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- Title
- THE BONES WE CARVE: THE AUDACITY OF LATINX POLITICAL NARRATIVES.
- Creator
- Acosta, Ana-Christina Gaspar de Alba, Munson, Marcella L., Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
-
This interdisciplinary dissertation examines Latinx political self-representation across a variety of narrative forms including fiction, nonfiction, film, and social media. Beginning with identifying points of political intersection and divergence within the imagined Latinx voting bloc incorrectly homogenized in mainstream discourse, the dissertation looks at how narrative empathy and political concerns for a singular issue– the child migrant crisis–play out differently across fiction and...
Show moreThis interdisciplinary dissertation examines Latinx political self-representation across a variety of narrative forms including fiction, nonfiction, film, and social media. Beginning with identifying points of political intersection and divergence within the imagined Latinx voting bloc incorrectly homogenized in mainstream discourse, the dissertation looks at how narrative empathy and political concerns for a singular issue– the child migrant crisis–play out differently across fiction and nonfiction written narratives. The dissertation then takes a turn towards exploring the lack of prominent Latinx political figures in the cultural imaginary, especially Latinas, by looking back to Latin America for exemplary models, and presenting community organizing as seen in recent filmic representation as an alternative form of political engagement. Finally, it focuses on two Latinx political figures–Oscar Zeta Acosta and Alexandria Ocasio-Cortez–who rose to notoriety half a century apart, yet took similar community insider/political outsider approaches to their historic runs for office. Overall, the dissertation stresses the importance of self-representation as a means of creating and controlling narrative empathy, as well as countering a mainstream narrative of a monolithic Latinx bloc that is both politically unengaged and threatening.
Show less - Date Issued
- 2022
- PURL
- http://purl.flvc.org/fau/fd/FA00014020
- Subject Headings
- Latinx, Latin Americans, Narratives, Latin Americans--Political and social views
- Format
- Document (PDF)
- Title
- LISTENING COMPREHENSION AND ORAL PRODUCTION PROBLEMS OF SECOND-YEAR AUDIO-LINGUAL FRENCH STUDENTS.
- Creator
- ADAMS, JUDITH MARCEC, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Date Issued
- 1971
- PURL
- http://purl.flvc.org/fcla/dt/13417
- Subject Headings
- Education, Language and Literature
- Format
- Document (PDF)
- Title
- EXISTENTIALIST FEMINISM IN SIMONE DE BEAUVOIR.
- Creator
- ADNOT, GINETTE J., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
De Beauvoir's Existentialist works , primarily Pour une morale de l'ambiguite and Existentialisme et la sagesse des nations, and her feminist work Le Deuxieme sexe, affirm that women are fully as capable of attaining Existentialist authenticity and liberty as men. The novels, however, portray women who often fail the Existentialist ideal, and always fail the feminist ideal. Indeed the major novels, including L'Invitee, Le Sang des autres, Les Mandarins, suggest an almost inverse relationship...
Show moreDe Beauvoir's Existentialist works , primarily Pour une morale de l'ambiguite and Existentialisme et la sagesse des nations, and her feminist work Le Deuxieme sexe, affirm that women are fully as capable of attaining Existentialist authenticity and liberty as men. The novels, however, portray women who often fail the Existentialist ideal, and always fail the feminist ideal. Indeed the major novels, including L'Invitee, Le Sang des autres, Les Mandarins, suggest an almost inverse relationship between feminist convictions and personal success. Having chosen not to depict female characters as social activists or revolutionaries but as women in love, de Beauvoir presents unhappy lovers unable to achieve independence from the dominant male. In accord with Existentialist precepts of realism, De Beauvoir's fiction illustrates not her feminist ideal hut her view of women's contemporary condition.
Show less - Date Issued
- 1982
- PURL
- http://purl.flvc.org/fcla/dt/14113
- Subject Headings
- Literature, Romance
- Format
- Document (PDF)
- Title
- La decheance matriarcale chez Zola: "L'assommoir" et "Germinal".
