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"...At the ear of Eve"
"72", "Seascapes", and "Solo Violin": Three chamber works
“A box of wires” a grounded theory approach to synthpop
"A Craving To Reform": Legitimizing Revolution in Mid-Tudor England
"A Nation's Vibrant and Triumphant Incarnation in a Man": Personality Cults and Isolation in North Korea and Cuba
"A spirit of benevolence"
“A Woman’s Place”: Myth, Body, and Nation in Hulu’s The Handmaid’s Tale
“Americans all!” re-imaging ethnicity in America, 1939-1945
"And yet God has not said a word!": Robert Browning and the romantic killer in literature
"anomaly" in Henry James's "The Portrait of a Lady"
"Antipodes": Ten orchestral compositions. (Original compositions)
“As long as you can find yourself, you’ll never starve” Green consciousness in the Hunger Games trilogy
“Between my life that is over and my life to come”: Embodying Authorial Ambivalence in Fred D'Aguiar's Feeding the Ghosts (1997)
“Biological Warfare: Can a War be Justly Fought Using Biological Weapons?”
“Call Me Tess”: articulating and unwriting identity in Tess of the d’Urbervilles
“Carole Lombard as silent spectacle”
"Cash Money" and other stories
"Chief Joseph of the Nez Perce": An affirmation of human values
"Chill" Cool Shirt
“COMING AT THE WONDER ITSELF”: MISCLASSIFICATION, MISUNDERSTANDING AND THE INTEGRATED VISION OF RUSSELL HOBAN’S 1967 NOVEL THE MOUSE AND HIS CHILD

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