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Dynamic Emotional and Neural Responses to Music Depend on Performance Expression and Listener Experience
Title
Dynamic Emotional and Neural Responses to Music Depend on Performance Expression and Listener Experience.
Creator
Chapin, Heather L., Jantzen, Kelly J., Kelso, J. A. Scott, Steinberg, Fred, Large, Edward W., Rodriguez-Fornells, Antoni
Abstract/Description
Apart from its natural relevance to cognition, music provides a window into the intimate relationships between production, perception, experience, and emotion. Here, emotional responses and neural activity were observed as they evolved together with stimulus parameters over several minutes. Participants listened to a skilled music performance that included the natural fluctuations in timing and sound intensity that musicians use to evoke emotional responses. A mechanical performance of the...
Show moreApart from its natural relevance to cognition, music provides a window into the intimate relationships between production, perception, experience, and emotion. Here, emotional responses and neural activity were observed as they evolved together with stimulus parameters over several minutes. Participants listened to a skilled music performance that included the natural fluctuations in timing and sound intensity that musicians use to evoke emotional responses. A mechanical performance of the same piece served as a control. Before and after fMRI scanning, participants reported real-time emotional responses on a 2-dimensional rating scale (arousal and valence) as they listened to each performance. During fMRI scanning, participants listened without reporting emotional responses. Limbic and paralimbic brain areas responded to the expressive dynamics of human music performance, and both emotion and reward related activations during music listening were dependent upon musical training. Moreover, dynamic changes in timing predicted ratings of emotional arousal, as well as real-time changes in neural activity. BOLD signal changes correlated with expressive timing fluctuations in cortical and subcortical motor areas consistent with pulse perception, and in a network consistent with the human mirror neuron system. These findings show that expressive music performance evokes emotion and reward related neural activations, and that music’s affective impact on the brains of listeners is altered by musical training. Our observations are consistent with the idea that music performance evokes an emotional response through a form of empathy that is based, at least in part, on the perception of movement and on violations of pulse-based temporal expectancies.
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Date Issued
2010-12-16
PURL
http://purl.flvc.org/fau/fd/FAUIR000067
Format
Citation
Neural Responses to Complex Auditory Rhythms: The Role of Attending
Title
Neural Responses to Complex Auditory Rhythms: The Role of Attending.
Creator
Chapin, Heather L., Zanto, Theodore, Jantzen, Kelly J., Kelso, J. A. Scott, Steinberg, Fred, Large, Edward W.
Date Issued
2010
PURL
http://purl.flvc.org/fau/fd/FAUIR000165
Format
Citation
Attentional and affective responses to complex musical rhythms
Title
Attentional and affective responses to complex musical rhythms.
Creator
Chapin, Heather L., Charles E. Schmidt College of Science, Center for Complex Systems and Brain Sciences
Abstract/Description
I investigated how two types of rhythmic complexity, syncopation and tempo fluctuation, affect the neural and behavioral responses of listeners. The aim of Experiment 1 was to explore the role of attention in pulse and meter perception using complex rhythms. A selective attention paradigm was used in which participants attended either to a complex auditory rhythm or a visually presented list of words. Performance on a reproduction task was used to gauge whether participants were attending to...
Show moreI investigated how two types of rhythmic complexity, syncopation and tempo fluctuation, affect the neural and behavioral responses of listeners. The aim of Experiment 1 was to explore the role of attention in pulse and meter perception using complex rhythms. A selective attention paradigm was used in which participants attended either to a complex auditory rhythm or a visually presented list of words. Performance on a reproduction task was used to gauge whether participants were attending to the appropriate stimulus. Selective attention to rhythms led to increased BOLD (Blood Oxygen Level-Dependent) responses in basal ganglia, and basal ganglia activity was observed only after the rhythms had cycled enough times for a stable pulse percept to develop. These observations show that attention is needed to recruit motor activations associated with the perception of pulse in complex rhythms. Moreover, attention to the auditory stimulus enhanced activity in an attentional sensory network including primary auditory, insula, anterior cingulate, and prefrontal cortex, and suppressed activity in sensory areas associated with attending to the visual stimulus. In Experiment 2, the effect of tempo fluctuation in expressive music on emotional responding in musically experienced and inexperienced listeners was investigated. Participants listened to a skilled music performance, including natural fluctuations in timing and sound intensity that musicians use to evoke emotional responses, and a mechanical performance of the same piece, that served as a control. Participants reported emotional responses on a 2-dimensional rating scale (arousal and valence), before and after fMRI scanning. During fMRI scanning, participants listened without reporting emotional responses. Tempo fluctuations predicted emotional arousal ratings for all listeners., Expressive performance was associated with BOLD increases in limbic areas for all listeners and in limbic and reward related areas forthose with musical experience. Activity in the dorsal anterior cingulate, which may reflect temporal expectancy, was also dependent on the musical experience of the listener. Changes in tempo correlated with activity in a mirror neuron network in all listeners, and mirror neuron activity was associated with emotional arousal in experienced listeners. These results suggest that emotional responding to music occurs through an empathic motor resonance.
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Date Issued
2009
PURL
http://purl.flvc.org/FAU/368606
Subject Headings
Perceptual-motor learning, Musical perception, Computational neuroscience, Emotions in music, Music, Psychological aspects
Format
Document (PDF)
Biomass offsets little or none of permafrost carbon release from soils, streams, and wildfire: an expert assessment
Title
Biomass offsets little or none of permafrost carbon release from soils, streams, and wildfire: an expert assessment.
