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Title: Strange time: block universes and strange loop phenomena in two novels by Kurt Vonnegut.
Creator: Altomare, Francis C., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Einsteinian relativity forever altered our understanding of the metaphysics of time. This study considers how this scientific theory affects the formulation of time in postmodern narratives as a necessary step toward understanding the relationship between empirical science and literary art. Two novels by Kurt Vonnegut, The Sirens of Titan and Slaughterhouse-Five, exemplify this synthesis. Close readings of these texts reveal an underlying temporal scheme deeply informed by relativity....
Show moreEinsteinian relativity forever altered our understanding of the metaphysics of time. This study considers how this scientific theory affects the formulation of time in postmodern narratives as a necessary step toward understanding the relationship between empirical science and literary art. Two novels by Kurt Vonnegut, The Sirens of Titan and Slaughterhouse-Five, exemplify this synthesis. Close readings of these texts reveal an underlying temporal scheme deeply informed by relativity. Furthermore, this study explores how relativity manifests in these texts in light of the block universe concept, Gèodelian universes, and strange loop phenomena. Vonnegut's treatment of free will is also discussed. All of these considerations emphasize Vonnegut's role as a member of the Third Culture, an author who consciously bridges C.P. Snow's two cultures.
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Date Issued: 2010
PURL: http://purl.flvc.org/FAU/2684306
Subject Headings: Criticism and interpretation, Criticism and interpretation, Postmodernism (Literature), Literature and science, Science and the humanities in literature, Space and time in literature
Format: Document (PDF)

Title: Atrave(s) and fronte(i)ras: la traducciâon del Portuguâes al Espaînol de la novella Brasilîena Adeus, Rio Doce.
Creator: Bandeira de Mello, Clarisse., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: The translation of Geny Vilas-Novas' novel Adeus, Rio Doce emphasizes the importance of promoting a literary exchange between Brazil and the Spanish-speaking world. This study analyses contemporary Brazilian literature and situates the author in the post-modern literary movement, stressing two post-colonial fundamental themes: emigration and feminine literature. Millions of undocumented emigrants from Latin America live nowadays in the United States displaced in the American society and leave...
Show moreThe translation of Geny Vilas-Novas' novel Adeus, Rio Doce emphasizes the importance of promoting a literary exchange between Brazil and the Spanish-speaking world. This study analyses contemporary Brazilian literature and situates the author in the post-modern literary movement, stressing two post-colonial fundamental themes: emigration and feminine literature. Millions of undocumented emigrants from Latin America live nowadays in the United States displaced in the American society and leave suffering family members abandoned in their native countries. One of the roles of Latin- American women writers like Vilas-Novas is to reveal and denounce the subaltern conditions of this emigration movement in the globalization process, under the unusual perspective of those left behind. The linguistic and semantic challenges and difficulties faced during translation are a metaphor for the crossing of linguistic, cultural, social, and historical borders by Latin-Americans in search of better life opportunities.
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Date Issued: 2008
PURL: http://purl.flvc.org/fcla/dt/186336
Subject Headings: Brazilian fiction, Translations into English, Brazilian literature, Criticism and interpretation, Postmodernism (Literature), Feminism and literature, Criticism and interpretation
Format: Document (PDF)

Title: The power of subtext and the politics of closure: an examination of self, representation, and audience in 3 narrative forms.
Creator: Berzak, Adam., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: This thesis explores the ways that certain artists-including Joseph Conrad, Alan Moore, Richard Attenborough, and Francis Ford Coppola-break from their inherited traditions in order to speak from an alternative perspective to western discourse. Conventional narrative formulas prescribe that meaning will be revealed in a definitive end, but all of the texts discussed reveal other avenues through which it is discerned. In Heart of Darkness, the tension between two divergent narratives enables...
Show moreThis thesis explores the ways that certain artists-including Joseph Conrad, Alan Moore, Richard Attenborough, and Francis Ford Coppola-break from their inherited traditions in order to speak from an alternative perspective to western discourse. Conventional narrative formulas prescribe that meaning will be revealed in a definitive end, but all of the texts discussed reveal other avenues through which it is discerned. In Heart of Darkness, the tension between two divergent narratives enables Conrad to speak beyond his social context and imperialist limitations to demonstrate that identity is socially constructed. In Watchmen, Moore breaks from comic convention to illustrate ways meaning may be ascertained despite the lack of plot ends. The third chapter explores the ways that Attenborough and Coppola subvert technical and plot conventions to resist static constitutions of identity endemic to Hollywood film. The several texts discussed subvert the Self/Other duality by suggesting alternatives to the western narrative model.
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Date Issued: 2010
PURL: http://purl.flvc.org/FAU/2683123
Subject Headings: Narration (Rhetoric), Closure (Rhetoric), Symbolism in literature, Postmodernism (Literature), Rhetorical criticism
Format: Document (PDF)

