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Pages
- Title
- Program Review Music, 2012-2013.
- Creator
- Florida Atlantic University, Department of Music, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
-
Florida Atlantic University Departmental Dashboard Indicators. Department program reviews for Dorothy F. Schmidt College of Arts and Letters, Florida Atlantic University.
- Date Issued
- 2012-2013
- PURL
- http://purl.flvc.org/fau/fd/FA00007623
- Subject Headings
- Florida Atlantic University -- History
- Format
- Document (PDF)
- Title
- Program Review Music, 2016-2017.
- Creator
- Florida Atlantic University, Department of Music, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
-
Florida Atlantic University Departmental Dashboard Indicators. Department program reviews for Dorothy F. Schmidt College of Arts and Letters, Florida Atlantic University.
- Date Issued
- 2016-2017
- PURL
- http://purl.flvc.org/fau/fd/FA00007627
- Subject Headings
- Florida Atlantic University -- History
- Format
- Document (PDF)
- Title
- Program Review Music, 2014-2015.
- Creator
- Florida Atlantic University, Department of Music, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
-
Florida Atlantic University Departmental Dashboard Indicators. Department program reviews for Dorothy F. Schmidt College of Arts and Letters, Florida Atlantic University.
- Date Issued
- 2014-2015
- PURL
- http://purl.flvc.org/fau/fd/FA00007625
- Subject Headings
- Florida Atlantic University -- History
- Format
- Document (PDF)
- Title
- Program Review Music, 2013-2014.
- Creator
- Florida Atlantic University, Department of Music, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
-
Florida Atlantic University Departmental Dashboard Indicators. Department program reviews for Dorothy F. Schmidt College of Arts and Letters, Florida Atlantic University.
- Date Issued
- 2013-2014
- PURL
- http://purl.flvc.org/fau/fd/FA00007624
- Subject Headings
- Florida Atlantic University -- History
- Format
- Document (PDF)
- Title
- Program Review Music, 2009-2010.
- Creator
- Florida Atlantic University, Department of Music, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
-
Florida Atlantic University Departmental Dashboard Indicators. Department program reviews for Dorothy F. Schmidt College of Arts and Letters, Florida Atlantic University.
- Date Issued
- 2009-2010
- PURL
- http://purl.flvc.org/fau/fd/FA00007621
- Subject Headings
- Florida Atlantic University -- History
- Format
- Document (PDF)
- Title
- Program Review Music, 2010-2011.
- Creator
- Florida Atlantic University, Department of Music, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
-
Florida Atlantic University Departmental Dashboard Indicators. Department program reviews for Dorothy F. Schmidt College of Arts and Letters, Florida Atlantic University.
- Date Issued
- 2010-2011
- PURL
- http://purl.flvc.org/fau/fd/FA00007622
- Subject Headings
- Florida Atlantic University -- History
- Format
- Document (PDF)
- Title
- Program Review Music, 2015-2016.
- Creator
- Florida Atlantic University, Department of Music, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
-
Florida Atlantic University Departmental Dashboard Indicators. Department program reviews for Dorothy F. Schmidt College of Arts and Letters, Florida Atlantic University.
- Date Issued
- 2015-2016
- PURL
- http://purl.flvc.org/fau/fd/FA00007626
- Subject Headings
- Florida Atlantic University -- History
- Format
- Document (PDF)
- Title
- Marketing music in a digital age.
- Creator
- Amedeo, James Rocco., College of Business, Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
The physical sale of music and the effectiveness of traditional media are expected to continue to decline, challenging marketers to develop new methods to create awareness about music. Although music sales are declining, interest in music is healthy, and strongest amongst the American young adult market - between the ages 18-34. This marketing plan uses traditional and innovative techniques to capture the attention of the target market, which is more culturally diverse and technologically...
Show moreThe physical sale of music and the effectiveness of traditional media are expected to continue to decline, challenging marketers to develop new methods to create awareness about music. Although music sales are declining, interest in music is healthy, and strongest amongst the American young adult market - between the ages 18-34. This marketing plan uses traditional and innovative techniques to capture the attention of the target market, which is more culturally diverse and technologically advanced than any previous demographic.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/192980
- Subject Headings
- Music and the Internet, Music trade, Marketing, Internet marketing, Popular music, History and criticism
- Format
- Document (PDF)
- Title
- Beethoven: his nine symphonies and their influence on the development of the orchestra.
- Creator
- Padua, Daniel., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
Beethoven is widely considered to be one of the most influential composers of all time. His compositions denote a crucial turning point in the history of western music, and his influence can be discussed in numerous ways - musically, technically, theoretically and even philosophically. This treatise discusses one of the primary aspects of Beethoven's influence on later generations: the way that his symphonies contributed to the expansion of the genre and, consequently, to the development of...
