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Title: Allusions.
Creator: Nuruddin, Khaulah Naima, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Allusions explores the volatile nature of intimate relationships by revisiting and recovering my memory of dramatic experiences in my own intimate relationships then translating them into painted psychological scenes. These scenes are activated by symbolically charged objects and interrupted by openings or portals serving as points of entry or exit. The people involved are referred to by pieces of carefully chosen furniture situated in a space that has shifting perspectives and illogical...
Show moreAllusions explores the volatile nature of intimate relationships by revisiting and recovering my memory of dramatic experiences in my own intimate relationships then translating them into painted psychological scenes. These scenes are activated by symbolically charged objects and interrupted by openings or portals serving as points of entry or exit. The people involved are referred to by pieces of carefully chosen furniture situated in a space that has shifting perspectives and illogical planes, referencing the complexity of memory and the subjectivity of experience. Discordant color, texture, and layered information are used to heighten the drama of the moment. These painted panels and ceramic structures are a manifestation of my mental processing of interpersonal exchanges and remembered experiences through the development of a unique visual vocabulary in paint.
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Date Issued: 2016
PURL: http://purl.flvc.org/fau/fd/FA00004617
Subject Headings: Affect (Psychology), Visual perception., Optical art., Pictures--Psychological aspects., Color--Psychological aspects., Symbolism in art., Interpersonal relationships., Signs and symbols.
Format: Document (PDF)

Title: The presentation of self.
Creator: Lopez, Kandy G., Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Curious to understand my fascination with and attraction to certain individuals who live and work in urban, often economically disadvantaged environments, my thesis exhibition explores properties of paint and image to develop a personal and compelling visual vocabulary that communicates as well as celebrates the strength, power, confidence and swag of these individuals. This work investigates the "face" people front in public in order to survive their situations. Representing individuals...
Show moreCurious to understand my fascination with and attraction to certain individuals who live and work in urban, often economically disadvantaged environments, my thesis exhibition explores properties of paint and image to develop a personal and compelling visual vocabulary that communicates as well as celebrates the strength, power, confidence and swag of these individuals. This work investigates the "face" people front in public in order to survive their situations. Representing individuals within my own community in Miami, these portraits help me come to terms with the way I too have adopted and performed identities of survival. Additionally, I want this work to make visual record of these compelling individuals rarely acknowledged within the history of art.
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Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FA00004134
Subject Headings: Art and society, Communication and culture, Self perception in art, Self perception in art, Self presentation, Social role
Format: Document (PDF)

Title: The Power of Wrapping.
Creator: Thieman, Sharon, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Power of Wrapping explores and communicates the somaesthetically inspired artistic act of wrapping as a generative force for healing. This thesis exhibition is an installation of artwork comprised of the combined forms and outcomes from two types of investigation. One, a studio practice in which my own somatic engagement, collaborates with my personal aesthetics of form, to produce two kinds of exhibited work. The first is a large traditionally wrapped Japanese temari and the second, involves...
Show morePower of Wrapping explores and communicates the somaesthetically inspired artistic act of wrapping as a generative force for healing. This thesis exhibition is an installation of artwork comprised of the combined forms and outcomes from two types of investigation. One, a studio practice in which my own somatic engagement, collaborates with my personal aesthetics of form, to produce two kinds of exhibited work. The first is a large traditionally wrapped Japanese temari and the second, involves twenty low-relief two dimensional wrappings on eight-inch stretcher frames and configured in a circular pattern with a larger wrapped stretcher frame in the center. Two, a social practice which embodies relationally and somaesthetically inspired art making within community groups, as generators of a large hanging form of wrapped hula hoops. In its totality, the installation is an expression of the idea that the body is essential to both making art and experiencing art.
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Date Issued: 2018
PURL: http://purl.flvc.org/fau/fd/FA00013036
Subject Headings: Installations (Art), Exhibit, Body in art
Format: Document (PDF)

Title: Renascence.
Creator: Navarrete, Roberto Rafael, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: My thesis body of work offers a bridge into the physical, emotional, and spiritual scarring caused by global intolerance towards the LGBTQIA+ community and oppression embedded by patriarchal power. This body of work is a collection of resurfaced history and experiences transformed physically by intentionally subverting hyper-masculine materials into knots. My objective is to deconstruct individual knotted cords that make up the fabric of my identity and reconstruct them into an installation....
Show moreMy thesis body of work offers a bridge into the physical, emotional, and spiritual scarring caused by global intolerance towards the LGBTQIA+ community and oppression embedded by patriarchal power. This body of work is a collection of resurfaced history and experiences transformed physically by intentionally subverting hyper-masculine materials into knots. My objective is to deconstruct individual knotted cords that make up the fabric of my identity and reconstruct them into an installation. Renascence offers a visceral experience for the audience that aesthetically explores the body’s transformation as it heals. This thesis asserts a place within a reflective, fluid, transitional identity expressing the intersection of the temporality and body that I occupy as a Queer, Latinx artist of color. Working across media, Renascence incorporates performance, photography, paper, paint, projection, mirrors and built environments.
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Date Issued: 2018
PURL: http://purl.flvc.org/fau/fd/FA00013044
Subject Headings: Installations (Art), Sexual minorities, Multimedia (Art)
Format: Document (PDF)

