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- Title
- Rape and Reverence: Culling the Lessons from 20th Century Ethics.
- Creator
- Piconi, Gabriella, Miller, Timothy, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
-
This thesis aims to contribute to contemporary feminist theory through the integration of several interdisciplinary texts from the last century, all of which challenge an existing, male-oriented norm of woman as ‘lesser’ in a particular field of study. The historical position of woman as ‘other’ in a negative light is a postulate that contemporary feminist studies may take too much for granted. The supposed lack of prominence of women in scripture, such as what Phyllis Trible gestures to, for...
Show moreThis thesis aims to contribute to contemporary feminist theory through the integration of several interdisciplinary texts from the last century, all of which challenge an existing, male-oriented norm of woman as ‘lesser’ in a particular field of study. The historical position of woman as ‘other’ in a negative light is a postulate that contemporary feminist studies may take too much for granted. The supposed lack of prominence of women in scripture, such as what Phyllis Trible gestures to, for example, is not erasure at all, but women present as archetypes, a mode of representation later dispersed in literature and film. The textual ‘absence’ of the feminine which has been previously understood as erasure may in fact be a clandestine interpretative tool which must be sought for, or, within a textual framework, explicated. Instead of accepting woman as a minimized ‘other’ to be merely a given in biblical and other texts, her peripheral role must be teased out in order to be fully appreciated. The critical most important to this claim include Carol Gilligan’s In a Different Voice: Psychological Theory and Women’s Development and film theorist Molly Haskell’s From Reverence to Rape: The Treatment of Women in the Movies, the latter of which lends this thesis its title. Lastly, I will be using erasure as an interpretative method as applied to a series of case studies: to analyze the female figures in Hamlet using Carol Gilligan’s psychological development framework; to consider Haskell’s rigorous critique of American cinema alongside Woman in the Dunes, a 1964 film based on a fabulist novel, which uses erasure as its modus operandi; and to apply Phyllis Trible’s hermeneutic interpretive method to Lot’s wife. The interdisciplinary design of this thesis allows for the inclusion of scholars from a variety of inherently ethical disciplines to showcase how societal perceptions of women have informed women’s ethical decision-making and identity.
Show less - Date Issued
- 2022
- PURL
- http://purl.flvc.org/fau/fd/FA00014081
- Subject Headings
- Feminist theory, Feminism, Feminist ethics
- Format
- Document (PDF)
- Title
- Feminist Phenomenologies of Illness.
- Creator
- O’Connell, Emily, Morse, Nicole, Florida Atlantic University, Center for Women, Gender and Sexuality Studies, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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The experiences of those with difficult to diagnose conditions, chronic illnesses, and disability lack intelligibility in an able-bodied world. Much of this originates in the disjuncture between first- and third- person experience as accounted for between patients and their doctors, caregivers, and the greater public. Utilizing the insights of feminist philosophy and disability studies, I will explore how these marginalized identities face consequences in the real world for their embodiment....
Show moreThe experiences of those with difficult to diagnose conditions, chronic illnesses, and disability lack intelligibility in an able-bodied world. Much of this originates in the disjuncture between first- and third- person experience as accounted for between patients and their doctors, caregivers, and the greater public. Utilizing the insights of feminist philosophy and disability studies, I will explore how these marginalized identities face consequences in the real world for their embodiment. I propose that the best methodology to examine the experiences of chronically ill, hard to diagnose, and disabled individuals’ experiences is through the phenomenological perspective. Through utilizing case studies, I will demonstrate the importance of first- to third- person encounters in medicine and receiving adequate treatment. By examining such experiences, as well as my own, through such a perspective, I argue we can work towards creating a more equitable world for the chronically ill, hard to diagnose, and disabled.
Show less - Date Issued
- 2020
- PURL
- http://purl.flvc.org/fau/fd/FA00013614
- Subject Headings
- Feminist philosophy, Feminist theory, Disability studies
- Format
- Document (PDF)
- Title
- Veg-gendered: a cultural study of gendered onscreen representations of food and their implications for veganism.
- Creator
- Aguilera, Paulina, Scodari, Christine, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
- Abstract/Description
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This thesis is an exploration of popular media texts that influence veganism, with either explicit representations or implicit messages that implicate vegans. Research focuses on the question: How does the gendering of food in popular media texts implicate veganism? Theories used include a combination of cultural, film, and feminist studies, including Stuart Hall’s audience reception, Laura Mulvey's male gaze, R.W. Connell’s hegemonic masculinity, Carol Adams' feminist-vegetarian critical...
