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Title: "...At the ear of Eve": hearing, gender, and the physiology of the fall in John Milton's Paradise lost.
Creator: Pollari, Niina., Harriet L. Wilkes Honors College
Abstract/Description: The organ of hearing, in John Milton's Paradise Lost, is inextricably connected with both the physical and the spiritual; it is the point of entry through which Satan's words enter Eve's brain, subsequently process, and lead eventually to the fall of mankind. Its symbolic importance is also indisputable, as it is a metaphor for the feminine passivity and penetrability that make Milton's Eve a particularly vulnerable target. There is, however, already a pre-existing connection between the ear...
Show moreThe organ of hearing, in John Milton's Paradise Lost, is inextricably connected with both the physical and the spiritual; it is the point of entry through which Satan's words enter Eve's brain, subsequently process, and lead eventually to the fall of mankind. Its symbolic importance is also indisputable, as it is a metaphor for the feminine passivity and penetrability that make Milton's Eve a particularly vulnerable target. There is, however, already a pre-existing connection between the ear and its role in Paradise Lost. The seventeenth-century medical texts of Milton's contemporaries gender the physiology of the ear and the process of hearing and therefore contribute to its importance in the pivotal temptation scene; that is, the rhetoric surrounding the physiology of the ear is the down fall of humankind in the epic poem. As a result of the dangerous connection between science and language, Milton's characters are already predestined to sin.
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Date Issued: 2006
PURL: http://purl.flvc.org/FAU/11583
Subject Headings: Symbolism in communication, Fall of man, Body, Human, in literature, Literature and science, History
Format: Document (PDF)

Title: "72", "Seascapes", and "Solo Violin": Three chamber works.
Creator: Okubo, Masakuni., Florida Atlantic University, Glazer, Stuart
Abstract/Description: Three unaccompanied chamber pieces of Masakuni Okubo are discussed from several different aspects. They were composed for solo clarinet ( 72), two flutes (Seascapes), and solo violin. Each piece is analyzed in terms of its historical background, compositional techniques, and formal and stylistic characteristics.
Date Issued: 2002
PURL: http://purl.flvc.org/fcla/dt/12908
Subject Headings: Composition (Music), Okubo, Masakuni--Criticism and interpretation, Musical analysis
Format: Document (PDF)

Title: “A box of wires” a grounded theory approach to synthpop.
Creator: Suarez, Michael S., Graduate College
Date Issued: 2013-04-12
PURL: http://purl.flvc.org/fcla/dt/3361361
Subject Headings: Synthpop (Music), Musical analysis
Format: Document (PDF)

Title: "A Craving To Reform": Legitimizing Revolution in Mid-Tudor England.
Creator: Breeden, Douglas A., Lowe, Ben, Florida Atlantic University
Abstract/Description: The mid-Tudor period for a long time has been portrayed as a period of trouble and turbulence that was of little historical significance. The rulers and intellectuals of the period were cast as fanatical, intolerant religious bigots whose actions at best delayed the progress of English government. Actually the opposite is true. After the death of Edward VI, a group of evangelicals fled the restoration of Roman jurisdiction by Mary I. These English Protestants are known as the Marian exiles...
Show moreThe mid-Tudor period for a long time has been portrayed as a period of trouble and turbulence that was of little historical significance. The rulers and intellectuals of the period were cast as fanatical, intolerant religious bigots whose actions at best delayed the progress of English government. Actually the opposite is true. After the death of Edward VI, a group of evangelicals fled the restoration of Roman jurisdiction by Mary I. These English Protestants are known as the Marian exiles and they fashioned some radical political ideas to support a traditional, albeit evangelical political culture. They did this by trying to find a Biblical justification to oppose the Catholic restoration of Mary and return England to the godly church and state of Edward VI. Looking to restore the reformed church, they inadvertently legitimized what had before been seen as sedition into the modern idea of revolution.
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Date Issued: 2006
PURL: http://purl.flvc.org/fau/fd/FA00000900
Format: Document (PDF)

