Current Search: PAU-LLOSA, RICARDO MANUEL. (x)
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Title
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PRINCIPLES AND PRISMS: SYMBOLIC STRUCTURE IN THE POETRY OF WALLACE STEVENS.
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Creator
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PAU-LLOSA, RICARDO MANUEL., Florida Atlantic University, Pearce, Howard D., Dorothy F. Schmidt College of Arts and Letters, Department of English
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Abstract/Description
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A detailed analysis of Wallace Stevens' rock and statue symbols, as they recur throughout the poet's career, reveals an intricate chronological pattern. Such a pattern is based on Stevens' philosophical commitment to a world of constant change and elusive perceptual assertions. Stevens' symbols operate through a system of meaning which is controlled and variable at the same time. Two concepts of symbolic structure are defined: the prismatic principle, or focal point through which all meanings...
Show moreA detailed analysis of Wallace Stevens' rock and statue symbols, as they recur throughout the poet's career, reveals an intricate chronological pattern. Such a pattern is based on Stevens' philosophical commitment to a world of constant change and elusive perceptual assertions. Stevens' symbols operate through a system of meaning which is controlled and variable at the same time. Two concepts of symbolic structure are defined: the prismatic principle, or focal point through which all meanings are projected, and the spectrum of import, the expansive pattern which shapes and modulates symbolic meaning. Symbols zig-zag from abstract to concrete levels of meaning development. Four major stages are analyzed: The Icon, Stage 1 (1921-1935), The Statue, Stage 2 (1935-1938), The Transitional Levels, Stage 3 (1938-1946), and The Rock, Stage 4 (1946-1950). The paradox of co-existing pattern and flux in Stevens' symbols emerges from his overriding dualistic uncertainties.
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Date Issued
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1976
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PURL
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http://purl.flvc.org/fcla/dt/13830
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Subject Headings
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Literature, American
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Format
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Document (PDF)
