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Communicating space and time perception and ideology in online texts
Title
Communicating space and time perception and ideology in online texts.
Creator
Dushi, Nava., Florida Atlantic University, Scodari, Christine
Abstract/Description
This thesis emerges from the realization of the paradox that lies beneath online technology which promises to change the way we think, yet penetrates our lives by employing a systematic simulation of our most basic cognitive skills. In order to understand this paradox in terms of space and time, the research examines the ways in which time and space are communicated on two disparate Internet websites. The assembled data are analyzed using an interdisciplinary approach that leads to a textual...
Show moreThis thesis emerges from the realization of the paradox that lies beneath online technology which promises to change the way we think, yet penetrates our lives by employing a systematic simulation of our most basic cognitive skills. In order to understand this paradox in terms of space and time, the research examines the ways in which time and space are communicated on two disparate Internet websites. The assembled data are analyzed using an interdisciplinary approach that leads to a textual analysis based in theories of semiotics. The study finds that the Internet is fundamentally framed in spatial terms. The space bias is ideologically significant; commercial websites use it to produce a textual environment that assimilates the user and, thus, enables the promotion of conspicuous consumption.
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Date Issued
2002
PURL
http://purl.flvc.org/fcla/dt/12905
Subject Headings
Mass media--Semiotics, Internet--Social aspects, Digital media, Mass media and culture
Format
Document (PDF)
Veg-gendered: a cultural study of gendered onscreen representations of food and their implications for veganism
Title
Veg-gendered: a cultural study of gendered onscreen representations of food and their implications for veganism.
Creator
Aguilera, Paulina, Scodari, Christine, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
This thesis is an exploration of popular media texts that influence veganism, with either explicit representations or implicit messages that implicate vegans. Research focuses on the question: How does the gendering of food in popular media texts implicate veganism? Theories used include a combination of cultural, film, and feminist studies, including Stuart Hall’s audience reception, Laura Mulvey's male gaze, R.W. Connell’s hegemonic masculinity, Carol Adams' feminist-vegetarian critical...
Show moreThis thesis is an exploration of popular media texts that influence veganism, with either explicit representations or implicit messages that implicate vegans. Research focuses on the question: How does the gendering of food in popular media texts implicate veganism? Theories used include a combination of cultural, film, and feminist studies, including Stuart Hall’s audience reception, Laura Mulvey's male gaze, R.W. Connell’s hegemonic masculinity, Carol Adams' feminist-vegetarian critical theory, and Rebecca Swenson's critical television studies. A print and television advertisement analysis demonstrates the gendering of food, and subject-object relationship of meat, women, and men. A film analysis of texts with vegan characters and horror film texts with implicit vegan and feminist messaging follows, thus revealing interesting trends and developments in the characterization of vegans on films, and hidden messages in the horror films studied. Lastly, an examination of competitive and instructional cooking shows ends the analysis, with interesting challenges to hegemony present in these television texts. The thesis concludes with examples of modem media feminizing veganism through food associations, the problematic imagery of women and meat as fetishized objects, along with challenges to hegemony that exist in some explicitly vegan texts.
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Date Issued
2014
PURL
http://purl.flvc.org/fau/fd/FA00004177, http://purl.flvc.org/fau/fd/FA00004177
Subject Headings
Feminist theory, Mass media and culture, Veganism, Vegetarianism
Format
Document (PDF)
Deconstructing the politics of culture jamming
Title
Deconstructing the politics of culture jamming: true cost economics.
Creator
Seidl, Jana, Harriet L. Wilkes Honors College
Abstract/Description
Culture Jammers, an activist guerilla-like movement, entered the global scene in the 1990s and, through public performances, attempt to draw attention to their claim that the US economic structure is facing a fundamental need to shift away from a consumer-oriented capitalist economy. As an alternative, the activists propose--True Cost economics, a model that would include the costs of negative production and consumption externalities in the pricing of commodities. In this paper, I focus on...