Title: "A Nation's Vibrant and Triumphant Incarnation in a Man": Personality Cults and Isolation in North Korea and Cuba.
Creator: Trifoi, Bianca, Steigenga, Timothy J., Harriet L. Wilkes Honors College
Abstract/Description: This paper argues that Kim Il-Sung of North Korea and Fidel Castro of Cuba established personality cults of differing degrees of intensity due to the relative degrees of historical and political isolation present in each state. Although both states followed a similar pattern of dominance, resentment, nationalism, and socialism in their recent histories, their differing overall histories dictated the intensity of their leaders' personality cults. Korea's long history of self-imposed...
Show moreThis paper argues that Kim Il-Sung of North Korea and Fidel Castro of Cuba established personality cults of differing degrees of intensity due to the relative degrees of historical and political isolation present in each state. Although both states followed a similar pattern of dominance, resentment, nationalism, and socialism in their recent histories, their differing overall histories dictated the intensity of their leaders' personality cults. Korea's long history of self-imposed isolationism in combination with xenophobia was continued in Kim's self-reliance ideology and allowed for a fanatical personality cult to develop. Cuba's only experience with isolation was that imposed by the United States through its embargoes, and the resulting hostility between Cuba and the United States actually helped legitimize Castro's regime and personality cult.
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Date Issued: 2015
PURL: http://purl.flvc.org/fau/fd/FA00003658
Format: Document (PDF)

Title: "A spirit of benevolence": Manchester and the origins of modern public health, 1790-1834.
Creator: Boxen, Jennifer L., Dorothy F. Schmidt College of Arts and Letters, Department of History
Abstract/Description: This thesis argues that the British Public Health movement did not begin in 1842 with Edwin Chadwick's publication, Report on the Sanitary Conditions of the Labouring Population of Great Britain (1842), or in 1848, with the subsequent passage of the Public Health Act. The beginning of the public health movement was instead the product of local initiatives such as the Manchester Board of Health, administered not by central government, but by members of the local community supported by...
Show moreThis thesis argues that the British Public Health movement did not begin in 1842 with Edwin Chadwick's publication, Report on the Sanitary Conditions of the Labouring Population of Great Britain (1842), or in 1848, with the subsequent passage of the Public Health Act. The beginning of the public health movement was instead the product of local initiatives such as the Manchester Board of Health, administered not by central government, but by members of the local community supported by predominantly philanthropic funding. The Manchester movement predated Chadwick's efforts by at least half a century and bore a greater resemblance to the modern idea of an organized public health system than that advanced by Chadwick and his contemporaries. This is because the Manchester movement emphasized not only those sanitary ideas ascribed to Chadwick but also included a broader spectrum of public health measures, including but not limited to ; preventative medicine, occupational health, and the reduction of contagious diseases.
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Date Issued: 2013
PURL: http://purl.flvc.org/FAU/3360766
Subject Headings: Public health, History, History, Social conditions
Format: Document (PDF)

Title: “A Woman’s Place”: Myth, Body, and Nation in Hulu’s The Handmaid’s Tale.
Creator: García, Madeline Elizabeth, Sim, Gerald, Miller, Andrea, Florida Atlantic University, School of Communication and Multimedia Studies, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: This thesis investigates the role of myth in Hulu’s The Handmaid’s Tale. Through an analysis of concepts such as the body and nation, I investigate the mythical underpinnings of gender, race, social reproduction, and capitalism in Gilead as well as the veritable history of oppression and imperialism in the United States that informs the Gileadean imaginary. I interrogate myth’s utility in creating nations and worlds, real or imagined, and the mechanisms of myth that make this possible. Using...
Show moreThis thesis investigates the role of myth in Hulu’s The Handmaid’s Tale. Through an analysis of concepts such as the body and nation, I investigate the mythical underpinnings of gender, race, social reproduction, and capitalism in Gilead as well as the veritable history of oppression and imperialism in the United States that informs the Gileadean imaginary. I interrogate myth’s utility in creating nations and worlds, real or imagined, and the mechanisms of myth that make this possible. Using the works of authors such as Roland Barthes, Kalindi Vora, Achille Mbembe, and others, I read The Handmaid’s Tale series as a text that reveals how truth can be distorted by myth but can be demythologized to belie intention, historically contextualize, and inspire resistance. Written in the midst and wake of the overturning of Roe v. Wade, this thesis is also a meditation on auto-ethnographic and textual resistance.
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Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00014111
Subject Headings: Women's studies, Gender Studies
Format: Document (PDF)