Show moreBeethoven is widely considered to be one of the most influential composers of all time. His compositions denote a crucial turning point in the history of western music, and his influence can be discussed in numerous ways - musically, technically, theoretically and even philosophically. This treatise discusses one of the primary aspects of Beethoven's influence on later generations: the way that his symphonies contributed to the expansion of the genre and, consequently, to the development of the orchestra. Included is a detailed analysis of his nine symphonies, an overview of his personal life, and an exploration of the historical, social, and political time in which he lived. This thesis collects and examines relevant documents in order to inquire about and better understand the changes and innovations that transformed the standard orchestra of the eighteenth century, opening the doors to the symphonic music of the Romantic Era.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2978945
- Subject Headings
- Influence, Criticism and interpretation, Performance practice (Music), History, Music, Philosophy and aesthetics, Instrumentation and orchestration, History, Arrangement (Music), History
- Format
- Document (PDF)
- Title
- Three suites: a celebration of klezmer.
- Creator
- Weiner, Alison, Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
Three original suites, composed during 2008-2009, are presented and discussed with respect to form, style, and compositional techniques. The subjects are Suite No. 1 (clarinet and piano), Suite No. 2: For Paul, A Master of Music (clarinet, piano, double bass and drums), and Suite No. 3: L'Chaim (two clarinets, flugelhorn, French horn, bandoneon, piano, violin, and cello). Common to all three pieces is the inspiration of klezmer, a Jewish music genre that, during its reemergence over the past...
Show moreThree original suites, composed during 2008-2009, are presented and discussed with respect to form, style, and compositional techniques. The subjects are Suite No. 1 (clarinet and piano), Suite No. 2: For Paul, A Master of Music (clarinet, piano, double bass and drums), and Suite No. 3: L'Chaim (two clarinets, flugelhorn, French horn, bandoneon, piano, violin, and cello). Common to all three pieces is the inspiration of klezmer, a Jewish music genre that, during its reemergence over the past thirty-five years, has welcomed the influence of other musical styles. In keeping with the eclectic nature of klezmer, each suite builds upon the previous one with regard to instrumentation, style and technique, and embraces additional genres (jazz and tango). Brief reviews regarding the history and musical characteristics (including modes, ornamentation and improvisation, song types and instrumentation) for all the included genres are also presented for the benefit of compositional context.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2100575
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Klezmer music, History and criticism, Jews, Music, History and criticism
- Format
- Document (PDF)
- Title
- Three chamber pieces.
- Creator
- Frederick, Rochelle M., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
Three original chamber pieces are discussed from numerous points of view. They were composed for string quartet (Escape and String quartet in Four Movements), and string quartet with flute (Forward Motion). Each piece is analyzed in terms of its historical background, compositional techniques, and formal and stylistic techniques. Each piece draws influences from different genres. Escape was influenced by minimalism and jazz and is based on the Locrian scale. Forward Motion is in a modified...
Show moreThree original chamber pieces are discussed from numerous points of view. They were composed for string quartet (Escape and String quartet in Four Movements), and string quartet with flute (Forward Motion). Each piece is analyzed in terms of its historical background, compositional techniques, and formal and stylistic techniques. Each piece draws influences from different genres. Escape was influenced by minimalism and jazz and is based on the Locrian scale. Forward Motion is in a modified classical form (Sonata) but draws influences from modern music and employs much dissonance. String quartet in Four Movements combines elements of expressionism, minimalism and jazz. Each piece is discussed in regards to its musical characteristics and historical influences including scales, harmony, rhythmic structure and form.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/1927861
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Avant-garde (Music), Criticism and interpretation, Composition (Music), Musical analysis
- Format
- Document (PDF)
- Title
- The common origin of the German contraptual organ school and the French classical organ school from the perspective of organ construction, organ music and organ technique.
- Creator
- Miller, Margaret R., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
This study examines the development of German pipe organ culture and French classical pipe organ culture from a single common origin in the Duchy of Brabant, during 1450-1850, with respect to select major attributes of organ construction, organ music and organ technique. The respective music of Dieterich Buxtehude (1637-1707), Praeludium in G Minor, BuxWV 149, for the North German contrapuntalists, and of Câesar Franck (1822- 1890), Choral No. 3 in A Minor, for the classical French symphonic...
Show moreThis study examines the development of German pipe organ culture and French classical pipe organ culture from a single common origin in the Duchy of Brabant, during 1450-1850, with respect to select major attributes of organ construction, organ music and organ technique. The respective music of Dieterich Buxtehude (1637-1707), Praeludium in G Minor, BuxWV 149, for the North German contrapuntalists, and of Câesar Franck (1822- 1890), Choral No. 3 in A Minor, for the classical French symphonic tradition, is highlighted and appended with suggested technique for each work.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2978990
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Organs, History, Organs, History, Organ music, Technique, Organ (Musical instrument), Design and construction
- Format
- Document (PDF)
- Title
- Who is Paule Maurice?: her relative anonymity and its consequences.