- Creator
- Alaoui, Sanaa Ismaili, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
-
Critical studies of Zola's Rougon-Macquart novels, while explicating in detail the characterological functions of the women characters, including Gervaise in L'Assommoir and la Maheude in Germinal, have neglected the thematic functions of matriarchy in those texts as in the cycle as a whole. The decline of the matriarch is a prominent component of Zola's naturalistic scheme for the Rougon-Macquart , manifests not only in the increasing corruption of the progeny across the cycle, but primarily...
Show moreCritical studies of Zola's Rougon-Macquart novels, while explicating in detail the characterological functions of the women characters, including Gervaise in L'Assommoir and la Maheude in Germinal, have neglected the thematic functions of matriarchy in those texts as in the cycle as a whole. The decline of the matriarch is a prominent component of Zola's naturalistic scheme for the Rougon-Macquart , manifests not only in the increasing corruption of the progeny across the cycle, but primarily in the monographic depictions of the matriarchs themselves. Working-class mothers in particular embody the conflictual tensions of gender inequities and socio-economic deprivations that lead them to produce child-workers to support the family, typically becoming ever more negligent, on the model of Gervaise. Specifically in Germinal, Zola's largely negative conception of the fictive matriarch begins to change. This shift is sustained in subsequent texts of the cycle: the matriarch still suffers almost total loss (of husband, children, position), but she attains a new insight into the socio-economic system that so devours her offspring, and a new lucidity about her position within it.
Show less - Date Issued
- 2002
- PURL
- http://purl.flvc.org/fcla/dt/12970
- Subject Headings
- Literature, Romance
- Format
- Document (PDF)
- Title
- SURREALISTIC TRENDS IN NIKOLAUS LENAU'S POETRY (AUSTRIA).
- Creator
- Alker, Marietta Alice, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
The nineteenth century Austrian poet Nikolaus Lenau used strange associations of words and ideas which are reminiscent of the bizarre combinations of realism and fantasy the surrealists used at the beginning of the twentieth century. Categories of surrealistic devices are set up, and surrealistic paintings and the poetry of Lenau are discussed using these guidelines.
- Date Issued
- 1974
- PURL
- http://purl.flvc.org/fcla/dt/13641
- Subject Headings
- Literature, Germanic
- Format
- Document (PDF)
- Title
- Smoothing out the rough edges: postcolonial spaces and postcolonial subjectivities in Le petit prince de Belleville and The celestial jukebox.
- Creator
- Anderson, Karyn H., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
Both Calixthe Beyala's Le petit prince de Belleville, published in France in 1992, and Cynthia Shearer's The Celestial Jukebox, published in the United States in 2005, explore similar questions regarding the place of immigrants in increasingly multicultural societies. Gilles Deleuze and Fâelix Guattari's concept of - smoothness and - striation illuminates the settings of these two texts, helping demonstrate that the Parisian neighborhood of Belleville presents a striated space dominated by...
Show moreBoth Calixthe Beyala's Le petit prince de Belleville, published in France in 1992, and Cynthia Shearer's The Celestial Jukebox, published in the United States in 2005, explore similar questions regarding the place of immigrants in increasingly multicultural societies. Gilles Deleuze and Fâelix Guattari's concept of - smoothness and - striation illuminates the settings of these two texts, helping demonstrate that the Parisian neighborhood of Belleville presents a striated space dominated by State constraints, from which the residents yearn to break free, and the fictional town of Madagascar, Mississippi consists of relatively smooth space that allows for local improvisation and engenders insecurity. The stories of Loukoum and Boubacar illustrate how these two characters negotiate their respective spaces, with Loukoum creating a position thoroughly between striated majority French culture and the smoothness of his diasporic sphere and Boubacar functioning as a rhizomatic nomad, embarking on an autonomous journey of discovery.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/186325
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Multiculturalism, Philosophy, Emigration and immigration, Political and social aspects, Place (Philosophy) in literature, Women authors, Black, Criticism and interpretation
- Format
- Document (PDF)
- Title
- THE NOVEL IN THE THEATER: FABRE'S STAGING OF BALZAC'S "LA RABOUILLEUSE.".
- Creator
- AVERY, FRANCES ANN, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
In 1903 Emile Fabre, consummate theater technician, presented his adaption of Balzac's La Rabouilleuse at the Odeon Theater in Paris. The novel appealed to Fabre's naturalist interest in the worlds of family and finance, and Fabre based the action on the intense conflict among three characters for the inheritance of a dim-witted old man. Fabre amplified Balzac's theme of of the debilitating effects of money on families, and on society at large. This vying for inheritance becomes not only a...
