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Beethoven
Title
Beethoven: his nine symphonies and their influence on the development of the orchestra.
Creator
Padua, Daniel., Dorothy F. Schmidt College of Arts and Letters, Department of Music
Abstract/Description
Beethoven is widely considered to be one of the most influential composers of all time. His compositions denote a crucial turning point in the history of western music, and his influence can be discussed in numerous ways - musically, technically, theoretically and even philosophically. This treatise discusses one of the primary aspects of Beethoven's influence on later generations: the way that his symphonies contributed to the expansion of the genre and, consequently, to the development of...
Show moreBeethoven is widely considered to be one of the most influential composers of all time. His compositions denote a crucial turning point in the history of western music, and his influence can be discussed in numerous ways - musically, technically, theoretically and even philosophically. This treatise discusses one of the primary aspects of Beethoven's influence on later generations: the way that his symphonies contributed to the expansion of the genre and, consequently, to the development of the orchestra. Included is a detailed analysis of his nine symphonies, an overview of his personal life, and an exploration of the historical, social, and political time in which he lived. This thesis collects and examines relevant documents in order to inquire about and better understand the changes and innovations that transformed the standard orchestra of the eighteenth century, opening the doors to the symphonic music of the Romantic Era.
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Date Issued
2010
PURL
http://purl.flvc.org/FAU/2978945
Subject Headings
Influence, Criticism and interpretation, Performance practice (Music), History, Music, Philosophy and aesthetics, Instrumentation and orchestration, History, Arrangement (Music), History
Format
Document (PDF)
Dissipating hostility through feminine rhetorical style
Title
Dissipating hostility through feminine rhetorical style: Barbara Bush and the petitioners of Wellesley College.
Creator
Doran, Bethany Lynne., Gorbacheva, Raisa Maksimovna, Wellesley College, Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
This study uses Karlyn Campbell's concept of feminine rhetorical style as a theoretical framework for analyzing the rhetoric of Barbara Bush's 1990 Wellesley College commencement address. Through a systematic evaluation of Barbara Bush's speech, this study reveals that her rhetoric exemplifies feminine rhetorical style. The analysis also concludes that Barbara Bush's personal tone, specifically her use of narrative and humor, is the most useful and effective characteristic of her feminine...
Show moreThis study uses Karlyn Campbell's concept of feminine rhetorical style as a theoretical framework for analyzing the rhetoric of Barbara Bush's 1990 Wellesley College commencement address. Through a systematic evaluation of Barbara Bush's speech, this study reveals that her rhetoric exemplifies feminine rhetorical style. The analysis also concludes that Barbara Bush's personal tone, specifically her use of narrative and humor, is the most useful and effective characteristic of her feminine rhetorical style. Using feminine rhetorical style, Barbara Bush successfully dissipates some of the tension she faced prior to the graduation ceremony at Wellesley College. Therefore, this study reveals that feminine rhetorical style is an attractive alternative for speakers seeking to build identification in hostile situations when identification is, or appears to be, lacking.
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Date Issued
2010
PURL
http://purl.flvc.org/FAU/2100573
Subject Headings
Influence, Criticism and interpretation, Feminist theory, Narration (Rhetoric), Psychological aspects, Persuasion (Rhetoric)
Format
Document (PDF)
Divine alchemy in Paradise Lost
Title
Divine alchemy in Paradise Lost.
Creator
Rutherford, Andrea J., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
This study examines the themes of alchemy and transformation in Paradise Lost and seventeenth-century thought. Beginning with an overvieiw of the historical roots of alchemy, this study analyzes the ancient, underlying philosophical concepts that marital union produces the birth of the soul and that destruction is necessary for this birth. Alchemical references identified in Paradise Lost include animal lore and direct alchemical images, which demonstrate Milton's knowledge of alchemy and his...
Show moreThis study examines the themes of alchemy and transformation in Paradise Lost and seventeenth-century thought. Beginning with an overvieiw of the historical roots of alchemy, this study analyzes the ancient, underlying philosophical concepts that marital union produces the birth of the soul and that destruction is necessary for this birth. Alchemical references identified in Paradise Lost include animal lore and direct alchemical images, which demonstrate Milton's knowledge of alchemy and his deliberate use of the alchemical metaphor. These themes support the proposal that Milton, a Christian humanist, uses alchemy as a metaphor described in this study as "divine alchemy," which begins with his belief that Christians, inheriting original sin, must submit themselves to a transformative process similar to transmutation to restore right reason and, ultimately, achieve salvation.
