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She just snapped
Title
She just snapped: reality television, murder and the myth of feminine evil.
Creator
Tomei, Megan., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
Snapped, a documentary style show profiling female killers, is one of Oxygens longest running hit franchises. This thesis analyzes, through both the frames of feminist theory and rhetoric, the way the show perpetuates and plays upon the myth of feminine evil as well as the stereotype of women as weak, hysterical agents in need of control. Snapped showcases women who start out as seemingly normal but then enact horrendous crimes. The use of women that the audience can identify with but then...
Show moreSnapped, a documentary style show profiling female killers, is one of Oxygens longest running hit franchises. This thesis analyzes, through both the frames of feminist theory and rhetoric, the way the show perpetuates and plays upon the myth of feminine evil as well as the stereotype of women as weak, hysterical agents in need of control. Snapped showcases women who start out as seemingly normal but then enact horrendous crimes. The use of women that the audience can identify with but then later fear creates a cathartic experience in which female audience members can be vicariously cleansed of any dangerous animosity they may possess. The show portrays the many extreme examples as the norm for lethal female violence, but this disregards the fact that a majority of women killers act in self defense. The show distorts the reality of violence against women and supports a stereotype of inherent female criminality.
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Date Issued
2010
PURL
http://purl.flvc.org/FAU/2684892
Subject Headings
Reality television programs, Feminist theory, Homicide, Psychological aspects, Violence in women, Violence in mass media
Format
Document (PDF)
Women's feminist collective identity: A liberal feminist analysis of feminist identification and feminist consciousness
Title
Women's feminist collective identity: A liberal feminist analysis of feminist identification and feminist consciousness.
Creator
Hiller, Tiffany Ann., Florida Atlantic University, Appleton, Lynn M.
Abstract/Description
Data from the 1992 American National Election Study are used to examine three issues: first, who is most likely to identify as a feminist; second, who is likely to show a feminist consciousness; and finally who possesses both the feminist identification and feminist consciousness that demonstrate a feminist collective identity. The results indicate that feminist identification and feminist consciousness are separate but related constructs and that overall feminist collective identity among...
Show moreData from the 1992 American National Election Study are used to examine three issues: first, who is most likely to identify as a feminist; second, who is likely to show a feminist consciousness; and finally who possesses both the feminist identification and feminist consciousness that demonstrate a feminist collective identity. The results indicate that feminist identification and feminist consciousness are separate but related constructs and that overall feminist collective identity among women is weak. The findings indicate a need to make clear which dimension--feminist identification or feminist consciousness--is being used in efforts to understand women's feminist collective identity and how these three concepts interact with cohort, employment status, income, education, race, and marital status.
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Date Issued
1997
PURL
http://purl.flvc.org/fcla/dt/15500
Subject Headings
Feminist theory--United States, Women--United States--Social conditions, Women--United States--Identity, Feminism--United States, Consciousness
Format
Document (PDF)
Finding their voice: Identifying signifiers of women's agency and empowerment in the work of Haitian women artists
Title
Finding their voice: Identifying signifiers of women's agency and empowerment in the work of Haitian women artists.
Creator
Kirchen, Anita Mary, Florida Atlantic University, Beoku-Betts, Josephine
Abstract/Description
Although the work of women artists has been widely discussed within feminist scholarship from a Euro-American perspective, there is currently little published discourse on the visual art produced by Third-World women within the context of postcolonial and Black feminist theories. This study explores the hypothesis that using the lens of postcolonial and Black feminist theories to examine the work of women artists situated in a Third World environment may identify signifiers of women's agency...
Show moreAlthough the work of women artists has been widely discussed within feminist scholarship from a Euro-American perspective, there is currently little published discourse on the visual art produced by Third-World women within the context of postcolonial and Black feminist theories. This study explores the hypothesis that using the lens of postcolonial and Black feminist theories to examine the work of women artists situated in a Third World environment may identify signifiers of women's agency and empowerment.
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Date Issued
1999
PURL
http://purl.flvc.org/fcla/dt/15733
Subject Headings
Art, Haitian--Women artists, Black--History and criticism, Feminist theory, Feminism and art--Haiti, Minority women artists--Developing countries
Format
Document (PDF)
Hillary Rodham Clinton
Title
Hillary Rodham Clinton: feminism, success, and the First Ladyship.
