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Title: Unearthing.
Creator: Hobbie, Erin., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Unearthing is a hybrid of nonfiction genres, and follows a narrator as she attempts to piece together past and present memories and meditations about family history, travel, and the idea of home. Using an orchid as a metaphor for someone who is searching for home, Unearthing attempts to expose in the author what might also be found in the reader, an exploration of what is meant by home. By following a trail of biography, personal narrative, and memoir, the reader is given every opportunity to...
Show moreUnearthing is a hybrid of nonfiction genres, and follows a narrator as she attempts to piece together past and present memories and meditations about family history, travel, and the idea of home. Using an orchid as a metaphor for someone who is searching for home, Unearthing attempts to expose in the author what might also be found in the reader, an exploration of what is meant by home. By following a trail of biography, personal narrative, and memoir, the reader is given every opportunity to identify with the narrator's struggle with the idea of rootlessness and rootedness, travel and home.
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Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3342109
Subject Headings: Symbolism in literature, Metonyms, Discourse analysis
Format: Document (PDF)

Title: The hurricane notebooks.
Creator: Hogan, Mary Ann., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: The Hurricane Notebooks is a manuscript-length memoir of the narrator's quest to piece together the enigmatic character of her late father. She does this through her discovery of his private notebooks as well as her unearthing of four generations of family turmoil.
Date Issued: 2013
PURL: http://purl.flvc.org/fcla/dt/3360803
Subject Headings: Parent and child, Parents and children, Family relationships, Fathers and daughters, Family relationships, Self-perception, Identity (Psychology)
Format: Document (PDF)

Title: The food of fools: an analysis of the Fools' gustatory imagery in King Lear.
Creator: Sparer, Sara Rafferty., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: The character of the Fool in William Shakespeare's King Lear uses hitherto unexamined gustatory imagery as a linguistic device to achieve the literary fool's function of imparting wisdom that masquerades as nonsense. While previous critics have analyzed the linguistic devices of puns, riddles, and rhymes used by medieval and Renaissance literary fools, this thesis argues not only that the Fool's gustatory imagery constitutes the dominant motif in the play, but also employs food theory to...
Show moreThe character of the Fool in William Shakespeare's King Lear uses hitherto unexamined gustatory imagery as a linguistic device to achieve the literary fool's function of imparting wisdom that masquerades as nonsense. While previous critics have analyzed the linguistic devices of puns, riddles, and rhymes used by medieval and Renaissance literary fools, this thesis argues not only that the Fool's gustatory imagery constitutes the dominant motif in the play, but also employs food theory to demonstrate how these image patterns provide political commentary on the dramatic action. The Fool's pattern of gustatory imagery is employed as well by characters who can be seen as variations on the wise fool. Through these characters, Shakespeare establishes a food chain motif that classifies some characters as all-consumptive, even cannibalistic, and others as their starving prey. The pattern of food imagery offers a range of perspectives, from highly critical to idealistic, on the play's meaning and political relationships.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/227981
Subject Headings: Criticism and interpretation, Symbolism in literature, Food, Symbolic aspects, Food in literature, Literature and society, Criticism and interpretion
Format: Document (PDF)

Title: A humdrum aha!: John Clare's mundane sublime.
Creator: Pell, Dana Odwazny., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Following the work of Sara Houghton-Walker and Edward Strickland, this thesis theorizes the "mundane sublime" as encountered in romanticist John Clare's poetry. Instead of being oriented upward, as with Longinus's elevatory sublime, Clare's mundane sublime brings the subject downward to earth. While the sublime of the Burkean tradition begins with terror, I claim that the mundane sublime emerges out of love for that which is commonplace. Still revelatory, it may be further characterized by an...
Show moreFollowing the work of Sara Houghton-Walker and Edward Strickland, this thesis theorizes the "mundane sublime" as encountered in romanticist John Clare's poetry. Instead of being oriented upward, as with Longinus's elevatory sublime, Clare's mundane sublime brings the subject downward to earth. While the sublime of the Burkean tradition begins with terror, I claim that the mundane sublime emerges out of love for that which is commonplace. Still revelatory, it may be further characterized by an engagement with ecosystems, eternity, divinity, and nature as a whole. Clare's style scaffolds images resulting in a profusion of detail that arrests the mind and allows it to reflect on its own position in nature. As Clare's mundane sublime takes up simple natural objects and posits an ecological interconnectedness, it implies a more environmentally responsible relationship to one's surroundings, making it increasingly relevant for green studies.
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Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3355875
Subject Headings: Criticism and interpretation, Symbolism in nature, Poets, English, Criticism and interpretation, Sublime, The, Criticism and interpretation, Sublime, The, in literature, Criticism and interpretation
Format: Document (PDF)

