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- Title
- ANIMACY EFFECTS IN SPANISH VISUAL WORD RECOGNITION: A CORPUS STUDY.
- Creator
- Martin, Micaela, Viktor Kharlamov, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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This thesis analyzes if animacy facilitates the visual recognition of words in Spanish. I compared native-speaker reaction times to Spanish words with animate and inanimate referents in a word-nonword identification task, also known as the lexical decision task. Responses were collected from a database and coded for animacy as well as six lexical and semantic variables known to affect reading times. Linear mixed effects modeling suggested that participants responded to animate words...
Show moreThis thesis analyzes if animacy facilitates the visual recognition of words in Spanish. I compared native-speaker reaction times to Spanish words with animate and inanimate referents in a word-nonword identification task, also known as the lexical decision task. Responses were collected from a database and coded for animacy as well as six lexical and semantic variables known to affect reading times. Linear mixed effects modeling suggested that participants responded to animate words significantly more quickly, independently of factors such as frequency and familiarity. The findings are interpreted from the perspective of parallel distributed processing model of word recognition in Seidenberg and McClelland (1989). The present study highlights the importance of animacy to language processing and presents one avenue through which we can understand which dimensions of the referential world are relevant to the processing and organization of language.
Show less - Date Issued
- 2023
- PURL
- http://purl.flvc.org/fau/fd/FA00014145
- Subject Headings
- Animacy (Grammar), Spanish language, Grammar, Comparative and general--Animacy
- Format
- Document (PDF)
- Title
- THE EFFECTS OF SPEAKING STYLE ON VOWEL SPACE AND LONG-TERM FORMANT DISTRIBUTIONS.
- Creator
- Garlitz, Rylen William, Kharlamov, Viktor, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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This thesis analyzed the effects of speaking style, either read or spontaneous speech, on vowel spaces and long-term formant distributions (LTFD), alongside other sociolinguistic effects (sex and age). The results indicated that formant frequencies were indeed modulated by speaking style, with vowel spaces showing centralization during spontaneous speech compared to read speech. LTFD showed an increase in frequency during spontaneous speech over read speech, particularly in the third long...
Show moreThis thesis analyzed the effects of speaking style, either read or spontaneous speech, on vowel spaces and long-term formant distributions (LTFD), alongside other sociolinguistic effects (sex and age). The results indicated that formant frequencies were indeed modulated by speaking style, with vowel spaces showing centralization during spontaneous speech compared to read speech. LTFD showed an increase in frequency during spontaneous speech over read speech, particularly in the third long-term formant (LTF3). Sex and age were both significant factors for both vowel space and LTFD, with males and older speakers producing lower frequencies. The examination of the effect of speech style, sex and age on vowel space and LTFD allows us to better understand the factors that play a role in speech production.
Show less - Date Issued
- 2023
- PURL
- http://purl.flvc.org/fau/fd/FA00014134
- Subject Headings
- Prosodic analysis (Linguistics), Linguistics
- Format
- Document (PDF)
- Title
- Manner Saliency and Linguistic Relativity: Verbal and Non-Verbal Experiments with Spanish-English Bilinguals.
- Creator
- Selecter, Spencer G., Hamilton, Michael, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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Talmy (2007) was the first to propose a language typology based on the lexicalization patterns of motion verbs. According to his typology, certain languages tend to encode certain elements within the main verb of motion event descriptions. It has been proposed that Spanish and English exist on opposites sides of this typology and Slobin (1996 & 2006) speculates these structural differences may affect what aspects of external events are more salient to speakers of these languages. The present...
Show moreTalmy (2007) was the first to propose a language typology based on the lexicalization patterns of motion verbs. According to his typology, certain languages tend to encode certain elements within the main verb of motion event descriptions. It has been proposed that Spanish and English exist on opposites sides of this typology and Slobin (1996 & 2006) speculates these structural differences may affect what aspects of external events are more salient to speakers of these languages. The present study investigates the verbal and nonverbal behavior of English monolinguals and Spanish-English bilinguals to see if any differences exist in the aspects of the motion event that they describe in an elicitation task or prefer in a similarity judgement task. This study provides evidence that Spanish-English bilinguals may be less likely to encode manner when speaking in English. The present study provides no evidence that this extends to nonverbal behavior as all groups showed a preference for categorizing motion events based on the manner (e.g., run, walk, crawl, etc.) of motion rather than the path (up, down, left, right, etc.).
Show less - Date Issued
- 2023
- PURL
- http://purl.flvc.org/fau/fd/FA00014159
- Subject Headings
- Bilingualism, Typology (Linguistics), Linguistics
- Format
- Document (PDF)
- Title
- OnYGo.