Show moreThis thesis is an exploration of popular media texts that influence veganism, with either explicit representations or implicit messages that implicate vegans. Research focuses on the question: How does the gendering of food in popular media texts implicate veganism? Theories used include a combination of cultural, film, and feminist studies, including Stuart Hall’s audience reception, Laura Mulvey's male gaze, R.W. Connell’s hegemonic masculinity, Carol Adams' feminist-vegetarian critical theory, and Rebecca Swenson's critical television studies. A print and television advertisement analysis demonstrates the gendering of food, and subject-object relationship of meat, women, and men. A film analysis of texts with vegan characters and horror film texts with implicit vegan and feminist messaging follows, thus revealing interesting trends and developments in the characterization of vegans on films, and hidden messages in the horror films studied. Lastly, an examination of competitive and instructional cooking shows ends the analysis, with interesting challenges to hegemony present in these television texts. The thesis concludes with examples of modem media feminizing veganism through food associations, the problematic imagery of women and meat as fetishized objects, along with challenges to hegemony that exist in some explicitly vegan texts.
Show less - Date Issued
- 2014
- PURL
- http://purl.flvc.org/fau/fd/FA00004177, http://purl.flvc.org/fau/fd/FA00004177
- Subject Headings
- Feminist theory, Mass media and culture, Veganism, Vegetarianism
- Format
- Document (PDF)
- Title
- Doing it for themselves: sexual subjectivity in cinematic depictions of female autoeroticism.
- Creator
- Tomei, Megan., Dorothy F. Schmidt College of Arts and Letters, Center for Women, Gender and Sexuality Studies
- Abstract/Description
-
Whereas male masturbation has generally been normalized by being the butt of friendly jokes and a popular subject in romantic comedies, the predominant discourse surrounding female masturbation, both in society and the movies, is silence and stigmatization. However, female masturbation is symbolically powerful because it signifies a female sexuality that is not dependent on male presence. This thesis seeks to explore depictions of female masturbation, specifically looking at how female...
Show moreWhereas male masturbation has generally been normalized by being the butt of friendly jokes and a popular subject in romantic comedies, the predominant discourse surrounding female masturbation, both in society and the movies, is silence and stigmatization. However, female masturbation is symbolically powerful because it signifies a female sexuality that is not dependent on male presence. This thesis seeks to explore depictions of female masturbation, specifically looking at how female characters who engage in autoeroticism are stigmatized, controlled or silenced. This thesis will also explore the minority of depictions that show the act as liberating in films like Pleasantville (1998) and Better than Chocolate (1999).
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3359163
- Subject Headings
- Female masturbation, Women, Sexual behavior, Feminist theory, Women in motion pictures, Sex customs
- Format
- Document (PDF)
- Title
- Identity, power, and ritual "rape play" in the S/M community.
- Creator
- Halena, Megan., Dorothy F. Schmidt College of Arts and Letters, Center for Women, Gender and Sexuality Studies
- Abstract/Description
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Rape play is a type of consensual, ritualistic domination and submission, developed and enacted in a sado-masochistic (S/M) sex culture, which involves the appearance of force. There are two feminist theories that can be employed in a feminist analysis of rape play: dominance/radical feminism and libertarian/"sex positive" feminism. Libertarian/"sex positive" feminism holds that S/M, including rape play, is potentially compatible with feminism because the power dynamic between a dominant/...
Show moreRape play is a type of consensual, ritualistic domination and submission, developed and enacted in a sado-masochistic (S/M) sex culture, which involves the appearance of force. There are two feminist theories that can be employed in a feminist analysis of rape play: dominance/radical feminism and libertarian/"sex positive" feminism. Libertarian/"sex positive" feminism holds that S/M, including rape play, is potentially compatible with feminism because the power dynamic between a dominant/"rapist" and submissive/"victim" does not draw on either practitioners' actual social identity and the power it possesses or lacks. Dominance/radical feminism argues that gender, which is socially constructed, can best be understood as a form of sexualized domination and submission, so social identity could not be dissociated from power in S/M. My reading of guidebooks and narratives about rape play suggests that the dominance/radical feminist position is more accurate in the case of rape play, though not necessarily all of S/M culture.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3183128
- Subject Headings
- Sadomasochism, Sexual dominance and submission, Sex role, Dominance (Psychology), Identity (Psychology), Feminist theory
- Format
- Document (PDF)
- Title
- Through the North Door: The Invocation of Invitational Rhetoric in Wiccan Rituals.