Title: A good woman is hard to find: discovering the voice of the woman satirist in Flannery O'Connor's Wise Blood.
Creator: Paxton, Virginia A., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: While Flannery O'Connor's characters and narrative landscape may share a history with those of other works often labeled "Southern gothic," her heavily judicious narrative voice utilizes the depravity of the South struggling to find its identity as a means to explore her vision of God's mercy and distinguishes her work as satirical criticism. This thesis analyzes her construction of a distinctive satirical narrative voice for Wise Blood, particularly as it deviates from how she initially...
Show moreWhile Flannery O'Connor's characters and narrative landscape may share a history with those of other works often labeled "Southern gothic," her heavily judicious narrative voice utilizes the depravity of the South struggling to find its identity as a means to explore her vision of God's mercy and distinguishes her work as satirical criticism. This thesis analyzes her construction of a distinctive satirical narrative voice for Wise Blood, particularly as it deviates from how she initially wrote the first chapters as presented in earlier short stories like "The Train" and "The Peeler." Here, the ways in which O'Connor revises her diction and syntax to create a satirical tone will be examined closely. For the purposes of this paper, satire is defined as a literary work aimed at utilizing irony, hyperbole, or sarcasm to reveal, critique, and correct some moral, ethical, or social phenomenon or situation that the author finds reprehensible.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/221951
Subject Headings: Criticism and interpretation, Feminism and literature, Didactic fiction, American, Criticism and interpretation, Symbolism in literature, Influence (Literary, artistic, etc.)
Format: Document (PDF)

Title: A gendered approach to synaesthesia using the poetry of John Keats and Emily Dickinson.
Creator: Lucky-Medford, Lindsay., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: The Greek term synaesthesia, which literally translates into 'perceiving together,' is known among most literary critics as the mixing of sensations. The term is applied in literature to the description of one kind of sensation in terms of another. For instance: 'hearing' a color or 'seeing' a 'smell.' That is, the description of sounds in terms of colors such as a "blue note;" of colors in terms of sound such as "loud shirt;" of sound in terms of taste such as "how sweet the sound;" and of...
Show moreThe Greek term synaesthesia, which literally translates into 'perceiving together,' is known among most literary critics as the mixing of sensations. The term is applied in literature to the description of one kind of sensation in terms of another. For instance: 'hearing' a color or 'seeing' a 'smell.' That is, the description of sounds in terms of colors such as a "blue note;" of colors in terms of sound such as "loud shirt;" of sound in terms of taste such as "how sweet the sound;" and of colors in terms of temperature such as a "cool green." Although synaesthesia has been used by a variety of poets throughout the centuries, my focus will be on its use in the poetry of John Keats and Emily Dickinson. While critics and scholars have considered this subject before, normally it is approached in terms of its specific meaning within a particular poem. In contrast, I argue that Keats and Dickinson employ synaesthesia to crystallize a poetic perspective, a literary world view, and that this perspective significantly pertains to a variety of gender issues in the nineteenth century. Consequently, I contend that both poets were dealing with the large theme of an imaginative poetic world in which synaesthesia transmutes and synthesizes gender so that a "blue note," male and female, are radically the same and yet "other." After reviewing the scholarship of synaesthesia in Keats's and Dickinson's poetry, I will analyze a series of poems that illustrate my thesis, fleshing out the implications of a gender synthesis that makes us see both poets challenging and subverting the gendered commonplaces of the 19th century.
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Date Issued: 2010
PURL: http://purl.flvc.org/FAU/2683136
Subject Headings: Criticism and interpretation, Versification, Criticism and interpretation, Versification, Synesthesia, Senses and sensation, Emotions and cognition
Format: Document (PDF)