- Creator
- Blattner, Géraldine, Dalola, Amanda, Roulon, Stéphanie
- Abstract/Description
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#OnYGo is an innovative first-year French language e-textbook, designed as Open Educational Resource (OER), for learning beginning French (equivalent to one year at an American university). It is inspired by a remix of task-based, multiliteracies and communicative approaches, which provides students with opportunities to engage with French language and culture in a variety of contexts and situations, across a range of modalities. Through a wide range of activities, students develop and...
Show more#OnYGo is an innovative first-year French language e-textbook, designed as Open Educational Resource (OER), for learning beginning French (equivalent to one year at an American university). It is inspired by a remix of task-based, multiliteracies and communicative approaches, which provides students with opportunities to engage with French language and culture in a variety of contexts and situations, across a range of modalities. Through a wide range of activities, students develop and practice their language skills, and reflect on their cross-cultural knowledge and positionality in their understanding of the vast francophone landscape.
Show less - Date Issued
- 2023
- PURL
- http://purl.flvc.org/fau/fd/fauir000515
- Format
- Document (PDF)
- Title
- Disruptive French: Using OER to promote linguistic justice in the French-language classroom.
- Creator
- Blattner, Geraldine, Dalola, Amanda, Roulon, Stephanie
- Abstract/Description
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A prestige-focused approach to language teaching, motivated by hegemonic definitions of “normativity” defined by a privileged few, is one that sustains inequity, misrepresents the speech community, and excludes learners by denying them access to the cultural and linguistic tools they need to relate to real-world users. Now more than ever, as language departments struggle to fill seats and argue for the relevance of their disciplines, educators must instead embrace a linguistic justice...
Show moreA prestige-focused approach to language teaching, motivated by hegemonic definitions of “normativity” defined by a privileged few, is one that sustains inequity, misrepresents the speech community, and excludes learners by denying them access to the cultural and linguistic tools they need to relate to real-world users. Now more than ever, as language departments struggle to fill seats and argue for the relevance of their disciplines, educators must instead embrace a linguistic justice approach which simultaneously critiques monolingualism and integrates plurilingual practices essential to valorizing the linguistically-rich realities of 21st-century learners. #OnYGo, an Open Educational Resource (OER) for first-year French, employs a linguistic justice approach that redraws the francophone landscape through a lens of social justice and cultivates learners’ awareness of language variation and identity via translanguaging, the development of metalinguistic awareness, and the thoughtful use of digital tools which invite learners to create and interpret language across modalities, guided by a multiliteracies framework. Because OERs are free from the censorship of commercial publishers, we argue that they should not only be used to increase accessibility to language education but also to promote equitable and iconoclastic approaches to language teaching like the one on display in #OnYGo.
Show less - PURL
- http://purl.flvc.org/fau/fd/fauir000516
- Format
- Document (PDF)
- Title
- PHENOESTHETICS AND THE ARCIMBOLDO CONNECTION: BRIDGING ART, SCIENCE, AND AESTHETICS IN CLINICAL PRACTICE.
- Creator
- Lindner, Robert W., Serra, Ilaria, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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Amid the rapid advancements in clinical aesthetics, there lies an intricate gap between the artistic and sensory experience of facial aesthetics and the technical approach of medical sciences. As the field of clinical aesthetics veers further into the realm of the ideal, tensions arise between patient expectations and the practitioner's delivery. Central to this issue is the growing reliance on technology, which often overlooks the immediate sensory experience crucial for aesthetic...
Show moreAmid the rapid advancements in clinical aesthetics, there lies an intricate gap between the artistic and sensory experience of facial aesthetics and the technical approach of medical sciences. As the field of clinical aesthetics veers further into the realm of the ideal, tensions arise between patient expectations and the practitioner's delivery. Central to this issue is the growing reliance on technology, which often overlooks the immediate sensory experience crucial for aesthetic satisfaction. Drawing inspiration from the arts and humanities, this dissertation introduces "Phenoesthetics" as an epistemological bridge, harmonizing the seemingly disparate domains of sensory experience and scientific analysis. By using visual art, particularly the composite works of the Renaissance artist Giuseppe Arcimboldo, as an illustrative tool, this work seeks to elucidate the dual nature of facial aesthetics perception: the universal, tangible forms and the more abstract, cultural interpretations. By weaving together elements from the arts, humanities, and sciences, this study propounds a Phenoesthetics approach — a comprehensive method designed to enhance understanding and communication in clinical aesthetics. The aim is to provide practitioners with a robust framework, fostering more aligned expectations and improving satisfaction rates in the field of aesthetic medicine.
