Current Search: Osborne, Sterling Anderson (x)
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Title
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Linking masks with Majora: The legend of Zelda: Majora’s mask and NOH theater.
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Creator
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Osborne, Sterling Anderson, Swanstrom, Elizabeth, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
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Abstract/Description
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The field of video game studies is young and requires innovation in its approach to its object of study. Despite the large number of Japanese games and game developers, most scholars in the West approach video games from a point of view that emphasizes Western thought and that is concerned with either very recent video games or the medium as a whole. The Legend of Zelda: Majora’s Mask defies Western interpretations as its inspiration and aesthetics are steeped in a Japanese theatrical...
Show moreThe field of video game studies is young and requires innovation in its approach to its object of study. Despite the large number of Japanese games and game developers, most scholars in the West approach video games from a point of view that emphasizes Western thought and that is concerned with either very recent video games or the medium as a whole. The Legend of Zelda: Majora’s Mask defies Western interpretations as its inspiration and aesthetics are steeped in a Japanese theatrical tradition that dates to the early Middle Ages, namely Noh theater. The game’s emphasis on masks and possession provides unique commentary on the experience of playing a video game while the structure of the game harkens back to traditional Noh cycles, tying in pre-modern ideas with a modern medium in order to comment on video games and the people who play them.
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Date Issued
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2014
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PURL
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http://purl.flvc.org/fau/fd/FA00004311, http://purl.flvc.org/fau/fd/FA00004311
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Subject Headings
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Aesthetics, Japanese, Legend of Zelda (Game), Nō, Theater -- Japan, Video games -- Philosophy, Video games in art
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Format
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Document (PDF)
