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"Maldito amor" and "Sweet Diamond Dust": Rosario Ferre between languages
Title
"Maldito amor" and "Sweet Diamond Dust": Rosario Ferre between languages.
Creator
Martin, Angela F., Florida Atlantic University, Hokenson, Jan W.
Abstract/Description
Since 1970, translation studies have broken the dichotomous mold of the "word for word" or "sense for sense" translation, shifting from a linguistics focus to a new approach that investigates the context and confluence of the social/political factors that form the cultural background of a language. In the light of this "cultural turn," this study comparatively investigates the apparent differences between the two versions of the novella "Maldito amor" and "Sweet Diamond Dust" by the...
Show moreSince 1970, translation studies have broken the dichotomous mold of the "word for word" or "sense for sense" translation, shifting from a linguistics focus to a new approach that investigates the context and confluence of the social/political factors that form the cultural background of a language. In the light of this "cultural turn," this study comparatively investigates the apparent differences between the two versions of the novella "Maldito amor" and "Sweet Diamond Dust" by the critically acclaimed Puerto Rican Rosario Ferre. To read Ferre's two versions taking into account translation theorist Lawrence Venuti's concepts of "foreignizing" or "domestication" of a text, evidences the need of new theoretical formulations to critically situate these rare cases of authors who "write between languages," and (re)create their work in another language.
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Date Issued
2000
PURL
http://purl.flvc.org/fcla/dt/15791
Subject Headings
Translating and interpreting, Ferre, Rosario--Sweet diamond dust, Ferre, Rosario--Translations
Format
Document (PDF)
Writing to Exist: Transformation and Translation into Exile
Title
Writing to Exist: Transformation and Translation into Exile.
Creator
Martin, Angela F., Erro-Peralta, Nora, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description
Silenced for almost half a century, testimonies of those who lost the Spanish Civil War are now surfacing and being published. The origin of this dissertation was the chance discovery that Martín Herrera de Mendoza, a Spanish Civil War exile living in the United States, was truly a Catalonian anarchist named Antonio Vidal Arabí. This double identity was a cover for the political activist dedicated to the fight for change in the anarchist workers’ union CNT (National Confederation of Workers)...
Show moreSilenced for almost half a century, testimonies of those who lost the Spanish Civil War are now surfacing and being published. The origin of this dissertation was the chance discovery that Martín Herrera de Mendoza, a Spanish Civil War exile living in the United States, was truly a Catalonian anarchist named Antonio Vidal Arabí. This double identity was a cover for the political activist dedicated to the fight for change in the anarchist workers’ union CNT (National Confederation of Workers) and the FAI (Federation of Iberian Anarchists). He founded the FAI chapter in Santa Cruz de Tenerife and planned a failed assassination attempt on General Franco’s life in an effort to avoid the military takeover in 1936. This dissertation is the reconstruction of Antonio Vidal Arabí’s life narrative. It is based on the texts written during his seventeen-month stay as a refugee in Great Britain. Copies of his writings were left in a suitcase with a fellow anarchist who he instructed to have sent to his family upon his death. In 1989, “The English Suitcase” was delivered to his children in Barcelona. Based on his own account, this study follows his service as an intelligence agent for the Spanish Republic during the War. When it was over, he attempted to evacuate his family from France, to save them from the threat of the Nazi invasion and reunite with them in England or America. The analysis of the letters he wrote to his wife and children in France documents how he hid from Franco’s spies using his dual identity. In his letters, always signed as Martín Herrera de Mendoza, he invents a persona in order to help his family. The present study narrates his transformation into the persona he created and the events that brought about his translation into his “other.” Antonio Vidal Arabí’s bilinguism and biculturality is underlined as the main factors in his change into Martín Herrera de Mendoza. His was a voyage into exile documented by his own words; a story of survival and reinvention.
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Date Issued
2017
PURL
http://purl.flvc.org/fau/fd/FA00004803, http://purl.flvc.org/fau/fd/FA00004803
Subject Headings
Herrera de Mendoza, Martín--Correspondence., Spain.--Ejército Popular de la República., Spain--History--República, 1931-1939., Spain--History--Civil War, 1936-1939--Personal narratives., Spain--History--Civil War, 1936-1939--Refugees--Great Britain--Personal narratives., Santa Cruz de Tenerife (Canary Islands : Province)--Personal narraatives., Anarchists--Spain--History--20th century., Exiles' writings, Spanish--20th century.
Format
Document (PDF)