Show moreIn 1903 Emile Fabre, consummate theater technician, presented his adaption of Balzac's La Rabouilleuse at the Odeon Theater in Paris. The novel appealed to Fabre's naturalist interest in the worlds of family and finance, and Fabre based the action on the intense conflict among three characters for the inheritance of a dim-witted old man. Fabre amplified Balzac's theme of of the debilitating effects of money on families, and on society at large. This vying for inheritance becomes not only a game played for high stakes, but also a life-and-death struggle among beasts of prey. many of the alterations that Fabre made in adapting the novel into a play were necessitated by the change of literary genre, as in eliminating characters or creating composite figures. Many of the additions were made for purely theatrical reasons, enabling Fabre to present his money theme while, at the same time, holding his audience's interest until the final curtain. Other changes stemmed from Fabre's almost exclusive attention to finance, and his desire to stress its moral and political implications.
Show less - Date Issued
- 1979
- PURL
- http://purl.flvc.org/fcla/dt/13972
- Subject Headings
- Literature, Romance
- Format
- Document (PDF)
- Title
- La identidad racial y cultural en la obra de Alicia Yanez Cossio.
- Creator
- Baez, Marcela A., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
Alicia Yanez Cossio, an established novelist and short story writer from Ecuador, reflects on the most serious social problems in her country. She is especially concerned with the Ecuadorian people's identity. In her works she describes how the Church and State, which promote and maintain a patriarchal social structure, have perpetuated the devaluation of women that began with the conquest. This study analyzes how women confront and define their gender as well as their race in two novels:...
Show moreAlicia Yanez Cossio, an established novelist and short story writer from Ecuador, reflects on the most serious social problems in her country. She is especially concerned with the Ecuadorian people's identity. In her works she describes how the Church and State, which promote and maintain a patriarchal social structure, have perpetuated the devaluation of women that began with the conquest. This study analyzes how women confront and define their gender as well as their race in two novels: Bruna, soroche y los tios (1972) and La cofradia del mullo del vestido de la Virgen Pipona (2002). As she traces Ecuadorian history, Yanez Cossio draws paralellisms between the loss of identity and gender, and focuses on the repercussions this has had in the lives of Ecuadorian women. Through the characters she offers possible solutions. This thesis analyzes the writer's perspective of the identity problem in this South American country and the fight of its people, most specifically women, to recover their identity by recognizing their indigenous roots and their gender, in a social environment that denies either are significant or relevant.
Show less - Date Issued
- 2005
- PURL
- http://purl.flvc.org/fcla/dt/13200
- Subject Headings
- Literature, Latin American, Anthropology, Cultural, Sociology, Ethnic and Racial Studies
- Format
- Document (PDF)
- Title
- The significance of old French manuscript evidence for seeking all sources of "The Romaunt of the Rose".
- Creator
- Balis, Nathaniel Cogswell, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
The search for all sources of The Romaunt of the Rose, the fourteenth-century English version of Le roman de la Rose, focuses on Geoffrey Chaucer. The authorship controversy is so divisive that prominent medievalists like Huot, Hult, Robertson, and Badel write long volumes on the Roman's influence without mentioning the Romaunt. Comparing Geissman's list of rime-borrowings with both poems' concordances is the only way to end the debate, because Chaucer is the likeliest author and one must...
Show moreThe search for all sources of The Romaunt of the Rose, the fourteenth-century English version of Le roman de la Rose, focuses on Geoffrey Chaucer. The authorship controversy is so divisive that prominent medievalists like Huot, Hult, Robertson, and Badel write long volumes on the Roman's influence without mentioning the Romaunt. Comparing Geissman's list of rime-borrowings with both poems' concordances is the only way to end the debate, because Chaucer is the likeliest author and one must start with the most compatible French and English texts. At present, the best way to test Geoffrey Chaucer's authorship of the Middle English Romaunt is through close examination of the French rime-borrowings most orthoepically comparable in both languages that the Middle English writer occasionally chose to translate rather than borrow. This selective borrowing suggests the translator's attempt to bring each term slowly into the English mainstream, by using it at first only in its literal sense.