Title: The ecstatic Whitman: the body and sufistic influences in Leaves of Grass.
Creator: Frabrizio, Ryan., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: This thesis examines Walt Whitman's use of the body in his poetry as a location for spiritual experience, and how his use of the body bears strong connection to its use by medieval Persian Sufi poets. The first chapter focuses upon Sufi poetry's role as a shared point of interest between Whitman and his onetime mentor Ralph Waldo Emerson. Their differing philosophies regarding the cultivation of the soul caused them to absorb Sufi ideas into their own bodies of work in separate ways, and...
Show moreThis thesis examines Walt Whitman's use of the body in his poetry as a location for spiritual experience, and how his use of the body bears strong connection to its use by medieval Persian Sufi poets. The first chapter focuses upon Sufi poetry's role as a shared point of interest between Whitman and his onetime mentor Ralph Waldo Emerson. Their differing philosophies regarding the cultivation of the soul caused them to absorb Sufi ideas into their own bodies of work in separate ways, and contributed to the split that eventually occurred between them. The second chapter focuses upon connections between Whitman's poetry and that of Jalaluddin Rumi, one of the greatest Sufi poets yet an oftoverlooked figure in Whitman scholarship. The final chapter examines multiple ways in which Whitman expresses the divine nature of the body in several poems from Leaves of Grass, and how those expressions reflect Sufi influences.
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Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3342049
Subject Headings: Criticism and interpretation, Aesthetics, Criticism and interpretation, Criticism and interpretation, American poetry, Persian influences, Sufism in literature, Beauty, Personal, in literature
Format: Document (PDF)

Title: A dark, uncertain fate: homophobia, graphic novels, and queer identity.
Creator: Buso, Michael., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: This thesis focuses primarily on homophobia and how it plays a role in the construction of queer identities, specifically in graphic novels and comic books. The primary texts being analyzed are Alan Moore's Lost Girls, Frank Miller's Batman: The Dark Knight Returns, and Michael Chabon's prose novel The Amazing Adventures of Kavalier and Clay. Throughout these and many other comics, queer identities reflect homophobic stereotypes rather than resisting them. However, this thesis argues that,...
Show moreThis thesis focuses primarily on homophobia and how it plays a role in the construction of queer identities, specifically in graphic novels and comic books. The primary texts being analyzed are Alan Moore's Lost Girls, Frank Miller's Batman: The Dark Knight Returns, and Michael Chabon's prose novel The Amazing Adventures of Kavalier and Clay. Throughout these and many other comics, queer identities reflect homophobic stereotypes rather than resisting them. However, this thesis argues that, despite the homophobic tendencies of these texts, the very nature of comics (their visual aspects, panel structures, and blank gutters) allows for an alternative space for positive queer identities.
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Date Issued: 2010
PURL: http://purl.flvc.org/FAU/2100584
Subject Headings: Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Sex in literature, Homophobia, Gender identity, Comic books, strips, etc, History and criticism
Format: Document (PDF)

Title: The discourse of confession and the rhetoric of the devil: unnatural attraction and gender instability in Wuthering Heights and The Master of Ballantrae.
Creator: DeFalco, Dana., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Often overlooked in the nineteenth century Gothic novel are the complicated social issues existing within the text. In Emily Brontèe's Wuthering Heights and Robert Louis Stevenson's The Master of Ballantrae, the authors each create villains who represent the preoccupation with appropriate sexuality and conventional gender roles existing in Victorian England. Brontèe's Heathcliff and Stevenson's James Durie embody all that is immoral and non-normative in society with their depraved behavior ;...
Show moreOften overlooked in the nineteenth century Gothic novel are the complicated social issues existing within the text. In Emily Brontèe's Wuthering Heights and Robert Louis Stevenson's The Master of Ballantrae, the authors each create villains who represent the preoccupation with appropriate sexuality and conventional gender roles existing in Victorian England. Brontèe's Heathcliff and Stevenson's James Durie embody all that is immoral and non-normative in society with their depraved behavior ; however, because of the authors' craftiness with language, the authors, through their villains, manage to magnetize the other characters and subsequently emasculate those men in the text who emulate the Victorian ideal of masculinity. By focusing their novels on the plight of the Other and his disruption to the homogeneous rules regarding sexuality and gender in the nineteenth century, both authors articulate a profound understanding of the societal fears regarding these issues existing in their time.
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Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3170602
Subject Headings: Criticism and interpretation, Criticism and interpretation, Homosexuality in literature, Symbolism in literature, Confession in literature, Desire in literature
Format: Document (PDF)

