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Title: Bodily knowledge in dance transferred to the creation of sculpture.
Creator: Feliciano, Nazare, McConnell, Brian E., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: The main focus of this dissertation is a discussion of how an artist uses her dance bodily knowledge to develop in a static art form a more bodily sense of movement. For this purpose this dissertation examines four clay sculptures by contemporary artist Mary Frank. The analysis suggests that the uncharacteristic sense of movement displayed in these works derives from her experiential knowledge of dance. This sense of movement is achieved through the considered assemblage and inextricable...
Show moreThe main focus of this dissertation is a discussion of how an artist uses her dance bodily knowledge to develop in a static art form a more bodily sense of movement. For this purpose this dissertation examines four clay sculptures by contemporary artist Mary Frank. The analysis suggests that the uncharacteristic sense of movement displayed in these works derives from her experiential knowledge of dance. This sense of movement is achieved through the considered assemblage and inextricable relationship between Frank’s dance bodily knowledge (body knowledge a dancer acquires through years of dance practice) and the manipulation of clay, the plastic medium she uses to create these forms. The study reveals that Frank’s ceramic assemblages of organic shapes resembling a figure could be related to somatic awareness of arms, legs, torso, hips, and head that dancers experience while dancing. Similarly, the fluid quality of her ceramic assemblages and their seamless coexistence with the environment can be correlated to the proprioceptic sensibilities (the reception of stimuli produced within the organism by movement or tension) that a dancer’s body senses as it navigates through the air and across the ground managing the pull of gravity. These findings are developed through a discussion of the philosophic theories on bodily knowledge (knowing in and through the body) by Maurice Merleau-Ponty, Michael Polanyi, Edward Casey, Pierre Bourdieu, and Richard Shusterman, as well as the philosophic theories on dance bodily knowledge (my own term) developed by Barbara Mettler, Maxine Sheets-Johnstone, and Jaana Parviainen. In addition, Mary’s sculptures are compared to traditionally built sculptures to illustrate the bodily sensory quality of the sense of movement of her structures. Although the scope of this study is limited to the application of dance bodily knowledge onto sculpture, perceived through the clay sculptures of Mary Frank, this research adds to the debate on the interrelationships between dance education and the arts, the body and institutions of learning, and the body and society. It suggests that dance practice and introspection of one’s body movement affects how one perceives the world around us and therefore how one reacts and expresses oneself on to the world.
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Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FA00004106, http://purl.flvc.org/fau/fd/FA00004106
Subject Headings: Aesthetics -- Psychological aspects, Dance -- Philosophy, Human body (Philosophy), Phenomenology, Sculpture -- Philosophy
Format: Document (PDF)

Title: Absence.
Creator: Johnson, Sarah, McConnell, Brian E., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Absence is the thesis exhibition resulting from the culmination of my three years in the graduate program. In this documentation, I outline historical and contextual influences that shape my ceramic practice. I specify that my work is centered on my life and describe how my work has evolved since I first started in the program. In the process I have gathered source material and have explored key points in the theory and history of Minimalism. As I developed the work, I was able to discuss how...
Show moreAbsence is the thesis exhibition resulting from the culmination of my three years in the graduate program. In this documentation, I outline historical and contextual influences that shape my ceramic practice. I specify that my work is centered on my life and describe how my work has evolved since I first started in the program. In the process I have gathered source material and have explored key points in the theory and history of Minimalism. As I developed the work, I was able to discuss how my work applied to these sources, and where it differed. I ended with introspective installation work that paralleled the themes I was working with at the start of my graduate experience that shows my evolution from being a child continually bounced around from one family member to another, to being the confidant of my mother and holding her darkest secrets, to feeling alone and unloved, to finally beginning to heal and accept who I am.
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Date Issued: 2015
PURL: http://purl.flvc.org/fau/fd/FA00004383, http://purl.flvc.org/fau/fd/FA00004383
Subject Headings: Artists -- Conduct of life, Bee culture, Ceramics -- Exhibitions, Emotional intelligence, Minimalism (Literature), Self actualization (Psychology), Stress (Psychology)
Format: Document (PDF)