Title: The carnivalesque and grotesque realism in modernist literature: the final novels of Ronald Firbank and Virginia Woolf.
Creator: Case, Marlene Katherine, Adams, Don, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Concerning the Eccentricities of Cardinal Pirelli by Ronald Firbank and Between the Acts by Virginia Woolf both liberate the text from the expected form to engage emotional awareness and instigate reform of societal standards. Employing Mikhail Bakhtin’s theories of the carnivalesque and grotesque realism as a means to create this perspective is unconventional; nevertheless, Firbank, predominantly misunderstood, and Woolf, more regarded but largely misinterpreted, both address sexuality and...
Show moreConcerning the Eccentricities of Cardinal Pirelli by Ronald Firbank and Between the Acts by Virginia Woolf both liberate the text from the expected form to engage emotional awareness and instigate reform of societal standards. Employing Mikhail Bakhtin’s theories of the carnivalesque and grotesque realism as a means to create this perspective is unconventional; nevertheless, Firbank, predominantly misunderstood, and Woolf, more regarded but largely misinterpreted, both address sexuality and religion to parody what they believe to be the retrogression of civilization by narrating christenings, pageants, and other forms of carnival. Both novels forefront nonconformity, and the conspicuous influence of debasement is identified as a form of salient renewal. Christopher Ames, Melba-Cuddy Keane, and Alice Fox have already expressed remarkable insight into Woolf; unfortunately not a single scholar has approached Firbank’s text in this manner, and this essay discusses the value of both authors in the aspect of Bakhktin’s theories.
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Date Issued: 2015
PURL: http://purl.flvc.org/fau/fd/FA00004355, http://purl.flvc.org/fau/fd/FA00004355
Subject Headings: Carnival in literature, Eccentrics in literature, Firbank, Ronald -- 1886-1926 -- Concerning the eccentricities of Cardinal Pirelli -- Criticism and interpretation, Grotesque in literature, Postmodernism (Literature), Woolf, Virginia -- 1882-1941 -- Between the acts -- Criticism and interpretation
Format: Document (PDF)

Title: Charles Finney's The Circus of Dr. Lao: an epistemological fantasy.
Creator: Creed, Daniel B., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Charles Finney's The Circus of Dr. Lao, published in 1936, has been widely read in the last eighty years and has influenced significant authors in the field of fantasy, yet it has been examined in just three critical studies in that time. This study examines Finney's novel as an epistemological fantasy, a heretofore undefined term that precipitates an epistemological crisis of knowing and certainty. The novel opens a way for fantasy literature to establish itself in a Modernist landscape by...
Show moreCharles Finney's The Circus of Dr. Lao, published in 1936, has been widely read in the last eighty years and has influenced significant authors in the field of fantasy, yet it has been examined in just three critical studies in that time. This study examines Finney's novel as an epistemological fantasy, a heretofore undefined term that precipitates an epistemological crisis of knowing and certainty. The novel opens a way for fantasy literature to establish itself in a Modernist landscape by foregrounding the marvelous and extraordinary knowledge that lies just outside the realm of human experience. Finney presents Dr. Lao's circus as a surrogate model of success, and while many of the characters in the novel are unable to accept the truth offered them by the beings of fantasy, the author uses their experiences to satirize the complacencies he witnessed upon returning to America from the Far East in the 1930s.
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Date Issued: 2010
PURL: http://purl.flvc.org/FAU/2683122
Subject Headings: Criticism and interpretation, Symbolism in literature, Knowledge, Theory of, in literature, Fantasy fiction, American, Criticism and interpretation, Postmodernism (Literature)
Format: Document (PDF)

