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Title: Uncounted cadences: tracing memory through movement.
Creator: Lavetsky, Jill., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Uncounted Cadences is a drawing installation in the thesis exhibition that furthers my exploration in tracing movement through psychological and physical geographies. Gestural drawings of human and animal bodies in motion are woven into local landscape imagery that is printed with powdered charcoal through a silkscreen. Using both additive and subtractive processes, the layering and erasure suggest loss, reclamation, and the nature of memory. The drawings are cut and provisionally reassembled...
Show moreUncounted Cadences is a drawing installation in the thesis exhibition that furthers my exploration in tracing movement through psychological and physical geographies. Gestural drawings of human and animal bodies in motion are woven into local landscape imagery that is printed with powdered charcoal through a silkscreen. Using both additive and subtractive processes, the layering and erasure suggest loss, reclamation, and the nature of memory. The drawings are cut and provisionally reassembled into a cinematic sequence as if they are pieces of film being edited and spliced. This process shows an unfolding over time and involves listening to the rhythmic pacing of bodies morphing, decaying, birthing, or leaving. Time is not experienced as progress ; rather, the rearrangement of fragments allows for a continuous retelling of stories.
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Date Issued: 2013
PURL: http://purl.flvc.org/fcla/dt/3360796
Subject Headings: Memory, Visual art, Art, Modern, Themes, motives, etc, Repetitive patterns (Decorative arts)
Format: Document (PDF)

Title: Inner struggles fought on paper.
Creator: Filan, Misoo, Broderick, Amy S., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: As an MFA candidate at the Florida Atlantic University, I began in figurative painting and ended with abstract ink and pencil drawings in my thesis work. In between was a progression of artistic experimentation in theme, technique and medium to explore issues of female identity and childhood sexual abuse. From a girl trapped in a dark fairytale to a pregnant woman followed by a pedophile to a new mother frustrated that her own ambitions have been usurped, the final transformation of female...
Show moreAs an MFA candidate at the Florida Atlantic University, I began in figurative painting and ended with abstract ink and pencil drawings in my thesis work. In between was a progression of artistic experimentation in theme, technique and medium to explore issues of female identity and childhood sexual abuse. From a girl trapped in a dark fairytale to a pregnant woman followed by a pedophile to a new mother frustrated that her own ambitions have been usurped, the final transformation of female identity into fierce protector came after confronting memories of child abuse. Using India ink and pencil drawings, my thesis work recreates scenes of a struggle between the same attacker and a powerful mother. She spins her own hair into a delicate, but powerful, barrier that keeps her daughter safe.
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Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FA00004107, http://purl.flvc.org/fau/fd/FA00004107
Subject Headings: Adult child sexual abuse victims -- Psychology, Art therapy for children, Art, Modern -- 21st century -- Themes, motives, etc, Symbolism in art
Format: Document (PDF)

Title: Points of Intersection Finding Connections Between Design, Science and Math.
Creator: Kohlhagen, Christopher, Afanador Llach, Camila, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Contemporary educational trends have created a false dichotomy between the arts and science. The will to make STEM subjects the focus of K-12 education, ignores both a shared history and the potential for greater learning in a shared future.The intention of Points of Intersection is to demonstrate that design, science and math intersect in their concepts, practices and history. In the past, these disciplines were explored and studied together and benefited from each other. By exploring what...
Show moreContemporary educational trends have created a false dichotomy between the arts and science. The will to make STEM subjects the focus of K-12 education, ignores both a shared history and the potential for greater learning in a shared future.The intention of Points of Intersection is to demonstrate that design, science and math intersect in their concepts, practices and history. In the past, these disciplines were explored and studied together and benefited from each other. By exploring what design and science have in common and the points where they intersect, we can see the relevance and importance of art and design in k-12 education and change STEM to STEAM. The exhibition will explore point, line, plane and the “Golden Ratio” demonstrating how these concepts can be understood from the perspectives of physics, math, art and design on a basic level. These basic principles can be used to introduce these fields of study and bring a better understanding of them to students in K-12. Future designers and scientists with this educational underpinning will have a better mutual understanding of one another’s field and the potential for shared research, process and results.
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Date Issued: 2017
PURL: http://purl.flvc.org/fau/fd/FA00005949
Subject Headings: Dissertations, Academic -- Florida Atlantic University, Art and science., Science--Study and teaching., Design.
Format: Document (PDF)