Creator
Boyer, Heather J., Harriet L. Wilkes Honors College
Abstract/Description
This thesis will investigate the ways in which Hillary Rodham Clinton, former First Lady of the United States and the Junior United States Senator from New York State, appropriated strategies of liberal feminism in her political career as the first modern, working mother to serve as First Lady. A feminist First Lady, Clinton broke through the social expectations placed upon that role in an unprecedented manner by taking an active part in the political strategy and substance of her husband's...
Show moreThis thesis will investigate the ways in which Hillary Rodham Clinton, former First Lady of the United States and the Junior United States Senator from New York State, appropriated strategies of liberal feminism in her political career as the first modern, working mother to serve as First Lady. A feminist First Lady, Clinton broke through the social expectations placed upon that role in an unprecedented manner by taking an active part in the political strategy and substance of her husband's administration. Her successful campaign for the United States Senate in 2000 as the first former First Lady to hold such an office proved that she has her own political clout independent of her husband. Hillary Rodham Clinton has all the marks of a liberal feminist success story: a strong political background and educational credentials, unfettered ambition, mastery of public discourse, her own political identity, and a real commitment to tough policymaking and representation in Washington. Yet despite this success, liberal feminism presents problems for the women's movement generally. After mapping the history of Hillary Rodham Clinton as a feminist political figure, I will examine whether liberal feminism is adequate in challenging patriarchal structures and other related forms of domination.
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Date Issued
2006
PURL
http://purl.flvc.org/FAU/11593
Subject Headings
Presidents' spouses, Feminist theory, Women in public life, Feminism, Liberalism, Women in democracy
Format
Document (PDF)
Dissipating hostility through feminine rhetorical style
Title
Dissipating hostility through feminine rhetorical style: Barbara Bush and the petitioners of Wellesley College.
Creator
Doran, Bethany Lynne., Gorbacheva, Raisa Maksimovna, Wellesley College, Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
This study uses Karlyn Campbell's concept of feminine rhetorical style as a theoretical framework for analyzing the rhetoric of Barbara Bush's 1990 Wellesley College commencement address. Through a systematic evaluation of Barbara Bush's speech, this study reveals that her rhetoric exemplifies feminine rhetorical style. The analysis also concludes that Barbara Bush's personal tone, specifically her use of narrative and humor, is the most useful and effective characteristic of her feminine...
Show moreThis study uses Karlyn Campbell's concept of feminine rhetorical style as a theoretical framework for analyzing the rhetoric of Barbara Bush's 1990 Wellesley College commencement address. Through a systematic evaluation of Barbara Bush's speech, this study reveals that her rhetoric exemplifies feminine rhetorical style. The analysis also concludes that Barbara Bush's personal tone, specifically her use of narrative and humor, is the most useful and effective characteristic of her feminine rhetorical style. Using feminine rhetorical style, Barbara Bush successfully dissipates some of the tension she faced prior to the graduation ceremony at Wellesley College. Therefore, this study reveals that feminine rhetorical style is an attractive alternative for speakers seeking to build identification in hostile situations when identification is, or appears to be, lacking.
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Date Issued
2010
PURL
http://purl.flvc.org/FAU/2100573
Subject Headings
Influence, Criticism and interpretation, Feminist theory, Narration (Rhetoric), Psychological aspects, Persuasion (Rhetoric)
Format
Document (PDF)
The discourse of the divine: radical traditions of black feminism, musicking, and myth within the black public sphere (civil rights to the present)
Title
The discourse of the divine: radical traditions of black feminism, musicking, and myth within the black public sphere (civil rights to the present).
Creator
Carter, Issac Martel, White, Derrick, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of History
Abstract/Description
The Discourse of the Divine: Radical Traditions of Black Feminism, Musicking,and Myth within the Black Public Sphere (Civil Rights to the Present) is an exploration of the historical precursors and the contemporary developments of Black feminism in America, via Black female musical production and West and Central African cosmology. Historical continuity and consciousness of African spirituality within the development of Black feminism are analyzed alongside the musical practices of two Black...
