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Title: Rape and Reverence: Culling the Lessons from 20th Century Ethics.
Creator: Piconi, Gabriella, Miller, Timothy, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: This thesis aims to contribute to contemporary feminist theory through the integration of several interdisciplinary texts from the last century, all of which challenge an existing, male-oriented norm of woman as ‘lesser’ in a particular field of study. The historical position of woman as ‘other’ in a negative light is a postulate that contemporary feminist studies may take too much for granted. The supposed lack of prominence of women in scripture, such as what Phyllis Trible gestures to, for...
Show moreThis thesis aims to contribute to contemporary feminist theory through the integration of several interdisciplinary texts from the last century, all of which challenge an existing, male-oriented norm of woman as ‘lesser’ in a particular field of study. The historical position of woman as ‘other’ in a negative light is a postulate that contemporary feminist studies may take too much for granted. The supposed lack of prominence of women in scripture, such as what Phyllis Trible gestures to, for example, is not erasure at all, but women present as archetypes, a mode of representation later dispersed in literature and film. The textual ‘absence’ of the feminine which has been previously understood as erasure may in fact be a clandestine interpretative tool which must be sought for, or, within a textual framework, explicated. Instead of accepting woman as a minimized ‘other’ to be merely a given in biblical and other texts, her peripheral role must be teased out in order to be fully appreciated. The critical most important to this claim include Carol Gilligan’s In a Different Voice: Psychological Theory and Women’s Development and film theorist Molly Haskell’s From Reverence to Rape: The Treatment of Women in the Movies, the latter of which lends this thesis its title. Lastly, I will be using erasure as an interpretative method as applied to a series of case studies: to analyze the female figures in Hamlet using Carol Gilligan’s psychological development framework; to consider Haskell’s rigorous critique of American cinema alongside Woman in the Dunes, a 1964 film based on a fabulist novel, which uses erasure as its modus operandi; and to apply Phyllis Trible’s hermeneutic interpretive method to Lot’s wife. The interdisciplinary design of this thesis allows for the inclusion of scholars from a variety of inherently ethical disciplines to showcase how societal perceptions of women have informed women’s ethical decision-making and identity.
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Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00014081
Subject Headings: Feminist theory, Feminism, Feminist ethics
Format: Document (PDF)

Title: CONTEMPORARY AFRICAN-AMERICAN CHURCH RHETORIC IN THE PROTESTANT EVANGELICAL TRADITION: THOMAS ADAMS AND T.D. JAKES.
Creator: Theophilus, Monica, Leeds, John, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: This thesis examines contemporary African-American church rhetoric within the Protestant evangelical tradition, focusing specifically on two influential preachers, one past and one present: Thomas Adams (1583-1652) and Thomas Dexter Jakes, also known as T.D. Jakes. I analyze sermons by both men to show common features in their strategic use of religious rhetoric. In particular, I focus on their organization of entire sermons around a guiding metaphor and on their creative use of references to...
Show moreThis thesis examines contemporary African-American church rhetoric within the Protestant evangelical tradition, focusing specifically on two influential preachers, one past and one present: Thomas Adams (1583-1652) and Thomas Dexter Jakes, also known as T.D. Jakes. I analyze sermons by both men to show common features in their strategic use of religious rhetoric. In particular, I focus on their organization of entire sermons around a guiding metaphor and on their creative use of references to various kinds of non-religious experiences to reach their targeted audience. Also, because this comparison has not been made before, I seek to discover the influential impact of early modern religious rhetoric on contemporary religious rhetoric in the church and its limitations. But finally, I argue that while Adams sees spiritual rebirth as the way to heaven, Jakes treats it as the beginning of a new life on earth.
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Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00014077
Subject Headings: Rhetoric, African American preaching, African American churches
Format: Document (PDF)