Title: Mothering and Male Masochism in Mary Elizabeth Braddon's Aurora Floyd.
Creator: Gravatt, Denise Hunter, Low, Jennifer A., Florida Atlantic University
Abstract/Description: Feminist literary critics often praise Mary Elizabeth Braddon's sensation novels for undermining Victorian gender ideologies, and yet by failing to scrutinize aspects of maternity and female sexuality, they overlook some of her work's most subversive potential. In Aurora Floyd, for instance, Braddon deploys the trope of the missing mother to deconstruct the Victorian maternal ideal of a pure, passive angel in the house. Her text proposes a notion of motherhood, which is more concerned with...
Show moreFeminist literary critics often praise Mary Elizabeth Braddon's sensation novels for undermining Victorian gender ideologies, and yet by failing to scrutinize aspects of maternity and female sexuality, they overlook some of her work's most subversive potential. In Aurora Floyd, for instance, Braddon deploys the trope of the missing mother to deconstruct the Victorian maternal ideal of a pure, passive angel in the house. Her text proposes a notion of motherhood, which is more concerned with internal goodness and vitality, rather than with the Victorian era's emphasis on external proprieties and socially constructed notions of femininity. Braddon's Aurora is a motherless girl who develops into a strong, sexually assertive and, thus, unfeminine woman by Victorian standards. In positioning Aurora as the narrative's heroine, Braddon promotes female dominance and male masochism as alternative gender relations to the traditional domestic economy of male mastery and female submission.
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Date Issued: 2006
PURL: http://purl.flvc.org/fau/fd/FA00000921
Subject Headings: Braddon, Mary Elizabeth,--1835-1915.--Aurora Floyd., Women and literature--England--History and criticism., Braddon, Mary Elizabeth,--1835-1915--Criticism and interpretation., Masuclinity in literature., Man-woman relationships in literature., Postmodernism (Literature)--Great Britain.
Format: Document (PDF)

Title: Reconfiguring the classic narrative of pulp fiction.
Creator: Gray, Alexandria S., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: This project considers four writers that have used postmodern narrative strategies to reconfigure classic pulp science fiction tropes. The primary texts are Catherine L. Moore's "Shambleau," Eleanor Arnason's "The Warlord of Saturn's Moons", Robert Heinlein's "The Rolling Stones", and Margaret Atwood's "The Blind Assassin". Each experiments with narrative voices or uses a story-within-a-story structure. These strategies enable the authors to engage and comment on the process of how...
Show moreThis project considers four writers that have used postmodern narrative strategies to reconfigure classic pulp science fiction tropes. The primary texts are Catherine L. Moore's "Shambleau," Eleanor Arnason's "The Warlord of Saturn's Moons", Robert Heinlein's "The Rolling Stones", and Margaret Atwood's "The Blind Assassin". Each experiments with narrative voices or uses a story-within-a-story structure. These strategies enable the authors to engage and comment on the process of how traditional tropes and narratives are brought into a new context through appropriation and reconstruction.
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Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3332251
Subject Headings: Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Pulp literature, Criticism and interpretation, Popular literature, Criticism and interpretation, Postmodernism (Literature), Feminism and literature
Format: Document (PDF)

Title: Flotsam.
Creator: Henson, Jacob., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Flotsam is a collection of writing. Flotsam examines divisions of the self. Flotsam is made of fiction, nonfiction, and visual representations of both. Flotsam is made of the truth. Flotsam is made of lies. Flotsam is pretty. Flotsam is a beast.
Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3338856
Subject Headings: Symbolism in literature, Avant-garde (Aesthetics), Symbolism in art, Postmodernism
Format: Document (PDF)