Show moreCulture Jammers, an activist guerilla-like movement, entered the global scene in the 1990s and, through public performances, attempt to draw attention to their claim that the US economic structure is facing a fundamental need to shift away from a consumer-oriented capitalist economy. As an alternative, the activists propose--True Cost economics, a model that would include the costs of negative production and consumption externalities in the pricing of commodities. In this paper, I focus on culture jammers' critique of neoclassical economics, more specifically, the clash of the--new paradigm (True Cost economics) and the old paradigm (neoclassical economics). In evaluating whether True Cost economics is a feasible alternative, I graphically examine how the True Cost solution and the neoclassical market model correct for negative externalities to reveal similarities in the two models.
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Date Issued
2008
PURL
http://purl.flvc.org/FAU/77690
Subject Headings
Consumption (Economics), Social aspects, Neoclassical school of economics, History, Microeconomics, Mass media and culture
Format
Document (PDF)
Minority representation in popular culture
Title
Minority representation in popular culture.
Creator
Miller, Jeffrey, Youngberg, Quentin, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
This thesis focuses on the continuous misrepresentations that appear throughout different outlets of popular culture and the negative impacts of these misrepresentations. In the first chapter, the focus will be on the films The Last of the Mohicans and The Mission and the origins and implications of the misrepresentation of Indians in film. The second chapter uses rap music videos such as 50 Cent’s In Da Club, Nelly’s Tip Drill, LMFAO and Lil John’s Shots, Where Da Hood At, Tupac’s Hit ‘Em up...
Show moreThis thesis focuses on the continuous misrepresentations that appear throughout different outlets of popular culture and the negative impacts of these misrepresentations. In the first chapter, the focus will be on the films The Last of the Mohicans and The Mission and the origins and implications of the misrepresentation of Indians in film. The second chapter uses rap music videos such as 50 Cent’s In Da Club, Nelly’s Tip Drill, LMFAO and Lil John’s Shots, Where Da Hood At, Tupac’s Hit ‘Em up, and N.W.A.’s Straight Outta Compton as primary texts to demonstrate the one dimensional and problematic representations of African American Identity in the rap music industry. The third and final chapter uses the video games Grand Theft Auto III and Gun as examples of the negative representations that occur and are repeated quickly in the rapidly improving world of video games. While the misrepresentations are achieved and perpetuated differently in each medium, their ubiquitous presence in popular culture calls for discussion.
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Date Issued
2014
PURL
http://purl.flvc.org/fau/fd/FA00004139, http://purl.flvc.org/fau/fd/FA00004139
Subject Headings
African Americans in popular culture, Ethnicity, Mass media and culture, Native Americans in motion pictures, Popular culture -- United States, Race awareness, Social classes in mass media, Stereotypes (Social psychology)
Format
Document (PDF)
Cultural imperialism: The Caribbean's case of colonization, media imperialism, and tourism
Title
Cultural imperialism: The Caribbean's case of colonization, media imperialism, and tourism.
Creator
Sabga, Nicole., Florida Atlantic University, Fejes, Fred A.
Abstract/Description
This study focuses on some of the complexities of cultural imperialism in the Caribbean. Five hundred years of colonization by Europe, as well as the hegemonic influence of United States' international broadcast media, has contributed to the multiple identities that Caribbean peoples recognize and possess. Tourism and the development of consumer societies has contributed to the consumption of Caribbean culture. These issues, colonization, media imperialism, and tourism, are discussed with...
Show moreThis study focuses on some of the complexities of cultural imperialism in the Caribbean. Five hundred years of colonization by Europe, as well as the hegemonic influence of United States' international broadcast media, has contributed to the multiple identities that Caribbean peoples recognize and possess. Tourism and the development of consumer societies has contributed to the consumption of Caribbean culture. These issues, colonization, media imperialism, and tourism, are discussed with regard to their influences on Caribbean identities and consumption of Caribbean culture. The efforts of international organizations and the defenses of Caribbean countries are also discussed regarding the effects of cultural imperialism.