Title: ALL RETURN.
Creator: Rodriguez, Juan Alonso Romero, Bucak, Ayse Papatya, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: All Return is a short story collection centered on nostalgia, and the desire of going back to a place or time, which sometimes doesn’t exist anymore. The characters that populate the collection, are all returning or trying to go back, either to a physical place, a language, to an age of innocence, or to loved ones. While the book tries to portray stories of immigrant lives in parts of collection, the desire of immigrants to sometimes return to their countries of origin are not exclusive to...
Show moreAll Return is a short story collection centered on nostalgia, and the desire of going back to a place or time, which sometimes doesn’t exist anymore. The characters that populate the collection, are all returning or trying to go back, either to a physical place, a language, to an age of innocence, or to loved ones. While the book tries to portray stories of immigrant lives in parts of collection, the desire of immigrants to sometimes return to their countries of origin are not exclusive to them, but universal. The stories in All Return remind us that we are all going back, or long for a place or time that exists without us.
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Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00014103
Subject Headings: Short stories, Creative writing, Fiction
Format: Document (PDF)

Title: ANALYZING BIPOC REPRESENTATION IN YOUNG ADULT FICTION.
Creator: Carbone, Bianca, Lettman, Stacy J., Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: This thesis uses an identity studies approach to look at the representation of BIPOC characters within three young adult speculative fiction: The Hunger Games by Suzanne Collins, The Black Witch by Laurie Forest, and Cinder by Marissa Meyer. By incorporating identity studies to explore and analyze examples of misrepresentation and unconscious bias throughout stories centered on oppressive world building, racial hierarchies, this thesis draws upon the works of various scholars including:...
Show moreThis thesis uses an identity studies approach to look at the representation of BIPOC characters within three young adult speculative fiction: The Hunger Games by Suzanne Collins, The Black Witch by Laurie Forest, and Cinder by Marissa Meyer. By incorporating identity studies to explore and analyze examples of misrepresentation and unconscious bias throughout stories centered on oppressive world building, racial hierarchies, this thesis draws upon the works of various scholars including: Stuart Hall, Michel Foucault, Orlando Patterson, Toni Morrison, and Edward Said. A lack of diverse authors and Eurocentrically-framed ideologies cemented into the publishing industry has led to instances of unconscious racialized misrepresentations of BIPOC characters as shown in the of three works of popular young adult fiction demonstrating the constraints created when authors shape and perpetuate identities for others, subjecting them to constructed identities and narratives.
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Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00013950
Subject Headings: Young adult fiction, Identity (Psychology) in literature, Speculative fiction
Format: Document (PDF)

Title: AGGREGATE.
Creator: Singh, Daniel, Schwartz, Jason, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Aggregate is a collection of short stories that chronicle the coming of age of its first-person narrator. He is a half Indian, half American boy who lived in 1990s New York City. The stories begin in childhood and run into his early twenties. They illustrate his experiences growing up and being othered in different ways. Themes of neglect, addiction, sexual assault, and violence create a cycle of abuse that repeats throughout his life. Each story can be read as a standalone piece, but when...
Show moreAggregate is a collection of short stories that chronicle the coming of age of its first-person narrator. He is a half Indian, half American boy who lived in 1990s New York City. The stories begin in childhood and run into his early twenties. They illustrate his experiences growing up and being othered in different ways. Themes of neglect, addiction, sexual assault, and violence create a cycle of abuse that repeats throughout his life. Each story can be read as a standalone piece, but when taken together they become a tapestry of trauma and a life of addiction. These stories aim to highlight the connection between trauma and addiction.
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Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00013886
Subject Headings: Short stories, Creative writing
Format: Document (PDF)