Show less - Date Issued
- 2023
- PURL
- http://purl.flvc.org/fau/fd/FA00014360
- Subject Headings
- Esthetics, Aesthetics, Medicine
- Format
- Document (PDF)
- Title
- POSTMEMORIAL STRUCTURES: PORTRAITS OF SURVIVOR-FAMILY HOMES IN SECOND-GENERATION HOLOCAUST LITERATURE AND ORAL HISTORY.
- Creator
- Wilson, Lucas Frederick William, Berger, Alan L., Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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This study demonstrates the relationship between intergenerational trauma and domestic space, specifically focusing on how Holocaust survivors’ homes became extensions of their traumatized psyches that their children “inhabited.” Based on my analysis of literature and oral histories of the second generation, my project employs the theory of postmemory to demonstrate how the spatial and temporal conditions of survivor-family homes, along with the domestic practices and objects contained...
Show moreThis study demonstrates the relationship between intergenerational trauma and domestic space, specifically focusing on how Holocaust survivors’ homes became extensions of their traumatized psyches that their children “inhabited.” Based on my analysis of literature and oral histories of the second generation, my project employs the theory of postmemory to demonstrate how the spatial and temporal conditions of survivor-family homes, along with the domestic practices and objects contained therein, rendered these domestic milieus spaces of traumatic contagion. Postmemorial structures often functioned as spaces that afforded few illusions of familial permanency, thereby familiarizing survivors’ children with an intimate and pervading fear of external threat at a young age, which challenged or precluded feelings of parental protection and refuge within the domestic. I discuss the ways by which the second generation’s inherited perceptions of space—along with their inherited perception of matter and time— structured and structure their perceptions of their domestic lives. This study explores how, in turn, postmemorial structures shaped and shape the second generation’s inherited perceptions of space, matter, and time. As survivors’ traumas were registered in the very space of their homes, their homes functioned as material archives of their Holocaust pasts, creating domestic environments that commonly also wounded their children. In addition to survivors’ unspoken traumas, their spoken narratives of the Holocaust were also imbued in the space of postmemorial structures to such an extent that these homes became the very “framework” or “architecture” of their psychosocial lives. I argue that insofar as survivor-family homes were imaginatively transformed by survivors’ children into the sites of their parents’ traumas—whether they were concentration camps, ghettoes, places of hiding, etc.—their domestic spaces became central technologies that catalyzed and perpetuated the intergenerational transmission of Holocaust trauma and embodied experience. I further argue that the ways by which they describe their home lives constitute indirect expressions of their belated relationships to the Holocaust.
Show less - Date Issued
- 2022
- PURL
- http://purl.flvc.org/fau/fd/FA00014013
- Subject Headings
- Holocaust survivors in literature, Children of Holocaust survivors, Generational trauma
- Format
- Document (PDF)
- Title
- THE BONES WE CARVE: THE AUDACITY OF LATINX POLITICAL NARRATIVES.
- Creator
- Acosta, Ana-Christina Gaspar de Alba, Munson, Marcella L., Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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This interdisciplinary dissertation examines Latinx political self-representation across a variety of narrative forms including fiction, nonfiction, film, and social media. Beginning with identifying points of political intersection and divergence within the imagined Latinx voting bloc incorrectly homogenized in mainstream discourse, the dissertation looks at how narrative empathy and political concerns for a singular issue– the child migrant crisis–play out differently across fiction and...
Show moreThis interdisciplinary dissertation examines Latinx political self-representation across a variety of narrative forms including fiction, nonfiction, film, and social media. Beginning with identifying points of political intersection and divergence within the imagined Latinx voting bloc incorrectly homogenized in mainstream discourse, the dissertation looks at how narrative empathy and political concerns for a singular issue– the child migrant crisis–play out differently across fiction and nonfiction written narratives. The dissertation then takes a turn towards exploring the lack of prominent Latinx political figures in the cultural imaginary, especially Latinas, by looking back to Latin America for exemplary models, and presenting community organizing as seen in recent filmic representation as an alternative form of political engagement. Finally, it focuses on two Latinx political figures–Oscar Zeta Acosta and Alexandria Ocasio-Cortez–who rose to notoriety half a century apart, yet took similar community insider/political outsider approaches to their historic runs for office. Overall, the dissertation stresses the importance of self-representation as a means of creating and controlling narrative empathy, as well as countering a mainstream narrative of a monolithic Latinx bloc that is both politically unengaged and threatening.
Show less - Date Issued
- 2022
- PURL
- http://purl.flvc.org/fau/fd/FA00014020
- Subject Headings
- Latinx, Latin Americans, Narratives, Latin Americans--Political and social views
- Format
- Document (PDF)
- Title
- DECIPHERING TOM DISALVO: A FIRST-GENERATION ARTIST BETWEEN SICILY AND SOUTH FLORIDA.