Title: “Americans all!” re-imaging ethnicity in America, 1939-1945.
Creator: May, Jacqueline S., Graduate College
Date Issued: 2010-04-09
PURL: http://purl.flvc.org/fcla/dt/3176831
Format: Document (PDF)

Title: "And yet God has not said a word!": Robert Browning and the romantic killer in literature.
Creator: Burns-Davies, Erin., Florida Atlantic University, Faraci, Mary
Abstract/Description: Robert Browning's dramatic monologues often characterize the darker aspect of romantic love through speakers who demonstrate their devotion to violence. Exploring the innovations in discourse, Browning gives his narrators voices that allow them to speak from an ancient literary tradition. For Browning's speakers, words make the silencing of the lover either the act of ultimate devotion or the result of disappointed expectations. The narrator speaks of the absence of God, as when Porphyria's...
Show moreRobert Browning's dramatic monologues often characterize the darker aspect of romantic love through speakers who demonstrate their devotion to violence. Exploring the innovations in discourse, Browning gives his narrators voices that allow them to speak from an ancient literary tradition. For Browning's speakers, words make the silencing of the lover either the act of ultimate devotion or the result of disappointed expectations. The narrator speaks of the absence of God, as when Porphyria's lover holds her body to him: "and yet God has not said a word!" With the poet's strong speech---in all his attractiveness, his destructive display of love and his dismissal of God---Browning has helped to create a discourse that has sculpted the literary force of the romantic killer. Three novelists in particular employ the literary force of Browning's experiments: Anne Rice's The Vampire Lestat, Bret Easton Ellis's American Psycho and Thomas Harris's Hannibal Lecter novels. Intertextual comparisons among these narratives delineate how Robert Browning's innovation of the seductive antihero has persisted in literature.
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Date Issued: 2004
PURL: http://purl.flvc.org/fcla/dt/13140
Subject Headings: Browning, Robert,--1812-1889--Influence, Browning, Robert--1812-1889--Criticism and interpretation, Violence in literature, Narration (Rhetoric), Rice, Anne,--1941---Vampire Lestat, Ellis, Brett Easton--American Psycho, Harris, Thomas,--1940---Criticism and interpretation
Format: Document (PDF)

Title: The "anomaly" in Henry James's "The Portrait of a Lady".
Creator: Liotta, Leonard Thomas., Florida Atlantic University, Pearce, Howard D.
Abstract/Description: The word "anomaly" in The Portrait of a Lady forms a nexus of meanings derived from its denotative and connotative meanings. This complex of meaning bring in focus phenomenological aspects of character, action, and style translating into larger thematic concepts to create a level of understanding deepening the experience of the novel. Isabel Archer is examined for her anomalous portrayal of a modern character whose complexity emerges as a dynamic of the anomalous and the vulgar that are...
Show moreThe word "anomaly" in The Portrait of a Lady forms a nexus of meanings derived from its denotative and connotative meanings. This complex of meaning bring in focus phenomenological aspects of character, action, and style translating into larger thematic concepts to create a level of understanding deepening the experience of the novel. Isabel Archer is examined for her anomalous portrayal of a modern character whose complexity emerges as a dynamic of the anomalous and the vulgar that are distinguishable but ultimately inseparable. Using a phenomenological approach, the word "anomaly," as recurring descriptive term, can be studied in its juxtaposition to other words, such as vulgarity, providing additional insight into characterization and action in Portrait of a Lady.
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Date Issued: 2000
PURL: http://purl.flvc.org/fcla/dt/15777
Subject Headings: James, Henry,--1843-1916--Portrait of a lady, James, Henry,--1843-1916--Criticism and interpretation, James, Henry,--1843-1916--Characters--Isabel Archer, Archer, Isabel (Fictitious character)
Format: Document (PDF)