Title: MIDSUMMER NIGHT’S POEMS.
Creator: Marcum, Margaret, Mitchell, Susan, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: “Midsummer Night’s Poems”—as the thesis’ title suggests—is based on Shakespeare’s play, “A Midsummer Night’s Dream.” The thesis’ poems reflect a very dream-like state of progression, starting with overall harmony in terms of relationships and followed by the consequences resulting from immature love’s fickle nature. The poems, however, are not meant to be read as grave or humorless even though their tone is sometimes overdramatized. The poems’ tone is lighthearted, while engaging the...
Show more“Midsummer Night’s Poems”—as the thesis’ title suggests—is based on Shakespeare’s play, “A Midsummer Night’s Dream.” The thesis’ poems reflect a very dream-like state of progression, starting with overall harmony in terms of relationships and followed by the consequences resulting from immature love’s fickle nature. The poems, however, are not meant to be read as grave or humorless even though their tone is sometimes overdramatized. The poems’ tone is lighthearted, while engaging the suffering of love’s hardships. It keeps the reader’s perspective comparable to Bottom’s. The thesis’ message is that we should not take ourselves so seriously. Finally, the thesis’ poems act as a mirror to Shakespeare’s play since common themes emerge in both. In sum, the thesis’ tone shadows the lightheartedness of the play’s and yet conveys that while “The course of true love never did run smooth,” true love always finds a way to bring us peace.
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Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00013955
Subject Headings: Creative writing, Poetry
Format: Document (PDF)

Title: Ghosts at the Border: Exploring the Link Between Feminicidio and Literary Studies.
Creator: De Leon, Alejandro, Kini, Ashvin R., Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: The intangible nature of the border leads to a wide array of implications for Latinx migrants. By dissociating borders from the literal space that commonly defines the word, borders can be put into conversation along with the institution of the university. By situating this paper in the larger scholarly discussion of the border and university critique it is possible to see how these intersections result in violent realities for Latinx migrants. Roberto Bolaño’s novel, 2666 provides a means to...
Show moreThe intangible nature of the border leads to a wide array of implications for Latinx migrants. By dissociating borders from the literal space that commonly defines the word, borders can be put into conversation along with the institution of the university. By situating this paper in the larger scholarly discussion of the border and university critique it is possible to see how these intersections result in violent realities for Latinx migrants. Roberto Bolaño’s novel, 2666 provides a means to map out the violent realities that universities manifest for Latinx migrants. The feminicide pandemic in the fictional town of Santa Teresa mirrors the very real violence that happens toward Latinx among these border cultures. In the shadow of the university, violence against Latinx prospers to unknowable heights and a question emerges. Is it possible to determine the extent of damage the university causes Latinx migrants? The answer is unthinkable, but this paper is a means not to answer this difficult question in complete but to begin assessing the damage.
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Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00013953
Subject Headings: Femicide, Immigrants, Latin Americans, Bolaño, Roberto, 1953-2003.
Format: Document (PDF)

Title: Determining Value in Migrancy: The Relative Cultural Capital from the Aesthetics of Displacement.
Creator: Naslund, Timothy M., Ulin, Julieann, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Pro-migration scholars and advocates for stricter immigrant legislation alike tend to rely on an economic framework to measure the value migrants bring toward the nation they’ve immigrated to and whether that value constitutes their right and ability to attain citizenship. By analyzing the influence and value found within Vladimir Nabokov’s use of the aesthetics of displacement, as well as other migrant writers since Nabokov, such as Cristina Garcia and Claudia Rankine that have expanded the...
Show morePro-migration scholars and advocates for stricter immigrant legislation alike tend to rely on an economic framework to measure the value migrants bring toward the nation they’ve immigrated to and whether that value constitutes their right and ability to attain citizenship. By analyzing the influence and value found within Vladimir Nabokov’s use of the aesthetics of displacement, as well as other migrant writers since Nabokov, such as Cristina Garcia and Claudia Rankine that have expanded the racial and ethnic perspective of what can be considered “American,” I argue the criteria for citizenship within the United States should extend beyond traditional economic justifications and encompass the cultural capital immigrants produce through means of artistic labor and participation, influencing what is defined as American culture by being representations of what comprises the nation’s literature and the nation itself.
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Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00013930
Subject Headings: Nabokov, Vladimir, 1869-1922, Immigrants, Aesthetics, Migrants
Format: Document (PDF)