- Creator
- Howald, Kayleigh, Mulvaney, Becky, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
- Abstract/Description
-
Wiccan witchcraft, a contemporary religion, frequently suffers from misunderstandings; the worst of which, arguably, being that it thrives in a postfeminist society. Although it remains unclear why witches, despite their specific traditions, would not immediately embrace feminism, this study claims that whether practitioners agree or disagree, they are performing feminism. In this study, I argue that Wiccan rhetoric (both discursive and non-discursive) functions epistemically to encourage...
Show moreWiccan witchcraft, a contemporary religion, frequently suffers from misunderstandings; the worst of which, arguably, being that it thrives in a postfeminist society. Although it remains unclear why witches, despite their specific traditions, would not immediately embrace feminism, this study claims that whether practitioners agree or disagree, they are performing feminism. In this study, I argue that Wiccan rhetoric (both discursive and non-discursive) functions epistemically to encourage feminist values. The thesis analyzes three typical forms of Wiccan rhetoric using Sonja K. Foss and Cindy L. Griffin’s approach of invitational rhetoric and the values of equality, immanent value, and self-determination.
Show less - Date Issued
- 2016
- PURL
- http://purl.flvc.org/fau/fd/FA00004698, http://purl.flvc.org/fau/fd/FA00004698
- Subject Headings
- Feminism -- Religious aspects, Feminist theory, Goddess religion, Magic, Wicca, Witchcraft, Women and religion
- Format
- Document (PDF)
- Title
- Interrogating social conceptualizations of childbirth and gender: an ecofeminist analysis.
- Creator
- Nall, Jeff., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
This dissertation draws on feminist theory and ecofeminist philosophy to examine the connections between understandings of women and nature and the construction of pervasive conceptualizations and practices of childbirth. It also examines the relationship between conceptualizations of men and masculinity, culture and nature, and childbirth. In order to conduct such an examination, this study explores the dominant Western discourse around gender and childbirth. Specifically, the work aims to...
Show moreThis dissertation draws on feminist theory and ecofeminist philosophy to examine the connections between understandings of women and nature and the construction of pervasive conceptualizations and practices of childbirth. It also examines the relationship between conceptualizations of men and masculinity, culture and nature, and childbirth. In order to conduct such an examination, this study explores the dominant Western discourse around gender and childbirth. Specifically, the work aims to identify prominent characteristics and themes related to childbirth in both popular culture, such as Hollywood films (Knocked Up, The Backup Plan), documentaries (The Business of Being Born), birth guides, magazines, news articles, websites, and scholarly, medical and alternative healthcare discourse. This work seeks to consider how various conceptualizations of childbirth are used to legitimate, or, alternately, to undermine, patriarchal gender norms such as emphasized femininity and patriarchal (hegemonic) masculinity and, more generally, what ecofeminist philosopher Val Plumwood calls "master consciousness" (Val Plumwood 1993), a way of understanding the world that is reliant on an unjustifiably dualistic thinking and that is responsible for fostering social practices of domination. In particular, this work seeks to determine to what extent is our conceptualization of childbirth, and subsequent practice, based on potentially erroneous presumptions about the hierarchical division between the realms of culture and nature and masculinity and femininity? Perhaps most importantly, this dissertation sets out to consider the implications of alternative conceptualizations of childbirth emerging in the context of the natural birth movement. Specifically, I aim to determine whether or not these alternatives interpretations of childbirth counteract patriarchal gender categories and the culture/nature dualism.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3333055
- Subject Headings
- Childbirth, Cross-cultural studies, Childbirth, Social aspects, Feminist theory, Human body, Social aspects
- Format
- Document (PDF)
- Title
- Monique Wittig and the queer theory movement: Descendents and disputes.
- Creator
- Tang, Arthur F., Florida Atlantic University, Shaktini, Namascar
- Abstract/Description
-
French feminist writer and theorist, Monique Wittig, theorizes from a nonessentialist, materialist lesbian position to posit categories of sex and gender as social constructions, thereby contesting what she terms the heterosexual regime. Because her social theory and literary praxis inform the thinking of leading figures associated with Queer theory, such as Judith Butler, Eve Kosofsky Sedgwick, and Teresa de Lauretis, Wittig is often considered a precursor to the Queer theory movement. As...