- Creator
- Moore, Anthony Jon., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
Paule Maurice (1910-1967) is the little known composer of Tableaux de Provence: Suite for Saxophone and Orchestra, one of the most frequently recorded and studied classical saxophone compositions in history. A more in depth study of Paule Maurice reveals a talented composer and dedicated professor whose career at the Conservatoire National Supérieur de Musique de Paris and l'Ecole Normale de Musique de Paris spanned over twenty-five years until her untimely death at age fifty-seven. Maurice...
Show morePaule Maurice (1910-1967) is the little known composer of Tableaux de Provence: Suite for Saxophone and Orchestra, one of the most frequently recorded and studied classical saxophone compositions in history. A more in depth study of Paule Maurice reveals a talented composer and dedicated professor whose career at the Conservatoire National Supérieur de Musique de Paris and l'Ecole Normale de Musique de Paris spanned over twenty-five years until her untimely death at age fifty-seven. Maurice composed for theatre, ballet, French National Radio, orchestra, voice, piano, flute, clarinet, and saxophone. There is question as to the whereabouts of many of her manuscripts. This thesis attempts to bring to bear the life and accomplishments of a talented French composer not well remembered in music history.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/367763
- Subject Headings
- Criticism and interpretation, Composers, Music, History and criticism, Women in music, Saxophone music
- Format
- Document (PDF)
- Title
- Voices of survival: opera in Theresienstadt.
- Creator
- Marcus, Jackelyn., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3342197
- Subject Headings
- Jews, Music, History and criticism, National socialism and music, Holocaust, Jewish (1939-1945)
- Format
- Document (PDF)
- Title
- Validating music therapy and its effectiveness in treating brain disorders: the role of emotions in music and in therapy.
- Creator
- Hurley, Kristin Renee., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
The success of the music therapy profession has been well established, though the healing properties of music are not yet fully understood. Clinical observations show the medicinal value of music therapy; however, it is challenging to quantify music's beneficial effects. Examining music therapy's effectiveness in treating neurological disorders can possibly help to better validate this profession. However, music therapy is a multidisciplinary field, and perhaps we must come to a better...
Show moreThe success of the music therapy profession has been well established, though the healing properties of music are not yet fully understood. Clinical observations show the medicinal value of music therapy; however, it is challenging to quantify music's beneficial effects. Examining music therapy's effectiveness in treating neurological disorders can possibly help to better validate this profession. However, music therapy is a multidisciplinary field, and perhaps we must come to a better understanding of how the various disciplines relate to one another. Music has the power to modulate our emotions. Neurological studies involving music therapy might help to uncover the connection between our emotional states and our physical health. To truly understand the success of music therapy, we must further study the role of emotions in the healing process. Future examinations of the emotional factor in music therapy may hold the key to a better understanding of how music affects us.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/FAU/165942
- Subject Headings
- Music, Psychological aspects, Cognitive neuroscience, Healing, Psychological aspects, Medicine and psychology, Mind and body
- Format
- Document (PDF)
- Title
- Two tone poems.
- Creator
- Rivera, Raul., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
The two orchestral pieces, written in the period of 2009-2010, are tone poems that demonstrate the development and combination of tonal melodies along with a coherent and effective use of orchestration to express different emotions inspired by two imaginary places. This thesis analyzes different aspects of the pieces based on their melodic construction and the use of the orchestra as the main instrument. This document also discusses the influence of specific composers and orchestral pieces,...
Show moreThe two orchestral pieces, written in the period of 2009-2010, are tone poems that demonstrate the development and combination of tonal melodies along with a coherent and effective use of orchestration to express different emotions inspired by two imaginary places. This thesis analyzes different aspects of the pieces based on their melodic construction and the use of the orchestra as the main instrument. This document also discusses the influence of specific composers and orchestral pieces, and the main historical style of the compositions.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2138105
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Symphonic poems, Criticism and interpretation, Variations (Orchestra), Orchestra music
- Format
- Document (PDF)
- Title
- An examination of pre- and post-Vatican II music for the Roman Catholic liturgy: ethnic diversity as a vehicle of unity.
- Creator
- Panayiotou, Andrea C., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
The Second Vatican Council of 1962-1965 initiated the translation of the Roman Catholic liturgy into languages other than Latin, spurring numerous ethnic musical settings which have seemingly departed from the unitive nature of a universal Latin liturgy. Following an examination of the musical history of the Latin liturgy, this document examines the changes introduced into music for the Roman Catholic liturgy after Vatican II, discussing how different parishes have subsequently incorporated...
