Current Search: Tomei, Megan. (x)
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Title
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She just snapped: reality television, murder and the myth of feminine evil.
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Creator
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Tomei, Megan., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
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Abstract/Description
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Snapped, a documentary style show profiling female killers, is one of Oxygens longest running hit franchises. This thesis analyzes, through both the frames of feminist theory and rhetoric, the way the show perpetuates and plays upon the myth of feminine evil as well as the stereotype of women as weak, hysterical agents in need of control. Snapped showcases women who start out as seemingly normal but then enact horrendous crimes. The use of women that the audience can identify with but then...
Show moreSnapped, a documentary style show profiling female killers, is one of Oxygens longest running hit franchises. This thesis analyzes, through both the frames of feminist theory and rhetoric, the way the show perpetuates and plays upon the myth of feminine evil as well as the stereotype of women as weak, hysterical agents in need of control. Snapped showcases women who start out as seemingly normal but then enact horrendous crimes. The use of women that the audience can identify with but then later fear creates a cathartic experience in which female audience members can be vicariously cleansed of any dangerous animosity they may possess. The show portrays the many extreme examples as the norm for lethal female violence, but this disregards the fact that a majority of women killers act in self defense. The show distorts the reality of violence against women and supports a stereotype of inherent female criminality.
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Date Issued
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2010
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PURL
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http://purl.flvc.org/FAU/2684892
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Subject Headings
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Reality television programs, Feminist theory, Homicide, Psychological aspects, Violence in women, Violence in mass media
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Format
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Document (PDF)
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Title
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Doing it for themselves: sexual subjectivity in cinematic depictions of female autoeroticism.
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Creator
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Tomei, Megan., Dorothy F. Schmidt College of Arts and Letters, Center for Women, Gender and Sexuality Studies
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Abstract/Description
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Whereas male masturbation has generally been normalized by being the butt of friendly jokes and a popular subject in romantic comedies, the predominant discourse surrounding female masturbation, both in society and the movies, is silence and stigmatization. However, female masturbation is symbolically powerful because it signifies a female sexuality that is not dependent on male presence. This thesis seeks to explore depictions of female masturbation, specifically looking at how female...
Show moreWhereas male masturbation has generally been normalized by being the butt of friendly jokes and a popular subject in romantic comedies, the predominant discourse surrounding female masturbation, both in society and the movies, is silence and stigmatization. However, female masturbation is symbolically powerful because it signifies a female sexuality that is not dependent on male presence. This thesis seeks to explore depictions of female masturbation, specifically looking at how female characters who engage in autoeroticism are stigmatized, controlled or silenced. This thesis will also explore the minority of depictions that show the act as liberating in films like Pleasantville (1998) and Better than Chocolate (1999).
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Date Issued
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2012
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PURL
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http://purl.flvc.org/FAU/3359163
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Subject Headings
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Female masturbation, Women, Sexual behavior, Feminist theory, Women in motion pictures, Sex customs
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Format
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Document (PDF)