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Date Issued
1995
PURL
http://purl.flvc.org/fcla/dt/15147
Subject Headings
Tourist trade--Caribbean area, Caribbean area--Social life and customs, Mass media and culture--Caribbean area, Imperialism
Format
Document (PDF)
The “Shepard” will guide us: a textual analysis of hegemonic reinforcement and resistance in the mass effect video game series
Title
The “Shepard” will guide us: a textual analysis of hegemonic reinforcement and resistance in the mass effect video game series.
Creator
Gonzalez, Maricruz, Scodari, Christine, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
Mass Effect is a Science Fiction/Action Role Playing/Third Person Shooter video game series that takes place in the year 2183, in which the player assumes control of Commander Shepard. Players can choose to customize the character based on his/her gender, appearance, sexual orientation, background origin and occupation. The choices that show up in the game are also based on how the player wants their version of Shepard to interact with other characters and allows players some leeway to shape...
Show moreMass Effect is a Science Fiction/Action Role Playing/Third Person Shooter video game series that takes place in the year 2183, in which the player assumes control of Commander Shepard. Players can choose to customize the character based on his/her gender, appearance, sexual orientation, background origin and occupation. The choices that show up in the game are also based on how the player wants their version of Shepard to interact with other characters and allows players some leeway to shape their own narrative. The series also discusses and acknowledges issues of race, gender, subjecthood and sovereignty, politics and sexual orientation within its narrative. This analysis focuses on the text of the series and its implications concerning hegemonic reinforcement and/or resistance in terms of race, gender, sexual orientation, politics, and warfare tactics.
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Date Issued
2014
PURL
http://purl.flvc.org/fau/fd/FA00004288, http://purl.flvc.org/fau/fd/FA00004288
Subject Headings
Computer games -- Social aspects, Electronic games -- Social aspects, Feminist theory, Gender identity in mass media, Mass Effect video game -- Social aspects, Mass media and culture, Sex role, Video games -- Moral and ethical aspects, Video games -- Social aspects
Format
Document (PDF)
Personality and the news
Title
Personality and the news: the Five-Factor Model and headline preferences.
Creator
Curry, Mila., Harriet L. Wilkes Honors College
Abstract/Description
The current study examines the relationship between the Five-Factor Model of Personality and preferences for news headlines. This is an online study in which participants were presented two headlines and were asked to choose one of them. Next, participants were asked to fill out a personality inventory. In the results we examine whether certain personality types are more likely to read certain news stories. Authors created five news headline domains, which were intended to map onto the Five...
Show moreThe current study examines the relationship between the Five-Factor Model of Personality and preferences for news headlines. This is an online study in which participants were presented two headlines and were asked to choose one of them. Next, participants were asked to fill out a personality inventory. In the results we examine whether certain personality types are more likely to read certain news stories. Authors created five news headline domains, which were intended to map onto the Five-Factor Model of Personality. As hypothesized, Openness to Experience significantly (p < .05) predicted selection of items within the news headline domain entitled Culture. The study also found that personality can be predicted from news headline selection.
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Date Issued
2008
PURL
http://purl.flvc.org/FAU/77663
Subject Headings
Personality and culture, Emotional intelligence, Image (Psychology), Mass media, Psychological aspects, Five-Factor Model of Personality
Format
Document (PDF)
intersection of gender and Italian/Americaness
Title
The intersection of gender and Italian/Americaness: hegemony in The Sopranos.
Creator
Wilson, Niki Caputo., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description
This dissertation uses a multiperspectival approach that analyzes production, text, and audience consumption to explore representations of gender and ethnicity in The Home Box Office, Inc. (HBO) original program The Sopranos. I first present the social, political, and economic factors that contributed to the continued critical and commercial success of the show. The hybrid genre of the show - an intermingling of the gangster and soap opera genres - proves particularly significant in its...
