have permeated nearly every known civilization. For centuries the "oupire" has loomed ominously as one manifestation of darkness in the conflict of good and evil, and from the fertile soil of the legend, the literary vampire was spawned. In "Christabel," "Carmilla," and Dracula the eyes of the characters are used to manifest this "good versus evil" theme by aligning them with images of innocence...
Show moreSuperstitions of ocular power are timeless; tales of the evil eye and the vampire's locking gaze have permeated nearly every known civilization. For centuries the "oupire" has loomed ominously as one manifestation of darkness in the conflict of good and evil, and from the fertile soil of the legend, the literary vampire was spawned. In "Christabel," "Carmilla," and Dracula the eyes of the characters are used to manifest this "good versus evil" theme by aligning them with images of innocence or iniquity. Most characters are delineated through ocular impressions, and the unnatural brightness, dark heat, or seething scarlet of the vampire is set in contrast to the purity, ingenuousness, or steadfastness of the mortals. Sexual innuendo is also expressed through the eyes, tears are used to metaphorically cloud the vision, and open eyes become symbolic for receptiveness. The symbolic eyes of "Christabel," "Carmilla," and Dracula metaphorically illuminate this universal theme.
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Date Issued
1982
PURL
http://purl.flvc.org/fcla/dt/14121
Subject Headings
Vampires in literature, Evil eye, Eye in literature
Format
Document (PDF)
Secondary orality in "Their Eyes Were Watching God" and "The Color Purple"
Title
Secondary orality in "Their Eyes Were Watching God" and "The Color Purple".
Creator
Fine, Africa Ragland., Florida Atlantic University, Cowlishaw, Bridget
Abstract/Description
The differences between orality and literacy have been explored by theorists who have focused mainly on the differences in the nature of communication once writing is introduced. However, other theorists have challenged the theory that those characteristics are separate and independent, and there is an argument that the relationship between oral and written communication is not a dichotomy, but a continuum when elements of both can coexist. This idea leads to theory of secondary orality,...
Show moreThe differences between orality and literacy have been explored by theorists who have focused mainly on the differences in the nature of communication once writing is introduced. However, other theorists have challenged the theory that those characteristics are separate and independent, and there is an argument that the relationship between oral and written communication is not a dichotomy, but a continuum when elements of both can coexist. This idea leads to theory of secondary orality, which describes communication that encompasses both oral and literate elements. Two modern novels, Zora Neale Hurston's Their Eyes Were Watching God and Alice Walker's The Color Purple, are exemplary of how secondary orality can be created in literature to help shape the theme and purpose of a novel.
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Date Issued
2001
PURL
http://purl.flvc.org/fcla/dt/12742
Subject Headings
Hurston, Zora Neale.--Their eyes were watching God., Orality in literature., Walker, Alice,--1944---Color purple.
Format
Document (PDF)
mythic quest for selfhood in Toni Morrison's "The Bluest Eye," "Song of Solomon," and "Beloved"
Title
The mythic quest for selfhood in Toni Morrison's "The Bluest Eye," "Song of Solomon," and "Beloved".
Creator
Golden, Diane M., Florida Atlantic University, Coyle, William
Abstract/Description
Toni Morrison's purpose in her novels is to encourage her readers to imitate her heroes' journey in their own lives. Through her protagonists' successes and failures on their monomythic quests (to use the term of Joseph Campbell), Morrison educates her readers. Campbell states that a successful hero must complete three phases: separation, initiation, and return. In The Bluest Eye, Pecola Breedlove's poor choices cause failure; she stays in the separation phase. Milkman Dead from Song of...
Show moreToni Morrison's purpose in her novels is to encourage her readers to imitate her heroes' journey in their own lives. Through her protagonists' successes and failures on their monomythic quests (to use the term of Joseph Campbell), Morrison educates her readers. Campbell states that a successful hero must complete three phases: separation, initiation, and return. In The Bluest Eye, Pecola Breedlove's poor choices cause failure; she stays in the separation phase. Milkman Dead from Song of Solomon reaches the initiation stage but fails to return with his boon. Denver of Beloved is the only successful heroine; she returns to the world with a treasure, providing Morrison's readers with a fully heroic model.
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Date Issued
1994
PURL
http://purl.flvc.org/fcla/dt/15053
Subject Headings
Morrison, Toni--Criticism and interpretation., African Americans in literature., Morrison, Toni.--Bluest eye., Morrison, Toni.--Song of Solomon., Morrison, Toni.--Beloved.
Format
Document (PDF)