- Creator
- Diraviam, Domenica Santomaggio, Serra, Ilaria, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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This dissertation aims to contextualize the self-taught Sicilian born artist, Tom DiSalvo (1947-2011) among contemporary artists of Italian extraction. It investigates a selection of his corpus of over 300 works of art spanning four decades as an integral contribution to Italian diasporic scholarship. The primarily large-scale paintings, enhanced with underlying textual layers and semiotic translations of famous works of art, reveal distinct ties to American, Italian and hybrid patterns of...
Show moreThis dissertation aims to contextualize the self-taught Sicilian born artist, Tom DiSalvo (1947-2011) among contemporary artists of Italian extraction. It investigates a selection of his corpus of over 300 works of art spanning four decades as an integral contribution to Italian diasporic scholarship. The primarily large-scale paintings, enhanced with underlying textual layers and semiotic translations of famous works of art, reveal distinct ties to American, Italian and hybrid patterns of ethnicity. Much of his work remains unknown in scholarly and public circles, due in part to the limited canon of Italian diasporic visual art (with the exception of film) and to DiSalvo’s own disapproval of the commodification of his art. The project originated with the classification of the artist’s personal artifacts and the interpretation of his canvases displayed in both public and private spaces. The methodology employed in this dissertation is as unique and multifaceted as its topic. I depart from paintings to reveal the man behind the canvas, thanks to the voices and memories of friends and family on both sides of the ocean, anchoring my findings to the foundation of scholarly discussions, and theoretical and critical sources in the disciplines of hybrid cultural studies, Italian and Italian American art and literature, as well as outsider art to verify the intersections between DiSalvo and members of each of these communities.
Show less - Date Issued
- 2022
- PURL
- http://purl.flvc.org/fau/fd/FA00014053
- Subject Headings
- Italian American artists, Italian American art, Italian American experience
- Format
- Document (PDF)
- Title
- RE-IMAGINANDO UTOPÍAS: LA DESILUSIÓN PORTEÑA DE BORGES.
- Creator
- Baccinelli, Mitchel, Poulson, Nancy Kason, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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Borges’s literary production, particularly between 1923 and 1955, drastically changes in its depiction of Buenos Aires. The city that Borges considered his home was the center of various political and cultural changes in Argentina during those years, and the more that Argentina changed, the deeper Borges’s disillusionment became. Examining these changes in the depiction of themes such as city, community, and history, we can better understand the process of disillusionment by which Borges...
Show moreBorges’s literary production, particularly between 1923 and 1955, drastically changes in its depiction of Buenos Aires. The city that Borges considered his home was the center of various political and cultural changes in Argentina during those years, and the more that Argentina changed, the deeper Borges’s disillusionment became. Examining these changes in the depiction of themes such as city, community, and history, we can better understand the process of disillusionment by which Borges begins with a utopic view of Buenos Aires that becomes dystopic before it is abandoned in order to imagine a new utopia.
Show less - Date Issued
- 2021
- PURL
- http://purl.flvc.org/fau/fd/FA00013749
- Subject Headings
- Borges, Jorge Luis, 1899-1986, Borges, Jorge Luis, 1899-1986--Criticism and interpretation
- Format
- Document (PDF)
- Title
- OF RACE AND RESISTANCE: INSIDE AND OUT OF ETHNIC LIVES IN MODERN LITERATURE OF THE AMERICAS.
- Creator
- Martin, Dyanne K., Esquilín Gosser, Mary Ann, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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Race is a pressing issue that pervades discussions of public policy and societal matters in twenty-first century national cultures—even as those populations, paradoxically, turn toward increasing globalization. We need to understand now, more than ever, what race means to us and how and why it means in order for us to understand our deep investments in it. This study explores—through the genres of slave narrative, fiction, and memoir—the process of socio-semiogenesis by which people recognize...
Show moreRace is a pressing issue that pervades discussions of public policy and societal matters in twenty-first century national cultures—even as those populations, paradoxically, turn toward increasing globalization. We need to understand now, more than ever, what race means to us and how and why it means in order for us to understand our deep investments in it. This study explores—through the genres of slave narrative, fiction, and memoir—the process of socio-semiogenesis by which people recognize and perform race; it also examines the customs that allow people not only to form themselves in groups but also to disrupt, remediate, and invert the implicit racial codes that govern human interaction within and among such groups. This study offers a Peircean, triadic approach to the dialectics of race—an approach that seeks to find a space in which dialogue and healing might occur even as it sheds light on those shades of biology and culture that both form and divide us.
Show less - Date Issued
- 2021
- PURL
- http://purl.flvc.org/fau/fd/FA00013704
- Subject Headings
- Race, Dialectics, Ethnic studies
- Format
- Document (PDF)
- Title
- THE ETHICS OF DIALOGIC AUTHORSHIP: COLLABORATIVE WOMEN’S WRITING IN THE FRENCH, FRANCOPHONE, AND ITALIAN TRADITIONS.