Title: "Antipodes": Ten orchestral compositions. (Original compositions).
Creator: Ferguson, Reuben David., Florida Atlantic University, Glazer, Stuart
Abstract/Description: Antipodes consists of ten separate orchestral musical compositions, or movements, which explore the dichotomies of life. A variety of compositional styles were employed: memories of Rabbit Ridge, Crusader, Infinite Dreamer, and Centenarian are tonal; Incunabulum, Ridin', Love, and Eschatologic are twelve-tone; and Inception and Termination are aleatoric. Instrumentation varies considerably; e.g., Ridin' is orchestrated for a jazz/rock combo; Love for piano and small orchestra; Crusader and...
Show moreAntipodes consists of ten separate orchestral musical compositions, or movements, which explore the dichotomies of life. A variety of compositional styles were employed: memories of Rabbit Ridge, Crusader, Infinite Dreamer, and Centenarian are tonal; Incunabulum, Ridin', Love, and Eschatologic are twelve-tone; and Inception and Termination are aleatoric. Instrumentation varies considerably; e.g., Ridin' is orchestrated for a jazz/rock combo; Love for piano and small orchestra; Crusader and other are for full orchestra. A complete discussion of each piece dealing with compositional method, programmatic intentions, and technical considerations as well as complete computer-generated conductor's scores are included. In addition, a complete performance on cassette tape was also submitted, using the author's computer-based Musical Instrument Digital Interface (MIDI) studio and a battery of synthesizers.
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Date Issued: 1995
PURL: http://purl.flvc.org/fcla/dt/15156
Subject Headings: Instrumental music--Scores., Electronic music--Scores., Orchestral music--Scores.
Format: Document (PDF)

Title: “As long as you can find yourself, you’ll never starve” Green consciousness in the Hunger Games trilogy.
Creator: Jenkins, Sarah Tucker, Graduate College
Date Issued: 2013-04-12
PURL: http://purl.flvc.org/fcla/dt/3361313
Subject Headings: Collins, Suzanne. Hunger Games, Ecofeminism
Format: Document (PDF)

Title: “Between my life that is over and my life to come”: Embodying Authorial Ambivalence in Fred D'Aguiar's Feeding the Ghosts (1997).
Creator: Gifford, Sheryl C., Machado, Elena, Graduate College
Date Issued: 2011-04-08
PURL: http://purl.flvc.org/fcla/dt/3164529
Subject Headings: Authorship --Sex differences, Caribbean literature (English) --History and criticism, Caribbean Area --Fiction
Format: Document (PDF)