Title: Lifeline: Expressions of Intimacy Through Paint.
Creator: Cassens, Ashley Nicole, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Lifeline: Expressions of Intimacy Through Paint is a body of paintings that seeks to bridge physical distance by sensually applying layers of oil paint to recreate the physicality of my husband. I allow the viewer to enter into a private exchange by the use of intimately charged spaces, like the bed, which demonstrates how paint can be a conduit for touch in absentia. By intensely remembering my partner in these works, I reconstitute my knowing him through paint and seek to move beyond mere...
Show moreLifeline: Expressions of Intimacy Through Paint is a body of paintings that seeks to bridge physical distance by sensually applying layers of oil paint to recreate the physicality of my husband. I allow the viewer to enter into a private exchange by the use of intimately charged spaces, like the bed, which demonstrates how paint can be a conduit for touch in absentia. By intensely remembering my partner in these works, I reconstitute my knowing him through paint and seek to move beyond mere representation to know and express him better. Therefore, these paintings not only bridge the physical distance between my body and his, but search for meaningful expressions of my internal conversations as I make visual discoveries that expand my understanding of him.
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Date Issued: 2017
PURL: http://purl.flvc.org/fau/fd/FA00004869
Subject Headings: Memory., Symbolism in art., Figurative painting--21st century., Painting, Modern--21st century., Painting--Psychological aspects., Painting--Technique.
Format: Document (PDF)

Title: Made Up.
Creator: Crowley, Margaret Louise, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Made Up, a body of paintings, expresses my love/loathe relationship with the beauty/fashion industries and the fantasy/deception they instill. Aging amplifies my fear of being rejected or invisible and is assuaged by being made-up. Pages torn from fashion layouts are manually distressed to become the visually striking crumpled images that are the basis for my painting. The wrinkled nature of my source communicates my frustration with aging and never being able to meet the standards of modern...
Show moreMade Up, a body of paintings, expresses my love/loathe relationship with the beauty/fashion industries and the fantasy/deception they instill. Aging amplifies my fear of being rejected or invisible and is assuaged by being made-up. Pages torn from fashion layouts are manually distressed to become the visually striking crumpled images that are the basis for my painting. The wrinkled nature of my source communicates my frustration with aging and never being able to meet the standards of modern beauty ideals. My careful repainting of the disfiguration demonstrates my desire to intimately repair and own the image. In taking my power back through painting, the defiled magazine spread becomes a layout of my ability and power as a painter to create and control the illusion. Paint enables me to accept myself through the virtuosity of its application, scale, and in the resulting illusion, in which cathartic moments of subversive humor play out.
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Date Issued: 2019
PURL: http://purl.flvc.org/fau/fd/FA00013195
Subject Headings: Painting, Beauty culture, Aging, Feminine beauty (Aesthetics)
Format: Document (PDF)

Title: Solace: Intimately Remembered Places.
Creator: Francoeur, Michele, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: The culmination of my graduate research and investigations is my thesis exhibition Solace; Intimately Remembered Places. This body of paintings is a visual representation of land, water and flora that focuses on my abstraction of nature to extract essential elements that expresses my deep connection to a specific time and place, layered with associated memories. By revisiting a landscape over a sustained period of time, I developed a personal visual vocabulary to communicate the essential...
Show moreThe culmination of my graduate research and investigations is my thesis exhibition Solace; Intimately Remembered Places. This body of paintings is a visual representation of land, water and flora that focuses on my abstraction of nature to extract essential elements that expresses my deep connection to a specific time and place, layered with associated memories. By revisiting a landscape over a sustained period of time, I developed a personal visual vocabulary to communicate the essential abstract forms of nature and record the subtle nuances of color, light, shape, texture, positive and negative space to evoke a particular time and place. I expanded my painting techniques through the addition of a laser cutter. Rooted in a background of graphic design, my thesis also incorporated and included a book form using similar strategies.
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Date Issued: 2017
PURL: http://purl.flvc.org/fau/fd/FA00004971, http://purl.flvc.org/fau/fd/FA00004961
Subject Headings: Dissertations, Academic -- Florida Atlantic University, Painting--Exhibitions., Art, Abstract., Artists' books., Etching.
Format: Document (PDF)