Title: The compass of human will in realism and fantasy: a reading of Sister Carrie and The King of Elfand's Daugher.
Creator: Stone, Tracy., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: As realist and naturalist writers at the turn of the twentieth century adopted a scientific spirit of objectivity, they reflected the emphasis many contemporary scientific studies laid on the forces of the natural world in shaping the character, behavior, and ultimate destiny of man. In this literary mood of "pessimistic determinism," fantasy literature began to experience a resurgence, providing a marked contrast to naturalism's portrayal of the impotence of man to effect change in his...
Show moreAs realist and naturalist writers at the turn of the twentieth century adopted a scientific spirit of objectivity, they reflected the emphasis many contemporary scientific studies laid on the forces of the natural world in shaping the character, behavior, and ultimate destiny of man. In this literary mood of "pessimistic determinism," fantasy literature began to experience a resurgence, providing a marked contrast to naturalism's portrayal of the impotence of man to effect change in his circumstances. I examine fantasy's restoration of efficacy to the human will through a study of two representative works of the opposing genres: Theodore Dreiser's Sister Carrie and Lord Dunsany's The King of Elfland's Daughter. As I demonstrate, the former naturalistic novel emphasizes the impotence of its characters in the face of powerful natural world, while the latter contemporary fantasy novel uniquely showcases man's ability to effect change in his world and his destiny.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/221950
Subject Headings: Criticism and interpretation, Criticism and interpretation, Realism in literature, Naturalism in literature, Literature and science, Life change events in literature, Fantasy fiction, English, Criticism and interpretation
Format: Document (PDF)

Title: The dangers behind technological progress: posthuman control in Neal Stephenson's Snow Crash.
Creator: Sedore, Monica., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Neal Stephenson's 1992 novel Snow Crash depicts a world in which the more freedom the characters believe they have, the more control is actually being exerted upon them. I argue that Snow Crash parallels the world in which we are beginning to find ourselves today. In the modern world, we have the convenience of the Internet, which gives us the belief that we have a great deal of control over our environment. However, my argument stems from the idea that the freedom the characters believe that...
Show moreNeal Stephenson's 1992 novel Snow Crash depicts a world in which the more freedom the characters believe they have, the more control is actually being exerted upon them. I argue that Snow Crash parallels the world in which we are beginning to find ourselves today. In the modern world, we have the convenience of the Internet, which gives us the belief that we have a great deal of control over our environment. However, my argument stems from the idea that the freedom the characters believe that they are afforded in such a universe is actually another level of control being exercised upon them. I argue that our world is mimicked by the world of Snow Crash in a way that shows how truly little freedom we are given in our posthuman society.
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Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3355880
Subject Headings: Criticism and interpretation, Human body in popular culture, Biotechology, Social aspects, Virtual reality, Psychological aspects, Virtual reality in literature
Format: Document (PDF)

Title: AMORY BLAINE AND THE "PURGATORIO" ("THIS SIDE OF PARADISE", "DIVINE COMEDY", FITZGERALD, DANTE).
Creator: ARNONE, EUGENE M., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Fitzgerald's first novel, This Side of Paradise, is a well organized and intricately detailed work which uses as its basic metaphor the middle poem of the Divine Comedy by Dante Al ighieri. Thematically, structurally, and symbolically, Fitzgerald's novel parallels Dante's poem, incorporating the philosophy of St. Thomas Aquinas, the Mirrors of Narcissus motif, Dante's idea of Amore, and the symbolic figure of Beatrice. Critics have overlooked Dante as a source for Fitzgerald's work and...
Show moreFitzgerald's first novel, This Side of Paradise, is a well organized and intricately detailed work which uses as its basic metaphor the middle poem of the Divine Comedy by Dante Al ighieri. Thematically, structurally, and symbolically, Fitzgerald's novel parallels Dante's poem, incorporating the philosophy of St. Thomas Aquinas, the Mirrors of Narcissus motif, Dante's idea of Amore, and the symbolic figure of Beatrice. Critics have overlooked Dante as a source for Fitzgerald's work and therefore have not adequately explained the thematic concerns of this novel.
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Date Issued: 1986
PURL: http://purl.flvc.org/fcla/dt/14331
Subject Headings: Literature, Comparative, Literature, American
Format: Document (PDF)