Creator
Abbott, Benjamin W., Jones, Jeremy B., Schuur, Edward A. G., Chapin III, F. Stuart, Bowden, William B., Bret-Harte, M. Syndonia, Epstein, Howard E., Flannigan, Michael D., Harms, Tamara K., Hollingsworth, Teresa N., Mack, Michelle C., McGuire, A. David, Natali, Susan M., Rocha, Adrian V., Tank, Suzanne E., Turetsky, Merritt R., Vonk, Jorien E., Wickland, Kimberly P., Aiken, George R., Alexander, Heather D., Amon, Rainer M. W., Benscoter, Brian, Bergeron, Yves, Bishop, Kevin, Blarquez, Olivier, Bond-Lamberty, Ben, Breen, Amy L., Buffam, Ishi, Cai, Yihua, Carcaillet, Christopher, Carey, Sean K., Chen, Jing M., Chen, Han Y. H., Christensen, Torben R., Cooper, Lee W., Cornelissen, J. Hans C., de Groot, William J., DeLuca, Thomas H., Dorrepaal, Ellen, Fetcher, Ned, Finlay, Jacques C., Forbes, Bruce C., French, Nancy H. F., Gauthier, Sylvie, Girardin, Martin P., Goetz, Scott J., Goldammer, Johann G., Gough, Laura, Grogan, Paul, Guo, Laodong, Higuera, Philip E., Hinzman, Larry, Hu, Feng Sheng, Hugelius, Gustaf, Jafarov, Elchin E., Jandt, Randi, Johnstone, Jill F., Jan Karlsson, Kasischke, Eric S., Kattner, Gerhard, Kelly, Ryan, Keuper, Frida, Kling, George W., Kortelainen, Pirkko, Kouki, Jari, Kuhry, Peter, Laudon, Hjalmar, Laurion, Isabelle, Macdonald, Robie W., Mann, Paul J., Martikainen, Pertti J., McClelland, James W., Molau, Ulf, Oberbauer, Steven F., Olefeldt, David, Paré, David, Parisien, Marc-André, Payette, Serge, Peng, Changhui, Pokrovsky, Oleg S., Rastetter, Edward B., Raymond, Peter A., Raynolds, Martha K., Rein, Guillermo, Reynolds, James F., Robards, Martin, Rogers, Brendan M., Schädel, Christina, Schaefer, Kevin, Schmidt, Inger K., Shvidenko, Anatoly, Sky, Jasper, Spencer, Robert G. M., Starr, Gregory, Striegl, Robert G., Teisserenc, Roman, Tranvik, Lars J., Virtanen, Tarmo, Welker, Jeffrey M., Zimov, Sergei
Date Issued
2016-03-07
PURL
http://purl.flvc.org/fau/fd/FAUIR000121
Format
Citation
Biomass offsets little or none of permafrost carbon release from soils, streams, and wildfire: an expert assessment
Title
Biomass offsets little or none of permafrost carbon release from soils, streams, and wildfire: an expert assessment.
Creator
Abbott, Benjamin W, Jones, Jeremy B, Schuur, Edward A G, Chapin III, F Stuart, Bowden, William B, Bret-Harte, M Syndonia, Epstein, Howard E, Flannigan, Michael D, Harms, Tamara K, Hollingsworth, Teresa N, Mack, Michelle C, McGuire, A David, Natali, Susan M, Rocha, Adrian V, Tank, Suzanne E, Turetsky, Merritt R, Vonk, Jorien E, Wickland, Kimberly P, Aiken, George R, Alexander, Heather D, Amon, Rainer M W, Benscoter, Brian W, Bergeron, Yves, Bishop, Kevin, Blarquez, Olivier, Ben Bond-Lamberty, Breen, Amy L, Buffam, Ishi, Cai, Yihua, Carcaillet, Christopher, Carey, Sean K, Chen, Jing M, Chen, Han Y H, Christensen, Torben R, Cooper, Lee W, Cornelissen, J Hans C, de Groot, William J, DeLuca, Thomas H, Dorrepaal, Ellen, Fetcher, Ned, Finlay, Jacques C, Forbes, Bruce C, French, Nancy H F, Gauthier, Sylvie, Girardin, Martin P, Goetz, Scott J, Goldammer, Johann G, Gough, Laura, Grogan, Paul, Guo, Laodong, Higuera, Philip E, Hinzman, Larry, Hu, Feng Sheng, Hugelius, Gustaf, Jafarov, Elchin E, Jandt, Randi, Johnstone, Jill F, Jan Karlsson, Kasischke, Eric S, Kattner, Gerhard, Kelly, Ryan, Keuper, Frida, Kling, George W, Kortelainen, Pirkko, Kouki, Jari, Kuhry, Peter, Laudon, Hjalmar, Laurion, Isabelle, Macdonald, Robie W, Mann, Paul J, Martikainen, Pertti J, McClelland, James W, Molau, Ulf, Oberbauer, Steven F, Olefeldt, David, Paré, David, Parisien, Marc-André, Payette, Serge, Peng, Changhui, Pokrovsky, Oleg S, Rastetter, Edward B, Raymond, Peter A, Raynolds, Martha K, Rein, Guillermo, Reynolds, James F, Robards, Martin, Rogers, Brendan M, Schädel, Christina, Schaefer, Kevin, Schmidt, Inger K, Shvidenko, Anatoly, Sky, Jasper, Spencer, Robert G M, Starr, Gregory, Striegl, Robert G, Teisserenc, Roman, Tranvik, Lars J, Virtanen, Tarmo, Welker, Jeffrey M, Zimov, Sergei
Date Issued
2016-03-07
PURL
http://purl.flvc.org/fau/flvc_fau_islandoraimporter_10.1088_1748-9326_11_3_034014_1632246943
Format
Citation