Title: CURATING BLACKNESS: MIXED-FAMILIES’ CENTRAL ROLE IN REDEFINING THE CONCEPT OF HOME IN POST-WWII ENGLAND.
Creator: Prawl, Alyssa, Kini, Ashvin R., Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: The aim of this thesis is to examine biracial family-building and the reimagination of the ideal home in post-WWII English literature using Hanif Kureishi’s The Buddha of Suburbia and Zadie Smith’s White Teeth. Focusing on biracial children of both the Caribbean and South Asian diasporas, this thesis explores the nuances with which black self-identification is curated and how blackness as both a racial and social category in the UK is prescribed and performed depending on the Black and Brown...
Show moreThe aim of this thesis is to examine biracial family-building and the reimagination of the ideal home in post-WWII English literature using Hanif Kureishi’s The Buddha of Suburbia and Zadie Smith’s White Teeth. Focusing on biracial children of both the Caribbean and South Asian diasporas, this thesis explores the nuances with which black self-identification is curated and how blackness as both a racial and social category in the UK is prescribed and performed depending on the Black and Brown biracial characters’ social location to white characters and family units. Mark Christian’s Mulitracial Identity: An International Perspective and Zygmunt Bauman’s Modernity and Ambivalence operate as lenses to better understand the social classification of mixed-families individuals as strangers in England and how biracial individuals are strangers to their families and respective homelands. This thesis will also argue that Black biracial women’s identity-building is oftentimes more stifled in England than their South Asian male counterparts as it is dependent on a reconciliation with their family’s erased past.
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Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00013934
Subject Headings: Racially mixed people, Great Britain--History, Racially mixed families
Format: Document (PDF)

Title: Hostis.
Creator: Karr, Merkin, Bucak, Ayşe Papatya, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Hostis is an epistolary memoir navigating the web sexual violence weaves and examines it as a communal problem of those caught in the threads who become victim to the vibrations of that violence.
Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00013920
Subject Headings: Memoirs, Creative writing
Format: Document (PDF)

Title: PSYCHOANALYSIS AND DREAMS IN TONI MORRISON’S BELOVED: EXPLORING CONTINUITIES AND RUPTURES OF TRAUMA CYCLES.
Creator: Peter, Rebecca M., Dagbovie-Mullins, Sika, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: “Psychoanalysis and Dreams in Toni Morrison’s Beloved: Exploring Continuities and Ruptures of Trauma Cycles,” explores the function of dreams as they relate to trauma and memory. This thesis argues that a character’s engagement with their dreams leads to a healing discontinuity of traumatic cycles, while dreams left untouched likely result in historical and transgenerational cycles and the continuation of personal trauma and its symptoms. This thesis compares the dreams of the characters...
Show more“Psychoanalysis and Dreams in Toni Morrison’s Beloved: Exploring Continuities and Ruptures of Trauma Cycles,” explores the function of dreams as they relate to trauma and memory. This thesis argues that a character’s engagement with their dreams leads to a healing discontinuity of traumatic cycles, while dreams left untouched likely result in historical and transgenerational cycles and the continuation of personal trauma and its symptoms. This thesis compares the dreams of the characters Beloved and Denver. In part because Morrison notes her influence from both African and Western traditions, this paper argues that a sufficient understanding of dreams in her work requires a multiplicity of approaches. This thesis draws on a plurality of ideas from African and Western perspectives of dreams, the intersections of race and psychoanalysis, and trauma theory. The focus on dreams extends the arguments of critics who analyze trauma in Beloved more generally.
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Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00013909
Subject Headings: Morrison, Toni. Beloved, American literature
Format: Document (PDF)