Show moreFrench feminist writer and theorist, Monique Wittig, theorizes from a nonessentialist, materialist lesbian position to posit categories of sex and gender as social constructions, thereby contesting what she terms the heterosexual regime. Because her social theory and literary praxis inform the thinking of leading figures associated with Queer theory, such as Judith Butler, Eve Kosofsky Sedgwick, and Teresa de Lauretis, Wittig is often considered a precursor to the Queer theory movement. As Queer studies gain purchase in academic curricula, it is timely to assess Wittig's historical contribution to the Queer theory movement and her future pertinence to it as a "Queer" theorist.
Show less - Date Issued
- 2005
- PURL
- http://purl.flvc.org/fcla/dt/13219
- Subject Headings
- Lesbianism--Philosophy, Homosexuality--Philosophy, Lesbian feminist theory, Wittig, Monique,--1935-
- Format
- Document (PDF)
- Title
- Enduring relationship with the dead: The corpse, the feminine and popular culture.
- Creator
- Kelly, Suzanne M., Florida Atlantic University, Caputi, Jane
- Abstract/Description
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Feminist theory has long criticized the hierarchical and oppositional thinking responsible for creating the basis of what counts as real knowledge. In questioning how and why the experience of enduring relationship with the dead is not imagined as real, this dissertation will draw from this theoretical tradition. This analysis involves a paradigm shift in thinking about the nature of relationship---one that posits these kinds of experiences as something other than either a psychological...
Show moreFeminist theory has long criticized the hierarchical and oppositional thinking responsible for creating the basis of what counts as real knowledge. In questioning how and why the experience of enduring relationship with the dead is not imagined as real, this dissertation will draw from this theoretical tradition. This analysis involves a paradigm shift in thinking about the nature of relationship---one that posits these kinds of experiences as something other than either a psychological remedy to our grief or the requisite belief in the survival of the self. Feminist critiques of dualistic thinking become the cornerstone of Chapter One in order to get to the roots of how knowledge of enduring relationship with the dead gets denied. This chapter addresses the splitting responsible for the othering of death, the desire to flee it, and, by association, the desire to flee the body. This flight is predicated on a bounded and distinct subject who imagines it must separate itself from the material in order to survive. Imagining the body in this manner sets limits for making visible a relationship that endures with death. Dualistic thinking, the degradation of the body and the desire to flee it will also be the focus of Chapter Two as it looks at the dominant contemporary practices around what is done with the corpse. These practices work together to deny a dead body that matters and one important for legitimizing enduring relationship with the dead. While enduring relationship is made invisible through these hegemonic discourses and practices, there are, as I mentioned at the start, experiences that say otherwise. Chapter Three will suggest that the knowledge that comes with these experiences is one sometimes accepted and explored in popular culture. Popular culture may provide the reminder, but recognizing enduring relationship also relies on the willingness to bring to the fore the role, the value and the contribution of the corpse. The conclusion will offer some examples of what I call practices of proximity that recognize the corpse as central for the living.
Show less - Date Issued
- 2006
- PURL
- http://purl.flvc.org/fcla/dt/12216
- Subject Headings
- Loss (Psychology), Feminist theory, Women--Death--Social aspects, Perception (Philosophy), Philosophy of nature
- Format
- Document (PDF)
- Title
- EXPANDING THE NARRATIVE: BLACK FEMALE DOCTORAL STUDENTS CREATING CULTURAL SAFE SPACES AS RESISTANCE.
- Creator
- Rodgers, Iris, Traci P. Baxley, Florida Atlantic University, Department of Curriculum, Culture, and Educational Inquiry, College of Education
- Abstract/Description
-
This narrative research study focuses on the lived experiences of Black female doctoral students navigating predominantly White colleges and universities (PWIs) and their connections within cultural safe spaces. Through the lens of Black Feminist Theory and the application of a Black Feminist-Ecological Perspective, this study investigates how Black female doctoral students are defining cultural safe spaces and how these safe spaces support their academic and personal lives. Specifically,...