Title: My representations: entropic manipulations.
Creator: Cardoso, De Gouveia Isabel, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: My thesis body of work developed from a desire to examine my nonrepresentational artwork in relation to the concept of entropy - the law of thermodynamics that measures the gradual, steady disintegration in a system such as our world. Experimenting with a range of approaches and mediums, I resolved to radically manipulate the inkjet printing of my digital photography files to introduce chance and provoke decay. The resulting prints operate as an orchestrated chaos alluding to environmental...
Show moreMy thesis body of work developed from a desire to examine my nonrepresentational artwork in relation to the concept of entropy - the law of thermodynamics that measures the gradual, steady disintegration in a system such as our world. Experimenting with a range of approaches and mediums, I resolved to radically manipulate the inkjet printing of my digital photography files to introduce chance and provoke decay. The resulting prints operate as an orchestrated chaos alluding to environmental decline and collapse, and by extension, potential social degeneration. My art reflects my perceptions of our times as well as adds to the problem. I continue to produce waste through the consumption of materials. I contaminate through inks. I add to landfills with failures. My artwork points out the inevitable end.
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Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FA00004088
Subject Headings: Aesthetics -- Psychological aspects, New media art, Photography, Artistic, Postmodernism, Technology and the arts
Format: Document (PDF)

Title: Tomorrow is Saint Valentine’s Day: Ophelia Visualized.
Creator: Rutt, Otto J., McConnell, Brian, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: “Tomorrow is Saint Valentine’s Day” is a manic line of dialogue spoken by Ophelia in Shakespeare’s Hamlet. I have chosen that line as the title of my thesis and exhibition. Much of my graduate work has emanated from scenes in Shakespeare’s plays. I make dimensional paintings, prints, and sculptures that leverage a wide variety of media, material, and processes. I have chosen the intense drama of Ophelia’s final appearance on stage to inspire this body of work. The drama and imagery of...
Show more“Tomorrow is Saint Valentine’s Day” is a manic line of dialogue spoken by Ophelia in Shakespeare’s Hamlet. I have chosen that line as the title of my thesis and exhibition. Much of my graduate work has emanated from scenes in Shakespeare’s plays. I make dimensional paintings, prints, and sculptures that leverage a wide variety of media, material, and processes. I have chosen the intense drama of Ophelia’s final appearance on stage to inspire this body of work. The drama and imagery of Shakespeare’s plays has been a profound source of ideas for me. They motivate me to connect with all available resources in an energetic way to create visually captivating pieces of art. My objective is not to illustrate any given scene but to leverage the text for a personal artistic experience. The result is an abstraction that captures the energy of a dramatic moment. The art I produce is an expressive record of my relationship with the literature.
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Date Issued: 2020
PURL: http://purl.flvc.org/fau/fd/FA00013585
Subject Headings: Art, Visual art, Ophelia (Fictitious character)
Format: Document (PDF)

Title: Temporal Displacement.
Creator: Cohen, Karen-Janine, DiCosola, Michaela, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Temporal Displacement is an investigation of loss and the recollection of memories translated through tangible objects and their placement in relationship to one another. The objects are primarily slip-cast terracotta ceramic dog-like heads with fabric bodies crafted as puppet-like forms, which are both stationary and suspended. Additional elements include a Mechanical Dog that the viewer activates with a hand-held crank; muslin fabric printed with hand-made ceramic stamps, and a curtain. The...
Show moreTemporal Displacement is an investigation of loss and the recollection of memories translated through tangible objects and their placement in relationship to one another. The objects are primarily slip-cast terracotta ceramic dog-like heads with fabric bodies crafted as puppet-like forms, which are both stationary and suspended. Additional elements include a Mechanical Dog that the viewer activates with a hand-held crank; muslin fabric printed with hand-made ceramic stamps, and a curtain. The ceramic stamps are incised with a version of the puppets playing the game of jacks. The installation is within a three-walled room that invites viewers into a liminal time-space and experience, then leads them out again.
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Date Issued: 2020
PURL: http://purl.flvc.org/fau/fd/FA00013465
Subject Headings: Installations (Art)
Format: Document (PDF)