Show moreThe Discourse of the Divine: Radical Traditions of Black Feminism, Musicking,and Myth within the Black Public Sphere (Civil Rights to the Present) is an exploration of the historical precursors and the contemporary developments of Black feminism in America, via Black female musical production and West and Central African cosmology. Historical continuity and consciousness of African spirituality within the development of Black feminism are analyzed alongside the musical practices of two Black female musicians, Nina Simone and Me’shell Ndegéocello. Simone and Ndegéocello, The High Priestess of Soul and the Mother of Neo-Soul, respectively, distend the commodified confines of Black music and identity by challenging the established norms of music and knowledge production. These artists’ lyrics, politics, and representations substantiate the “Signifyin(g)” elements of West and Central African feminist mythologies and music- making traditions.
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Date Issued
2015
PURL
http://purl.flvc.org/fau/fd/FA00004434, http://purl.flvc.org/fau/fd/FA00004434
Subject Headings
African American women -- Social conditions, African American women -- Spirituality, African American women in popular culture, Feminist theory, NdegéOcello, Me'Shell -- 1969- -- Music -- Influence, Simone, Nina -- 1933-2003 -- Music -- Influence, Womanist theology
Format
Document (PDF)
The “Shepard” will guide us: a textual analysis of hegemonic reinforcement and resistance in the mass effect video game series
Title
The “Shepard” will guide us: a textual analysis of hegemonic reinforcement and resistance in the mass effect video game series.
Creator
Gonzalez, Maricruz, Scodari, Christine, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
Mass Effect is a Science Fiction/Action Role Playing/Third Person Shooter video game series that takes place in the year 2183, in which the player assumes control of Commander Shepard. Players can choose to customize the character based on his/her gender, appearance, sexual orientation, background origin and occupation. The choices that show up in the game are also based on how the player wants their version of Shepard to interact with other characters and allows players some leeway to shape...
Show moreMass Effect is a Science Fiction/Action Role Playing/Third Person Shooter video game series that takes place in the year 2183, in which the player assumes control of Commander Shepard. Players can choose to customize the character based on his/her gender, appearance, sexual orientation, background origin and occupation. The choices that show up in the game are also based on how the player wants their version of Shepard to interact with other characters and allows players some leeway to shape their own narrative. The series also discusses and acknowledges issues of race, gender, subjecthood and sovereignty, politics and sexual orientation within its narrative. This analysis focuses on the text of the series and its implications concerning hegemonic reinforcement and/or resistance in terms of race, gender, sexual orientation, politics, and warfare tactics.
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Date Issued
2014
PURL
http://purl.flvc.org/fau/fd/FA00004288, http://purl.flvc.org/fau/fd/FA00004288
Subject Headings
Computer games -- Social aspects, Electronic games -- Social aspects, Feminist theory, Gender identity in mass media, Mass Effect video game -- Social aspects, Mass media and culture, Sex role, Video games -- Moral and ethical aspects, Video games -- Social aspects
Format
Document (PDF)
Multiple birth families, religion, and cultural hegemony
Title
Multiple birth families, religion, and cultural hegemony: patriarchal constructions in reality television.
Creator
Cittadino, Emily M., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
Reality television programming chronicling the daily workings of multiple birth families within American culture has gained notoriety in recent years. Such programs, especially Discovery Health and TLC's 17, 18 Kids and Counting and TLC's Jon and Kate Plus Ei8ht, film, edit and broadcast the "everyday" life of these families. This research study focuses attention on hegemonic ideologies surrounding family values, motherhood, gender roles and religious faith, illuminated through textual and...
Show moreReality television programming chronicling the daily workings of multiple birth families within American culture has gained notoriety in recent years. Such programs, especially Discovery Health and TLC's 17, 18 Kids and Counting and TLC's Jon and Kate Plus Ei8ht, film, edit and broadcast the "everyday" life of these families. This research study focuses attention on hegemonic ideologies surrounding family values, motherhood, gender roles and religious faith, illuminated through textual and audience analysis. Working from an interdisciplinary approach combining feminist media and cultural studies, this study finds that hegemonic notions of family values, gender representations, religious faith and conceptions of motherhood are evident to varying degrees in the television texts and accepted by fans who negotiate their meanings online.