Show moreThis narrative research study focuses on the lived experiences of Black female doctoral students navigating predominantly White colleges and universities (PWIs) and their connections within cultural safe spaces. Through the lens of Black Feminist Theory and the application of a Black Feminist-Ecological Perspective, this study investigates how Black female doctoral students are defining cultural safe spaces and how these safe spaces support their academic and personal lives. Specifically, this study explored the narratives of nine Black female doctoral students and how they define and locate cultural safe spaces. This study expanded on the limited existing research on Black women in doctoral programs by delving into a more nuanced look into understanding the specific dynamics of Black female cultural safe spaces and the role they play in supporting Black women pursuing doctoral degrees at PWIs. Using the Rodgers 3-R Framework, three major themes unfold from this narrative, beginning with participants’ initial experiences in their doctoral programs (recognition phase), their journey towards finding a cultural safe space after recognizing that there was a deficit in their doctoral experience (reconciliation phase), and their recounts of how they interpreted their experience after becoming a part of a cultural safe space of their own (reflection phase). Implications for future research are discussed.
Show less - Date Issued
- 2023
- PURL
- http://purl.flvc.org/fau/fd/FA00014195
- Subject Headings
- Women, Black, Women doctoral students, Feminist theory, Women's studies, Safe spaces
- Format
- Document (PDF)
- Title
- Average (arithmetic mean) of women’s bodies.
- Creator
- Behar, Linda, Valdes, Juana, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
- Abstract/Description
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Between 1939 and 1940 the United States Government conducted a study of the measurements of women’s bodies to establish a standardized system of garment and pattern sizes. The central theme of my research is to analyze the female figure in the context of a technology-driven global contemporary society. My thesis exhibition includes a body of work that echoes the pressures that Western Society employs by standardizing women’s appearances. The focus of the work is to confront the viewer with a...
Show moreBetween 1939 and 1940 the United States Government conducted a study of the measurements of women’s bodies to establish a standardized system of garment and pattern sizes. The central theme of my research is to analyze the female figure in the context of a technology-driven global contemporary society. My thesis exhibition includes a body of work that echoes the pressures that Western Society employs by standardizing women’s appearances. The focus of the work is to confront the viewer with a visual examination, which illustrates the preconceived notion that Western Society portrays the female body as a commodity and exports those views to different cultures and societies. This calls to question: “who makes those standards endorsed by society and why women follow them?”. From the standardized measurements conducted by the United States Government, I generated a 2-D computer model of an outline of the generic female figure. Based on the 2-D representation, I constructed a series of ten 27”x36” inkjet prints and a 3-Dimensional prototype of the figurative form. The project consist on the manufacture of 14,698 molds base on the 3- Dimensional prototype -- 10% reduction of the size of the average female.
Show less - Date Issued
- 2014
- PURL
- http://purl.flvc.org/fau/fd/FA00004079
- Subject Headings
- Advertising -- Psychological aspects, Body image in women, Feminine beauty (Aesthetics), Feminist theory, Human body -- Social aspects, Self esteem in women
- Format
- Document (PDF)
- Title
- Cinematic Portrayals of Ancient Women: Cleopatra VII, Livia Augusta, Servilia Caepionis and the Three Waves of Feminism.
- Creator
- Schwab, Andrea, Buller, Jeffrey, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of History
- Abstract/Description
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This project examines the modern perception of ancient women, specifically through the creative (and often anachronistic) lens of film. All three women examined, Cleopatra VII, Livia Augusta, and Servilia Caepionis, all exemplify the modern influence on interpreting historical sources, resulting in all three becoming agents of feminism in their own times. Each woman did not culminate the probable influence they had in Roman society, but they are instead reflective of the patriarchal paradigms...
Show moreThis project examines the modern perception of ancient women, specifically through the creative (and often anachronistic) lens of film. All three women examined, Cleopatra VII, Livia Augusta, and Servilia Caepionis, all exemplify the modern influence on interpreting historical sources, resulting in all three becoming agents of feminism in their own times. Each woman did not culminate the probable influence they had in Roman society, but they are instead reflective of the patriarchal paradigms understood by 20th and 21st century audiences. The burgeoning feminist ideologies of the 20th century would influence the depictions of each character in an anachronistic fashion, distorting the actual control such figures had in history. While Elizabeth Taylor’s Cleopatra capitalized on youth and sexuality as tools of powers, Siân Phillips’ Livia emphasized age and experience to advance in patriarchal Rome. Servilia, however, was an older matron who had both the experience and the sexuality to control those around her. Whileeach figure approached it in very distinct methods, their common goal of changing Roman politics was reflective of the continued (and relatively unchanged) perception of ancient Roman women: as intelligent, yet dangerous, figures that served to derail patriarchal Roman politics.