Show less - Date Issued
- 1994
- PURL
- http://purl.flvc.org/fcla/dt/15032
- Subject Headings
- Language, Linguistics, Literature, Comparative, Literature, Medieval
- Format
- Document (PDF)
- Title
- Imagination at work: Improving adult literacy with the "Harry Potter" novels.
- Creator
- Bamdas, Jo Ann, Florida Atlantic University, Burks, Valerie C., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
Global illiteracy remains rampant partly due to confusing definitions, inadequate data gathering, hidden agendas, and improper tools of stimulation. Adult literacy is a problem despite efforts and resources. Using children's and adolescents' literature can improve literacy but it is not being used enough due to false concepts. The problems and an adult non-reader profile are outlined. Current literature on literacy, children's literature theory, and critical plus public intellectual media in...
Show moreGlobal illiteracy remains rampant partly due to confusing definitions, inadequate data gathering, hidden agendas, and improper tools of stimulation. Adult literacy is a problem despite efforts and resources. Using children's and adolescents' literature can improve literacy but it is not being used enough due to false concepts. The problems and an adult non-reader profile are outlined. Current literature on literacy, children's literature theory, and critical plus public intellectual media in academia and popular culture is reviewed. I borrow Martha Nussbaum's idea of the narrative imagination to explore J. K. Rowling's Harry Potter novels. I analyze and then provide a program sketch showing how adults can learn to read while building self-esteem because of innate familiarity with the storytelling tradition, with language, and with ordinary life issues. The literature fosters narrative imagination and encourages discussion. Each new adult reader then adds to the cultivation of humanity.
Show less - Date Issued
- 2002
- PURL
- http://purl.flvc.org/fcla/dt/12902
- Subject Headings
- Rowling, J K--Criticism and interpretation, Functional literacy, Criticism, Children's literature
- Format
- Document (PDF)
- Title
- BLACK ENGLISH FEATURES IN THE ENGLISH OF U.S. HISPANIC PRESCHOOL CHILDREN.
- Creator
- BELLI, GREGORY CHARLES, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
This study attempts to discover and quantify the extent to which selected Black English features are present in the English of a group of United States Hispanic Children in south Florida. The five features are /r,l/ simplification, consonant cluster simplification, past tense verb marker reduction, copula deletion, and inverted embedded questions. The best indicators of Black English influence in the young Hispanic children's English are found to be regular past tense verb endings, third...
Show moreThis study attempts to discover and quantify the extent to which selected Black English features are present in the English of a group of United States Hispanic Children in south Florida. The five features are /r,l/ simplification, consonant cluster simplification, past tense verb marker reduction, copula deletion, and inverted embedded questions. The best indicators of Black English influence in the young Hispanic children's English are found to be regular past tense verb endings, third person singular present tense forms of be, words containing a preconsonantal l, present tense plural forms of be, and an words containing voiced consonant clusters, respectively. A hierarchy of factors contributing to the overall Black English influence is constructed. Relevant literature is reviewed.
Show less - Date Issued
- 1979
- PURL
- http://purl.flvc.org/fcla/dt/13966
- Subject Headings
- Language, Linguistics
- Format
- Document (PDF)
- Title
- Sartre's existentialist Oresteia.
- Creator
- Benham, Timothy Lee., Florida Atlantic University, Hokenson, Jan W., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
Les Mouches is a modern reconstruction of the ancient myth embodied in the The Oresteia of Aeschylus. Jean-Paul Sartre not only rewrote the legend of Orestes; he remodeled it. Orestes is not just a new man; he is his own man. The play, therefore, is not a mere pastiche in modern dress. Sartre infuses Orestes with an unprecendented "Existentialist" consciousness, and this transformation adds new complexities to the ancient text. This Existentialist reworking of Hellenistic images is...