- Creator
- Pezzullo, Viviana, Munson, Marcella Lee, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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This dissertation investigates the ethics of authorial collaboration in contemporary collaborative women’s writing and its effect on the power dynamics inherent in the writing process. Collaborative writing occupies a continuum, from ethnographic autobiography, in which the writer outranks the generally anonymous subject, to the celebrity “ghostwritten” autobiography, which overturns this hierarchy. This study focuses more narrowly on more covert forms of collaboration implying a differential...
Show moreThis dissertation investigates the ethics of authorial collaboration in contemporary collaborative women’s writing and its effect on the power dynamics inherent in the writing process. Collaborative writing occupies a continuum, from ethnographic autobiography, in which the writer outranks the generally anonymous subject, to the celebrity “ghostwritten” autobiography, which overturns this hierarchy. This study focuses more narrowly on more covert forms of collaboration implying a differential of symbolic capital that foregrounds asymmetrical writing relationships. Importantly, these asymmetrical relationships cannot be unproblematically reduced to the general (or generic) conception of “coauthorship,” turning instead towards a form of paratextual dialogue that acknowledges the presence of diverse and sometimes conflicting authorial voices that manifest themselves in various ways in different parts of the text. By focusing on a variety of covert collaborative forms, including so-told narratives from different epochs and traditions, the dissertation will expand our conception of collaborative writing and simultaneously develop a more dialogic notion of authorship, putting in conversation Bakhtinian concepts of dialogism, heteroglossia, and polyphony with feminist theory. The case studies present in the dissertation, ranging from feminist journals of the 1970s to slave narratives, provide the crucial function of offering a profound and carefully nuanced series of contexts in which to examine the deeper moral principles and obligations that tie collaborators to each other. Simultaneously, this analysis aims to start a discussion about privilege in the writing collaborative process as well as issues of minority representation in literature. The relationship between authorial voices that hold a differential of symbolic capital also invites to reflect on the complicated sociocultural dynamics between socalled “dominant” or “prestige” languages–what Pascale Casanova calls “dominating” languages–and “minority” languages (such as Italian dialects and Guadeloupean Creole). For this reason, starting from the Bakhtinian concept of heteroglossia this dissertation leads to a sociolinguistic analysis of the linguistic habits of collaborators, highlighting how language becomes one of the forms of power imbalance.
Show less - Date Issued
- 2021
- PURL
- http://purl.flvc.org/fau/fd/FA00013845
- Subject Headings
- Sociolinguistics, Authorship—Collaboration, Ethics, Women's writing
- Format
- Document (PDF)
- Title
- INTRACOMMUNITY USAGE OF "NIGGA" IN SPOKEN AFRICAN AMERICAN LANGUAGE: A CORPUS STUDY.
- Creator
- Davis, Alexis Ciara, Kharlamov, Viktor, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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The aim of this thesis is to investigate how nigga is used between speakers of African American Language (AAL). Nigga has few detailed analyses that examine its intracommunity usage, especially regarding non-negative uses of the word. It is the center of much controversy within African American communities, particularly due to the generational divide on its racist potency, and horrific historical ties. Therefore, I ask whether in-group speakers use nigga in different contexts to convey...
Show moreThe aim of this thesis is to investigate how nigga is used between speakers of African American Language (AAL). Nigga has few detailed analyses that examine its intracommunity usage, especially regarding non-negative uses of the word. It is the center of much controversy within African American communities, particularly due to the generational divide on its racist potency, and horrific historical ties. Therefore, I ask whether in-group speakers use nigga in different contexts to convey meanings that are also neutral or positive in sentiment, and whether factors such as gender and age affect these sentiments. This thesis is a partial replication of Smith (2019), and I utilize spoken data from the Corpus of Regional African American Language in my quantitative analysis. I find that AAL speakers use nigga across all sentiments, and in a variety of syntactic environments. Additionally, men seem to say nigga more often than women in spoken conversation, and younger individuals are more likely to use the term over older individuals. Through this thesis, I shed light on the invisible linguistic boundaries that complicate AAL speakers' feelings on nigga. Cultural experiences and social pressures of being African American inform many speakers' opinions regarding nigga, and care should be taken to discuss these complexities.
Show less - Date Issued
- 2021
- PURL
- http://purl.flvc.org/fau/fd/FA00013688
- Subject Headings
- African American, Vernacular language, Sociolinguistics
- Format
- Document (PDF)
- Title
- CUANDO LAS ISLAS TIENEN ALAS: DIVERSIDAD E INCLUSIÓN ÉTNICO-RACIAL Y DE SEXUALIDAD EN LA DRAMATURGIA FEMENINA HISPANO-CARIBEÑA EN LOS ESTADOS UNIDOS.