Title: “Biological Warfare: Can a War be Justly Fought Using Biological Weapons?”.
Creator: Fagundes, Gabrielle Emilio, Baima, Nicholas, Harriet L. Wilkes Honors College, Florida Atlantic University
Abstract/Description: Biological agents and toxins have been used as weapons offensively as early as 1320 BCE. Modern ability to manipulate and control biological materials has raised concerns as to how wars will be fought in the future. The Geneva Protocol of 1925 and the subsequent Geneva Conventions have clearly determined biological warfare as unethical and illegal due to the devastating effects it has on both combatants and noncombatants. The International Humanitarian Laws, based on the fourth Geneva...
Show moreBiological agents and toxins have been used as weapons offensively as early as 1320 BCE. Modern ability to manipulate and control biological materials has raised concerns as to how wars will be fought in the future. The Geneva Protocol of 1925 and the subsequent Geneva Conventions have clearly determined biological warfare as unethical and illegal due to the devastating effects it has on both combatants and noncombatants. The International Humanitarian Laws, based on the fourth Geneva Convention, are used as guidelines for fighting just and legal wars. Although the use of biological weaponry has been banned for almost a century, government and non-government funded research in this area has not ceased. This highlights the importance of continuing research into the ethics of biological weaponry use according to modern science. After having compared modern biological advancements to these laws, the use of biological weaponry still cannot be justified in war.
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Date Issued: 2024
PURL: http://purl.flvc.org/fau/fd/FAUHT00297
Format: Document (PDF)

Title: “Call Me Tess”: articulating and unwriting identity in Tess of the d’Urbervilles.
Creator: Culler, Drew, Edwards, Hilary, Harriet L. Wilkes Honors College, Florida Atlantic University
Abstract/Description: In Thomas Hardy’s Tess of the d’Urbervilles, male characters inscribe and project stereotyped images of femininity onto the novel’s eponymous heroine. In this thesis, I argue that Tess defies these inscriptions and projections not only through her use of violence, but also through a radical form of submission. Tess, who is often described by critics as a victim of fate, becomes in my argument a formidable figure; even her death, which is frequently read as a capitulation to the forces against...
Show moreIn Thomas Hardy’s Tess of the d’Urbervilles, male characters inscribe and project stereotyped images of femininity onto the novel’s eponymous heroine. In this thesis, I argue that Tess defies these inscriptions and projections not only through her use of violence, but also through a radical form of submission. Tess, who is often described by critics as a victim of fate, becomes in my argument a formidable figure; even her death, which is frequently read as a capitulation to the forces against her, becomes in this interpretation a deliberate act of defiance. Tess obliterates her own body, the contested site of inscription and projection, in order to deny it to her persecutors.
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Date Issued: 2011
PURL: http://purl.flvc.org/fau/fd/FA00003573
Format: Document (PDF)

Title: “Carole Lombard as silent spectacle”.
Creator: Kiriakou, Olympia, Sim, Gerald
Date Issued: 2012-04-06
PURL: http://purl.flvc.org/fcla/dt/3350909
Subject Headings: Silent films, Motion picture actors and actresses, Film criticism, Epic films --History and criticism, Motion pictures --United States --Plots, themes, etc., Lombard, Carole, 1908-1942, Silent films --History and criticism, Comedy films --History and criticism
Format: Document (PDF)

Title: "Cash Money" and other stories.
Creator: Miller, Sheryl., Florida Atlantic University, Schwartz, Jason
Abstract/Description: The short story cycle unifies autonomous stories to create a larger narrative. In a similar manner, a type of money group called Sous Sous, also known as a Hand, Box, Meeting, or Partner, unifies individuals in a communal endeavor that gives a larger purpose to the venture of saving. The stories in this collection comprise a short story cycle that is unified, in part, by its explication of Sous Sous, which is common in black communities in America and the Caribbean and believed to have...
Show moreThe short story cycle unifies autonomous stories to create a larger narrative. In a similar manner, a type of money group called Sous Sous, also known as a Hand, Box, Meeting, or Partner, unifies individuals in a communal endeavor that gives a larger purpose to the venture of saving. The stories in this collection comprise a short story cycle that is unified, in part, by its explication of Sous Sous, which is common in black communities in America and the Caribbean and believed to have origins in African culture. They share common characters and are also linked by a focus on money, materialism, or spirituality. Sequentially placed, most of the stories build on each other, creating a composite narrative.
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Date Issued: 2004
PURL: http://purl.flvc.org/fcla/dt/13131
Subject Headings: African Americans--Economic conditions--Fiction., African Americans--Money--Fiction.
Format: Document (PDF)