Show moreLes Mouches is a modern reconstruction of the ancient myth embodied in the The Oresteia of Aeschylus. Jean-Paul Sartre not only rewrote the legend of Orestes; he remodeled it. Orestes is not just a new man; he is his own man. The play, therefore, is not a mere pastiche in modern dress. Sartre infuses Orestes with an unprecendented "Existentialist" consciousness, and this transformation adds new complexities to the ancient text. This Existentialist reworking of Hellenistic images is distinguished from the classically "tragic" elements in Aeschylus as well as later modifications in Sophocles and Euripides. Sartre's early introduction into the lore of Hellenism is considered, and a discussion of Sartre's theoretical and philosophical perspective on theater suggests which Greek elements Sartre was disposed to incorporate into his script.
Show less - Date Issued
- 1990
- PURL
- http://purl.flvc.org/fcla/dt/14607
- Subject Headings
- Literature, Classical, Literature, Comparative, Literature, Romance
- Format
- Document (PDF)
- Title
- A DESCRIPTIVE PHONOLOGICAL STUDY OF THE SPANISH SPOKEN IN THE PROVINCE OF HAVANA, CUBA.
- Creator
- BERTOT, LILLIAN, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
The present study offers a series of observations based on extensive research into the phonology of the Spanish spoken in the province of Havana, Cuba. The phonemes for the province are determined, and special attention is given to allophonic variants peculiar to and/or characteristic of Havana. The allophonic variants are described in detail on articulatory and distributional criteria. There is a great deal of emphasis placed on the description of consonants. The vowels are also discussed....
Show moreThe present study offers a series of observations based on extensive research into the phonology of the Spanish spoken in the province of Havana, Cuba. The phonemes for the province are determined, and special attention is given to allophonic variants peculiar to and/or characteristic of Havana. The allophonic variants are described in detail on articulatory and distributional criteria. There is a great deal of emphasis placed on the description of consonants. The vowels are also discussed. There is no reference to suprasegmental phonological data. After the phonological studied is completed, the differences in the speech of socioeconomic groups are explained.
Show less - Date Issued
- 1969
- PURL
- http://purl.flvc.org/fcla/dt/13440
- Subject Headings
- Language, Linguistics
- Format
- Document (PDF)
- Title
- Guided interpretations and the importance of signs: Text, reader, and author in Carlos Fuentes and Jorge Luis Borges.
- Creator
- Biasetti, Giada, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
The purpose of the following thesis is to apply Umberto Eco's concepts included in his essay Intentio Lectoris, the Peircean notions of the relationship between the object, the sign, and the interpretant, and other essays that deal with the relationship between the reader, the text, and the author to two Latin American works of literature: one Mexican, Carlos Fuentes's "Chac Mool" and one Argentinean, Jorge Luis Borges's "Las ruinas circulares." The objective is to discuss the structural...
Show moreThe purpose of the following thesis is to apply Umberto Eco's concepts included in his essay Intentio Lectoris, the Peircean notions of the relationship between the object, the sign, and the interpretant, and other essays that deal with the relationship between the reader, the text, and the author to two Latin American works of literature: one Mexican, Carlos Fuentes's "Chac Mool" and one Argentinean, Jorge Luis Borges's "Las ruinas circulares." The objective is to discuss the structural devices that guide the reader through particular interpretations, analyze the sociohistorical agents that influence the author as well as the reader, and pinpoint the difference between two possible types of interpretation, political and symbolic, based on two concepts pertaining respectively to "Chac Mool" and "Las ruinas circulares:" the statue of Chac Mool as the symbol of the Pre-Colombian traditional values and the dream as a symbol of the process of writing.
Show less - Date Issued
- 2005
- PURL
- http://purl.flvc.org/fcla/dt/13248
- Subject Headings
- Literature, Comparative, Literature, Latin American
- Format
- Document (PDF)
- Title
- OnYGo.
- Creator
- Blattner, Géraldine, Dalola, Amanda, Roulon, Stéphanie
- Abstract/Description
-
#OnYGo is an innovative first-year French language e-textbook, designed as Open Educational Resource (OER), for learning beginning French (equivalent to one year at an American university). It is inspired by a remix of task-based, multiliteracies and communicative approaches, which provides students with opportunities to engage with French language and culture in a variety of contexts and situations, across a range of modalities. Through a wide range of activities, students develop and...