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Date Issued
2012
PURL
http://purl.flvc.org/FAU/3358963
Subject Headings
Criticism and interpretation, Influence, Knowledge, Science, Symbolism in literature, Science in literature, Literature and science, History
Format
Document (PDF)
Fearing the youth
Title
Fearing the youth: economic turmoil, adult anxiety and the Japanese Battle Royale controversy.
Creator
Pagel, Caren., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
In December 2000, Japanese lawmakers took unprecedented steps to ban Fukasaku Kinji's Battle Royale from theaters prior to its scheduled release. The film was deemed "crude and tasteless" for its portrayal of teen violence in a state run game of kill or be-killed and attempts to ban the film were pursued through the film certification process all the way to the floor of Japanese parliament. This thesis investigates the controversy surrounding the release of Battle Royale and the socioeconomic...
Show moreIn December 2000, Japanese lawmakers took unprecedented steps to ban Fukasaku Kinji's Battle Royale from theaters prior to its scheduled release. The film was deemed "crude and tasteless" for its portrayal of teen violence in a state run game of kill or be-killed and attempts to ban the film were pursued through the film certification process all the way to the floor of Japanese parliament. This thesis investigates the controversy surrounding the release of Battle Royale and the socioeconomic and cultural factors - in particular, the Japanese recession and widening generation gap of the 1990s - that influenced both the film's message and the extraordinary political reaction in Japan. This thesis argues that the objections to the film were not based solely on the violent content as is often reported, but rather were the combination of adult economic and cultural anxiety regarding themselves and the youth, the anti-authority message of the film that encouraged the youth to reject adult systems, and a political campaign that exploited the adult fears by using Battle Royale as a scapegoat for youth problems.
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Date Issued
2011
PURL
http://purl.flvc.org/FAU/3172429
Subject Headings
Criticism and interpretation, Influence, Motion pictures, Censorship, Violence in motion pictures, Sensationalism in motion pictures, Politics and government, Social life and customs
Format
Document (PDF)
Grammars of communion
Title
Grammars of communion.
Creator
Shaw, Elliot., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
In response to assertions championing the absence of meaning and significance in language originating from Jacques Derrida's linguistic concepts of deconstruction, George Steiner and John Sheriff provide analyses of language that assert the opposite. Through an emphasis on subjectivities and subjective experience in the world, both find meaning to be bonded to subjective volition and the connectivities between subjects and language systems. For Steiner, this emphasis comes in the form of...
Show moreIn response to assertions championing the absence of meaning and significance in language originating from Jacques Derrida's linguistic concepts of deconstruction, George Steiner and John Sheriff provide analyses of language that assert the opposite. Through an emphasis on subjectivities and subjective experience in the world, both find meaning to be bonded to subjective volition and the connectivities between subjects and language systems. For Steiner, this emphasis comes in the form of asserting the presence of others and the responsibilities we have to them, while Sheriff depicts how the semiotics of Charles Peirce make meaning-making subjective and communal. I argue, therefore, that in contrast to conceptions of language that challenge the presence of meaning in language, a structure of language as conceived through Charles Peirce's semiotics and George Steiner's vision of language asserts a dependability of language and the presence of meaning based on principles of connection and communion.
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Date Issued
2013
PURL
http://purl.flvc.org/fcla/dt/3361055
Subject Headings
Criticism and interpretation, Influence, Language and languages, Philosophy, Communication, Philosophy, Deconstruction
Format
Document (PDF)
Of offal, corpses, and others
Title
Of offal, corpses, and others: an examination of self, subjectivity, and authenticity in two works by Alexandra David-Neel.
Creator
Jones, Robert William, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
This thesis examines two works (My Journey to Lhasa and Magic and Mystery in Tibet) by Alexandra David-Neel. These works subvert the self/other dichotomies both necessary to and critiqued by postcolonial theory. Central to this study is an examination of a claim by His Holiness the XIV Dalai Lama that David-Neel creates an "authentic" picture of Tibet. In order to do this the first chapter establishes a working definition of authenticity based on both Western philosophy and Vajrayana Buddhism...