Title: RADICAL RETICENCE: QUIETNESS, VISION, AND RESISTANCE IN CONTEMPORARY REPRESENTATIONS OF SLAVERY.
Creator: McGeary, Stephen A., Dagbovie-Mullins, Sika, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Throughout the 21st century, some artists, athletes, and politicians began to use their platforms to speak out against the issues of systemic racism and police brutality that continue to affect black Americans to this day. While this outpouring of support for the black community has helped move the needle in terms of equity and inclusion initiatives, critics have often labeled these figures and movements too public or loud, conflating the concepts of talking and loudness with resistance to...
Show moreThroughout the 21st century, some artists, athletes, and politicians began to use their platforms to speak out against the issues of systemic racism and police brutality that continue to affect black Americans to this day. While this outpouring of support for the black community has helped move the needle in terms of equity and inclusion initiatives, critics have often labeled these figures and movements too public or loud, conflating the concepts of talking and loudness with resistance to the status quo. Yet, in an era when “silence is not an option” and “quietness is complicity,” African American authors and artists have taken a subtle and quiet approach to depicting the lives of enslaved men and women. More specifically, novels, films, and art from the past two decades portray resistance as not only a public and physical phenomenon, but a mental and ideological one. This dissertation project comes at the intersection of African American literary, religious, and historical studies to argue that quiet and internal acts, such as surrender, memory, and visions, throughout contemporary representations of slavery provide an effective form of resistance to white hegemonic authority, ideology, and values. It asks readers to look beyond the public and the loud, to think about resistance that is not merely physical, to consider the possibilities present in reticence.
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Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00013935
Subject Headings: African-American studies, Slave narratives, American literature--African American authors
Format: Document (PDF)

Title: PHALLIC POWER AS MONSTROSITY: CALIBAN’S THREAT OF MISCEGENATION IN AIMÉ CÉSAIRE’S A TEMPEST.
Creator: Dickson, Reba Karrie, Lettman,Stacy J., Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: This thesis takes a postcolonial, critical race, and monster theory approach to understanding Caliban as a “monstrous” figure, primarily because of threat of miscegenation within the ideological power structure of the Caribbean slave plantation system as depicted in A Tempest by Aimé Césaire. Through the lens of Louis Althusser’s theory on the construction of ideologies and recognizing race as an ideology, this thesis asserts that the colonized subject is interpellated or hailed as a “monster...
Show moreThis thesis takes a postcolonial, critical race, and monster theory approach to understanding Caliban as a “monstrous” figure, primarily because of threat of miscegenation within the ideological power structure of the Caribbean slave plantation system as depicted in A Tempest by Aimé Césaire. Through the lens of Louis Althusser’s theory on the construction of ideologies and recognizing race as an ideology, this thesis asserts that the colonized subject is interpellated or hailed as a “monster,” thereby allowing the colonizer to moralize and rationalize their altruicide and dehumanization of the colonized subject. Prospero, the colonial master serves as the arbiter of white masculine power whereby his phallus can be understood as a “characteristic feature of making horror and pleasure coincide” (Mbembe, Postcolony 175). When Caliban, the colonized subject, refuses to function within the interpellated identity of the “monster,” he attempts to redeem his lost honor by interpellating himself as a “BLACK MAN” (Fanon, Black Skin, White Masks 95). Prospero regards this as a threat to deconstruct the ideology of race and destroy his colonial legacy through an “unholy miscegenation” between Caliban and Miranda, his daughter, thus transforming them into “monsters.” The colonial master’s response to this attempted usurpation of phallic power results in the recourse to honor killing which Achille Mbembe identifies as altruicide—the altruistic homicide of the “monster,” of the colonized subject, that plagues society as a threat against whiteness (Critique of Black Reason 10).
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Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00013932
Subject Headings: Césaire, Aimé. Tempête. English, Césaire, Aimé--Criticism and interpretation, Miscegenation, Caliban (Fictitious character)
Format: Document (PDF)

Title: Book Where Every Poem is a Spoke on a Wheel of the Party Wagon.
Creator: Winn, Eileen, McKay, Becka, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Book Where Every Poem is a Spoke on a Wheel of the Party Wagon is a collection of poems that experiment with formal poetic structures to challenge abusive familial and religious structures, repurposing faithful sensibility to empower an irreverent speaker. Poems in this collection rewrite prayers, revise the outcomes of familial estrangement, and recollect history in order to reclaim the author’s queer American childhood, adulthood, and Catholic faith traditions.
Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00013904
Subject Headings: Poems, Creative writing
Format: Document (PDF)