Title: Mercury Express.
Creator: Gran, Cangshu, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: My thesis exhibition “Mercury Express” is the culmination of my creative research and the paintings that I have created over the past three years. This body of work is comprised of fourteen oil glaze paintings on canvas, ranging in size from 16x 16 inches to 36 x 48 inches. These paintings demonstrate, through subjective color and the application of misty layers of luminous paint, my residence on the edge of moving to the future and looking to the past. Through imagination my paintings...
Show moreMy thesis exhibition “Mercury Express” is the culmination of my creative research and the paintings that I have created over the past three years. This body of work is comprised of fourteen oil glaze paintings on canvas, ranging in size from 16x 16 inches to 36 x 48 inches. These paintings demonstrate, through subjective color and the application of misty layers of luminous paint, my residence on the edge of moving to the future and looking to the past. Through imagination my paintings express a longing for connections and offer glimpses of happiness tinted with a pervasive overcast of melancholy. Mercury Express is a visual expression of what I consider to be ‘Kitsch’, ‘Sentimental’ and ‘Adventurous’. Through this work I salvage and renew the child-like wonder that managed to survive into my adulthood. Through the positioning of remembered objects in imaginary landscapes, Mercury Express recalls and explores my childhood memories, ideas and aspirations to reclaim the wonder I have lost as an adult.
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Date Issued: 2019
PURL: http://purl.flvc.org/fau/fd/FA00013211
Subject Headings: Painting, Art
Format: Document (PDF)

Title: My representations: entropic manipulations.
Creator: Cardoso, De Gouveia Isabel, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: My thesis body of work developed from a desire to examine my nonrepresentational artwork in relation to the concept of entropy - the law of thermodynamics that measures the gradual, steady disintegration in a system such as our world. Experimenting with a range of approaches and mediums, I resolved to radically manipulate the inkjet printing of my digital photography files to introduce chance and provoke decay. The resulting prints operate as an orchestrated chaos alluding to environmental...
Show moreMy thesis body of work developed from a desire to examine my nonrepresentational artwork in relation to the concept of entropy - the law of thermodynamics that measures the gradual, steady disintegration in a system such as our world. Experimenting with a range of approaches and mediums, I resolved to radically manipulate the inkjet printing of my digital photography files to introduce chance and provoke decay. The resulting prints operate as an orchestrated chaos alluding to environmental decline and collapse, and by extension, potential social degeneration. My art reflects my perceptions of our times as well as adds to the problem. I continue to produce waste through the consumption of materials. I contaminate through inks. I add to landfills with failures. My artwork points out the inevitable end.
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Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FA00004088
Subject Headings: Aesthetics -- Psychological aspects, New media art, Photography, Artistic, Postmodernism, Technology and the arts
Format: Document (PDF)

Installations (Art) (2)	+ -
Painting (2)	+ -
Symbolism in art. (2)	+ -
Aesthetics -- Psychological aspects (1)	+ -
Affect (Psychology) (1)	+ -

Aging (1)	+ -
Art (1)	+ -
Art and society (1)	+ -
Art, Abstract. (1)	+ -
Artists' books. (1)	+ -
Beauty culture (1)	+ -
Body in art (1)	+ -
Color--Psychological aspects. (1)	+ -
Communication and culture (1)	+ -
Dissertations, Academic -- Florida Atlantic University (1)	+ -
Etching. (1)	+ -
Exhibit (1)	+ -
Feminine beauty (Aesthetics) (1)	+ -
Figurative painting--21st century. (1)	+ -
Interpersonal relationships. (1)	+ -
Memory. (1)	+ -
Multimedia (Art) (1)	+ -
New media art (1)	+ -
Optical art. (1)	+ -
Painting, Modern--21st century. (1)	+ -
Painting--Exhibitions. (1)	+ -
Painting--Psychological aspects. (1)	+ -
Painting--Technique. (1)	+ -
Photography, Artistic (1)	+ -
Pictures--Psychological aspects. (1)	+ -

Department of Visual Arts and Art History (9)	+ -
Dorothy F. Schmidt College of Arts and Letters (9)	+ -
Florida Atlantic University (9)	+ -
Prusa, Carol (9)	+ -
Cardoso, De Gouveia Isabel (1)	+ -

Cassens, Ashley Nicole (1)	+ -
Crowley, Margaret Louise (1)	+ -
Francoeur, Michele (1)	+ -
Gran, Cangshu (1)	+ -
Lopez, Kandy G. (1)	+ -
Navarrete, Roberto Rafael (1)	+ -
Nuruddin, Khaulah Naima (1)	+ -
Thieman, Sharon (1)	+ -

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