Current Search: Culture and globalization -- 21st century (x)
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Title
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Ritual for revolution: Anarcho-Primitivism and globalization.
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Creator
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Degani, Michael, Harriet L. Wilkes Honors College
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Abstract/Description
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In the last 15 to 20 years, the failure of Communism as a viable revolutionary project has turned many on the Left to its historical rival: Anarchism. Merging with environmental discourses like deep ecology and the struggle for indigenous rights, Anarcho-Primitivism models its utopian discourse on ethnographic descriptions of hunter gatherer societies and mythologized notions of the "Noble Savage." Furthermore, its adherents retain high rates of visibility in the burgeoning antiglobalization...
Show moreIn the last 15 to 20 years, the failure of Communism as a viable revolutionary project has turned many on the Left to its historical rival: Anarchism. Merging with environmental discourses like deep ecology and the struggle for indigenous rights, Anarcho-Primitivism models its utopian discourse on ethnographic descriptions of hunter gatherer societies and mythologized notions of the "Noble Savage." Furthermore, its adherents retain high rates of visibility in the burgeoning antiglobalization movement, notorious for their black uniform and tactics of property destruction. My paper critically and pragmatically engages their attempts to invoke "the Primitive" as a metaphor for resisting the ascendance of global capitalism in the twenty-first century.
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Date Issued
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2005
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PURL
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http://purl.flvc.org/FAU/11574, http://purl.flvc.org/fau/fd/FADT11574
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Subject Headings
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Anarchism, Civilization, Modern, Politics and culture, Globalization, Right and left (Political science)
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Format
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Document (PDF)
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Title
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Deconstructing my universal marginalization.
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Creator
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Nazim, Fathima Asma., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
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Abstract/Description
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This thesis is a profoundly personal one. It examines the role of context in creation (authorship) and perception (reading an image) of representation. Born in Sri Lanka during the emergence of one the world's longest lasting civil wars, I never recognized my love and concern for the Island and its ancient history and culture until I traveled to America to pursue a higher education. Ever since, I have constantly found myself in situations where I am regarded as the 'other' or the 'outsider' ;...
Show moreThis thesis is a profoundly personal one. It examines the role of context in creation (authorship) and perception (reading an image) of representation. Born in Sri Lanka during the emergence of one the world's longest lasting civil wars, I never recognized my love and concern for the Island and its ancient history and culture until I traveled to America to pursue a higher education. Ever since, I have constantly found myself in situations where I am regarded as the 'other' or the 'outsider' ; I seem to not fit in completely in this country as well as in my own. In the US I am considered 'eastern' or 'exotic', whereas in my own country, I am considered 'westernized', no longer looked at as a typical Sri Lankan woman. This thesis examines and explores marginalization, orientalism, deconstruction theories, semiotic studies, dialect as well as attire, in the specific context of Graphic Design.
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Date Issued
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2010
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PURL
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http://purl.flvc.org/FAU/2138108
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Subject Headings
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Marginality, Social, Marginality, Social, Identity (Psychology), Pluralism (Social sciences), International relations and culture, Culture and globalization, Visual communication in art, Graphic design (Typography)
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Format
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Document (PDF)