Title: This Kind of Trouble.
Creator: Eze, Tobechukwu, Bucak, Ayse Papatya, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: The story, This Kind of Trouble, follows the life of its protagonists, Margaret, a 65-year-old woman living with schizoaffective-disorder in 2012 Nigeria, and her estranged husband, Benjamin, a White presenting man born to mixed raced father. Although Margaret exudes class privilege, she pursues in her retired years a kind of desperate anonymity, often complicated by echoes of her past: an ex-husband, and the haunted past of an unforgivable crime from which they must now seek absolution....
Show moreThe story, This Kind of Trouble, follows the life of its protagonists, Margaret, a 65-year-old woman living with schizoaffective-disorder in 2012 Nigeria, and her estranged husband, Benjamin, a White presenting man born to mixed raced father. Although Margaret exudes class privilege, she pursues in her retired years a kind of desperate anonymity, often complicated by echoes of her past: an ex-husband, and the haunted past of an unforgivable crime from which they must now seek absolution. Indeed, the story attempts to invert the discourse on illness and assimilation, as well as on race and citizenship. It does this by tackling the themes of colonialism, cultural identity, and the formulations of the Immigrant v Expatriate trope. Essentially, through this work I ask two critical questions: how has colonial mental constructs travelled over time, and how does a person become Black in the global Western imaginary?
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Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00013888
Subject Headings: Short stories, Fiction, Creative writing
Format: Document (PDF)

Title: They Don’t Disappear.
Creator: Wollner, Chey, Bucak, Ayşe Papatya, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: They Don’t Disappear is an alternate history novel following Bess and Harry Houdini’s lives after Houdini does not die from appendicitis in 1926. The novel addresses themes of belief, and the hope that intimacy—in all its forms—might be an antidote for trauma, violence and hate.
Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00013918
Subject Headings: Creative writing, Historical fiction
Format: Document (PDF)

Title: THE VOICE NOT FROM RIVIA: SILENCE, ECOFEMINISM, AND THEIR LIMITS IN THE WITCHER SERIES.
Creator: King, Bryce Lyne, Miller, Timothy, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: The Witcher book series by Andrzej Sapkowski and the corresponding The Witcher 3: Wild Hunt video game by CD Projekt RED intersectionally relate the feminine to the natural in their joint secondary world of the Continent, and in doing so rely on the “key feminine,” a term to describe a female character who embodies the feminine ideals of the secondary world while also saving it from environmental disaster, yet not being representative of it, deconstructing the goddess and witch dichotomy....
Show moreThe Witcher book series by Andrzej Sapkowski and the corresponding The Witcher 3: Wild Hunt video game by CD Projekt RED intersectionally relate the feminine to the natural in their joint secondary world of the Continent, and in doing so rely on the “key feminine,” a term to describe a female character who embodies the feminine ideals of the secondary world while also saving it from environmental disaster, yet not being representative of it, deconstructing the goddess and witch dichotomy. Geralt’s predispositions as a witcher places him in conflict with nature, but his moral code and decisive silence allow for a space in which, though the two occur independently and jointly, the voice of the feminine and the voice of the nonhuman world can be heard on their own terms, instead of through the objective filtering of the hero. Yet, in this space of voices and silence, the natural world remains opposed to the protagonists, which CD Projekt RED elevates to monstrifying the natural in opposition to the player, giving voices to some zoomorphic and anthropomorphic monsters, but leaving other nonhuman ecomorphic creatures without voice, encouraging anthropocentric dominance over the environment.
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Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00013928
Subject Headings: Sapkowski, Andrzej. Wiedźmin. English (Series)
Format: Document (PDF)