Title: Renascence.
Creator: Navarrete, Roberto Rafael, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: My thesis body of work offers a bridge into the physical, emotional, and spiritual scarring caused by global intolerance towards the LGBTQIA+ community and oppression embedded by patriarchal power. This body of work is a collection of resurfaced history and experiences transformed physically by intentionally subverting hyper-masculine materials into knots. My objective is to deconstruct individual knotted cords that make up the fabric of my identity and reconstruct them into an installation....
Show moreMy thesis body of work offers a bridge into the physical, emotional, and spiritual scarring caused by global intolerance towards the LGBTQIA+ community and oppression embedded by patriarchal power. This body of work is a collection of resurfaced history and experiences transformed physically by intentionally subverting hyper-masculine materials into knots. My objective is to deconstruct individual knotted cords that make up the fabric of my identity and reconstruct them into an installation. Renascence offers a visceral experience for the audience that aesthetically explores the body’s transformation as it heals. This thesis asserts a place within a reflective, fluid, transitional identity expressing the intersection of the temporality and body that I occupy as a Queer, Latinx artist of color. Working across media, Renascence incorporates performance, photography, paper, paint, projection, mirrors and built environments.
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Date Issued: 2018
PURL: http://purl.flvc.org/fau/fd/FA00013044
Subject Headings: Installations (Art), Sexual minorities, Multimedia (Art)
Format: Document (PDF)

Title: Lifeline: Expressions of Intimacy Through Paint.
Creator: Cassens, Ashley Nicole, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Lifeline: Expressions of Intimacy Through Paint is a body of paintings that seeks to bridge physical distance by sensually applying layers of oil paint to recreate the physicality of my husband. I allow the viewer to enter into a private exchange by the use of intimately charged spaces, like the bed, which demonstrates how paint can be a conduit for touch in absentia. By intensely remembering my partner in these works, I reconstitute my knowing him through paint and seek to move beyond mere...
Show moreLifeline: Expressions of Intimacy Through Paint is a body of paintings that seeks to bridge physical distance by sensually applying layers of oil paint to recreate the physicality of my husband. I allow the viewer to enter into a private exchange by the use of intimately charged spaces, like the bed, which demonstrates how paint can be a conduit for touch in absentia. By intensely remembering my partner in these works, I reconstitute my knowing him through paint and seek to move beyond mere representation to know and express him better. Therefore, these paintings not only bridge the physical distance between my body and his, but search for meaningful expressions of my internal conversations as I make visual discoveries that expand my understanding of him.
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Date Issued: 2017
PURL: http://purl.flvc.org/fau/fd/FA00004869
Subject Headings: Memory., Symbolism in art., Figurative painting--21st century., Painting, Modern--21st century., Painting--Psychological aspects., Painting--Technique.
Format: Document (PDF)

Title: Many Days Many Nights.
Creator: Dillow, Michael, Hart, Sharon, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Many Days Many Nights is a body of work that examines the notion of place, highlighting the complex relationship between a psychological state of mind and the experience of geographical location. The work incorporates a hybrid documentary photography practice combined with experimental video to construct narrative and is underpinned by a phenomenological inquiry into the relationship between memory, time, and the experience of place, and collectively, how these concepts pervade the subjective...
Show moreMany Days Many Nights is a body of work that examines the notion of place, highlighting the complex relationship between a psychological state of mind and the experience of geographical location. The work incorporates a hybrid documentary photography practice combined with experimental video to construct narrative and is underpinned by a phenomenological inquiry into the relationship between memory, time, and the experience of place, and collectively, how these concepts pervade the subjective photographic frame.
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Date Issued: 2019
PURL: http://purl.flvc.org/fau/fd/FA00013199
Subject Headings: Documentary photography, Experimental videos, Memory, Time, Place
Format: Document (PDF)