Show moreThis dissertation uses a multiperspectival approach that analyzes production, text, and audience consumption to explore representations of gender and ethnicity in The Home Box Office, Inc. (HBO) original program The Sopranos. I first present the social, political, and economic factors that contributed to the continued critical and commercial success of the show. The hybrid genre of the show - an intermingling of the gangster and soap opera genres - proves particularly significant in its representation of gender and ethnicity. Both textual and audience analyses allow me to respond to the question central to this dissertation: Does The Sopranos reinforce or challenge hegemonic notions of masculinity, femininity, and ethnicity? My textual and paratextual analysis identifies the embodiment of hegemonic masculinity in the male characters, including the ways in which that hegemonic behavior leads to male violence, as depicted in the narrative, and reveals the performances of emphasized femininity and pariah femininities, class, and Italian/Americaness at play amongst the female characters in The Sopranos. Audience analysis reveals that The Sopranos broadly appeals to many Italian/Americans and self-proclaimed feminists, yet the vast majority of fans, particularly those who create fan fiction and frequent chat rooms, are drawn to the show for its violence, sexist imagery, and macho male characters. Thus, the multiperspectival approach of this dissertation proved particularly useful in determining that The Sopranos, in its entirety, ultimately repackages, but yet still reinforces hegemonic notions of gender and Italian/Americaness.
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Date Issued
2010
PURL
http://purl.flvc.org/FAU/2979374
Subject Headings
Sopranos (Television program), Mass media and culture, Group identity, Television viewers, Ethnicity
Format
Document (PDF)
Un-resistive reproduction? Medical hegemony, pregnancy, and reality television
Title
Un-resistive reproduction? Medical hegemony, pregnancy, and reality television.
Creator
Bruno, Serena R., Florida Atlantic University, Scodari, Christine
Abstract/Description
A new trend of unscripted, reality television programming chronicling the real-life childbirth experiences of American women and families has gained considerable ground in recent years. These programs, especially Discovery Health's BirthDay and The Learning Channel's A Baby Story, record, edit and broadcast the prenatal, childbirth, and postnatal health care of "everyday" women volunteers, including their physical, social, and emotional concerns. This research study focuses attention on the...
Show moreA new trend of unscripted, reality television programming chronicling the real-life childbirth experiences of American women and families has gained considerable ground in recent years. These programs, especially Discovery Health's BirthDay and The Learning Channel's A Baby Story, record, edit and broadcast the prenatal, childbirth, and postnatal health care of "everyday" women volunteers, including their physical, social, and emotional concerns. This research study focuses attention on the authoritative, technological and therefore, medically hegemonic perspective of this type of programming, illuminating through content, textual, focus group, and survey analyses the abundance of medically hegemonic meanings in both the discursive and visual aspects of these texts as well as the negotiations of their target audience.
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Date Issued
2005
PURL
http://purl.flvc.org/fcla/dt/13300
Subject Headings
Reality television programs, Mass media and culture, Television program genres, Television--Social aspects, Childbirth, Television--Psychological aspects
Format
Document (PDF)
Multiple birth families, religion, and cultural hegemony
Title
Multiple birth families, religion, and cultural hegemony: patriarchal constructions in reality television.
Creator
Cittadino, Emily M., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
Reality television programming chronicling the daily workings of multiple birth families within American culture has gained notoriety in recent years. Such programs, especially Discovery Health and TLC's 17, 18 Kids and Counting and TLC's Jon and Kate Plus Ei8ht, film, edit and broadcast the "everyday" life of these families. This research study focuses attention on hegemonic ideologies surrounding family values, motherhood, gender roles and religious faith, illuminated through textual and...