Title: Mind the Gap: Overcoming Dualities in Motor City, USA.
Creator: Houser, Tai Lynden, Blakemore, Steven, Florida Atlantic University
Abstract/Description: Contemporary thinking, bound as it is to a dualistic paradigm, inherently privileges one side of the duality over the other. Feminists - most notably in this dissertation, Val Plumwood - argue that we must overcome these privileged dualities and reconstruct a way of knowing that recognizes difference while not granting privilege to one side or the other. Dualities result from the modernist and postmodernist desire to name and control. One of the reasons that we cannot transcend this desire is...
Show moreContemporary thinking, bound as it is to a dualistic paradigm, inherently privileges one side of the duality over the other. Feminists - most notably in this dissertation, Val Plumwood - argue that we must overcome these privileged dualities and reconstruct a way of knowing that recognizes difference while not granting privilege to one side or the other. Dualities result from the modernist and postmodernist desire to name and control. One of the reasons that we cannot transcend this desire is because we have lost our connection to our environment. Examining novels and films set in Detroit, Michigan, as well as coming to terms with that city's history, will allow us to find places where clairvoyant messengers can commune with the environment and offer us an insight into ways of overcoming the radical "othering" ofduality. This project begins by examining the literary history of urban fiction in the United States and pointing to the tradition of duality and some of its surface problems. Then, the project begins to construct a history of Detroit that exposes the complex layers of duality that have informed the city's growth and ultimately led to the 1967 riots. Next, the argument suggests the importance of fiction and film in understanding modern dualities. The first fictive example, Maureen, from Joyce Carol Oates's novel them is an example of a potential clairvoyant. However, bound as she is to a postmodern existence, Maureen experiences her "other'' but fails to provide a didactic example of non-dualistic thinking. Ultimately, postmodernism and postmodern/post riot Detroit only mystify and compound the problems associated with modern dualities. Likewise, Jeffrey Eugenides transgendered hero/ine Calliope (Middlesex) experiences her natural "other" and allows us to call into question the traditional binaries we use to create our understandings of gender. Both characters retell their experience and re-present their bodies in an attempt to bridge dualities and overcome their "otherness." Finally, the dissertation finds a representation of contemporary Detroit, Eminem's 8 Mile, and argues that violence and shame are at the root of dualities and ultimately distract us from overcoming both fictional and real examples of the oppressive "othering" which results from a culture steeped in dualistic thinking.
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Date Issued: 2008
PURL: http://purl.flvc.org/fau/fd/FA00000984
Subject Headings: Detroit (Mich)--In literature, Detroit (Mich)--History--21st century--Criticism and interpretation, Symbolism in literature, Postmodernism--Psychological aspects, Philosophy of nature
Format: Document (PDF)

Title: Mobile Modernity: Transportation in the works of F. Scott Fitzgerald and Ernest Hemingway.
Creator: Johnston, Carrie E., Furman, Andrew, Florida Atlantic University
Abstract/Description: A central paradox in modernism is its disdain for mass culture, despite mass culture 's undeniable presence in modernist literature. American authors writing during the early twentieth century tried to establish themselves as "highbrow" by leaving the U.S. and traveling to Europe. In doing so, they created a particular aesthetic characterized by depictions of the transportation that facilitated this travel. These depictions reveal modernism's dependence on mass culture, and more importantly,...
Show moreA central paradox in modernism is its disdain for mass culture, despite mass culture 's undeniable presence in modernist literature. American authors writing during the early twentieth century tried to establish themselves as "highbrow" by leaving the U.S. and traveling to Europe. In doing so, they created a particular aesthetic characterized by depictions of the transportation that facilitated this travel. These depictions reveal modernism's dependence on mass culture, and more importantly, create a space in which modernist authors can negotiate what was once a choice between high or low culture, exile or tourist, and ultimately, modernism or mass culture. Analyzing the car and train scenes in F. Scott Fitzgerald's Tender is the Night and Ernest Hemingway's The Sun Also Rises reveals the hybrid spaces made available to these authors through transportation.
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Date Issued: 2008
PURL: http://purl.flvc.org/fau/fd/FA00000930
Subject Headings: Fitzgerald, F Scott--(Francis Scott),--1896-1940--Tender is the night--Criticism and interpretation, Hemingway, Ernest,--1899-1961--Sun also rises--Criticism and interpretation, Literature and society--United States, Symbolism in literature, Travel in literature, Postmodernism (Literature)
Format: Document (PDF)