Show moreThe Second Vatican Council of 1962-1965 initiated the translation of the Roman Catholic liturgy into languages other than Latin, spurring numerous ethnic musical settings which have seemingly departed from the unitive nature of a universal Latin liturgy. Following an examination of the musical history of the Latin liturgy, this document examines the changes introduced into music for the Roman Catholic liturgy after Vatican II, discussing how different parishes have subsequently incorporated the teachings of the Council with regard to music for the liturgy. The study then addresses specific post-Vatican II musical settings for the liturgy through an analysis of examples from different cultural backgrounds and a discussion of their positive usage and unifying effects within Catholic communities, in order to demonstrate that through their inclusion of diverse musical and cultural styles united with fidelity to Church teaching, post- Vatican II settings can continue the Church's catholic (universal) mission.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3333062
- Subject Headings
- History, Liturgy, Church music Catholic Church, Cross-cultural studies, Music, Religious aspects
- Format
- Document (PDF)
- Title
- The voice of nationalism in Moniuszko's opera.
- Creator
- Niewczas, Marlena., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
Stanislaw Moniuszko (1819-1872) is the father of the Polish national opera, and yet he is little known outside Poland. His two masterpieces, Halka and The Haunted Manor, are operatic works that contributed to the development of national music. Moniuszko composed during the middle of the nineteenth century when Poland was under control of the three Powers: Russia, Prussia, and Austria. A study of Polish history reveals the understanding of Moniuszko's position as an artist and the role of his...
Show moreStanislaw Moniuszko (1819-1872) is the father of the Polish national opera, and yet he is little known outside Poland. His two masterpieces, Halka and The Haunted Manor, are operatic works that contributed to the development of national music. Moniuszko composed during the middle of the nineteenth century when Poland was under control of the three Powers: Russia, Prussia, and Austria. A study of Polish history reveals the understanding of Moniuszko's position as an artist and the role of his operas. The national elements portrayed in his compositions include Polish dances, such as the polonaise, mazurka, and krakowiak, as well as folk tunes, and most importantly, the libretto with social and patriotic stances. This thesis intends to enlighten English speakers about the development of Polish national opera, its innovator, and his techniques.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/1930489
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Nationalism in literature, Music, History and criticism, Nationalism, History, Politics and government
- Format
- Document (PDF)
- Title
- Historical and analytical overviews on Dmitri Shostakovich's Twenty-Four Preludes and Fugues.
- Creator
- Park, Jihong., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
The goal of this research is to discover Shostakovich's inspiration and motivation for writing the Twenty-Four Preludes and Fugues. Through the in-depth research of the cycle, this thesis will discuss the different aspects of the unique harmonic ambiguity of both the preludes and the fugue subjects so that readers understand Shostakovich's language of musical communication. Shostakovich lived during a transitional period in the history of Russia when totalitarianism was being challenged. The...
Show moreThe goal of this research is to discover Shostakovich's inspiration and motivation for writing the Twenty-Four Preludes and Fugues. Through the in-depth research of the cycle, this thesis will discuss the different aspects of the unique harmonic ambiguity of both the preludes and the fugue subjects so that readers understand Shostakovich's language of musical communication. Shostakovich lived during a transitional period in the history of Russia when totalitarianism was being challenged. The research will also explore how the political environment influenced his composition during those years.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3352279
- Subject Headings
- Criticism and interpretation, Music, History and criticism, Politics and government
- Format
- Document (PDF)
- Title
- Mathilde Marchesi: a study of her life and work in vocal pedagogy, including historical and modern implications.
- Creator
- Craik, Joanna Lee, Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
Mathilde Marchesi played a significant role in vocal education during the nineteenth and early twentieth centuries. Marchesi taught many of the prominent female vocalists of her time and published a wealth of material based on the bel canto style and her own vocal methods. The research presented includes an examination of musical influences in early years, and provides information related to Marchesi's studies with Manuel Garcia II who played an important role in Mathilde's training and...
Show moreMathilde Marchesi played a significant role in vocal education during the nineteenth and early twentieth centuries. Marchesi taught many of the prominent female vocalists of her time and published a wealth of material based on the bel canto style and her own vocal methods. The research presented includes an examination of musical influences in early years, and provides information related to Marchesi's studies with Manuel Garcia II who played an important role in Mathilde's training and future devotion to the bel canto style. Section II defines the Marchesi method, with analysis of her techniques and methodology. Information on three of her most well known students - Nellie Melba, Emma Eames, and her own daughter, Blanche Marchesi, is presented in Section III along with narrative offering insight into Marchesi's personality and character. The thesis concludes with discussion of the viability and applicability of Marchesi's vocal pedagogy one hundred years after her death.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3174506
- Subject Headings
- Criticism and interpretation, Music, Acoustics and physics, Singing, Instruction and study, Bel canto
- Format
- Document (PDF)