Current Search: Rhetorical criticism (x)
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Title
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Paradise impaired: duality in Paradise lost.
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Creator
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Bernhard, Katherine Joy., Harriet L. Wilkes Honors College
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Abstract/Description
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This thesis examines the duality of meaning conveyed by John Milton's use of language in the epic poem, Paradise Lost, specifically repetition, pairing, alliteration and puns. Following a long tradition of close readings, especially critics RA. Shoaf and Christopher Ricks, I argue that Milton conceives the Fall of Adam and Eve as a falling into polysemy, or multiplicity of signification. Very few critics have undertaken a close reading of words that signal coupling in the poem, and their...
Show moreThis thesis examines the duality of meaning conveyed by John Milton's use of language in the epic poem, Paradise Lost, specifically repetition, pairing, alliteration and puns. Following a long tradition of close readings, especially critics RA. Shoaf and Christopher Ricks, I argue that Milton conceives the Fall of Adam and Eve as a falling into polysemy, or multiplicity of signification. Very few critics have undertaken a close reading of words that signal coupling in the poem, and their relationship to pairs and oppositions relevant to Genesis. Shoaf identifies pairs and oppositions in the poem as duals and duels, and connects them to binaries in the theology. However, he overlooks a great deal of evidence which supports his theory of the dual and the duel, and also disregards many significant examples of duality in Milton's wordplay that other critics identify, including alliterative pairs and words that convey ancient etymologies.
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Date Issued
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2006
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PURL
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http://purl.flvc.org/FAU/11595
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Subject Headings
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Criticism and interpretation, Milton, John, 1608-1674, Language, Narration (Rhetoric), Discourse analysis, Narrative, Semiotics
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Format
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Document (PDF)
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Title
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Satan's imprisoning words: examining the value of language in John Milton's Paradise Lost.
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Creator
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Ryan, Victoria., Harriet L. Wilkes Honors College
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Abstract/Description
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Through a critique of Satan's misuse of language, John Milton's Paradise Lost makes the greater argument that language should coincide with God's creation narrative. The poem proposes a theory of how language should be used: to connect the mutable world of humans to the immutable world of God. I propose that Milton uses Satan to portray both a fear and a faith in the power of language. Satan makes language the accomplice to his sin, attempting to use language, which has the power of creating...
Show moreThrough a critique of Satan's misuse of language, John Milton's Paradise Lost makes the greater argument that language should coincide with God's creation narrative. The poem proposes a theory of how language should be used: to connect the mutable world of humans to the immutable world of God. I propose that Milton uses Satan to portray both a fear and a faith in the power of language. Satan makes language the accomplice to his sin, attempting to use language, which has the power of creating a world that seems true, to replace God's Truth. Milton's poem neither solely endorses the theory that language points directly to absolute Truth, nor does it endorse the theory that language is an arbitrary system of signs which impose meaning the world. Milton blends these two theories of language, connecting the Idealist system to what will be Friedrich Nietzsche's.
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Date Issued
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2009
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PURL
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http://purl.flvc.org/FAU/209999
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Subject Headings
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Criticism and interpretation, Language, Devil in literature, Narration (Rhetoric)
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Format
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Document (PDF)
Pages