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Date Issued
2010
PURL
http://purl.flvc.org/FAU/2684311
Subject Headings
Mass media and culture, Feminist theory, Popular culture, Women in popular culture, Reality television programs, Social aspects, Television program genres, Sex role in popular culture
Format
Document (PDF)
Care at Work: A Feminist Analysis of the Long-Term Care Industry in the United States
Title
Care at Work: A Feminist Analysis of the Long-Term Care Industry in the United States.
Creator
Tunick, Rachel, Beoku-Betts, Josephine, Lange, Bernadette, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Center for Women, Gender and Sexuality Studies
Abstract/Description
This research provides a feminist perspective on the lowest paid sector of the United States long-term care industry, Certified Nursing Assistants. This research adds to current feminist scholarship on the modern professional caregiving industry by focusing on the perspective of the workers. As the population of older adults requiring care is expected to increase over the coming decades, the demand for paid caregivers will increase as well. Historically, care work was an expected duty done...
Show moreThis research provides a feminist perspective on the lowest paid sector of the United States long-term care industry, Certified Nursing Assistants. This research adds to current feminist scholarship on the modern professional caregiving industry by focusing on the perspective of the workers. As the population of older adults requiring care is expected to increase over the coming decades, the demand for paid caregivers will increase as well. Historically, care work was an expected duty done freely by the women of the family, but today much of the vital intimate caring labor is relegated to paid caregivers. I examine how alternative social, political and economic frameworks can transform United States society’s attitude towards the increasingly relevant issue of caring labor. I argue that incorporating a feminist perspective will be helpful in developing a sustainable model for caring labor that acknowledges the dignity of both patients and their caregivers.
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Date Issued
2016
PURL
http://purl.flvc.org/fau/fd/FA00004801, http://purl.flvc.org/fau/fd/FA00004801
Subject Headings
Nurses' aides., Medical personnel-caregiver relationships., Nursing homes--Employees--Attitudes., Feminist theory., Caring--Moral and ethical aspects., Feminism--Political aspects., Long-term care facilities--Administration., Nursing home patients--Care., Older people--Nursing home care.
Format
Document (PDF)
Hegemonic "realness"?
Title
Hegemonic "realness"?: an intersectional analysis of RuPaul's Drag Race.
Creator
Jenkins, Sarah Tucker, Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
RuPaul's Drag Race is one of the few realilty television shows focusing on QLGBT (queer, lesbian, gay, bisexual, and transgender) identified individuals that has made it into mainstream consciousness. Drag Race provides a unique perspective on the ways that gender identity, sexuality, size, class, race, and ethnicity intersect and interact in people's lives.The television show augments many of these intersedtions and the challenges related to these identities while still reflecting the daily...
Show moreRuPaul's Drag Race is one of the few realilty television shows focusing on QLGBT (queer, lesbian, gay, bisexual, and transgender) identified individuals that has made it into mainstream consciousness. Drag Race provides a unique perspective on the ways that gender identity, sexuality, size, class, race, and ethnicity intersect and interact in people's lives.The television show augments many of these intersedtions and the challenges related to these identities while still reflecting the daily struggles that people experience.The show works to promote messages of self-love and acceptance ; however, it also promotes many problematic and damaging stereotypes. This thesis conducts a feminist analysis in order to answer the question: How does RuPaul's Drag Race relate to hegemonic and oppressive stereotypes and roles associated with gender identity, sexual orientation, size, class, race and ethnicity? Does it challenge or reinforce such hegemonies? In order to answer these questions, this thesis examines visual imagery, narrative, and dialogue in the show, utilizes theories from cultural and women's studies, English and communications. It concludes that although Drag Race does engage in some subversive behavior, it ultimately reinforces harmful hegemonic stereotypes.
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Date Issued
2013
PURL
http://purl.flvc.org/fcla/dt/3360799
Subject Headings
Criticism and interpretation, Criticism and interpretation, Reality television programs, Social aspects, Mass media and culture, Mass media and women, Feminist theory, Television program genres, Stereotypes (Social psychology)
Format
Document (PDF)

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