Title: Tejidos arquitectonicos: exploraciones de la dimimica entre el individuo y la ciudad en "Walking Around" de Pablo Neruda y Aura de Carlos Fuentes.
Creator: Palacio Paret, Alfredo, Erro-Peralta, Nora, Florida Atlantic University
Abstract/Description: Silas Weir Mitchell in 1872 defined as "phantom limb" the sensation and feelings of anxiety, confusion and even pain the amputee receives from an absent body part. By extending this concept and applying it to the architectural imagery within literature, it is possible to observe the dynamics between the characters and their structural environment. This thesis explores the relation between spatial structure and identity in two Latin American works: "Walking Around" (1933) by Pablo Neruda and...
Show moreSilas Weir Mitchell in 1872 defined as "phantom limb" the sensation and feelings of anxiety, confusion and even pain the amputee receives from an absent body part. By extending this concept and applying it to the architectural imagery within literature, it is possible to observe the dynamics between the characters and their structural environment. This thesis explores the relation between spatial structure and identity in two Latin American works: "Walking Around" (1933) by Pablo Neruda and Aura (1962) by Carlos Fuentes. Both authors introduce architecture as an intrinsic element in the construction of their narrative; Neruda's poetic voice wanders around a seemingly living city, while Fuentes's characters abandon the city to become part of a house. The architectural imagery of both texts leads the reader to explore the construction of its literary subjects and to see the physical space as their "phantom limbs." This reading will elucidate the importance of architecture within Latin American literature as well as reveal the maneuvering of the structural representations in the construction of the Latin America identity.
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Date Issued: 2008
PURL: http://purl.flvc.org/fau/fd/FA00000946
Subject Headings: Fuentes, Carlos--Aura--Criticism and interpretation, Neruda, Pablo,--1904-1973--Walking around--Criticism and interpretation, Architecture--Human factors, Symbolism in literature, Postmodernism (Literature), Imagery (Psychology) in literature
Format: Document (PDF)

Title: The book and the labyrinth were one and the same: The figure of the labyrinth in Danielewski, Borges and Eco.
Creator: Palmer, Jedediah., Florida Atlantic University, Scroggins, Mark
Abstract/Description: This thesis examines the figure of the labyrinth in the contemporary novel House of Leaves by Mark Z. Danielewski, and in relation to works by Jorge Luis Borges and Umberto Eco. House of Leaves presents not only labyrinths with which its characters interact, but a seemingly material, textual labyrinth its readers are forced to navigate. This thesis argues that what are important about these features are that they serve to both extend the broader theoretical concerns of the book, and to ...
Show moreThis thesis examines the figure of the labyrinth in the contemporary novel House of Leaves by Mark Z. Danielewski, and in relation to works by Jorge Luis Borges and Umberto Eco. House of Leaves presents not only labyrinths with which its characters interact, but a seemingly material, textual labyrinth its readers are forced to navigate. This thesis argues that what are important about these features are that they serve to both extend the broader theoretical concerns of the book, and to (paradoxically) invest the reader more deeply in "the story" and to greater emotional effect.
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Date Issued: 2004
PURL: http://purl.flvc.org/fcla/dt/13152
Subject Headings: Literature--Psychological aspects, Literature--Criticism and interpretation, Borges, Jorge Luis,--1899-1986--Criticism and interpretation, Eco, Umberto, Danielewski, Mark Z--House of leaves, Reader-response criticism, Postmodernism (Literature)--United States
Format: Document (PDF)

Title: La transformacion de Ia bruja en las obras de Maria de Zayas.
Creator: Petersen, Elizabeth Marie, Gamboa, Yolanda, Florida Atlantic University
Abstract/Description: In my thesis, I argue that the 1 ih -century Spanish writer, Maria de Zayas y Sotomayor, in a unique form of 'mimesis,' uses elements of magic to transform the popular concept of the Spanish witch. Drawing on theories from Jacques Lacan's mirror phase, Homi Bhabha and Barbara Fuchs's notion of mimesis, and Judith Butler's idea of gender performitivity, I demonstrate how Zayas frees the witch from the subjugated language constructed by the Catholic Church and society of her time. I examine six...
Show moreIn my thesis, I argue that the 1 ih -century Spanish writer, Maria de Zayas y Sotomayor, in a unique form of 'mimesis,' uses elements of magic to transform the popular concept of the Spanish witch. Drawing on theories from Jacques Lacan's mirror phase, Homi Bhabha and Barbara Fuchs's notion of mimesis, and Judith Butler's idea of gender performitivity, I demonstrate how Zayas frees the witch from the subjugated language constructed by the Catholic Church and society of her time. I examine six of the short stories in her two novels to show how the author alters the role of the witch associated with the devil, transforming her to a saint associated with "lo magico de los cielos, " assigning the diabolical role to the man.
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Date Issued: 2008
PURL: http://purl.flvc.org/fau/fd/FA00000948
Subject Headings: Zayas y Sotomayor, María de,--1590-1650--Criticism and interpretation, Mimesis in literature, Spanish literature--Classical period, 1500-1700--Criticism and interpretation, Postmodernism (LIterature), Witches--Fiction
Format: Document (PDF)