Show moreThis thesis examines two works (My Journey to Lhasa and Magic and Mystery in Tibet) by Alexandra David-Neel. These works subvert the self/other dichotomies both necessary to and critiqued by postcolonial theory. Central to this study is an examination of a claim by His Holiness the XIV Dalai Lama that David-Neel creates an "authentic" picture of Tibet. In order to do this the first chapter establishes a working definition of authenticity based on both Western philosophy and Vajrayana Buddhism. This project argues that the advanced meditation techniques practiced by Alexandra David-Neel allow her to access a transcendent self that is able to overcome the self/other dichotomy. It also discusses the ways in which abjection and limit experiences enhance this breakdown. Finally, this thesis examines the roles that gender and a near absence of female Tibetan voice play in complicating the problems of self, subjectivity, and authenticity within these texts.
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Date Issued
2010
PURL
http://purl.flvc.org/FAU/1927604
Subject Headings
Criticism and interpretation, Criticism and interpretation, Influence, Self in literature, Symbolism in literature, Spiritual life, Buddhism, Buddhism, Doctrines
Format
Document (PDF)
Religious faith within the scientific revolution
Title
Religious faith within the scientific revolution: a struggle throughout Baconian literature.
Creator
D'Arrigo, Amanda Noelle, Harriet L. Wilkes Honors College
Abstract/Description
This project considers the dual nature of early English thinker Francis Bacon as both a man of science and a devout Christian, through the texts Advancement of Learning, A Confession of Faith, and Of Gardens. Regardless of Bacon's preaching that the progression of scientific knowledge brings one closer to God, in fact human dominance over the natural world undermines religious faith. In particular, Bacon's own interest in early English gardening is used to illustrate the degradation of...
Show moreThis project considers the dual nature of early English thinker Francis Bacon as both a man of science and a devout Christian, through the texts Advancement of Learning, A Confession of Faith, and Of Gardens. Regardless of Bacon's preaching that the progression of scientific knowledge brings one closer to God, in fact human dominance over the natural world undermines religious faith. In particular, Bacon's own interest in early English gardening is used to illustrate the degradation of religious mysticism due to the rise of scientific discovery. Historically, Bacon has been credited as the catalyst of the scientific revolution due to his proposition of a new system of scientific inquiry based on empirical and inductive principles and the development of new arts and inventions. However, Bacon's embrace of the physical sciences and support for human advancement contradicts his alignment with religion. This tension is at the heart of the paper.
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Date Issued
2009
PURL
http://purl.flvc.org/FAU/209989
Subject Headings
Criticism and interpretation, Influence, Religion and science, Nature (Aesthetics), Intellectual life
Format
Document (PDF)
Sinfonâia en rojo
Title
Sinfonâia en rojo: el prisma de Elisabeth Mulder.
Creator
Del Olmo Lâopez, Itxaso., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description
This thesis aims to rescue the name of Elisabeth Mulder, a Spanish female poet who started to publish her first poetry books around the rise of the Generation of 1927 in Spain. The importance of this work hinges on the recognition of Mulder as a female poet whose work has been marginalized from the literary canon, like that of many other women of her era. This thesis focuses on Mulde''s third poetry collection, Sinfonâia en rojo, which was published in 1929 and stands out for its symbolic...
Show moreThis thesis aims to rescue the name of Elisabeth Mulder, a Spanish female poet who started to publish her first poetry books around the rise of the Generation of 1927 in Spain. The importance of this work hinges on the recognition of Mulder as a female poet whose work has been marginalized from the literary canon, like that of many other women of her era. This thesis focuses on Mulde''s third poetry collection, Sinfonâia en rojo, which was published in 1929 and stands out for its symbolic richness and its romantic and modernist features. Part of this research deals with the symbolism of the color red and the meanings that red acquires within the context of the poems. The main leitmotivs of Sinfonâia en rojo are the images of fire and blood, which are used to make reference to both the emotional and the physical world of the poetic voice. The research also focuses on the connections between Mulder's work and that of her contemporaries, and it suggests that she was in contact with the literary world of her era.
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Date Issued
2013
PURL
http://purl.flvc.org/fcla/dt/3362329
Subject Headings
Influence, Criticism and interpretation, Spanish poetry, Women authors, Criticism and interpretation, Spanish poetry, Criticism and interpretation, Women and literature, Generacâion 27 (Group of poets)
Format
Document (PDF)