Show more#OnYGo is an innovative first-year French language e-textbook, designed as Open Educational Resource (OER), for learning beginning French (equivalent to one year at an American university). It is inspired by a remix of task-based, multiliteracies and communicative approaches, which provides students with opportunities to engage with French language and culture in a variety of contexts and situations, across a range of modalities. Through a wide range of activities, students develop and practice their language skills, and reflect on their cross-cultural knowledge and positionality in their understanding of the vast francophone landscape.
Show less - Date Issued
- 2023
- PURL
- http://purl.flvc.org/fau/fd/fauir000515
- Format
- Document (PDF)
- Title
- Disruptive French: Using OER to promote linguistic justice in the French-language classroom.
- Creator
- Blattner, Geraldine, Dalola, Amanda, Roulon, Stephanie
- Abstract/Description
-
A prestige-focused approach to language teaching, motivated by hegemonic definitions of “normativity” defined by a privileged few, is one that sustains inequity, misrepresents the speech community, and excludes learners by denying them access to the cultural and linguistic tools they need to relate to real-world users. Now more than ever, as language departments struggle to fill seats and argue for the relevance of their disciplines, educators must instead embrace a linguistic justice...
Show moreA prestige-focused approach to language teaching, motivated by hegemonic definitions of “normativity” defined by a privileged few, is one that sustains inequity, misrepresents the speech community, and excludes learners by denying them access to the cultural and linguistic tools they need to relate to real-world users. Now more than ever, as language departments struggle to fill seats and argue for the relevance of their disciplines, educators must instead embrace a linguistic justice approach which simultaneously critiques monolingualism and integrates plurilingual practices essential to valorizing the linguistically-rich realities of 21st-century learners. #OnYGo, an Open Educational Resource (OER) for first-year French, employs a linguistic justice approach that redraws the francophone landscape through a lens of social justice and cultivates learners’ awareness of language variation and identity via translanguaging, the development of metalinguistic awareness, and the thoughtful use of digital tools which invite learners to create and interpret language across modalities, guided by a multiliteracies framework. Because OERs are free from the censorship of commercial publishers, we argue that they should not only be used to increase accessibility to language education but also to promote equitable and iconoclastic approaches to language teaching like the one on display in #OnYGo.
Show less - PURL
- http://purl.flvc.org/fau/fd/fauir000516
- Format
- Document (PDF)
- Title
- Jean Cocteau and Federico Garcia Lorca: The search for identity.
- Creator
- Brand, Genevieve, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
The traditional, realist, dramatic concept of coherent character identity is ruptured by the two plays Les Chevaliers de la table ronde and El publico. Cocteau's and Lorca's works, which are usually labeled as surrealist due to their apparently disjointed nature, are actually embodiments of the poet-playwrights' continuing attempts to reveal that identity, including gendered identity, is a performance. The metadramatic elements of the plays such as discourse, costumes and gender are unstable...
Show moreThe traditional, realist, dramatic concept of coherent character identity is ruptured by the two plays Les Chevaliers de la table ronde and El publico. Cocteau's and Lorca's works, which are usually labeled as surrealist due to their apparently disjointed nature, are actually embodiments of the poet-playwrights' continuing attempts to reveal that identity, including gendered identity, is a performance. The metadramatic elements of the plays such as discourse, costumes and gender are unstable and voluntarily changeable; they have repercussions beyond the proscenium. Cocteau and Lorca invite their audiences to consider the performative nature of their identities.
Show less - Date Issued
- 1997
- PURL
- http://purl.flvc.org/fcla/dt/15480
- Subject Headings
- Literature, Comparative, Literature, Romance, Theater
- Format
- Document (PDF)
- Title
- An analysis of negative and interrogative structures in the English of junior high school ESL students in a bilingual community.
- Creator
- Briggs, Susan Ellen, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
This thesis investigates the acqusition of certain negative and interrogative structures by adolescent Spanish-speaking ESL students in a bilingual community. These ESL learners demonstrated two unexpected negating strategies using not plus the verb and never plus the verb. They likewise used does/did as an overgeneralized question marker. Age of first exposure to English did not appear to be a significant factor in the acquisition of the English auxiliary, and the students' acquisition of...