Title: Generations of meaning: The matrix of authority in Don DeLillo's "White Noise".
Creator: Potter, Richard Michael., Florida Atlantic University, Scroggins, Mark
Abstract/Description: Since its appearance in 1985, Don DeLillo's novel White Noise has been regarded as the prototype of the postmodern novel---though not for style and form, but rather for content and theme. DeLillo's postmodern society is the site of dissipated "structures" of power and authority, the hyperreal realm of simulacrum. The narrator---J.A.K. (a.k.a. Jack) Gladney---cannot fathom this world of disseminated authority, where knowledge and power are continually generated behind what Michel Foucault...
Show moreSince its appearance in 1985, Don DeLillo's novel White Noise has been regarded as the prototype of the postmodern novel---though not for style and form, but rather for content and theme. DeLillo's postmodern society is the site of dissipated "structures" of power and authority, the hyperreal realm of simulacrum. The narrator---J.A.K. (a.k.a. Jack) Gladney---cannot fathom this world of disseminated authority, where knowledge and power are continually generated behind what Michel Foucault calls "the great abstraction of exchange". My thesis suggests that Jack's struggle to cope in this society is complicated by his own, exaggerated subjectivity. He is, in the words of Leonard Wilcox, a quintessential "modernist". His plight therefore becomes a proxy battle for these two epics, the modern and postmodern.
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Date Issued: 2003
PURL: http://purl.flvc.org/fcla/dt/13005
Subject Headings: DeLillo, Don--White noise, Postmodernism (Literature), Authority in literature
Format: Document (PDF)

Title: Meis Oculis: eyes in the early poetry of T.S. Eliot.
Creator: Richards, Joshua., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: This study is an examination of ocular imagery in the secular poetry of T.S. Eliot. As a symbol, eyes begin as a metonym for the panoptic vision of society. In the earliest poems, Michel Foucault's conceptions of discipline illuminate the acerbic paranoia attached to ocular imagery and its source in the culture of turn-of-the-century Boston. Towards 1919, the image of eyes becomes an objective correlative for the figure of Dante's Beatrice who represents both earthly and divine love. The loss...
Show moreThis study is an examination of ocular imagery in the secular poetry of T.S. Eliot. As a symbol, eyes begin as a metonym for the panoptic vision of society. In the earliest poems, Michel Foucault's conceptions of discipline illuminate the acerbic paranoia attached to ocular imagery and its source in the culture of turn-of-the-century Boston. Towards 1919, the image of eyes becomes an objective correlative for the figure of Dante's Beatrice who represents both earthly and divine love. The loss of sight by the various speakers in both - "Gerontion" and The Waste Land is then the loss of connection to both the earthly woman and God. Finally, in The Hollow Men, the tenor and vehicle merge completely so the eyes themselves become the object of desire.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/215286
Subject Headings: Criticism and interpretation, Symbolism in literature, Postmodernism (Literature), Imagery (Psychology) in literature
Format: Document (PDF)

Title: I'll be your mirror: reflections on doubling and the processing of aggression in the post(modern) fairy tales of Hesse & Winterson.
Creator: Rigdon, Brittany K., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Traditional fairy tales represent some of the oldest and most archetypal forms of literature. However, as humanity rapidly evolves, the genre and content of traditional fairy tales still operates as a prevalent socializing agent that fails to promote pluralism. Instead, traditional fairy tales illustrate and uphold limited gender roles and expectations. This paper examines Hermann Hesse's role as a pioneer in a now burgeoning movement of fairy tale revisions that blur boundaries between...
Show moreTraditional fairy tales represent some of the oldest and most archetypal forms of literature. However, as humanity rapidly evolves, the genre and content of traditional fairy tales still operates as a prevalent socializing agent that fails to promote pluralism. Instead, traditional fairy tales illustrate and uphold limited gender roles and expectations. This paper examines Hermann Hesse's role as a pioneer in a now burgeoning movement of fairy tale revisions that blur boundaries between fantasy and reality by introducing specific, everyday locations, countries, and individuals coupled with a copious use of the double. This formula draws the reader into the tale via the uncanny and prompts a reevaluation of especially violent historical moments and issues that affect all within a society. Hesse's work within this new tradition of revisions of beloved fairy tales, as well as his creation of literary fairy tales, has significantly influenced the work of key postmodern feminist fairy tale revisionists like Jeanette Winterson.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/369202
Subject Headings: Criticism and interpretation, Criticism and interpretation, Symbolism in literature, Feminism in literature, Postmodernism (Literature), Fairy tales, Criticism and interpretation
Format: Document (PDF)