Show moreReality television programming chronicling the daily workings of multiple birth families within American culture has gained notoriety in recent years. Such programs, especially Discovery Health and TLC's 17, 18 Kids and Counting and TLC's Jon and Kate Plus Ei8ht, film, edit and broadcast the "everyday" life of these families. This research study focuses attention on hegemonic ideologies surrounding family values, motherhood, gender roles and religious faith, illuminated through textual and audience analysis. Working from an interdisciplinary approach combining feminist media and cultural studies, this study finds that hegemonic notions of family values, gender representations, religious faith and conceptions of motherhood are evident to varying degrees in the television texts and accepted by fans who negotiate their meanings online.
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Date Issued
2010
PURL
http://purl.flvc.org/FAU/2684311
Subject Headings
Mass media and culture, Feminist theory, Popular culture, Women in popular culture, Reality television programs, Social aspects, Television program genres, Sex role in popular culture
Format
Document (PDF)
Towards a feminist funny
Title
Towards a feminist funny: exploring myth, power and postfeminism in the work of Chelsea Handler.
Creator
Walleser, Lauren., Dorothy F. Schmidt College of Arts and Letters, Center for Women, Gender and Sexuality Studies
Abstract/Description
Chelsea Handler is a comedian and host of the TV show Chelsea Lately. She has been successful in the late night comedy talk show genre to a degree that no woman has before. While she represents the most significant advancement for women in the genre, she also plays to patriarchal themes in order to maintain her foothold. In my thesis, I locate Handler within the history of women's stand-up comedy, analyzing her appeal via the figure of "The Unruly Woman" and other image types. I apply a...
Show moreChelsea Handler is a comedian and host of the TV show Chelsea Lately. She has been successful in the late night comedy talk show genre to a degree that no woman has before. While she represents the most significant advancement for women in the genre, she also plays to patriarchal themes in order to maintain her foothold. In my thesis, I locate Handler within the history of women's stand-up comedy, analyzing her appeal via the figure of "The Unruly Woman" and other image types. I apply a mythic analysis as I look for Handler's manifestation of mythic types, including archetypal Goddess representations. I analyze her treatment of violence against women, exploring how Handler approaches these themes in ways that allow her into the "old boys club." I use textual and audience analysis to assess Handler's ability to be a transformative and empowering figure for women in comedy and beyond.
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Date Issued
2011
PURL
http://purl.flvc.org/FAU/3322513
Subject Headings
Criticism and interpretation, Women in popular culture, Feminist theory, Performance art, Social aspects, Mass media and women
Format
Document (PDF)
The Politics of Silence: The Public and Private Matter of Theresa Marie Schiavo
Title
The Politics of Silence: The Public and Private Matter of Theresa Marie Schiavo.
Creator
Reinson, Kyle F., Tracy, James F., Florida Atlantic University
Abstract/Description
Theresa Marie Schiavo died March 31, 2005. The 41-year-old's human and communicative faculties were so deficient that a feeding tube was necessary to nourish her and she had been silent for 15 years. In her final month, Ms. Schiavo's health, the dispute between her husband and parents concerning the removal of her feeding tube, and her subsequent death were covered extensively by American broadcast, online and print media. As she lay silent in a Florida hospice, the U.S. Congress, the...
Show moreTheresa Marie Schiavo died March 31, 2005. The 41-year-old's human and communicative faculties were so deficient that a feeding tube was necessary to nourish her and she had been silent for 15 years. In her final month, Ms. Schiavo's health, the dispute between her husband and parents concerning the removal of her feeding tube, and her subsequent death were covered extensively by American broadcast, online and print media. As she lay silent in a Florida hospice, the U.S. Congress, the president and the courts intervened, and those who spoke about her matter and the news media propelled her human tragedy toward the top of the public agenda. News stories, reports and analyses of the case from Time, Newsweek, The New York Times, The Washington Post and St. Petersburg Times are analyzed using a critical-qualitative approach to framing.
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Date Issued
2007
PURL
http://purl.flvc.org/fau/fd/FA00000954
Subject Headings
Schiavo, Terri,--1963-2005, Right to die--Moral and ethical aspects, Political sociology, Mass media and culture, Privacy, Right of, Journalism--Objectivity
Format
Document (PDF)
More than "just a hunch"
Title
More than "just a hunch": meaning, feminine intuition and television sleuths.