Show less - Date Issued
- 2016
- PURL
- http://purl.flvc.org/fau/fd/FA00004780, http://purl.flvc.org/fau/fd/FA00004780
- Subject Headings
- Feminist theory., Feminism and motion pictures., Third-wave feminism., Women--Rome--Historiography., Mistresses--Rome--Historiography.
- Format
- Document (PDF)
- Title
- Finding a Room of One’s Own: Veronica Franco and Sor Juana Inés de la Cruz.
- Creator
- De Tollis, Marianna, Gamboa Tusquets, Yolanda, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
During the Renaissance and the Baroque periods, both in the Old and the New World, the patriarchal social structure had created a set of fixed gender rules based on gender roles to control female sexuality, female voices, and their social freedom because it was considered a threat to male superiority. The Venetian Veronica Franco and the Mexican Sor Juana Inés de la Cruz are two extraordinary women from different places and a hundred years apart who, with their elaborated writing and body...
Show moreDuring the Renaissance and the Baroque periods, both in the Old and the New World, the patriarchal social structure had created a set of fixed gender rules based on gender roles to control female sexuality, female voices, and their social freedom because it was considered a threat to male superiority. The Venetian Veronica Franco and the Mexican Sor Juana Inés de la Cruz are two extraordinary women from different places and a hundred years apart who, with their elaborated writing and body-related techniques, escape the gender patriarchal constrains and give voice to their new authorial persona in a female liminal environment. Veronica Franco and Sor Juana Inés de la Cruz represent the two facets of the same coin that symbolizes the phallocentric patriarchal structure in which these two women happened to live, struggle, and write. These women were pushed to the margins of society, confined in convents, brothels/patrician houses, or the streets, to silence their personae and reinforce their inferiority and, at times, inexistence. There are no works that focus on the comparison between the well-known Mexican nun and the forgotten Venetian courtesan. Therefore, this dissertation aims to analyze the writings of Veronica Franco and Sor Juana Inés de la Cruz through the lens of feminist theory (Cixous, Irigaray etc.) and the concept of the body as an instrument of subversion and female liberation. In their respective time and marginal places of confinement (the patrician house and the convent), both women were able to create a liminal space that allowed them to go beyond the rigidity of gender binaries and explore different venues of freedom. In this liminal space both Veronica Franco and Sor Juana stopped “performing” the fixed gender roles imposed by the patriarchal social order and created new female creatures at the margins of patriarchal society; a new type of woman who could, through her body and writing, destabilize the patriarchal gender identities and go from a passive silence object to an active writing subject.
Show less - Date Issued
- 2019
- PURL
- http://purl.flvc.org/fau/fd/FA00013198
- Subject Headings
- Franco, Veronica, 1546-1591--Criticism and interpretation, Sor Juana Inéz de la Cruz, 1651-1695, Feminist theory, Sex role, Persona
- Format
- Document (PDF)
- Title
- Towards a feminist funny: exploring myth, power and postfeminism in the work of Chelsea Handler.
- Creator
- Walleser, Lauren., Dorothy F. Schmidt College of Arts and Letters, Center for Women, Gender and Sexuality Studies
- Abstract/Description
-
Chelsea Handler is a comedian and host of the TV show Chelsea Lately. She has been successful in the late night comedy talk show genre to a degree that no woman has before. While she represents the most significant advancement for women in the genre, she also plays to patriarchal themes in order to maintain her foothold. In my thesis, I locate Handler within the history of women's stand-up comedy, analyzing her appeal via the figure of "The Unruly Woman" and other image types. I apply a...
Show moreChelsea Handler is a comedian and host of the TV show Chelsea Lately. She has been successful in the late night comedy talk show genre to a degree that no woman has before. While she represents the most significant advancement for women in the genre, she also plays to patriarchal themes in order to maintain her foothold. In my thesis, I locate Handler within the history of women's stand-up comedy, analyzing her appeal via the figure of "The Unruly Woman" and other image types. I apply a mythic analysis as I look for Handler's manifestation of mythic types, including archetypal Goddess representations. I analyze her treatment of violence against women, exploring how Handler approaches these themes in ways that allow her into the "old boys club." I use textual and audience analysis to assess Handler's ability to be a transformative and empowering figure for women in comedy and beyond.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3322513
- Subject Headings
- Criticism and interpretation, Women in popular culture, Feminist theory, Performance art, Social aspects, Mass media and women
- Format
- Document (PDF)
- Title
- " Is it my fault my fangs come out when I'm turned on?": a feminist analysis of Pam and Jessica's vampire sexuality in the HBO television series True Blood.