Title: Like, Follow, Share.
Creator: Goodarzi, Naghmeh, Afanador Llach, Camila, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: My intention for this show is to explore the effect of alienation that ironically is being produced by social media. The principal concept is developed around shame, sharing, and notoriety on three different social media platforms, including Facebook, Instagram, and Telegram. This show explores the social media perception of myself in the realms of human interaction, identity, and memory in social media through the critical appropriation of the languages of design and photography. The...
Show moreMy intention for this show is to explore the effect of alienation that ironically is being produced by social media. The principal concept is developed around shame, sharing, and notoriety on three different social media platforms, including Facebook, Instagram, and Telegram. This show explores the social media perception of myself in the realms of human interaction, identity, and memory in social media through the critical appropriation of the languages of design and photography. The installation with four Facebook profile pictures in large scale and framed looks at the way a personal image can convey the impression of widely different personalities. The selections of personal exchanges over Facebook and Instagram show the degree to which social media creates its own visual language and mode of communication, which sometimes becomes separated from reality and intention. The show extends its reach to performance and direct interaction with the viewer through the availability of stickers for comments by the profile pictures and a third area, where viewers can write or draw their own messages through the simple medium of chalk, which can then be rendered in virtual form through posts on a specially created webpage. The viewer should thus be challenged to ask, to what degrees do words and images communicate the essence of our selves and our own will.
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Date Issued: 2016
PURL: http://purl.flvc.org/fau/fd/FA00004731, http://purl.flvc.org/fau/fd/FA00004731
Subject Headings: Self-presentation., Online social networks., Social media--Semiotics., Digital communications--Social aspects., Digital media--Social aspects., Internet--Social aspects., Visual communication--Digital techniques., Emoticons., Social conflict in mass media., .
Format: Document (PDF)

Title: Made Up.
Creator: Crowley, Margaret Louise, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Made Up, a body of paintings, expresses my love/loathe relationship with the beauty/fashion industries and the fantasy/deception they instill. Aging amplifies my fear of being rejected or invisible and is assuaged by being made-up. Pages torn from fashion layouts are manually distressed to become the visually striking crumpled images that are the basis for my painting. The wrinkled nature of my source communicates my frustration with aging and never being able to meet the standards of modern...
Show moreMade Up, a body of paintings, expresses my love/loathe relationship with the beauty/fashion industries and the fantasy/deception they instill. Aging amplifies my fear of being rejected or invisible and is assuaged by being made-up. Pages torn from fashion layouts are manually distressed to become the visually striking crumpled images that are the basis for my painting. The wrinkled nature of my source communicates my frustration with aging and never being able to meet the standards of modern beauty ideals. My careful repainting of the disfiguration demonstrates my desire to intimately repair and own the image. In taking my power back through painting, the defiled magazine spread becomes a layout of my ability and power as a painter to create and control the illusion. Paint enables me to accept myself through the virtuosity of its application, scale, and in the resulting illusion, in which cathartic moments of subversive humor play out.
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Date Issued: 2019
PURL: http://purl.flvc.org/fau/fd/FA00013195
Subject Headings: Painting, Beauty culture, Aging, Feminine beauty (Aesthetics)
Format: Document (PDF)