Show moreThis thesis investigates the acqusition of certain negative and interrogative structures by adolescent Spanish-speaking ESL students in a bilingual community. These ESL learners demonstrated two unexpected negating strategies using not plus the verb and never plus the verb. They likewise used does/did as an overgeneralized question marker. Age of first exposure to English did not appear to be a significant factor in the acquisition of the English auxiliary, and the students' acquisition of negative and interrogative structures appeared to be delayed in this bilingual environment, despite ESL instruction.
Show less - Date Issued
- 1988
- PURL
- http://purl.flvc.org/fcla/dt/14438
- Subject Headings
- Education, Bilingual and Multicultural, Language, Linguistics
- Format
- Document (PDF)
- Title
- The amorous doctor: the French seventeenth-century text in modern translation.
- Creator
- Cantor, Elsa., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
The anonymous French seventeenth-century play le Docteur Amoureux (1691) was written for theThéâtre Italien, the Italian troupe acting in Paris. It incorporated the techniques of both Old French farce and the commedia dell'arte into mainstream comic modes, in the manner of Moliáere but with some amusing twists. Le Docteur Amoureux remains a significant part of the French comic canon and the historical corpus of drama, yet it has never been translated into English. With prefatory commentary on...
Show moreThe anonymous French seventeenth-century play le Docteur Amoureux (1691) was written for theThéâtre Italien, the Italian troupe acting in Paris. It incorporated the techniques of both Old French farce and the commedia dell'arte into mainstream comic modes, in the manner of Moliáere but with some amusing twists. Le Docteur Amoureux remains a significant part of the French comic canon and the historical corpus of drama, yet it has never been translated into English. With prefatory commentary on the text and the period, the genres of stage performance, and the challenges involved in translating historical texts, this first translation of le Docteur Amoureux is intended to serve contemporary theater research into this rich and prolific period in the history of the French theater under Louis XIV.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/187207
- Subject Headings
- Translation into English, French literature, Criticism and interpretation, French drama, Translations into English
- Format
- Document (PDF)
- Title
- EL SENO ESCONDIDO: NODRIZAS Y NANAS COMO AGENTES MARAVILLOSOS EN LA NOVELA LATINOAMERICANA DE LA SEGUNDA MITAD DEL SIGLO VEINTE.
- Creator
- Casanova, Betsaida L., Gosser Esquilín, Mary Ann, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
-
In Latin America, wet nurses and nannies have played a relevant role in the transmission of legends, myths, medicinal knowledge, popular beliefs, and the religious practices of marginalized groups. This historical reality also ties them closely to the vitality of the marvelous real in Latin American culture and history as theorized by Alejo Carpentier. This dissertation focuses on examining the characters of wet nurses and nannies, especially in connection with the expression of the marvelous...
Show moreIn Latin America, wet nurses and nannies have played a relevant role in the transmission of legends, myths, medicinal knowledge, popular beliefs, and the religious practices of marginalized groups. This historical reality also ties them closely to the vitality of the marvelous real in Latin American culture and history as theorized by Alejo Carpentier. This dissertation focuses on examining the characters of wet nurses and nannies, especially in connection with the expression of the marvelous real in Latin American novels published in the second half of the twentieth century. Employing primarily Alex Woloch’s theory of characterization, this dissertation explores the character space and position within the character system of la Vieja in El acoso (1956) by Alejo Carpentier, Peta Ponce in El obsceno pájaro de la noche (1970) by José Donoso, and Petra Avilés in La casa de la laguna (1996) by Rosario Ferré. They serve as marvelous agents introducing elements of the marvelous real in the narrative. These characters are at the center of an extensive network of cultural codes that signify different sources of the marvelous real in Latin American culture. The marvelous network they establish functions as a vindicating mechanism that leads to the penalization of the families that hire their services, who represent a decadent and oppressive social system, whereas the wet nurses or nannies embody the oppressed groups in society. This is a literary strategy to impart, at a symbolic level, the justice that traditionally has been denied, both textually and socially, to these women.
Show less - Date Issued
- 2019
- PURL
- http://purl.flvc.org/fau/fd/FA00013361
- Subject Headings
- Wet nurses in literature, Carpentier, Alejo, 1904-1980 Acoso, Donoso, José, 1924-1996 Obsceno pájaro de la noche English, Ferré, Rosario Casa de la laguna, Characters and characteristics in literature, Nannies--Fiction
- Format
- Document (PDF)