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WAR POETRY: WHITMAN, HARDY, AND JARRELL
ADRIENNE RICH'S ANDROGYNE: SURVIVOR IN A POLARIZED WASTELAND
"anomaly" in Henry James's "The Portrait of a Lady"
"The angel at the centre of this rind" and Stevens behind subject and object
ART OF NOT LISTENING AND THE PLAYS OF EDWARD ALBEE
APOLLONIAN-DIONYSIAN CONFLICT IN THREE TENNESSEE WILLIAMS PLAYS
"Tempting providence": The absurd humor of Eudora Welty's "Losing Battles"
"Chief Joseph of the Nez Perce": An affirmation of human values
COLIN WILSON AND THE SEXUAL MYSTIQUE
Alice Walker: Redefining the hero
Apollo, Dionysus, and three sets of brothers: Nietzsche's "The Birth of Tragedy" as applied to O'Neill, Pinter, and Shepard
David Mamet's games in "Glengarry Glen Ross", "Homicide", and "House of Games"
ECHOES OF HENRY THOREAU IN E. B. WHITE'S "CHARLOTTE'S WEB"
EDWARD BOND AND TOM STOPPARD: THE ARTIST IN SOCIETY
Carl Sandburg's "Rootabaga Stories": American fairy tales
Conversations with the dead: The ontological substructure of Wallace Stevens' "Esthetique du Mal"
Concept of Deity in the Poetry of Wallace Stevens
Existentialism in Harold Pinter's Drama
FOUR FORMS OF METAPHOR IN THE POETRY OF EMILY DICKINSON
Flannery O'Connor's concern for truth: Aristotelian and phenomenological implications

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