- Creator
- Anderson, Ashley., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
- Abstract/Description
-
This thesis analyzes Pamela Swynford De Beaufort and Jessica Hamby from the provocative HBO series, True Blood, in order to determine what hegemonic ideologies are reinforced through their sexual representation in the series. Through analysis based on concepts of the "vagina dentata" and "monstrous feminine," and in determining whether they fall victim to the Madonna/wore dichotomy, the question of Pam and Jessica's autonomous existence falls under scrutiny - particularly in regards to their...
Show moreThis thesis analyzes Pamela Swynford De Beaufort and Jessica Hamby from the provocative HBO series, True Blood, in order to determine what hegemonic ideologies are reinforced through their sexual representation in the series. Through analysis based on concepts of the "vagina dentata" and "monstrous feminine," and in determining whether they fall victim to the Madonna/wore dichotomy, the question of Pam and Jessica's autonomous existence falls under scrutiny - particularly in regards to their sexuality. Feminist scholarship is vital to this research in order to examine the often fetishized and marginalized sexuality of women who dare to exhibit transgressive behaviors. This thesis concentrates on Seasons One through Four of the series, and also utilizes meta-text from the official website related to each character in order to help answer the posed research questions.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3356897
- Subject Headings
- Criticism and interpretation, Women in popular culture, Vampires on television, Lesbianism on television, Feminist theory, Philosophy in literature
- Format
- Document (PDF)
- Title
- Re-thinking green: ecofeminist pedagogy and the archetype of the witch in young adult literature.
- Creator
- Barton, Jessica Gray, Hinshaw, Wendy, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
This project examines the presence and significance of ecofeminism and pedagogy within contemporary Young Adult literatures, particularly girls’ ecofantasy literatures. Specifically, I examine the role and representations of the female body in nature and any real or perceived connections between them. To accomplish this, I bring the theories of several feminist, ecofeminist, and environmental studies scholars together with my primary texts, Green Angel and Green Witch by Alice Hoffman, to...
Show moreThis project examines the presence and significance of ecofeminism and pedagogy within contemporary Young Adult literatures, particularly girls’ ecofantasy literatures. Specifically, I examine the role and representations of the female body in nature and any real or perceived connections between them. To accomplish this, I bring the theories of several feminist, ecofeminist, and environmental studies scholars together with my primary texts, Green Angel and Green Witch by Alice Hoffman, to examine the depiction of the female body in nature through interconnectedness and reciprocity between human and non-human nature, green transformations, and the archetype of the witch.
Show less - Date Issued
- 2013
- PURL
- http://purl.flvc.org/fau/fd/FA0004004
- Subject Headings
- Ecofeminism in literature, Feminist theory, Nature in literature, Hoffman, Alice -- Green witch -- Criticism and interpretation, Hoffman, Alice -- Green angel -- Criticism and interpretation, Human body -- Social aspects
- Format
- Document (PDF)
- Title
- She just snapped: reality television, murder and the myth of feminine evil.
- Creator
- Tomei, Megan., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
- Abstract/Description
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Snapped, a documentary style show profiling female killers, is one of Oxygens longest running hit franchises. This thesis analyzes, through both the frames of feminist theory and rhetoric, the way the show perpetuates and plays upon the myth of feminine evil as well as the stereotype of women as weak, hysterical agents in need of control. Snapped showcases women who start out as seemingly normal but then enact horrendous crimes. The use of women that the audience can identify with but then...
Show moreSnapped, a documentary style show profiling female killers, is one of Oxygens longest running hit franchises. This thesis analyzes, through both the frames of feminist theory and rhetoric, the way the show perpetuates and plays upon the myth of feminine evil as well as the stereotype of women as weak, hysterical agents in need of control. Snapped showcases women who start out as seemingly normal but then enact horrendous crimes. The use of women that the audience can identify with but then later fear creates a cathartic experience in which female audience members can be vicariously cleansed of any dangerous animosity they may possess. The show portrays the many extreme examples as the norm for lethal female violence, but this disregards the fact that a majority of women killers act in self defense. The show distorts the reality of violence against women and supports a stereotype of inherent female criminality.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2684892
- Subject Headings
- Reality television programs, Feminist theory, Homicide, Psychological aspects, Violence in women, Violence in mass media
- Format
- Document (PDF)
- Title
- Women's feminist collective identity: A liberal feminist analysis of feminist identification and feminist consciousness.
