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"Prodjickin', or mekin' a present to yo' family": rereading empowerment in Thomas Nelson Page's frame narratives
Re-constructing the past: women, time, and inanimate objects in Virginia Woolf's the years and Daphne du Maurier's Rebecca
Dramatic deception and black identity in 'The First One' and 'Riding the Goat'
Classifying the South: Library of Congress Subject Headings and their Impact upon United States Southern Literature
Struck by Aesthetics: Recuperating Folk Drama
Authenticity in the Fictional Voices of Toni Morrison’s Love and Home: Tracing Conversations Among Author, Readers, and Narrators as a Rewrite of U.S. History
BIG GAME HUNTING ON MODERNIST TERRITORY: FEMALE ANIMALITY IN F. SCOTT FITZGERALD AND DJUNA BARNES
Establishing the Bondmother: Examining the Categorization of Maternal Figures in Toni Morrison’s Beloved and Paradise
Trauma and Telling: Examining the Intergenerational Transmission of Trauma Through Silence
Unrecognized Pasts and Unforeseen Futures: Architecture and Postcolonialism in William Faulkner's Absalom, Absalom! and The Sound and the Fury
SOUTHERN FRINGES: LITTLE MAGAZINES AND LARRY BROWN’S EARLY SHORT FICTION
Living Capital: Situating Animals within Capitalist Modes of Production in Science Fiction
THE EMBODIED ODDITY: EMPOWERING TESTIMONIES OF DISABLED SOUTHERN WOMEN WRITERS
Normative narratives and disabled ideologies in Nabokov’s Lolita and Laughter in the
OUR “HIDEOUS PROGENY”: MONSTROUS WOMANHOOD AT THE ADVENT OF THE FILM SEQUEL IN AMERICAN CINEMA, LITERATURE, AND POPULAR CULTURE
The Disembodied Voices of Remembrance: Male Trauma through the Aquatic and the Female Body in William Faulkner’s The Sound and the Fury and Pat Conroy’s The Prince of Tides
Fattitude The Movie: Theory and Praxis of Creating a Documentary that Examines Fat Representation and Fat Social Justice