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- Title
- The Vision of Theophilus: resistance through orality among the persecuted Copts.
- Creator
- Guirguis, Fatin Morris., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
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This study is a literary and ethnographic examination of The Vision of Theophilus, a fourth century Coptic narrative, as influential counter-narrative and source of counterdiscourse against the narrative created by the historically dominant Egyptian Arab Muslim state. It shows that The Vision has provided the Copts with the means to articulate their identity as different from their oppressors through its function as a repository of Coptic ideology, history and knowledge. Specifically, it has...
Show moreThis study is a literary and ethnographic examination of The Vision of Theophilus, a fourth century Coptic narrative, as influential counter-narrative and source of counterdiscourse against the narrative created by the historically dominant Egyptian Arab Muslim state. It shows that The Vision has provided the Copts with the means to articulate their identity as different from their oppressors through its function as a repository of Coptic ideology, history and knowledge. Specifically, it has helped them resist the erosion of those aspects of their cultural identity targeted by colonial practices through its promotion of the Coptic language, pride in Coptic history, and Christianization of the landscape. This study also suggests that The Vision tradition has helped alleviate the conditions of material and economic oppression of Copts. Drawing upon theories of Foucauldian genealogy and postcolonialism my research examines the development of Coptic identity and subjectivity in relation to assimilation practices. Using oral studies and ethnopoetics, this study traces the process of composition, transmission, stabilization and systemization of The Vision over sixteen hundred years and its dispersion over a wide geographic region from Egypt to Ethiopia, Syria, and the US. My research suggests that the resilience and effectiveness of The Vision as oral tradition lies in the stability of its core message and its ability to absorb and adapt peripheral changes to the needs of each given historical period. Close analysis of this core message as gleaned through comparative manuscript study also supports important revisions to its datation, and enables us to claim its Coptic authenticity. Previously, the only academic scholarly work concerning The Vision centered on its diffused Syrian and Ethiopian variants while its Coptic manuscript history remained largely unknown., This study, which emphasizes the specifically Coptic origins, history and significance of The Vision of Theophilus, therefore fills a vital scholarly gap: Locating cultural resistance and agency in orality, this study shows how The Vision has historically acted (and still acts today) as a repository of Coptic history and culture enabling Copts to articulate a separate identity over long periods of time, and amidst a wide range of historical and socio-economic factors.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/1927607
- Subject Headings
- Copts, History, Oral tradition, Religion and politics, Persecution, History, Copts, Ethnic identity, Ethnic relations, Social aspects
- Format
- Document (PDF)
- Title
- Un puente hecho de tierra: un estudio comparativo de la visiâon indigenista del problema de la tierra en Balâun Canâan, por Rosario Castellanos, y "El problema del indio," por Josâe Carlos Mariâategui.
- Creator
- Modic, Blaire., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
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This thesis uncovers a deep and recurring link between two indigenista texts of the 20th Century: Balâun Canâan, by Rosario Castellanos, and "El problema del indio," by Jose Carlos Mariâategui. Mariategui's text, an essay, takes a deductive approach to prove that the "Indian's problem" in Peru is related to the concentration of land in the hands of his oppressors. Using Marxist theory, Mariâategui shows that only through more equitable distribution of land can the indigenous Peruvian's...
Show moreThis thesis uncovers a deep and recurring link between two indigenista texts of the 20th Century: Balâun Canâan, by Rosario Castellanos, and "El problema del indio," by Jose Carlos Mariâategui. Mariategui's text, an essay, takes a deductive approach to prove that the "Indian's problem" in Peru is related to the concentration of land in the hands of his oppressors. Using Marxist theory, Mariâategui shows that only through more equitable distribution of land can the indigenous Peruvian's fortunes be improved. Castellanos chooses the years of the Cardenas presidency (1934-1940) for her novel, a work that deals with the legacy of the Mexican Revolution. Set in Chiapas, Mexico, autobiographical and fictitious elements and characters dramatize a conflict over indigenous rights to land and education on a criollo family's enormous estate. Supported by intellectual criticism from a number of fields, this thesis connects episodes from Castellanos's novel with the core premises of Mariâategui's essay.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/3170604
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Indians of Mexico, Government relations, Land tenure, Social aspects, Indians of South America, History, Agriculture, Economic aspects, History, Civilization
- Format
- Document (PDF)
- Title
- A novel on Albanian emigration to Italy: "They Were Seeking Happiness" a translation of Ata Kerkonin Lumturine by Viktor Canosinaj.
- Creator
- Lubonja, Edna, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/3337188
- Subject Headings
- Criticism and interpretation, History, Politics and government, Emigration and immigration
- Format
- Document (PDF)
- Title
- El final del tango Perâonista: la desintegraciâon del cuerpo social en No Habrâa Mâas Penas ni Olvido.
- Creator
- Fuentes, Delia Pamela., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
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This thesis analyzes the complexities of Argentinean politics during Juan Domingo Perâon's last presidency, (1973-1974), as presented in Osvaldo Soriano's novel No habrâa mâas penas ni olvido. Soriano's work, set in the fictitious town of Colonia Vela, in the state of Buenos Aires, illustrates in a small scale the different social and political components that make up the national body. Historical and fictitious elements dramatize the conflict among the left and right wings of the Peronist...
Show moreThis thesis analyzes the complexities of Argentinean politics during Juan Domingo Perâon's last presidency, (1973-1974), as presented in Osvaldo Soriano's novel No habrâa mâas penas ni olvido. Soriano's work, set in the fictitious town of Colonia Vela, in the state of Buenos Aires, illustrates in a small scale the different social and political components that make up the national body. Historical and fictitious elements dramatize the conflict among the left and right wings of the Peronist Party. These two factions divide the villagers, who hold diverse images of Perâon and what the party entails, while putting their political beliefs and physical well-being at stake. Quickly the two splinter parties trigger an open arm conflict while fighting under the same slogan: "Perâon o muerte". Supported by diverse theoretical perspectives, this thesis reveals that Soriano's novel sheds light into one of the most confusing periods of Argentinean history while rescuing the sacrifices of the people.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3175015
- Subject Headings
- Criticism and interpretation, Spanish American literature, Criticism and interpretation, History, Literature and the war, Politics and government, Social life and customs
- Format
- Document (PDF)