Title: More branches on the oldest tree: tradition and experimentation through improvisation in the music of post-Katrina New Orleans.
Creator: Bethea, David., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: On Monday August 29, 2005, Hurricane Katrina made landfall in Southeast Louisiana bringing with it destruction to much of the Gulf Coast. While New Orleans, one of America's most culturally and artistically significant cities, was spared a direct hit, the subsequent flood devastated much of the city, home to many musicians. The devastation and stress from the storm established a situation and a motivator for creative response, and this dissertation illustrates that the music these musicians...
Show moreOn Monday August 29, 2005, Hurricane Katrina made landfall in Southeast Louisiana bringing with it destruction to much of the Gulf Coast. While New Orleans, one of America's most culturally and artistically significant cities, was spared a direct hit, the subsequent flood devastated much of the city, home to many musicians. The devastation and stress from the storm established a situation and a motivator for creative response, and this dissertation illustrates that the music these musicians produce is a manifestation and continuation of New Orleans' cultural atmosphere. The city's historical allowance and celebration of freedom of expression permits New Orleans' current musicians to be innovative and responsive to the events surrounding the disaster. This project, designed as a qualitative research study, identifies four professional musicians who are established in the musical environment of New Orleans. To illustrate the depth of tradition and experimentation that their music evokes, the music of post- Katrina New Orleans is given historical contextualization and set in comparison to music that was inspired by a past catastrophe, the 1927 flood. Through the holistic exploration of the present circumstances of these four musicians, it becomes clear that New Orleans remains a place that is extremely open to change and that experimental music flourishes at the same time that traditional jazz lives on through new performers, who walk in the footsteps of legends. From interviews conducted with these four individuals, as well as other on-site observations, the emotional, physical, and financial effects of Hurricane Katrina are identified and recorded., Central to this study is the author's own knowledge of music and experience in musical dialogue - it is through the interaction of the author and the subjects that important events and characteristics, which could be documented, actually emerged.This project reveals the influence that the storm has had on the individual musician and it demonstrates that while all four musicians are caught up in the whirlwind of recovery in New Orleans, their music remains rooted in the fundamental characteristic that is associated historically with New Orleans' music, improvisation. By the same token, it also shows that while each person may have had to suffer the same conditions, the musical response from each musician was unique.
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Date Issued: 2010
PURL: http://purl.flvc.org/FAU/2953204
Subject Headings: Improvisation (Music), Hurricane Katrina, 2005, Psychological aspects, Composition (Music), Psychological aspects, Arts and society, Social conditions
Format: Document (PDF)

Title: Solace: Intimately Remembered Places.
Creator: Francoeur, Michele, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: The culmination of my graduate research and investigations is my thesis exhibition Solace; Intimately Remembered Places. This body of paintings is a visual representation of land, water and flora that focuses on my abstraction of nature to extract essential elements that expresses my deep connection to a specific time and place, layered with associated memories. By revisiting a landscape over a sustained period of time, I developed a personal visual vocabulary to communicate the essential...
Show moreThe culmination of my graduate research and investigations is my thesis exhibition Solace; Intimately Remembered Places. This body of paintings is a visual representation of land, water and flora that focuses on my abstraction of nature to extract essential elements that expresses my deep connection to a specific time and place, layered with associated memories. By revisiting a landscape over a sustained period of time, I developed a personal visual vocabulary to communicate the essential abstract forms of nature and record the subtle nuances of color, light, shape, texture, positive and negative space to evoke a particular time and place. I expanded my painting techniques through the addition of a laser cutter. Rooted in a background of graphic design, my thesis also incorporated and included a book form using similar strategies.
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Date Issued: 2017
PURL: http://purl.flvc.org/fau/fd/FA00004971, http://purl.flvc.org/fau/fd/FA00004961
Subject Headings: Dissertations, Academic -- Florida Atlantic University, Painting--Exhibitions., Art, Abstract., Artists' books., Etching.
Format: Document (PDF)

Title: Reexamining currency design for the new millennium.
Creator: Arteaga, Elio L., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: The design of paper currency has attracted attention recently with the introduction of the Euro and American currency design modifications. New designs provide deterrence against counterfeiting, and, in some cases, accommodate the special needs of visually challenged individuals. Often aesthetics are given lower priority or ignored completely. This thesis is an examination of the author's motivations, inspirations, goals and design decisions involved in creating a set of paper currency bills...
Show moreThe design of paper currency has attracted attention recently with the introduction of the Euro and American currency design modifications. New designs provide deterrence against counterfeiting, and, in some cases, accommodate the special needs of visually challenged individuals. Often aesthetics are given lower priority or ignored completely. This thesis is an examination of the author's motivations, inspirations, goals and design decisions involved in creating a set of paper currency bills that fit the high-tech, fast-paced and culturally diverse society that is twenty-first century America. The author incorporates a deep visual texture with American symbols and historical events illustrated by shape and shading alone---no color or line. Semiotics and visual metaphors are applied to convey meaning to abstract or complex concepts. Counterfeit deterrence features and features for use by visually challenged individuals are integrated into the design, thus producing a system of currency that is both functional and aesthetic.
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Date Issued: 2003
PURL: http://purl.flvc.org/fcla/dt/13090
Subject Headings: Design and Decorative Arts
Format: Document (PDF)