- Creator
- Duarte, Carmen, Gosser, Esquilín Mary Ann, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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The dramaturgy written by Cuban American, Puerto Rican, and Dominican American women propels Hispanic-Caribbean theater beyond the geographical borders of their islands, thus creating and nurturing, transnational cultural enclaves that support it while also transforming the cultural theatrical environment of the United States. This dramaturgy, with its themes and arguments, puts into practice the feminist and LGBTQ critical theories with a focus on minority groups in US society. This work...
Show moreThe dramaturgy written by Cuban American, Puerto Rican, and Dominican American women propels Hispanic-Caribbean theater beyond the geographical borders of their islands, thus creating and nurturing, transnational cultural enclaves that support it while also transforming the cultural theatrical environment of the United States. This dramaturgy, with its themes and arguments, puts into practice the feminist and LGBTQ critical theories with a focus on minority groups in US society. This work analyzes Hispanic-Caribbean theater traditions from their origins to the transformations they undergo in the United States given the influence of the various Caribbean diasporas. The essential characteristics of this drama, written by women, lead to the creation of a new theater characterized by its hybrid and bilingual roots. This dramatic cultural transformation reveals the diversity and inclusion of ethnic, racial, sexual identities, and the myriad intersectionalities found in the diasporic island communities from which it takes flight.
Show less - Date Issued
- 2021
- PURL
- http://purl.flvc.org/fau/fd/FA00013672
- Subject Headings
- Dramaturgy, Theater, Caribbean culture studies, Latin American studies, Women's studies
- Format
- Document (PDF)
- Title
- DU FANTASTIQUE FRANÇAIS AU RÉEL MERVEILLEUX HAÏTIEN : L’INCONTOURNABLE VA-ET-VIENT LITTÉRAIRE.
- Creator
- Noel, Lochard, Esquilín, Mary Ann Gosser, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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French literature has undoubtedly exerted a marked influence over Haitian letters. Since the Middle Ages, notable elements of the fantastic, such as loups-garous and talking animals in lais and fables, all the way to the unheimlich narratives of the nineteenth century, are also present in Haitian works with strong overtones of the oral traditions of slave narratives. However, Haitian literature, given its syncretic nature, offers not just an array of talking animals and “magic realist”...
Show moreFrench literature has undoubtedly exerted a marked influence over Haitian letters. Since the Middle Ages, notable elements of the fantastic, such as loups-garous and talking animals in lais and fables, all the way to the unheimlich narratives of the nineteenth century, are also present in Haitian works with strong overtones of the oral traditions of slave narratives. However, Haitian literature, given its syncretic nature, offers not just an array of talking animals and “magic realist” episodes, but a unique “fantastic being,” the zombie. In turn, these figures have made their way not just into the Haitian folkloric tradition, but infused with political undertones, have become pivotal metaphors for contemporary Haitian writers on the island, as well as for those who write in the diaspora, to explore the nation’s oppressive governments. This dissertation traces the origins of such figures and their creative reincarnations today.
Show less - Date Issued
- 2020
- PURL
- http://purl.flvc.org/fau/fd/FA00013598
- Subject Headings
- Haitian literature, Comparative literature, French literature, Fantastic literature
- Format
- Document (PDF)
- Title
- LA REPRESENTACIÓN DEL TRAUMA PERMANENTE EN COLOMBIA SECUNDARIO AL CONFLICTO ARMADO EN LOS EJÉRCITOS DE EVELIO ROSERO.
- Creator
- Morrison, Claudia, Poulson, Nancy, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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The Colombian armed conflict has affected Colombia’s civil population of all walks of life and has been a long-term problem. Within these, the most affected are people from the rural areas, minorities such as women, adolescents, children, and the indigenous communities. This work analyses the literary representation of trauma and the internal displacement in Colombia in Los ejércitos (2007) by Evelio Rosero. The introduction provides historical context and definitions of trauma. The analysis...
Show moreThe Colombian armed conflict has affected Colombia’s civil population of all walks of life and has been a long-term problem. Within these, the most affected are people from the rural areas, minorities such as women, adolescents, children, and the indigenous communities. This work analyses the literary representation of trauma and the internal displacement in Colombia in Los ejércitos (2007) by Evelio Rosero. The introduction provides historical context and definitions of trauma. The analysis of the impact of trauma on the collective and the minorities follows. For theoretical and historical references, this thesis draws concepts mostly from psychoanalysis, Irene Visser’s modified Grid Theory of social thought, and official Colombian documents. The thesis examines how the structure of Los ejércitos and some of its characters provide the representation of trauma in relation to the armed conflict in Colombia and the internal displacement that ensued.