Title: Reimagining Climate Change: Visualizing the Future of Sustainability.
Creator: Dowis, Kaitlin, Afanador-Llach, Camila, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: The world’s path to climate change is inevitable. Activists and legislators, all around the world, are actively working to slow down this process or stop changes. Technology is moving toward a sustainable future of renewable energy and resources to lighten the impact that the human population has on the climate. Whether or not these efforts will slow down the changing climate is unknown, but the world’s scientists, engineers, and designers are preparing for any scenario that comes our way....
Show moreThe world’s path to climate change is inevitable. Activists and legislators, all around the world, are actively working to slow down this process or stop changes. Technology is moving toward a sustainable future of renewable energy and resources to lighten the impact that the human population has on the climate. Whether or not these efforts will slow down the changing climate is unknown, but the world’s scientists, engineers, and designers are preparing for any scenario that comes our way. This thesis uses graphic design to visualize the future of humanity adapting to climate change. Topics that are explored include controlled-environment agriculture, vertical farming, sustainable food production, advancements in the medical industry, advancements in transportation, and sustainable energy production. These elements will come together, in my projects, to visualize one possible future of living in Arizona, where living conditions have become inhospitable for life as we know today.
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Date Issued: 2020
PURL: http://purl.flvc.org/fau/fd/FA00013557
Subject Headings: Climate Change, Sustainability, Visualization
Format: Document (PDF)

Title: Reclaiming Wonder.
Creator: Barreneche, Ingrid M., Broderick, Amy S., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: I believe art can offer an antidote to our numbness and rekindle a sense of childlike wonder. Reclaiming Wonder is an installation in which I aim to explore the possibility of evoking the curiosity of childhood in the viewer’s mind and transporting him or her into a dreamlike atmosphere to wander about in wonder through the use of the senses of sight, touch, and hearing.
Date Issued: 2017
PURL: http://purl.flvc.org/fau/fd/FA00004863, http://purl.flvc.org/fau/fd/FA00004863
Subject Headings: Semiotics and literature., Wonder in children., Philosophy of nature., Nature study., Discourse analysis., Symbolism in literature., Spiritual life.
Format: Document (PDF)

Title: Reckoning.
Creator: LeVan, Jason, Ward, Julie Anne, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Reckoning is a body of sculptural work that explores the emotional resonance contained within memory through a combination of personal ephemera and handcrafted objects. The physical presence of this work underscores the importance of its materiality, in both the handmade and collected objects, in emphasizing their ability to conjure a memory. Reckoning evokes the intangible emotions and overwhelming sensations that accompany the act of remembering, and an inability to forget.
Date Issued: 2020
PURL: http://purl.flvc.org/fau/fd/FA00013480
Subject Headings: Art, Sculpture, Ephemera, Handicraft
Format: Document (PDF)

Title: Only sound remains.
Creator: Filsoofi, Raheleh T., McConnell, Brian E., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: We each experience the world through the prism of our upbringing, our traditions and the familiar sights and sounds embedded deep within our soul. Only Sound Remains is an installation in which I explore and share those experiences through objects, sounds and video. Ceramic vessels inspired by the traditions of my ancestors hide and shape sounds that narrate simple and complex experiences, which are the stories of my life. The sounds relate to the world that I came from and that still can be...
Show moreWe each experience the world through the prism of our upbringing, our traditions and the familiar sights and sounds embedded deep within our soul. Only Sound Remains is an installation in which I explore and share those experiences through objects, sounds and video. Ceramic vessels inspired by the traditions of my ancestors hide and shape sounds that narrate simple and complex experiences, which are the stories of my life. The sounds relate to the world that I came from and that still can be heard now. The sounds are not clear until one gets close to the vessels and lifts the lid-- a bazaar, praying, marching, an explosion, a woman telling a story, traditional Iranian music. The installation is a metaphor for the way in which we experience the world. The vessels represent a selection of personal and cultural experiences through sounds that may or may not be fully understood.
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Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FA00004108, http://purl.flvc.org/fau/fd/FA00004108
Subject Headings: Iran -- Social life and customs, Memory -- Social aspects, Music -- Philosophy and aesthetics, Symbolism in literature
Format: Document (PDF)