Title: Aesthetic immersion and imaginative constructs in the novels of Henry James.
Creator: Alvarez, Alberto Gabriel, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: A recurrent condition plaguing many of James's characters can be diagnosed as an aesthetic dependency. These characters turn their back on "the real thing" and exist in a precarious world of beauty and misplaced ideals. The novels examined present various methods James's characters utilize to elude the actual world. In The Tragic Muse, the line that separates mimetic art and actuality is nonexistent. Through imitation and performance characters create and represent what ought to be. Aesthetic...
Show moreA recurrent condition plaguing many of James's characters can be diagnosed as an aesthetic dependency. These characters turn their back on "the real thing" and exist in a precarious world of beauty and misplaced ideals. The novels examined present various methods James's characters utilize to elude the actual world. In The Tragic Muse, the line that separates mimetic art and actuality is nonexistent. Through imitation and performance characters create and represent what ought to be. Aesthetic immersion and imaginative constructs are opposed methods of escape in The Spoils of Poynton. The Ambassadors depicts a world where characters conspire to disguise the truth. Lambert Strether's imagination is stimulated by this milieu and takes flight. Similarly, the characters in The Wings of the Dove go to extreme lengths to realize their aesthetic visions. Ultimately, each character in these novels must deal with the sacrifices that are made when one chooses to exist in a world consisting solely of beauty and imagination.
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Date Issued: 1996
PURL: http://purl.flvc.org/fcla/dt/15331
Subject Headings: Literature, Modern, Literature, American, Literature, English
Format: Document (PDF)

Title: "The Accidental Tourist": Novel and film.
Creator: Askew, Jennifer Y., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: The Accidental Tourist, a 1985 novel by Anne Tyler, is the story of Macon Leary, a man whose life and marriage have been shattered by the tragic death of his son. Despite these dismal circumstances, Tyler's book is quirky, offbeat and ultimately comic, due primarily to the unfailing tolerance and humor of the author herself. Lawrence Kasdan's 1988 film adaptation of Tyler's novel is thematically consistent with the book. Kasdan unerringly recognized the scenes naturally suited to...
Show moreThe Accidental Tourist, a 1985 novel by Anne Tyler, is the story of Macon Leary, a man whose life and marriage have been shattered by the tragic death of his son. Despite these dismal circumstances, Tyler's book is quirky, offbeat and ultimately comic, due primarily to the unfailing tolerance and humor of the author herself. Lawrence Kasdan's 1988 film adaptation of Tyler's novel is thematically consistent with the book. Kasdan unerringly recognized the scenes naturally suited to dramatization, and in places he successfully transfers Tyler's dialogue directly to the screen with effective comic results. Throughout most of the film, however, the tone is melancholy and the overall effect is much heavier than the novel. Superb acting by William Hurt and Geena Davis help to give Kasdan's film depth and power.
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Date Issued: 1991
PURL: http://purl.flvc.org/fcla/dt/14703
Subject Headings: Literature, American, Cinema
Format: Document (PDF)