Title: Abjection and social transformation in John Fowles's Mantissa and A Maggot.
Creator: Skolnick, Jenifer A., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: In John Fowles's last two novels, he alters his authorial project of discovering freedom for an individual from a social system to how a social system can be changed from within. Using Julia Kristeva's theory of abjection and her interpretation of the semiotic versus symbolic processes of signification, readers can determine how an imbalance in the human signifying process has become corrupted by power. Through Fowles's heroines and semiotic irruptions of the symbolic order in both Mantissa...
Show moreIn John Fowles's last two novels, he alters his authorial project of discovering freedom for an individual from a social system to how a social system can be changed from within. Using Julia Kristeva's theory of abjection and her interpretation of the semiotic versus symbolic processes of signification, readers can determine how an imbalance in the human signifying process has become corrupted by power. Through Fowles's heroines and semiotic irruptions of the symbolic order in both Mantissa and A Maggot, Fowles reveals weaknesses in the symbolic, and consequently, moments where transformation of a patriarchal, symbolic system can be recognized. These moments of strain on the symbolic are significant because they cause a disruption of the rules and borders that define a social system like patriarchy. By calling attention to these moments, the categorical imperatives that have been imposed on women and perpetuated for the purpose of maintaining power relations can thus be subverted. In Mantissa and A Maggot, Fowles accomplishes a breaking of the boundaries, both within and of the text, by providing a literary space where readers can glimpse the power of the semiotic, the corruption of social conditioning, and gain a new perspective of their own symbolic/social system in the real world.
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Date Issued: 2010
PURL: http://purl.flvc.org/FAU/2979382
Subject Headings: Criticism and interpretation, Criticism and interpretation, Creation (Literary, artistic, etc.), Culture, Semiotic models, Symbolic interactionism, Symbolism in literature, Postmodernism (Literature)
Format: Document (PDF)

Title: Nurtured beauty: cultivating balance between chance, control, extravagance, and restraint.
Creator: Spivey, Kim., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Interested in nurturing beauty, I create paintings that reference life processes through layers of struggle, discovery, recovery and generation. Employing a metaphor of the garden, my paintings can be seen as spaces where I determine what grows, stays, is mulched, or weeded out. I seek a balance between coexisting desires of restraint and control and extravagance with a sense of coming unbound. I emphasize the painting field as a whole, while also paying deep attention to the minute, inviting...
Show moreInterested in nurturing beauty, I create paintings that reference life processes through layers of struggle, discovery, recovery and generation. Employing a metaphor of the garden, my paintings can be seen as spaces where I determine what grows, stays, is mulched, or weeded out. I seek a balance between coexisting desires of restraint and control and extravagance with a sense of coming unbound. I emphasize the painting field as a whole, while also paying deep attention to the minute, inviting the viewer to discover complex worlds at different scales within each environment I create. My intimate, domesticated painted environments offer the viewer the possibility to experience the spaces I find beautiful and to add to the conversation of where beauty resides today in contemporary art.
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Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3172945
Subject Headings: Symbolism in literature, Painting, Modern, Themes, motives, Self-perception in art, Mimesis in art, Postmodernism
Format: Document (PDF)

Title: The city of Disney, book III: the philosophy of consolation or bombs and prayers.
Creator: White, Daniel R.
Date Issued: 1999
PURL: http://purl.flvc.org/fcla/herb/15864a1.sid
Subject Headings: Philosophy, Modern 20th century, Postmodernism, Mass society, Literature, Modern
Format: Document (PDF)

Title: The city of Disney, book VI: promethean fire sale!.
Creator: White, Daniel R.
Date Issued: 2001
PURL: http://purl.flvc.org/fcla/dt/15865
Subject Headings: Philosophy, Modern--20th century, Postmodernism, Mass society, Literature, Modern
Format: Document (PDF)

FAU Theses and Dissertations (19)	+ -
FAU College Collections (4)	+ -

Postmodernism (Literature) (12)	+ -
Symbolism in literature (11)	+ -
Criticism and interpretation (7)	+ -
Postmodernism (7)	+ -
Mass society (4)	+ -

Literature, Modern (3)	+ -
Philosophy, Modern 20th century (3)	+ -
Avant-garde (Aesthetics) (2)	+ -
Culture (2)	+ -
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