Title: THERE IS STILL LIFE AFTER DEATH: REFLECTIONS ON OVERCONSUMPTION AND WASTE.
Creator: Duarte, Caroline Portella Ferreira, Afanador-Llach, Camila, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: The unbridled consumerism established during the industrial revolution in consumer society has become a mass phenomenon. The birth of industry caused significant transformations in the world economy, as well as in the human lifestyle, as it accelerated the production of goods and the exploitation of natural resources. People today consume in a way that their purchasing choices define them. Consumption is not driven by social responsibility: individuals often end up engaging in overconsumption...
Show moreThe unbridled consumerism established during the industrial revolution in consumer society has become a mass phenomenon. The birth of industry caused significant transformations in the world economy, as well as in the human lifestyle, as it accelerated the production of goods and the exploitation of natural resources. People today consume in a way that their purchasing choices define them. Consumption is not driven by social responsibility: individuals often end up engaging in overconsumption habits due to the vast number of options and the perpetual launching of new trends. Consumption is the satisfaction of desires and wants, especially in current westernized societies. In my thesis, I will address a concern that is shared by many people. I will be using Graphic Design to draw attention to the misuse and waste of our planet's natural resources while critiquing the consumer society and the lifestyle that compels consumption to maintain acceptance within a social group. I will be discussing the different concepts that people have about trash and waste, in hopes to make them aware of our role in the conscious use of Earth's natural resources.
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Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00014116
Subject Headings: Graphic arts, Communication in art, Consumerism
Format: Document (PDF)

Title: Fragmented Realities: Exploring Vulnerability and Identity in the Digital Age.
Creator: Dadabaeva, Nargiza, McConnell, Brian, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: This thesis exhibition explores how digital culture affects identity and connection through a series of paintings made through collage, mixed media, and reflective surfaces. It looks at how identity is fragmented in the digital age when we construct personas online that are selected and, therefore, less authentic. The paintings juxtapose the use of analog methods with digital imagery, in order to ask about the tension between vulnerability and performance and the authenticity of online...
Show moreThis thesis exhibition explores how digital culture affects identity and connection through a series of paintings made through collage, mixed media, and reflective surfaces. It looks at how identity is fragmented in the digital age when we construct personas online that are selected and, therefore, less authentic. The paintings juxtapose the use of analog methods with digital imagery, in order to ask about the tension between vulnerability and performance and the authenticity of online interactions. The series is about emotional exhaustion, curated personas, and the search for genuine connection. Reflective elements and textures mounted and layered encourage viewers to engage in a dialectic between themselves and the mediated world, between 'digital self' and the 'authentic self.' The thesis hopes that this work can provoke discourse regarding the ramifications of digital culture on self-perceiving and interpersonal relations in recognizing the human dependence on depth and vulnerability in our fragmented reality.
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Date Issued: 2024
PURL: http://purl.flvc.org/fau/fd/FA00014548
Subject Headings: Digital culture & society, Identity, Social media
Format: Document (PDF)

Title: UNDERLYING OF BEING.
Creator: MacNamara, Lisa V., Cote, Veronique, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: The Underlying of Being exhibition explores the complex relationship between the mind and body, delving into psychological effects at a cellular level. Art, science, and psychology contemplate the fundamental source of meaning and value: the human experience. The work emphasizes that our lives are not isolated but interrelated, reflecting a commonality on the most miniature biological scale. Scientific research confirms that cells can hold emotional experiences, a finding that is relevant to...
Show moreThe Underlying of Being exhibition explores the complex relationship between the mind and body, delving into psychological effects at a cellular level. Art, science, and psychology contemplate the fundamental source of meaning and value: the human experience. The work emphasizes that our lives are not isolated but interrelated, reflecting a commonality on the most miniature biological scale. Scientific research confirms that cells can hold emotional experiences, a finding that is relevant to all humans. The conceptual visual context derives from philosophical systems, scientific theories, and aesthetic judgments, abstracting from the ever-changing ebb and flow of being in the living world. The Underlying of Being exhibition focuses on the figure in abstracted shapes and layers of monochromatic colors, various papers, fibers, wires, glaze, and paints, producing sections of human narration sinking below the surface into an illusion or disillusioned visual physiological state of fluid within an imagined biosystems.
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Date Issued: 2024
PURL: http://purl.flvc.org/fau/fd/FA00014443
Subject Headings: Exhibitions, Art
Format: Document (PDF)