Title: Mercury Express.
Creator: Gran, Cangshu, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: My thesis exhibition “Mercury Express” is the culmination of my creative research and the paintings that I have created over the past three years. This body of work is comprised of fourteen oil glaze paintings on canvas, ranging in size from 16x 16 inches to 36 x 48 inches. These paintings demonstrate, through subjective color and the application of misty layers of luminous paint, my residence on the edge of moving to the future and looking to the past. Through imagination my paintings...
Show moreMy thesis exhibition “Mercury Express” is the culmination of my creative research and the paintings that I have created over the past three years. This body of work is comprised of fourteen oil glaze paintings on canvas, ranging in size from 16x 16 inches to 36 x 48 inches. These paintings demonstrate, through subjective color and the application of misty layers of luminous paint, my residence on the edge of moving to the future and looking to the past. Through imagination my paintings express a longing for connections and offer glimpses of happiness tinted with a pervasive overcast of melancholy. Mercury Express is a visual expression of what I consider to be ‘Kitsch’, ‘Sentimental’ and ‘Adventurous’. Through this work I salvage and renew the child-like wonder that managed to survive into my adulthood. Through the positioning of remembered objects in imaginary landscapes, Mercury Express recalls and explores my childhood memories, ideas and aspirations to reclaim the wonder I have lost as an adult.
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Date Issued: 2019
PURL: http://purl.flvc.org/fau/fd/FA00013211
Subject Headings: Painting, Art
Format: Document (PDF)

Title: Not at Home: Im[Migration] and Design.
Creator: Uribe, Melanie, Johnson, Linda, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Not long ago, Venezuela was considered the wealthiest in Latin America. Today, Human Rights Watch estimates that 2.3 million Venezuelan refugees are scattered through the Americas. Imagine having to leave your home with just a few possessions. The world is currently witnessing a wave of mass migration, with nearly 65 million people being displaced because of war or persecution, and an even higher number migrating from poverty. This thesis uses design to visually articulate the personal...
Show moreNot long ago, Venezuela was considered the wealthiest in Latin America. Today, Human Rights Watch estimates that 2.3 million Venezuelan refugees are scattered through the Americas. Imagine having to leave your home with just a few possessions. The world is currently witnessing a wave of mass migration, with nearly 65 million people being displaced because of war or persecution, and an even higher number migrating from poverty. This thesis uses design to visually articulate the personal narratives surrounding the struggles of flight and the significance of emotion to the debate on migrant identity, acculturation, and the perception of being the other, focusing on the current displacement crisis in Venezuela. The visual message making process of graphic design is used as a catalyst for social good with the intent to create a conversation and generate an experience and that promotes advocacy.
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Date Issued: 2019
PURL: http://purl.flvc.org/fau/fd/FA00013272
Subject Headings: Installations (Art), Venezuela, Migration and refugees, Design
Format: Document (PDF)

Title: YESTERDAY WE WERE GIRLS.
Creator: Prock, Katherine, Hart, Sharon, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Yesterday We Were Girls is a body of work which includes photographs selected from family albums and current images I create based in and around my childhood and adolescent memories. The photographs are accompanied by porcelain recreations of precious girlhood treasures, handwritten poetic prose, and an installation which also includes found furniture and a large open book form. Focused on my lived experience of the tension between intimacy and distance, acceptance and rejection, as well as...
Show moreYesterday We Were Girls is a body of work which includes photographs selected from family albums and current images I create based in and around my childhood and adolescent memories. The photographs are accompanied by porcelain recreations of precious girlhood treasures, handwritten poetic prose, and an installation which also includes found furniture and a large open book form. Focused on my lived experience of the tension between intimacy and distance, acceptance and rejection, as well as the hidden and that which is laid bare, this body of work is an exploration of identity, female life cycles, family history, and mother – daughter relationships.
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Date Issued: 2021
PURL: http://purl.flvc.org/fau/fd/FA00013741
Subject Headings: Multimedia (Art), Creative writing, Multimedia communications
Format: Document (PDF)