Title: "Chief Joseph of the Nez Perce": An affirmation of human values.
Creator: St. Clair, Beatrice Savarese., Florida Atlantic University, Pearce, Howard D.
Abstract/Description: Robert Penn Warren's Chief Joseph of the Nez Perce dramatizes essential human values in individuals, in their relationships to nature, and in the structural elements of the poem, affirming their necessity for living a fulfilled life. By representing Chief Joseph as exemplar of mankind, Warren creates a symbolic example for all to recognize and copy. The presentation of nature parallels the fortunes and misfortunes of human beings. As man's relationship with nature deteriorates, universal...
Show moreRobert Penn Warren's Chief Joseph of the Nez Perce dramatizes essential human values in individuals, in their relationships to nature, and in the structural elements of the poem, affirming their necessity for living a fulfilled life. By representing Chief Joseph as exemplar of mankind, Warren creates a symbolic example for all to recognize and copy. The presentation of nature parallels the fortunes and misfortunes of human beings. As man's relationship with nature deteriorates, universal principles of truth, justice, and personal integrity decline. The structure of the poem mirrors life, creating tension. By encouraging reader participation and introspection, an idea of order emerges, and this order can be maintained in the individual who possesses essential human values.
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Date Issued: 1990
PURL: http://purl.flvc.org/fcla/dt/14675
Subject Headings: Warren, Robert Penn,--1905-1989--Criticism and interpretation, Joseph,--Nez Percé Chief,--1840-1904,--in fiction, drama, poetry, etc
Format: Document (PDF)

Title: "Chill" Cool Shirt.
Creator: Jocic, Alek, Corbin, Adam, Benda, Patrick, Saqib, Rafia, Varvaro, Ian, Ungvichian, Vichate
Abstract/Description: FAU's Office of Undergraduate Research and Inquiry hosts an annual symposium where students engaged in undergraduate research may present their findings either through a poster presentation or an oral presentation.
Date Issued: 2011
PURL: http://purl.flvc.org/fau/fd/FA00005436
Format: Document (PDF)

Title: “COMING AT THE WONDER ITSELF”: MISCLASSIFICATION, MISUNDERSTANDING AND THE INTEGRATED VISION OF RUSSELL HOBAN’S 1967 NOVEL THE MOUSE AND HIS CHILD.
Creator: Richards, Charles, Ulin, Julieann, Florida Atlantic University, Department of English, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: In 1967, Russell Hoban’s first novel, The Mouse and His Child was published and reviewed as a children’s book, despite the fact that the author considered it not to be directed towards a child audience. Since that time, it has been generally analyzed and evaluated as a work of children’s literature (specifically) and not as literature in the general sense. Because the book deals with adult subjects and concepts it has not fared well with those who have measured its success solely on the basis...
Show moreIn 1967, Russell Hoban’s first novel, The Mouse and His Child was published and reviewed as a children’s book, despite the fact that the author considered it not to be directed towards a child audience. Since that time, it has been generally analyzed and evaluated as a work of children’s literature (specifically) and not as literature in the general sense. Because the book deals with adult subjects and concepts it has not fared well with those who have measured its success solely on the basis of its being classified as a children’s book. This thesis hopes to liberate the work from this classification by carefully analyzing the concepts which underpin its action, specifically its ontological speculations, its personification of the fall from grace and the felix culpa, the relationship of the protagonists to their complex antagonist Manny Rat, and, finally, in the symbol of “the last visible dog” which represents the infinite and what lies beyond the self (which, in fact, is actually the self). This thesis also examines how Hoban continued working with these themes and concepts in the novels he wrote after publishing The Mouse and His Child.
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Date Issued: 2022
PURL: http://purl.flvc.org/fau/fd/FA00014008
Subject Headings: Hoban, Russell--Criticism and interpretation, Literature
Format: Document (PDF)

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