Title: AI Family: portraiture in artists books and web design.
Creator: Iudean, Tatyana V., Afanador-Llach, Camila, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: This thesis employs graphic design to envision the present and future scenario of humanity adapting to artificial intelligence and the current state of continuous data harvesting by organizations and platforms that lack transparency with the public. Explored topics include the impact of AI on families and the importance of gaining awareness regarding the potential negative and positive consequences of uncontrolled data collection about individuals. These themes converge in my exhibition to...
Show moreThis thesis employs graphic design to envision the present and future scenario of humanity adapting to artificial intelligence and the current state of continuous data harvesting by organizations and platforms that lack transparency with the public. Explored topics include the impact of AI on families and the importance of gaining awareness regarding the potential negative and positive consequences of uncontrolled data collection about individuals. These themes converge in my exhibition to depict the current and potentially future reality of living in a family with the constant presence of AI and the associated dangers it entails. The concept of data harvesting, depicted through artists books and web design, serves as a visual commentary on the current situation within families, seen as microcosms of the broader community and humanity as a whole. This situation highlights the notion that we are already residing in the Brave New World envisioned by Aldous Huxley. AI possesses the capacity to profoundly influence all artistic genres, including artists books, introducing an additional dimension to their expression. From generating storytelling and art to facilitating collaborations between artists and artificial intelligence, the applications of AI are boundless. Utilizing Chat GPT and Adobe Firefly, I aim to create one of my artists books primarily generated by AI. This endeavor seeks to redefine a family portrait, illustrating the integration of artificial intelligence into the lives of families and humanity overall. By focusing on the family portrait genre within artists books and incorporating the latest family member, AI, I intend to prompt social awareness, fostering a deeper understanding of contemporary reality and inviting a dialogue.
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Date Issued: 2024
PURL: http://purl.flvc.org/fau/fd/FA00014433
Subject Headings: Graphic arts, Artists' books, Web sites--Design
Format: Document (PDF)

Title: Weaving Visual Identities Beyond Borders Through Immersive Experience.
Creator: Panahandeh, Narges, Afanador-Llach, Camila, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Effective communication and a sense of togetherness between people from different backgrounds happen on a platform of mutual understanding. The boundaries of differences between people from various cultures limit our understanding of each other's conditions, problems, and concerns. As a designer, I seek to fade the boundaries between cultures and facilitate a conversation, promoting mutual understanding by blending visual elements from American and Iranian cultures. With interactive visual...
Show moreEffective communication and a sense of togetherness between people from different backgrounds happen on a platform of mutual understanding. The boundaries of differences between people from various cultures limit our understanding of each other's conditions, problems, and concerns. As a designer, I seek to fade the boundaries between cultures and facilitate a conversation, promoting mutual understanding by blending visual elements from American and Iranian cultures. With interactive visual media and storytelling, I have created diverse visual artworks that combine traditional Iranian arts and crafts elements with visuals from American popular culture. This body of work includes illustrations, patterns, motion design, audio, and augmented reality. Through these shared visual experiences, I aim to introduce new values into the sphere of design, enrich the design world with diversity, and build a shared visual experience that talks both to Iranians and the cultural milieu of the United States. Producing art pieces with the theme of Shared Visual Experiences can aid in promoting diversity, fostering connection, encouraging innovation and creativity, and bringing attention to significant social and cultural issues. It is a meaningful way to contribute to a more interconnected world that benefits everyone.
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Date Issued: 2024
PURL: http://purl.flvc.org/fau/fd/FA00014428
Subject Headings: Immersive art experiences, Art and design, Culture
Format: Document (PDF)

Title: Teaching the Object: Selections from the FAU Art Collection (Exhibition).
Creator: Leader, Karen J., Palma, Alison, FAU University Galleries, Etienne, Isaiah
Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FAUIR000536
Format: Document (PDF)

FAU Theses and Dissertations (67)	+ -
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