Title: "The Battle of Maldon": Evidence of the move away from epic heroism.
Creator: Baird, Diane Stetson, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: The Battle of Maldon is a poem of change, a pivot point in the English literary tradition. It lies between Beowulf and Sir Gawain and the Green Knight, both in time and in intent. The Maldon poet created finely interrelated philosophic and social commentary in his poem, playing the epic hero against the newer Christian martyr. He used both characterizations to create a picture of Byrhtnoth as a political martyr. With some understanding of the historical and religious perspectives of tenth...
Show moreThe Battle of Maldon is a poem of change, a pivot point in the English literary tradition. It lies between Beowulf and Sir Gawain and the Green Knight, both in time and in intent. The Maldon poet created finely interrelated philosophic and social commentary in his poem, playing the epic hero against the newer Christian martyr. He used both characterizations to create a picture of Byrhtnoth as a political martyr. With some understanding of the historical and religious perspectives of tenth century England, it is possible to begin to appreciate The Battle of Maldon and to understand its pivotal role in artistic evolution. The poet integrated disparate ideas to produce an Anglo-Saxon work of surprising complexity that has survived for one thousand years.
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Date Issued: 1991
PURL: http://purl.flvc.org/fcla/dt/14779
Subject Headings: Literature, Medieval, Literature, English
Format: Document (PDF)

Title: The symbiosis between the individual and society in Ralph Waldo Emerson's "The American Scholar," "History," and "Politics".
Creator: Gillespie, Elizabeth., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: This thesis will reveal a political dimension to Emerson's work, situating itself in the current scholarly movement to analyze Emerson from a different angle. Scholars have long heralded Emerson as a staunch individualist or transcendentalist, yet there has been a recent shift in literary studies to consider him from a social or political perspective. Emerson's emphasis on the individual does not diminish in any of the three essays that I have selected; however, he strongly urges every...
Show moreThis thesis will reveal a political dimension to Emerson's work, situating itself in the current scholarly movement to analyze Emerson from a different angle. Scholars have long heralded Emerson as a staunch individualist or transcendentalist, yet there has been a recent shift in literary studies to consider him from a social or political perspective. Emerson's emphasis on the individual does not diminish in any of the three essays that I have selected; however, he strongly urges every individual to contribute towards the amelioration of society. He also believes that an individual person has enormous potential to cause both great improvement and great harm, which is why a wise man or scholar is a paramount component to any society. Moreover, this thesis addresses topics that are particularly useful today, as Emerson's words are just as relevant to the political situation in the world now as they were in the 19th century.
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Date Issued: 2010
PURL: http://purl.flvc.org/FAU/2684307
Subject Headings: Criticism and interpretation, Criticism and interpretation, Political and social views, Criticism and interpretation, Symbolism in literature
Format: Document (PDF)

Title: "JULIA" CHARACTERIZATION IN THE PLAYS OF LILLIAN HELLMAN.
Creator: BELL, KATHLEEN T., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: The Julia character, as depicted in the essay in Pentimento, provides a character model for Lillian Hellman's plays. Julia's strength of personal responsibility provides Hellman a measure by which her characters succeed or fail, a criterion upon which personal worth is judged. Julia's strength, compassion, and personal responsibility are depicted in varying degrees in the characters created in Watch on the Rhine, The Children's Hour, The Little Foxes, Another Part of the Forest, The Searching...
Show moreThe Julia character, as depicted in the essay in Pentimento, provides a character model for Lillian Hellman's plays. Julia's strength of personal responsibility provides Hellman a measure by which her characters succeed or fail, a criterion upon which personal worth is judged. Julia's strength, compassion, and personal responsibility are depicted in varying degrees in the characters created in Watch on the Rhine, The Children's Hour, The Little Foxes, Another Part of the Forest, The Searching Wind, and The Autumn Garden. As reflected in the plays, Julia is Hellman's model, her ideal; she is the vehicle for Hellman's strong personal and social statements.
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Date Issued: 1980
PURL: http://purl.flvc.org/fcla/dt/14044
Subject Headings: Literature, Modern, Theater, Literature, American
Format: Document (PDF)

Title: The war within houses.
Creator: Boles, Hillary., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: This work of creative nonfiction is meant to explore the effects of combat-related post-traumatic stress disorder in American war veterans and their families. As a work of blended literary journalism and memoir, the author interviewed afflicted veterans from World War II to the current Iraq and Afghanistan wars, included scholarly research, and reflected on how her father's dealings with the disorder have affected her family.
Date Issued: 2009
PURL: http://purl.flvc.org/FAU/187205
Subject Headings: Symbolism in literature, Post-traumatic stress disorder, Patients, Family relationships, Reportage literature, Technique, Creative writing (Higher education), Veterans, Mental health, War, Psychological aspects
Format: Document (PDF)