Title: DECONSTRUCTED CARTOGRAPHY: REFLECTING ON THE TEMPORALITY OF LOCATION THROUGH PERSONAL EXPERIENCES.
Creator: Rutherford, Kaila, Broderick, Amy S., Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Deconstructed Cartography is comprised of two related and complementary sections that use mapping structures to explore the temporality of location through the lens of personal experience within places. This body of work uses both collage and a light-shadow installation to develop a narrative of place and time. My artwork focuses on deconstructing classical modes of representation through the lens of cartography and places an emphasis on personal experiences, narratives, and storytelling of...
Show moreDeconstructed Cartography is comprised of two related and complementary sections that use mapping structures to explore the temporality of location through the lens of personal experience within places. This body of work uses both collage and a light-shadow installation to develop a narrative of place and time. My artwork focuses on deconstructing classical modes of representation through the lens of cartography and places an emphasis on personal experiences, narratives, and storytelling of place or locale. I am interested in road maps, water bodies, topography, shadows, and the various ways humans attempt to navigate or make sense of the natural world through lines and different mapping structures.
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Date Issued: 2021
PURL: http://purl.flvc.org/fau/fd/FA00013746
Subject Headings: Art, Collage, Storytelling
Format: Document (PDF)

Title: Belongings.
Creator: McLean, Samantha, Hart, Sharon, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Belongings hybridizes photography, sculpture, and printmaking through new laser technology. The exhibited work communicates a lingering sense of homesickness and maps a path through the objects discovered in my father’s wallet shortly after his passing.
Date Issued: 2017
PURL: http://purl.flvc.org/fau/fd/FA00004870
Subject Headings: McLean, Sammi--Personal narratives., Symbolism in art., Time and art., Fathers and daughters--Personal narratives., Photography, Artistic., Digital media--Social aspects., Discourse analysis, Narrative.
Format: Document (PDF)

Title: An empathetic approach to information design.
Creator: McCawley, Frederick J., Landes, Eric, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: This thesis will explore the vital importance of empathy on the part of graphic designers when creating information graphics. Today’s over-mediated public expects a rich user experience that is emotionally engaging, and multi-sensory by nature. To meet the public’s need, graphic designers must accept the cognitive responsibility to be empathetic to the viewers’ relationship to the information, and not just the surface issues of form, media, and content.
Date Issued: 2015
PURL: http://purl.flvc.org/fau/fd/FA00004451
Subject Headings: Communication -- Graphic methods, Graphic arts -- Social aspects, Graphic design (Typography), Information visualization, Sustainable design, Visual communication
Format: Document (PDF)

Title: Bodily knowledge in dance transferred to the creation of sculpture.
Creator: Feliciano, Nazare, McConnell, Brian E., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: The main focus of this dissertation is a discussion of how an artist uses her dance bodily knowledge to develop in a static art form a more bodily sense of movement. For this purpose this dissertation examines four clay sculptures by contemporary artist Mary Frank. The analysis suggests that the uncharacteristic sense of movement displayed in these works derives from her experiential knowledge of dance. This sense of movement is achieved through the considered assemblage and inextricable...
Show moreThe main focus of this dissertation is a discussion of how an artist uses her dance bodily knowledge to develop in a static art form a more bodily sense of movement. For this purpose this dissertation examines four clay sculptures by contemporary artist Mary Frank. The analysis suggests that the uncharacteristic sense of movement displayed in these works derives from her experiential knowledge of dance. This sense of movement is achieved through the considered assemblage and inextricable relationship between Frank’s dance bodily knowledge (body knowledge a dancer acquires through years of dance practice) and the manipulation of clay, the plastic medium she uses to create these forms. The study reveals that Frank’s ceramic assemblages of organic shapes resembling a figure could be related to somatic awareness of arms, legs, torso, hips, and head that dancers experience while dancing. Similarly, the fluid quality of her ceramic assemblages and their seamless coexistence with the environment can be correlated to the proprioceptic sensibilities (the reception of stimuli produced within the organism by movement or tension) that a dancer’s body senses as it navigates through the air and across the ground managing the pull of gravity. These findings are developed through a discussion of the philosophic theories on bodily knowledge (knowing in and through the body) by Maurice Merleau-Ponty, Michael Polanyi, Edward Casey, Pierre Bourdieu, and Richard Shusterman, as well as the philosophic theories on dance bodily knowledge (my own term) developed by Barbara Mettler, Maxine Sheets-Johnstone, and Jaana Parviainen. In addition, Mary’s sculptures are compared to traditionally built sculptures to illustrate the bodily sensory quality of the sense of movement of her structures. Although the scope of this study is limited to the application of dance bodily knowledge onto sculpture, perceived through the clay sculptures of Mary Frank, this research adds to the debate on the interrelationships between dance education and the arts, the body and institutions of learning, and the body and society. It suggests that dance practice and introspection of one’s body movement affects how one perceives the world around us and therefore how one reacts and expresses oneself on to the world.
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Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FA00004106, http://purl.flvc.org/fau/fd/FA00004106
Subject Headings: Aesthetics -- Psychological aspects, Dance -- Philosophy, Human body (Philosophy), Phenomenology, Sculpture -- Philosophy
Format: Document (PDF)