- Creator
- Hiller, Tiffany Ann., Florida Atlantic University, Appleton, Lynn M.
- Abstract/Description
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Data from the 1992 American National Election Study are used to examine three issues: first, who is most likely to identify as a feminist; second, who is likely to show a feminist consciousness; and finally who possesses both the feminist identification and feminist consciousness that demonstrate a feminist collective identity. The results indicate that feminist identification and feminist consciousness are separate but related constructs and that overall feminist collective identity among...
Show moreData from the 1992 American National Election Study are used to examine three issues: first, who is most likely to identify as a feminist; second, who is likely to show a feminist consciousness; and finally who possesses both the feminist identification and feminist consciousness that demonstrate a feminist collective identity. The results indicate that feminist identification and feminist consciousness are separate but related constructs and that overall feminist collective identity among women is weak. The findings indicate a need to make clear which dimension--feminist identification or feminist consciousness--is being used in efforts to understand women's feminist collective identity and how these three concepts interact with cohort, employment status, income, education, race, and marital status.
Show less - Date Issued
- 1997
- PURL
- http://purl.flvc.org/fcla/dt/15500
- Subject Headings
- Feminist theory--United States, Women--United States--Social conditions, Women--United States--Identity, Feminism--United States, Consciousness
- Format
- Document (PDF)
- Title
- Finding their voice: Identifying signifiers of women's agency and empowerment in the work of Haitian women artists.
- Creator
- Kirchen, Anita Mary, Florida Atlantic University, Beoku-Betts, Josephine
- Abstract/Description
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Although the work of women artists has been widely discussed within feminist scholarship from a Euro-American perspective, there is currently little published discourse on the visual art produced by Third-World women within the context of postcolonial and Black feminist theories. This study explores the hypothesis that using the lens of postcolonial and Black feminist theories to examine the work of women artists situated in a Third World environment may identify signifiers of women's agency...
Show moreAlthough the work of women artists has been widely discussed within feminist scholarship from a Euro-American perspective, there is currently little published discourse on the visual art produced by Third-World women within the context of postcolonial and Black feminist theories. This study explores the hypothesis that using the lens of postcolonial and Black feminist theories to examine the work of women artists situated in a Third World environment may identify signifiers of women's agency and empowerment.
Show less - Date Issued
- 1999
- PURL
- http://purl.flvc.org/fcla/dt/15733
- Subject Headings
- Art, Haitian--Women artists, Black--History and criticism, Feminist theory, Feminism and art--Haiti, Minority women artists--Developing countries
- Format
- Document (PDF)
- Title
- Dissipating hostility through feminine rhetorical style: Barbara Bush and the petitioners of Wellesley College.
- Creator
- Doran, Bethany Lynne., Gorbacheva, Raisa Maksimovna, Wellesley College, Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
- Abstract/Description
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This study uses Karlyn Campbell's concept of feminine rhetorical style as a theoretical framework for analyzing the rhetoric of Barbara Bush's 1990 Wellesley College commencement address. Through a systematic evaluation of Barbara Bush's speech, this study reveals that her rhetoric exemplifies feminine rhetorical style. The analysis also concludes that Barbara Bush's personal tone, specifically her use of narrative and humor, is the most useful and effective characteristic of her feminine...
Show moreThis study uses Karlyn Campbell's concept of feminine rhetorical style as a theoretical framework for analyzing the rhetoric of Barbara Bush's 1990 Wellesley College commencement address. Through a systematic evaluation of Barbara Bush's speech, this study reveals that her rhetoric exemplifies feminine rhetorical style. The analysis also concludes that Barbara Bush's personal tone, specifically her use of narrative and humor, is the most useful and effective characteristic of her feminine rhetorical style. Using feminine rhetorical style, Barbara Bush successfully dissipates some of the tension she faced prior to the graduation ceremony at Wellesley College. Therefore, this study reveals that feminine rhetorical style is an attractive alternative for speakers seeking to build identification in hostile situations when identification is, or appears to be, lacking.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2100573
- Subject Headings
- Influence, Criticism and interpretation, Feminist theory, Narration (Rhetoric), Psychological aspects, Persuasion (Rhetoric)
- Format
- Document (PDF)