Title: The use of the bastard identity: from Victorian subverters to superheroes in the twenty-first century and beyond.
Creator: Dessler, Ryan., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: This project explores the use if illegitimacy within Western discourse over the last three centuries. Illegitimacy was used in Victorian literature as a literary device to drive plot but evolved into a touchstone for Western discourse to explore the bounds of what is considered respectable society. Over time, as illegitimacy has become more mainstream, I contend illegitimate identities have been utilized to serve as a mirror for Western hegemony. In the first chapter, I explore the origins of...
Show moreThis project explores the use if illegitimacy within Western discourse over the last three centuries. Illegitimacy was used in Victorian literature as a literary device to drive plot but evolved into a touchstone for Western discourse to explore the bounds of what is considered respectable society. Over time, as illegitimacy has become more mainstream, I contend illegitimate identities have been utilized to serve as a mirror for Western hegemony. In the first chapter, I explore the origins of illegitimacy being used as a literary device in novels by Victorian authors Charles Dickens and Wilkie Collins. In the second chapter, I examine the role illegitimacy plays in the origin stories of canonical comic book superheroes Batman and Superman. Lastly, in the third chapter, I scrutinize the role illegitimacy plays in defining the human condition within science fiction as human culture continues to advance technologically towards a post human world.
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Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3355567
Subject Headings: Criticism and interpretation, Criticism and interpretation, Literature and society, History, Literature and society, History, Comic books, strips, etc, Criticism and interpretation, Illegitimacy in literature, Sex role in literature, Sensationalism in literature
Format: Document (PDF)

Title: Isle of bones.
Creator: Watson, Courtney., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: This novel is a work of historical fiction that explores the aftermath of the execution of a local doctor who became infamous after preserving the corpse of his beloved. The two protagonists journey to Key West from Miami during the summer of 1952 to investigate the disappearance of the girl's missing bones, but soon find themselves embroiled in a mystery that plumbs the most terrifying depths of love and its disquieting entanglements. The tale follows the protagonists, Lens Burnside and Iris...
Show moreThis novel is a work of historical fiction that explores the aftermath of the execution of a local doctor who became infamous after preserving the corpse of his beloved. The two protagonists journey to Key West from Miami during the summer of 1952 to investigate the disappearance of the girl's missing bones, but soon find themselves embroiled in a mystery that plumbs the most terrifying depths of love and its disquieting entanglements. The tale follows the protagonists, Lens Burnside and Iris Elliot, as they navigate the island's darkest corridors and expose a few of its most unusual secrets on a journey of love, mayhem and madness as they fall under the spell of the island and fall in love with each other.
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Date Issued: 2009
PURL: http://purl.flvc.org/FAU/192992
Subject Headings: Symbolism in literature, Man-woman relationships
Format: Document (PDF)

FAU Theses and Dissertations (379)	+ -
FAU College Collections (8)	+ -

Criticism and interpretation (73)	+ -
Symbolism in literature (57)	+ -
Creative writing (43)	+ -
Literature, American (31)	+ -
Literature, English (21)	+ -

Fiction (17)	+ -
Literature, Modern (17)	+ -
Short stories (13)	+ -
Poetry (12)	+ -
Short stories, American (11)	+ -
Essays (8)	+ -
History (8)	+ -
Novels (8)	+ -
Postmodernism (Literature) (8)	+ -
Florida Atlantic University -- History (7)	+ -
Conduct of life (6)	+ -
Feminism in literature (6)	+ -
History and criticism (6)	+ -
Literature and society (6)	+ -
Dissertations, Academic -- Florida Atlantic University (5)	+ -
Identity (Psychology) (5)	+ -
Influence (5)	+ -
Literature and science (5)	+ -
Literature, Medieval (5)	+ -
Narration (Rhetoric) (5)	+ -
Self in literature (5)	+ -
Creation (Literary, artistic, etc.) (4)	+ -
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Feminism and literature (4)	+ -
Identity (Psychology) in literature (4)	+ -

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England (2)	+ -
Florida (2)	+ -

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