Title: Absence.
Creator: Johnson, Sarah, McConnell, Brian E., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Absence is the thesis exhibition resulting from the culmination of my three years in the graduate program. In this documentation, I outline historical and contextual influences that shape my ceramic practice. I specify that my work is centered on my life and describe how my work has evolved since I first started in the program. In the process I have gathered source material and have explored key points in the theory and history of Minimalism. As I developed the work, I was able to discuss how...
Show moreAbsence is the thesis exhibition resulting from the culmination of my three years in the graduate program. In this documentation, I outline historical and contextual influences that shape my ceramic practice. I specify that my work is centered on my life and describe how my work has evolved since I first started in the program. In the process I have gathered source material and have explored key points in the theory and history of Minimalism. As I developed the work, I was able to discuss how my work applied to these sources, and where it differed. I ended with introspective installation work that paralleled the themes I was working with at the start of my graduate experience that shows my evolution from being a child continually bounced around from one family member to another, to being the confidant of my mother and holding her darkest secrets, to feeling alone and unloved, to finally beginning to heal and accept who I am.
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Date Issued: 2015
PURL: http://purl.flvc.org/fau/fd/FA00004383, http://purl.flvc.org/fau/fd/FA00004383
Subject Headings: Artists -- Conduct of life, Bee culture, Ceramics -- Exhibitions, Emotional intelligence, Minimalism (Literature), Self actualization (Psychology), Stress (Psychology)
Format: Document (PDF)

Title: My representations: entropic manipulations.
Creator: Cardoso, De Gouveia Isabel, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: My thesis body of work developed from a desire to examine my nonrepresentational artwork in relation to the concept of entropy - the law of thermodynamics that measures the gradual, steady disintegration in a system such as our world. Experimenting with a range of approaches and mediums, I resolved to radically manipulate the inkjet printing of my digital photography files to introduce chance and provoke decay. The resulting prints operate as an orchestrated chaos alluding to environmental...
Show moreMy thesis body of work developed from a desire to examine my nonrepresentational artwork in relation to the concept of entropy - the law of thermodynamics that measures the gradual, steady disintegration in a system such as our world. Experimenting with a range of approaches and mediums, I resolved to radically manipulate the inkjet printing of my digital photography files to introduce chance and provoke decay. The resulting prints operate as an orchestrated chaos alluding to environmental decline and collapse, and by extension, potential social degeneration. My art reflects my perceptions of our times as well as adds to the problem. I continue to produce waste through the consumption of materials. I contaminate through inks. I add to landfills with failures. My artwork points out the inevitable end.
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Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FA00004088
Subject Headings: Aesthetics -- Psychological aspects, New media art, Photography, Artistic, Postmodernism, Technology and the arts
Format: Document (PDF)

FAU Theses and Dissertations (63)	+ -
FAU College Collections (8)	+ -

Art (7)	+ -
Florida Atlantic University -- History (7)	+ -
Installations (Art) (7)	+ -
Graphic arts (5)	+ -
Psychological aspects (4)	+ -

Social aspects (4)	+ -
Symbolism in literature (4)	+ -
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