Title: The Reintegration of Women and Class Conflict into Epic/Grimdark Fantasy.
Creator: Domosh, Jacob, Miller, Timothy, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Steven Erikson’s Gardens of the Moon (1999) is a well-received novel grounded in the Secondary World traditions of both epic and grimdark fantasy, that may – upon a first read – appear like any other fantasy novel set in its own world – featuring humans and nonhuman characters, giants and dragons, swords and sorcery, floating castles and continent-spanning empires. The use of these fantasy elements creates a wonderfully immersive first novel for the wonderfully evocative Malazan Book of the...
Show moreSteven Erikson’s Gardens of the Moon (1999) is a well-received novel grounded in the Secondary World traditions of both epic and grimdark fantasy, that may – upon a first read – appear like any other fantasy novel set in its own world – featuring humans and nonhuman characters, giants and dragons, swords and sorcery, floating castles and continent-spanning empires. The use of these fantasy elements creates a wonderfully immersive first novel for the wonderfully evocative Malazan Book of the Fallen series, but the series accomplishes more than that; Erikson’s novel is set in a Secondary World that is distinct from the other grimdark and epic fantasy settings that came before it in that the Malazan world is a setting in which patriarchal norms and misogyny have never existed. Furthermore, Erikson’s text, as both epic fantasy and participating in grimdark fantasy tropes, acts to distance these subgenres from the critiques sometimes leveled at earlier such works. Where pre-Erikson (and still some post-Erikson) epic fantasy has been critiqued as misogynistic and entrenched in notions of patriarchal hierarchies – and pre-Erikson (and still much post-Erikson) grimdark fantasy has been critiqued for subjecting the female characters therein to excessive violence, often sexual in nature, and wallowing in graphic depictions of said violence -- Erikson reverses course and reintroduces women into epic fantasy as human beings rather than objects of male domination. This reintroduction allows for notions of class conflict to permeate the text.
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Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00013901
Subject Headings: Erikson, Steven. Malazan book of the fallen, Fantasy
Format: Document (PDF)

Title: A Collection on Would-Be-Motherhood.
Creator: Saldana, Elizabeth, Bucak, Ayşe Papatya, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: This thesis is composed of a collection of essays on the themes of motherhood, loss, and grief. Through the use of innovative form, these essays thread together personal narratives and research to find language for complicated manifestations of loss. These essays experiment with structure and form to grapple with the illusive nature of memory, loss, and healing. The essays in this collection attempt to find healing and meaning through language and meditation. This collection is also an...
Show moreThis thesis is composed of a collection of essays on the themes of motherhood, loss, and grief. Through the use of innovative form, these essays thread together personal narratives and research to find language for complicated manifestations of loss. These essays experiment with structure and form to grapple with the illusive nature of memory, loss, and healing. The essays in this collection attempt to find healing and meaning through language and meditation. This collection is also an attempt at categorizing grief when normative societal ideas are challenged by complicated loss. This work serves as a call to action that there should be better recognition of uncommonly recognized manifestations of grief.
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Date Issued: 2023
PURL: http://purl.flvc.org/fau/fd/FA00014158
Subject Headings: Creative writing, Essays
Format: Document (PDF)

Title: CONSUMING INISFAIL: THE DOMESTICATION OF MAN AND ARBOREAL LANDSCAPES IN JAMES JOYCE’S ULYSSES.
Creator: Busch-Mullen, Jacqueline, Ulin, Julieann, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: This thesis serves as an exploration of the environment in James Joyce’s Ulysses which holds accountable the violent material politics of England against Ireland and the acts of consumption committed against human and nonhuman bodies, which is a radical critique of the patriarchal discourse and action that decimated a once sovereign nation and its landscape. I argue through an eco-critical lens that intersects the human body, a once impenetrable landscape, and the elision of Brehon Gaelic law...
Show moreThis thesis serves as an exploration of the environment in James Joyce’s Ulysses which holds accountable the violent material politics of England against Ireland and the acts of consumption committed against human and nonhuman bodies, which is a radical critique of the patriarchal discourse and action that decimated a once sovereign nation and its landscape. I argue through an eco-critical lens that intersects the human body, a once impenetrable landscape, and the elision of Brehon Gaelic law as a victim of colonial usurpation. There is a deep focus geared towards masculinity and its imposition upon the female body, but also an important look at the relationship between man and nature. While sexuality and nature co-exist in Ulysses, we can envision this novel as an “epic of living with animals" and their human predecessors.
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Date Issued: 2023
PURL: http://purl.flvc.org/fau/fd/FA00014148
Subject Headings: Joyce, James, 1882-1941, Joyce, James, 1882-1941. Ulysses
Format: Document (PDF)

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