Creator
Dominguez, Sheela Celeste., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
The rise in popularity of the female sleuth television programs makes it important to explore representations of gender and knowledge. This investigation analyzes interpretations of intuition in the television sleuth genre and relevant paratexts, examines gendered public and private spheres and raises broader questions about gendered knowledge in the series Medium, Crossing Jordan, Law and Order: Criminal Intent, Veronica Mars, Monk, The Profiler and True Calling. Rooted in feminist cultural...
Show moreThe rise in popularity of the female sleuth television programs makes it important to explore representations of gender and knowledge. This investigation analyzes interpretations of intuition in the television sleuth genre and relevant paratexts, examines gendered public and private spheres and raises broader questions about gendered knowledge in the series Medium, Crossing Jordan, Law and Order: Criminal Intent, Veronica Mars, Monk, The Profiler and True Calling. Rooted in feminist cultural studies, historical and sociological analysis, television and film theory and work on the detective genre, this investigation establishes common frames, or filters, through which the television sleuth genre represents intuition and the gendered experience of knowledge. Women with intuition are depicted as unstable, dangerous and mentally ill. Though framed similarly, intuitive men have more freedom. This study expands on academic research on television representations of gender and knowledge. Societal implications include further understanding of meaning-making in regard to gendered knowing.
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Date Issued
2008
PURL
http://purl.flvc.org/FAU/165938
Subject Headings
Women detectives in mass media, Popular culture, History, Self-actualization (Psychology), Sex differences (Psychology), Thought and thinking, Sex differences, Women in television
Format
Document (PDF)
Hegemonic "realness"?
Title
Hegemonic "realness"?: an intersectional analysis of RuPaul's Drag Race.
Creator
Jenkins, Sarah Tucker, Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
RuPaul's Drag Race is one of the few realilty television shows focusing on QLGBT (queer, lesbian, gay, bisexual, and transgender) identified individuals that has made it into mainstream consciousness. Drag Race provides a unique perspective on the ways that gender identity, sexuality, size, class, race, and ethnicity intersect and interact in people's lives.The television show augments many of these intersedtions and the challenges related to these identities while still reflecting the daily...
Show moreRuPaul's Drag Race is one of the few realilty television shows focusing on QLGBT (queer, lesbian, gay, bisexual, and transgender) identified individuals that has made it into mainstream consciousness. Drag Race provides a unique perspective on the ways that gender identity, sexuality, size, class, race, and ethnicity intersect and interact in people's lives.The television show augments many of these intersedtions and the challenges related to these identities while still reflecting the daily struggles that people experience.The show works to promote messages of self-love and acceptance ; however, it also promotes many problematic and damaging stereotypes. This thesis conducts a feminist analysis in order to answer the question: How does RuPaul's Drag Race relate to hegemonic and oppressive stereotypes and roles associated with gender identity, sexual orientation, size, class, race and ethnicity? Does it challenge or reinforce such hegemonies? In order to answer these questions, this thesis examines visual imagery, narrative, and dialogue in the show, utilizes theories from cultural and women's studies, English and communications. It concludes that although Drag Race does engage in some subversive behavior, it ultimately reinforces harmful hegemonic stereotypes.
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Date Issued
2013
PURL
http://purl.flvc.org/fcla/dt/3360799
Subject Headings
Criticism and interpretation, Criticism and interpretation, Reality television programs, Social aspects, Mass media and culture, Mass media and women, Feminist theory, Television program genres, Stereotypes (Social psychology)
Format
Document (PDF)
Chavez and the media
Title
Chavez and the media: a framework for analyzing the 2012 presidential election news coverage in Venezuela.