Show less - Date Issued
- 2020
- PURL
- http://purl.flvc.org/fau/fd/FA00013597
- Subject Headings
- Rosero Diago, Evelio, 1958-, Comparative literature, Latin American studies
- Format
- Document (PDF)
- Title
- Death Becomes Us: An Examination of Memento Mori Rhetoric in the Art and Literature of the Counter-Reformation.
- Creator
- Dutton, Amanda M., Conrod, Frederic, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
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The use of death iconography, especially in the mode of memento mori, was a prevalent and effective means of conveying the Roman Catholic Church’s message of eternal reward through faith to provide hope to those who would follow. This contributed to the success of the Church’s internal reformation in the 16th century. This dissertation will explore a heretofore unexamined shift in the specific artistic mode of memento mori and its rhetorical function in ameliorating the image of the Church...
Show moreThe use of death iconography, especially in the mode of memento mori, was a prevalent and effective means of conveying the Roman Catholic Church’s message of eternal reward through faith to provide hope to those who would follow. This contributed to the success of the Church’s internal reformation in the 16th century. This dissertation will explore a heretofore unexamined shift in the specific artistic mode of memento mori and its rhetorical function in ameliorating the image of the Church during the Counter- Reformation. Specifically, it examines in the mode of sculpture, the works of Gian Lorenzo Bernini and the Ossuary of Santa Maria della Concezione dei Cappuccini; for the mode of painting, the works of Michelangelo Caravaggio and Pietro da Cortona; and for the mode of literature, the works of Giambattista Marino and Cesare Ripa. The artists and works selected for this study provide salient examples of memento mori of the Italian Baroque and its rhetorical function in the preservation of the Catholic faith. These works mark a distinct shift from the medieval modes of death representation which also indicates a shift in presentation of teleological theology in the eschatological message of the Church that is at the core of the faith. This change in rhetorical approach had a positive effect on the Church’s image and reputation that would comfort followers and encourage new converts. Close reading is performed on each of the sample works and their embedded rhetoric is examined. Since the fear of death and the hope for eternal life are the driving sentiments that these works evoke, their power to influence people is strong. Naturally, this increased the chances of the message of the Church being recognized, remembered, and spread. The use of transformed death iconography, especially in the mode of memento mori, was a prevalent and effective means of conveying the Church’s message of eternal reward through faith to provide hope to those who would follow. This contributed, in part, to the success of the Roman Catholic Church’s internal reformation at the time of the Protestant Schism in the 16th century.
Show less - Date Issued
- 2019
- PURL
- http://purl.flvc.org/fau/fd/FA00013201
- Subject Headings
- Memento mori, Counter-Reformation and art
- Format
- Document (PDF)
- Title
- EL SENO ESCONDIDO: NODRIZAS Y NANAS COMO AGENTES MARAVILLOSOS EN LA NOVELA LATINOAMERICANA DE LA SEGUNDA MITAD DEL SIGLO VEINTE.
- Creator
- Casanova, Betsaida L., Gosser Esquilín, Mary Ann, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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In Latin America, wet nurses and nannies have played a relevant role in the transmission of legends, myths, medicinal knowledge, popular beliefs, and the religious practices of marginalized groups. This historical reality also ties them closely to the vitality of the marvelous real in Latin American culture and history as theorized by Alejo Carpentier. This dissertation focuses on examining the characters of wet nurses and nannies, especially in connection with the expression of the marvelous...
Show moreIn Latin America, wet nurses and nannies have played a relevant role in the transmission of legends, myths, medicinal knowledge, popular beliefs, and the religious practices of marginalized groups. This historical reality also ties them closely to the vitality of the marvelous real in Latin American culture and history as theorized by Alejo Carpentier. This dissertation focuses on examining the characters of wet nurses and nannies, especially in connection with the expression of the marvelous real in Latin American novels published in the second half of the twentieth century. Employing primarily Alex Woloch’s theory of characterization, this dissertation explores the character space and position within the character system of la Vieja in El acoso (1956) by Alejo Carpentier, Peta Ponce in El obsceno pájaro de la noche (1970) by José Donoso, and Petra Avilés in La casa de la laguna (1996) by Rosario Ferré. They serve as marvelous agents introducing elements of the marvelous real in the narrative. These characters are at the center of an extensive network of cultural codes that signify different sources of the marvelous real in Latin American culture. The marvelous network they establish functions as a vindicating mechanism that leads to the penalization of the families that hire their services, who represent a decadent and oppressive social system, whereas the wet nurses or nannies embody the oppressed groups in society. This is a literary strategy to impart, at a symbolic level, the justice that traditionally has been denied, both textually and socially, to these women.