Creator
Viller, Adrian J., Harriet L. Wilkes Honors College
Abstract/Description
The media has a significant influence on any political process. In Venezuela, particularly, the media plays an important rold in defining the electorate's political opinion and attitude toward the political process. This thesis analyzed how the media's preference for conflict and individual personalities exacerbated overall societal tensions and polarization in Venezuela since 1999. I suggest a framework for a future content analysis of news coverage of the 2012 presidential election in order...
Show moreThe media has a significant influence on any political process. In Venezuela, particularly, the media plays an important rold in defining the electorate's political opinion and attitude toward the political process. This thesis analyzed how the media's preference for conflict and individual personalities exacerbated overall societal tensions and polarization in Venezuela since 1999. I suggest a framework for a future content analysis of news coverage of the 2012 presidential election in order to quantify and qualify the evolution of bias and balance in Venezuela's mass media.
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Date Issued
2012
PURL
http://purl.flvc.org/FAU/3359323
Subject Headings
Political culture, Political parties, Mass media, Political aspects, Press and politics, Politics and government
Format
Document (PDF)
Black adolescents’ critical encounters with media and the counteracting possibilities of critical media literacy
Title
Black adolescents’ critical encounters with media and the counteracting possibilities of critical media literacy.
Creator
Waldon, Kalisha, Schoorman, Dilys, Florida Atlantic University, College of Education, Department of Curriculum, Culture, and Educational Inquiry
Abstract/Description
This transformative mixed-methods research study, uniquely designed as a 12-week curriculum to facilitate critical media literacy, drew upon the principles of critical pedagogy to investigate Black adolescents ‘perceptions of the impact of media on their racial identities. Responding to the high rate of media consumption among Black youth, the Critical Encounters Unit engaged 79 Black high school students in the southeast United States in examining how they made sense of their media...
Show moreThis transformative mixed-methods research study, uniquely designed as a 12-week curriculum to facilitate critical media literacy, drew upon the principles of critical pedagogy to investigate Black adolescents ‘perceptions of the impact of media on their racial identities. Responding to the high rate of media consumption among Black youth, the Critical Encounters Unit engaged 79 Black high school students in the southeast United States in examining how they made sense of their media encounters. Data on participants ‘perceptions of the role media plays in constructing Black identities and societal perceptions of Blacks were gathered through pre-post study surveys of all participants‘ self-identities and media literacy, interviews with 15 participants, 467 student journals, and 15 video observation field notes.
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Date Issued
2015
PURL
http://purl.flvc.org/fau/fd/FA00004474, http://purl.flvc.org/fau/fd/FA00004474
Subject Headings
African Americans in popular culture, Blacks -- Race identity -- United States, Critical theory, Critical thinking, High school students, Black -- Attitudes -- United States, Mass media and youth, Racism -- Prevention
Format
Document (PDF)
Media voyeurs in Vladimir Nabokov's Lolita
Title
Media voyeurs in Vladimir Nabokov's Lolita.
Creator
Krupski, Maureen P., Harriet L. Wilkes Honors College
Abstract/Description
Vladimir Nabokov's novel Lolita, most often noted for its critique on consumerism in post-war America and the conflict between Old World European values with New World American ones, contains an equally strong critique on consumerism of media. Lolita's narrative style, the memoir of a pedophile and murderer simultaneously seeking absolution and applause, investigates the relationship between a seductive mass media and its prurient and Puritanical audience. Implicit in the narrative technique...
Show moreVladimir Nabokov's novel Lolita, most often noted for its critique on consumerism in post-war America and the conflict between Old World European values with New World American ones, contains an equally strong critique on consumerism of media. Lolita's narrative style, the memoir of a pedophile and murderer simultaneously seeking absolution and applause, investigates the relationship between a seductive mass media and its prurient and Puritanical audience. Implicit in the narrative technique is the audience's own participation in the mediation of reality.
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Date Issued
2007
PURL
http://purl.flvc.org/FAU/40971
Subject Headings
Criticism and interpretation, Mass media and culture, Postmodernism
Format
Document (PDF)