Show less - Date Issued
- 2019
- PURL
- http://purl.flvc.org/fau/fd/FA00013361
- Subject Headings
- Wet nurses in literature, Carpentier, Alejo, 1904-1980 Acoso, Donoso, José, 1924-1996 Obsceno pájaro de la noche English, Ferré, Rosario Casa de la laguna, Characters and characteristics in literature, Nannies--Fiction
- Format
- Document (PDF)
- Title
- Finding a Room of One’s Own: Veronica Franco and Sor Juana Inés de la Cruz.
- Creator
- De Tollis, Marianna, Gamboa Tusquets, Yolanda, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
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During the Renaissance and the Baroque periods, both in the Old and the New World, the patriarchal social structure had created a set of fixed gender rules based on gender roles to control female sexuality, female voices, and their social freedom because it was considered a threat to male superiority. The Venetian Veronica Franco and the Mexican Sor Juana Inés de la Cruz are two extraordinary women from different places and a hundred years apart who, with their elaborated writing and body...
Show moreDuring the Renaissance and the Baroque periods, both in the Old and the New World, the patriarchal social structure had created a set of fixed gender rules based on gender roles to control female sexuality, female voices, and their social freedom because it was considered a threat to male superiority. The Venetian Veronica Franco and the Mexican Sor Juana Inés de la Cruz are two extraordinary women from different places and a hundred years apart who, with their elaborated writing and body-related techniques, escape the gender patriarchal constrains and give voice to their new authorial persona in a female liminal environment. Veronica Franco and Sor Juana Inés de la Cruz represent the two facets of the same coin that symbolizes the phallocentric patriarchal structure in which these two women happened to live, struggle, and write. These women were pushed to the margins of society, confined in convents, brothels/patrician houses, or the streets, to silence their personae and reinforce their inferiority and, at times, inexistence. There are no works that focus on the comparison between the well-known Mexican nun and the forgotten Venetian courtesan. Therefore, this dissertation aims to analyze the writings of Veronica Franco and Sor Juana Inés de la Cruz through the lens of feminist theory (Cixous, Irigaray etc.) and the concept of the body as an instrument of subversion and female liberation. In their respective time and marginal places of confinement (the patrician house and the convent), both women were able to create a liminal space that allowed them to go beyond the rigidity of gender binaries and explore different venues of freedom. In this liminal space both Veronica Franco and Sor Juana stopped “performing” the fixed gender roles imposed by the patriarchal social order and created new female creatures at the margins of patriarchal society; a new type of woman who could, through her body and writing, destabilize the patriarchal gender identities and go from a passive silence object to an active writing subject.
Show less - Date Issued
- 2019
- PURL
- http://purl.flvc.org/fau/fd/FA00013198
- Subject Headings
- Franco, Veronica, 1546-1591--Criticism and interpretation, Sor Juana Inéz de la Cruz, 1651-1695, Feminist theory, Sex role, Persona
- Format
- Document (PDF)
- Title
- Ralph Waldo Emerson and Jorge Luis Borges: Harbingers of Human Rights.
- Creator
- Gillespie Elizabeth Joy, Poulson, Nancy Kason, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
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This dissertation comparatively analyzes the works of Ralph Waldo Emerson, a nineteenth century American, and Jorge Luis Borges, a twentieth-century Argentinian, within the context of human rights. Through their writings, both Emerson and Borges provided a voice to the voiceless by addressing the most egregious violations of human rights during their respective days: For Emerson, the most virulent social ill was slavery; for Borges, it was fascism. While Emerson and Borges differ in several...
Show moreThis dissertation comparatively analyzes the works of Ralph Waldo Emerson, a nineteenth century American, and Jorge Luis Borges, a twentieth-century Argentinian, within the context of human rights. Through their writings, both Emerson and Borges provided a voice to the voiceless by addressing the most egregious violations of human rights during their respective days: For Emerson, the most virulent social ill was slavery; for Borges, it was fascism. While Emerson and Borges differ in several ways, they are remarkably similar in their emphasis of natural laws and natural rights, notably egalitarianism and liberty, which underpin humanity and comprise an integral aspect of civilization. By counteracting the antithesis of civilization, barbarism, the works of Emerson and Borges ultimately embody the tenets that would ultimately constitute The Universal Declaration of Human Rights. Thus, Emerson and Borges are indelibly linked through serving as harbingers of human rights.
Show less - Date Issued
- 2019
- PURL
- http://purl.flvc.org/fau/fd/FA00013207
- Subject Headings
- Emerson, Ralph Waldo, 1803-1882--Criticism and interpretation, Borges, Jorge Luis, 1899-1986--Criticism and interpretation, Human rights
- Format
- Document (PDF)